[Frameworks] Garden Films

Toby Tatum tobyjamestatum at yahoo.co.uk
Mon Jul 15 05:09:45 CDT 2024 

Three titles add to the fragrant profusion of garden films:
The Garden, 2019: https://www.tobytatum.com/the-gardenLost Gardens, 2017: https://www.tobytatum.com/lost-gardens
and a vision of a garden in microcosm, The Blue Flower, 2022: https://www.tobytatum.com/the-blue-flower
There are more but the garden would quickly become overgrown...
If you do decide to venture into these floral spaces I'd recommend doing so in the dark.

Toby Tatum

http://www.tobytatum.com/  
 

    On Monday 15 July 2024 at 10:43:00 BST, frameworks-request at film-gallery.org <frameworks-request at film-gallery.org> wrote:  
 
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Today's Topics:

  1. This Week in Avant Garde Cinema: July 13 - 21, 2024 (This Week)
  2. Re: Happy 123rd B-Day Cecile Starr! (Devon D)
  3. Seeking info on Kodak 35mm BW Sound Film #2374 (Devon D)
  4. Re: First Experimental Film Festival in
      Hungary_CELLULOIDRA_REVOLVERREL (Mih?ly Horv?th)

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This Week
[July 13 - 21, 2024]
in Avant Garde Cinema

 


 

To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe.

DEADLINES APPROACHING
*** Enter upcoming calls for entry here ***
___________________________________________________________________________________
sorted by submission deadline

| 07.14.2024 | Cindependent Film Festival – NEW Experimental Section (Regular Deadline) |
| 07.15.2024 | UCROSS Residency Program |
| 07.17.2024 | Celluloidra Revolverrel Hungarian Experimental Film Festival |
| 07.19.2024 | Duluth Superior Film Festival |
| 07.20.2024 | Archivio Aperto |
| 07.28.2024 | Strangloscope Experimental International Festival (Regular Deadline) |
| 07.31.2024 | Viennale International Film Festival Vienna |
| 08.12.2024 | Slamdance Film Festival (Regular Deadline) |
| 08.30.2024 | Light Matter Film Festival |
| 08.31.2024 | Rencontres Internationales Sciences & Cinémas (RISC) |
| 09.06.2024 | Thomas Edison Film Festival (Final Deadline) |
| 09.09.2024 | Punto de Vista Festival |
| 10.01.2024 | San Diego Underground Film Festival (Regular Deadline) |
|   |   |


EVENTS
*** Enter your event announcements here ***
___________________________________________________________________________________
complicated sorting but a true attempt, enjoy!

This week's programs (summary):
   
   - EC: Stan Brakhage Programs [July 12-24, New York, NY]
   - Connectivity Through Cinema: Container Film, w/film maker Dena Kopolovich [July 14, Brooklyn, NY]
   - Workshop: Controlled Demolition: Eco-MordançAge & The Moving Image [July 14, Santa Fe, NM]
   - Nine Films by Stephanie Barber [July 16, Brooklyn, NY]
   - Films of Ben Van Meter Ex-Spirit-Mental Cinema of The Sixties, plus... [July 17, San Francisco, CA]
   - Ferlinghetti---Rebirth of Wonder By Christopher Felver [July 17, San Francisco, CA]
   - Metropolis By Fritz Lang 1927 Revised Edition 2010 [July 17, San Francisco, CA]
   - The Long Conversation [ongoing, online]
   - 6x6 Project: Artists' Moving Image Works [ongoing, online]
 
| STARTING BEFORE SATURDAY, JULY 13, 2024 |

July 12 - 24
Venue type: Live, physical event
Anthology Film Archives
times vary, see below,
32 Second Avenue, New York, NY
EC: Stan Brakhage Programs

--- PROGRAM 1 - Friday, July 12 - 8:45pm ET ---
Unless otherwise noted, all films are silent.
DESISTFILM (1954, 7 min, 16mm, b&w, sound)
REFLECTIONS ON BLACK (1955, 12 min, 16mm, b&w, sound. Preserved by Anthology Film Archives.)
THE WONDER RING (1955, 4 min, 16mm)
FLESH OF MORNING (1956, 25 min, 16mm, b&w)
LOVING (1956, 4 min, 16mm)
DAYBREAK AND WHITEYE (1957, 8 min, 16mm)
WINDOW WATER BABY MOVING (1959, 12 min, 16mm. Preserved by Anthology Film Archives.)
Films made during the early, “psychodramatic” period of one of modern cinema’s greatest innovators, including two of his early experiments with sound.
Total running time: ca. 75 min.

