[Frameworks] The eye in experimental cinema

[franco base]

Hi.
Italian Filmmaker Paolo Gioli is perfect.

For example:

*According To My Glass Eye*
"Secondo il mio occhio di vetro" 1972
Film 16 mm bianco e nero, sonoro, 24 ftg/s, 10'
http://www.paologioli.it/film4.php?page=film&id=4

*When The Eye Quakes*
"Quando l'occhio trema" 1989
Film 16 mm bianco e nero, muto, 18 ftg/s, 12'
http://www.paologioli.it/film20.php?page=film&id=20


ciao
fb


2015-11-05 11:53 GMT+01:00 Claire Henry, Curatorial <
Claire_Henry at whitney.org>:

> Opening scene from Warhol's HARLOT.
>
> Sent from my iPhone
>
> On Nov 5, 2015, at 5:14 AM, albertogerosa . <albertogerosa at gmail.com>
> wrote:
>
> The opening scene of Contact from Zemeckis?
>
> https://youtu.be/pXqOBMICkdA
> On Nov 5, 2015 6:07 PM, "fred truniger" <fred.truniger at gmail.com> wrote:
>
>> man ray: emak bakia, starts and ends with eyes.
>> hitchcock: spellbound. Dali's dreamsequence.
>> fred
>>
>> Am 01.11.15 um 10:38 schrieb nicky.hamlyn at talktalk.net:
>>
>> Guy Sherwin's 'Eye', 'Maya' and 'Yi Wei' from the Short Film Series,
>>
>> Nicky.
>>
>>
>>
>> -----Original Message-----
>> From: Jorge Lorenzo Flores Garza <jorgelorenzo at hotmail.com>
>> <jorgelorenzo at hotmail.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
>> <frameworks at jonasmekasfilms.com>
>> Sent: Sat, 31 Oct 2015 22:14
>> Subject: Re: [Frameworks] The eye in experimental cinema
>>
>> Tscherkassky's "Outer Space" also has a very interesting reference to the
>> Vertovian eye.  The outerspace of the medium watching the narrative,
>> perhaps.
>>
>> ------------------------------
>> From: ryder.white at gmail.com
>> Date: Sat, 31 Oct 2015 13:07:23 -0600
>> To: angelica at cuevas.as
>> CC: frameworks at jonasmekasfilms.com
>> Subject: Re: [Frameworks] The eye in experimental cinema
>>
>> Thanks all, these are great!
>>
>> Best,
>>
>> R
>>
>> On Sat, Oct 31, 2015 at 8:09 AM, Angélica Cuevas Portilla <
>> <angelica at cuevas.as>angelica at cuevas.as> wrote:
>>
>> Hi Ryder,
>> Here you have an excellent film from mexican filmmaker Andrés Garcìa
>> Franco
>> https://myspace.com/kinoandres/video/black-hole/53608351
>>
>> Greetings,
>> Angélica
>>
>> ---
>>
>> Angélica Cuevas Portilla*Mex-Parismental*
>> 4, rue Mathis
>> 75019 Paris
>> France+33-6-64 24 09 10 at MexParismental <https://twitter.com/MexParismental>https://www.facebook.com/MexParismentalhttp://mex-parismental.blogspot.com
>> ***************************
>> -*17th Festival des Cinémas Différents de Paris* http://www.cjcinema.org
>>
>>         07-18 Oct 2015
>>   Festival Trailer :     https://vimeo.com/138882009
>>
>>
>>  On 2015-10-29 21:38, Ryder White wrote:
>>
>> Hello Frameworkers,
>>
>> I am currently embarked on designing an installation the draws on
>> cinematic instances of the human eye and, as I write about it, I'm
>> interested in finding examples of the eye as a major symbolic device,
>> particularly in the realm of experimental and avant-garde cinema. I can
>> think up a couple of examples...Man With The Movie Camera, for instance, or
>> Un Chien Andalou, but I'd be happy to hear of other such appearances.
>>
>> If it helps narrow the (admittedly broad) field, of particular interest
>> are examples where the eye is used to refer to the cinematic apparatus
>> itself, or the camera's voyeur qualities.
>>
>> Thanks in advance!
>>
>> Ryder
>>
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>>
>> --
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