--- PROGRAM 2 - Saturday, July 13 - 6:15pm ET ---
Unless otherwise noted, all films are silent.
ANTICIPATION OF THE NIGHT (1958, 40 min, 16mm)
CAT’S CRADLE (1959, 6 min, 16mm)
SIRIUS REMEMBERED (1959, 12 min, 16mm)
THIGH LINE LYRE TRIANGULAR (1961, 9 min, 16mm)
MOTHLIGHT (1963, 4 min, 16mm. Preserved by Anthology Film Archives.)
BLUE MOSES (1963, 11 min, 16mm, b&w, sound)

With ANTICIPATION OF THE NIGHT, Brakhage leaves psychodrama and enters the “closed-eye vision” period. This program also contains a unique example of a film made without a camera, MOTHLIGHT, and one of Brakhage’s few sound (and ‘acted’) films, BLUE MOSES.
Total running time: ca. 85 min.

--- PROGRAM 3 - Saturday, July 13 - 8:30pm ET ---
SONGS 1-14 1964-65, ca. 53 min, 8mm-to-16mm, silent

“SONG 1: Portrait of a lady. SONGS 2 & 3: Fire and a mind’s movement in remembering. SONG 4: Three girls playing with a ball. Hand painted. SONG 5: A childbirth song. SONG 6: The painted veil via moth-death. SONG 7: San Francisco. SONG 8: Sea creatures. SONG 9: Wedding source and substance. SONG 10: Sitting around. SONG 11: Fires, windows, an insect, a lyre of rain scratches. SONG 12: Verticals and shadows caught in glass traps. SONG 13: A travel song of scenes and horizontals. SONG 14: Molds, paints and crystals.” –Stan Brakhage

--- PROGRAM 4 - Sunday, July 14 - 6:30pm ET ---
Unless otherwise noted, all films are silent.

PASHT 1965, 5 min, 16mm
FIRE OF WATERS 1965, 10 min, 16mm, sound
THE HORSEMAN, THE WOMAN AND THE MOTH 1968, 19 min, 16mm
THE WEIR-FALCON SAGA 1970, 29 min, 16mm
SEXUAL MEDITATION #1: MOTEL 1970, 7 min, 16mm. Preserved by Anthology Film Archives
Total running time: ca. 75 min.

--- PROGRAM 5 - Sunday, July 14 - 8:30pm ET ---
All films are silent.

MY MOUNTAIN: SONG 27 1968, 25 min, 8mm-to-16mm
MY MOUNTAIN: SONG 27: PART 2: RIVERS 1969, 33 min, 8mm-to-16mm
SONGS 28-29 1966/86, 21 min, 8mm-to-16mm

“MY MOUNTAIN: SONG 27: A study of Arapahoe Peak in all the seasons of two years’ photography…the clouds and weathers that shape its place in landscape – much of the photography a-frame-at-a-time. SONG 27: PART 2: RIVERS: A series of eight films intended to echo the themes of MY MOUNTAIN: SONG 27. SONG 28: Scenes as texture. SONG 29: A portrait of the artist’s mother.” –Stan Brakhage
Total running time: ca. 85 min.

--- PROGRAM 6 - Saturday, July 20 - 5:30pm ET ---
THE ART OF VISION 1961-65, 261 min, 16mm, silent

“Includes the complete DOG STAR MAN and a full extension of the singularly visible themes of it. Inspired by that period of music in which the word ‘symphonia’ was created and by the thought that the term, as then, was created to name the overlap and enmeshing of suites, this film presents the visual symphony that DOG STAR MAN can be seen as and also all the suites of which it is composed. But as it is a film, and a work of music, the above suggests only one of the possible approaches to it. For instance, as ‘cinematographer,’ at source, means ‘writer of movement,’ certain poetic analogies might serve as well. The form is conditioned by the works of art which have inspired DOG STAR MAN, its growth of form by the physiology and experiences (including experiences of art) of the man who made it. Finally, it must be seen for what it is.” –Stan Brakhage

--- PROGRAM 7 - Sunday, July 21 - 6:15pm ET ---
THE ANIMALS OF EDEN AND AFTER 1970, 35 min, 16mm
SEXUAL MEDITATION: ROOM WITH A VIEW 1971, 4 min, 16mm. Preserved by Anthology Film Archives.
THE SHORES OF PHOS: A FABLE 1972, 10 min, 16mm
Total running time: ca. 55 min.

--- PROGRAM 8 - Sunday, July 21 - 8pm ET ---
THE TEXT OF LIGHT 1974, 67 min, 16mm, silent
Preserved by Anthology Film Archives.

“All that is, is light.” –Johannes Scotus Erigena

“[Brakhage shot] THE TEXT OF LIGHT in (through) a large crystal ashtray. This magnificent film – a slow montage of iridescent splays of light and shifting landscapes of sheer color, which acknowledges debts to Turner and American Romantic landscape painters as well as to James Davis, the pioneer film-maker of light projections – is the culmination of Brakhage’s exploration of anamorphosis.” –P. Adams Sitney, VISIONARY FILM

--- PROGRAM 9 - Wednesday, July 24 - 7pm ET ---
THE PITTSBURGH TRILOGY
Preserved by Anthology Film Archives.

EYES (1970, 36 min, 16mm, silent) “After wishing for years to be given the opportunity of filming some of the more ‘mystical’ occupations of our Times – some of the more obscure Public Figures which the average imagination turns into ‘bogeymen’... viz.: Policemen, Doctors, Soldiers, Politicians, etc.: – I was at last permitted to ride in a Pittsburgh police car, camera in hand, the final several days of September 1970.” –Stan Brakhage

DEUS EX (1971, 34 min, 16mm, silent) “I have been many times very ill in hospitals; and I drew on all that experience while making DEUS EX in West Penn. Hospital of Pittsburgh; but I was especially inspired by the memory of one incident in an emergency room of San Francisco’s Mission District: while waiting for medical help, I had held myself together by reading an April-May 1965 issue of ‘Poetry Magazine’: and the following lines from Charles Olson’s ‘Cole’s Island’ had especially centered the experience, ‘touchstone’ of DEUS EX, for me: Charles begins the poem with the statement ‘I met Death –’ And then: ‘He didn’t bother me, or say anything. Which is / not surprising, a person might not, in the circumstances; / or at most a nod or something. Or they would. But they wouldn’t, / or you wouldn’t think to either, / it was Death. And / He certainly was, the moment I saw him.’” –Stan Brakhage

THE ACT OF SEEING WITH ONE’S OWN EYES (1971, 32 min, 16mm, silent) “Brakhage, entering, with his camera, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes.” –Hollis Frampton
Total running time: ca. 105 min.
 
| SUNDAY, JULY 14, 2024 |

Venue type: Live, physical event
MONO NO AWARE
7PM EST US,
33 Flatbush Ave, 3rd Floor, Rear, Brooklyn NY
CONNECTIVITY THROUGH CINEMA PRESENTS: CONTAINER FILM, 2024 w/film maker Dena Kopolovich presenting *in person*
PROGRAM INCLUDES: Container Film, 2024, 7min

Container Film delves into the primal origins of storytelling. By contemplating the symbolism of carrying, this experimental short draws from a blend of anthropological, religious and artistic sources to offer a unique lens through which to access human history and experience.

Biography: Dena Kopolovich is a multimedia artist & filmmaker from New York. Her recent work uses past and present aesthetics to investigate the origins and continuity of meaning. She is interested in using cinematic forms to explore the derivation of instinctive human rituals & objects. In 2022-2023 Dena completed artist programs at The Squeaky Wheel Film & Media Center and LABA NYC. She is a teaching artist and community member of the cinema-arts non-profit Mono No Aware based in Brooklyn, NY. She received her education from the Purchase College Conservatory of Theater Arts and the Integrated Media Arts MFA program at Hunter College. MONO NO AWARE SCREENING SERIES: The CONNECTIVITY THROUGH CINEMA series will present the work of artists, film-makers and curators who are traveling or presenting special interactive programs in-person. Our hope is to engage the community by showing work with a focus on post-screening discussion. This series is made possible by support from the New York State Council on the Arts (NYSCA)

___________________________________________________________________

Venue type: Live, physical event
No Name Cinema
2pm MST,
No Name Cinema, 2013 Pinon Street, Santa Fe, NM
Workshop: Controlled Demolition: Eco-Mordançage & the Moving Image
Mordançage is an alternative photographic process that causes the silver gelatin to appear distressed, resulting in reticulation and forming ghostly veils in the emulsion. While this process was originally developed for photographic prints, it has stunning results with moving images. Traditional mordançage employs caustic chemicals and can only be used with black & white film. This workshop, led by artist-in-residence Dominick Rivers, will introduce the eco approach which can be used for black & white and color film and uses exclusively compostable material.

All materials provided ! Sliding-scale workshop fees: $15-$30

LIMITED SPACE ~ RSVP to reserve a spot: justincliffordrhody at gmail.com
 
| TUESDAY, JULY 16, 2024 |

Venue type: Live, physical event
Light Industry
7:30pm ET,
361 Stagg Street, Suite 407, Brooklyn, NY
Nine Films by Stephanie Barber

letters, notes, 1997, 16mm, 7 mins
3 peonies, 2017, 16mm, 3 mins
Catalog, 2005, 16mm, 11 mins
flower, the boy, the librarian, 1997, 16mm, 5 mins
Another Horizon, 2020, 16mm, 9 mins
shipfilm, 1998, 16mm, 4 mins
Dogs, 2000, 16mm, 15 mins
Total Power, dead dead dead, 2005, 16mm, 3 mins
oh my homeland, 2019, 16mm, 4 mins

Looking back on the resurgence of experimental cinema at the turn of the millennium, it’s clear that one of the most significant artists to emerge from that moment was Stephanie Barber, whose work in 16mm we’ll be surveying this evening. Her films have never hewed to a particular style or school—there is no echt Barber movie—though a distinctive and coherent sensibility animates each piece. Some are deceptively simple, composed of only a handful of elements, or even a single, unbroken shot. These achieve a kind of gnomic potency, whether by isolating a particularly rich detail, like the face of soprano Leontyne Price as she receives a final standing ovation, or through precise and unexpected juxtapositions, as with the plangent telegraphy of letters, notes, in which found missives are spelled out, character by character, atop faded snapshots.

Vernacular photography also figures prominently in Catalog, but through a radically different approach. Here the everyday images are restaged as tableaux vivants, with the original poses held stiffly by Barber’s friends, each picture a frozen moment brought back to life, made strange with every blink and breath. As elsewhere, the two-dimensional takes on a more physical, tactile character; a memory becomes a thing. For Another Horizon, Barber created a 36-foot long collage of landscapes, ripped from books and magazines, and shot it with a continuous rightward pan, its contours further traced by jagged scratches into the emulsion. Echoing across her imagined expanse is an impromptu sermon by the late Oswan Chamani (Richard Williams), priest and founder of the Voodoo Spiritual Temple in New Orleans, which Barber recorded in his apartment in 1995.

She maintains, throughout her films, a delicate balance of artifice and sincerity. This impulse finds a limit case with Dogs, in which the filmmaker acts out a philosophical discourse on the nature of art, emotion, and individualism, its effects undercut—and magnified—by the fact that her interlocutors are two papier mâché dog puppets with sad eyes. “Right now I’m interested in working with what might be considered ‘wrong choices,’” explains one ersatz canine, “making the viewer feel that uncomfortable feeling they feel when an artist has made the wrong choice. I don’t know, something too silly or obvious or sentimental.”

Tonight’s program will also feature a reading by Barber, and will be followed by a conversation. Tickets - Pay what you can ($10 suggested donation), available at door. Please note: seating is limited. First-come, first-served. Box office opens at 7pm. No entry 10 minutes after start of show.
 
| WEDNESDAY, JULY 17, 2024 |

Venue type: Live, physical event
Films with Friends (Renegade Cinema)
6pm PT,
Beat Museum, 540 Broadway, San Francisco, CA
Films of Ben Van Meter Ex-Spirit-Mental Cinema of the Sixties Plus Documentary “Twilight of My Humble Brother: Ben Van Meter Speaks His Peace".” (2018) With “Acid Mantra by Ben Van Meter” (1968)
Ben Van Meter among Lawrence Jordan, Robert Nelson and Lenny Lipton is one of the co-founders of notable distributor of Avant Garde Cinema Canyon Cinema Inc. in 1967. Canyon Cinema is located in San Francisco. His work is understated and has often been ignored in the history of experimental cinema. Tonight’s program is a tribute to Ben Van Meter and his contributions to the avant scene of San Francisco during the 60s. Ben passed away in August 2019.

Ben Van Meter began making films and light shows in the mid-1960s in San Francisco and soon became a leading figure in Bay Area-underground filmmaking. His films, especially S.F. Trips Festival, An Opening (1966) and the epic Acid Mantra or Rebirth of a Nation (1968), are compelling attempts to visually and sonically inscribe psychedelia, as experience and philosophy, in the medium of film. Van Meter’s films were unavailable for many years, but their ongoing restoration by the Academy Film Archive and their inclusion in the de Young Museum’s 2017 exhibition, The Summer of Love Experience: Art, Fashion, and Rock ‘n’ Roll, has gained them a new audience.

Tonight’s program will contain work from his DVD collection of films called “Reborth of a Nation (Ex-Spirit-Mental Cinema of the Sixties”. Films include:
The Poon Tang Trilogy (1964) 9 minutes,
Colorfilm (1965) 9 minutes,
Bolex Peyote Bardo (1965) 11 min,
Up Tight, L.A. Is Burning…Shit! (1966) 20 min,
S.F. Trips Festival, An Opening (1966) 9 min,
Me & Bruce & Art (1967) 6 min,
BE (1967) 8 min,
Go Where The Kids Go (1967/2008) 3 min.

Also included is “Interview with Ben Van Meter May 22, 2018 Lakeport, CA”. This is an interview of Ben screened along with his film Acid Mantra 1967. A Zeb and Mister WA Production

___________________________________________________________________

Venue type: Live, physical event
Films with Friends (Renegade Cinema)
7:30pm PT,
Savoy Tivoli, 1434 Grant Ave, San Francisco, CA
Ferlinghetti---Rebirth of Wonder by Christopher Felver. 75 minutes 2009
A benefit for "Poetry Flash" introduction by Joyce Jenkins.
Special Introduction by Bobby Coleman

In this definitive documentary, director Christopher Felver crafts an incisive, sharply wrought portrait that reveals Ferlinghetti's true role as catalyst for numerous literary careers and for the Beat movement itself. One-on-one interviews with Ferlinghetti, made over the course of a decade, touch upon a rich mélange of characters and events that began to unfold in postwar America. These events include the publication of Allen Ginsberg's Howl, William S. Burroughs' Naked Lunch, and Jack Kerouac's On the Road, as well as the divisive events of the Vietnam war, the sexual revolution, and this country's perilous march towards intellectual and political bankruptcy.

___________________________________________________________________

Venue type: Live, physical event
Films with Friends (Renegade Cinema)
7PM PT,
SFOG, 13144 Grant Ave, San Francisco, CA
Metropolis by Fritz Lang 1927 revised edition 2010
1927 saw the emergence of the most Uptopian film of the silent era. In Metropolis, Fritz Lang cinematically realizes his ideas about the possibility of the future organization of society.

The idea for this work stems from Lang's first impression of the NYC skyline and the effect it had on his love for architecture. This film survives today for two main reasons: A great document of German Expressionism which is defined as a work of art should be told from the point of view of archetypes; be revolutionary; be ecstatic and express faith in the future; extol the purifying power of sacrifice and ethical responsibility of the individual; reveal a deep religious awareness; describe the nature of "Man's Mission" and propound the belief that thru the destruction and rebirth of the world, a new and pure humanity will arise: that is the dawn of the kingdom of Love.

Metropolis represents a work of true cinematic genius in its visual contents. It was to influence most science fiction and narrative films to come. It expands the "language" of cinema to include architecture, special effects, extreme lighting, and careful planning of mass movements within the frame to enhance the whole and to help expand cinema into the experiential realm. This revised edition incorporates more then 25 minutes of newly discovered footage.
 
| ONGOING |


Venue type: Virtual, online event
Riverwest Radio
streaming 24/7
THE LONG CONVERSATION
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!!

___________________________________________________________________

Venue type: Virtual, online event
6x6 Project
streaming 24/7
Artists' Moving Image Works
6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create
an ever-growing network among peers.

There are now more than four hundred artists’ film and moving image works available to view on the website.






 

 



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- wait, make that 103rd Bday for Cecile, I'm getting ahead of myself . . .-dD
On Sun, Jul 14, 2024 at 1:29 PM Devon D <devonimation at gmail.com> wrote:

also Happy 123rd B-Day today to Cecile Starr - Cecile 4 evah!-dD

-- 
Devon Damonte (he / him)artist + teacher + enthusiastdirect animation ~ rubbings ~ cyanotypes ~ & beyond


-- 
Devon Damonte (he / him)artist + teacher + enthusiastdirect animation ~ rubbings ~ cyanotypes ~ & beyondHello Frameworkers!
Wondering if anyone has any knowledge &/or experience with Kodak 35mm BW Sound Film #2374? Listed as "Panchromatic Sound Recording Film" description says: "process-surviving antistat . . . on ESTAR base reduces the propensity for dirt and static marks . . . scratch resistant base and emulsion surface coatings . . . " 
I've used #3378 in 16mm, so I'm assuming #2378 in 35mm would be same. Wondering the differences between 2378 and 2374, and which would be best for experimental darkroom work, photograms, contact prints etc? I'm also really hoping to someday find a 35mm BW hi-con stock we can use with amber safelights in the darkroom to make it easier for newbie students to navigate the darkness coming in from bright summer sun.
I'm teaching summer experimental cameraless animation at Evergreen State College (now in our 12th summer!). Thanks for any info & suggestions!
Page 23 of catalog - https://www.kodak.com/content/products-brochures/Film/Kodak-Motion-Picture-Products-Price-Catalog-US.pdf
Best,Devon

-- 
Devon Damonte (he / him)artist + teacher + enthusiastdirect animation ~ rubbings ~ cyanotypes ~ & beyondHi Nicole and Luis!

All fellow frameworkers can use the discout code NEGYVEN to get a 40% waiver. As for the expanded cinema performances, we are very much looking forward to see international works at our festival! So far, we have received around 5 performances proposals from abroad, but due to the fact that Celluloidra Revolverrel is a underground developing grassroots platform, we don't have the budget to finance travel fees eg. from the states. So we have to focus on expanded cinema performances mainly from Eastern, or Central Europe. 
Hopefully next year we will have a greater budget to work with, so fellow filmmakers (and frameworkers :-) ) from far away can participate! 
We really hope to see Caos Kamping on our event, they are fellow filmmakers and friends also from Budapest, who have been creating analog labyrinths for over a decade now. Make sure to check them out if interested: https://kaoscamping.com/
Best,

Mihály
luis ? <mabalufilm at gmail.com> ezt írta (időpont: 2024. júl. 11., Cs, 21:31):

Hello Mihály,

Nice to know about this festival....i
 would like to propose some of my expanded cinema works and some of my workshops...
Specially this nice performance where i born film during 25min...it is a special one!
The eyes empty and the pupils burning of rage and desire

performances 
Spectral Landscape

A SUN YET TO COME ›› 

I Can´t see the sixth Sun EON SOLAR
films
EL OCEANO ANALOGOTHE KISS
workshops

- Moving still

- Expanded Cinema workshop

- https://crater-lab.org/control-vs-azar-explorando-los-espacios-intermedios-en-el-cine-experimental

- https://crater-lab.org/filmando-con-luz-rayogramas-y-flat-print/




best!

Luis







Looking forward to hearing from you!! congratulations!!
Luis-------------
Luis Macíashttp://luismacias.es/




El mié, 10 jul 2024 a las 23:22, Mihály Horváth (<jnr.horvathm at gmail.com>) escribió:


Hi all,

Just wanted to let you know that our festival event is now avaible on Facebook :-). Here is the description:


 "

/Celluloidra Revolverrel organizes its first experimentalfilm exposition on 29-30 August 2024 at the Kaleidoscope House in Esztergom.

/The event will consist of three interconnecting activities: film festival, academic conference and a series of workshops.

So far, the festival has received nearly 250 experimentalfilms from all over the world - and our last call for entries is still open!

/Our entry categories were as follows:

//biological and ecological processing based experimentalcinema
- the controlled or uncontrolled manipulation of thefilmstrip with natural materials and elements (rotting, burning, soaking,burying underground, etc.)

//chemical processing based experimental cinema
- manipulation of the filmstrip by chemical processes (acidcorrosion, staining with household chemicals, etc.)

//direct experimental cinema
- direct manipulation of the filmstrip (painting, glueing,scratching, collaging, drawing, etc.)

//absolute cinema
- experimentation with the purely visual language of form,light and movement

//found footage
- experimenting with the ways of recontextualising foundmaterial

//transmedial experimental cinema, video-, computer- andnewmedia-arts
- experimentation with free medium use, from analoguecomputer art and mixed media to AI-based digital art and beyond

//expanded cinema
- visual culture transcending the screen, from projectionperformances and analogue labyrinths to any event-based mixed mediaexperimentation (entry with on-site performances only)

/The official nominated selection will be screened inthematic blocks during the event. The screenings will be accompanied bytheoretical and historical contextualizations in the form of scientificlectures presented in separate sections by academic staff, researchers andartists working within or on the borders of experimental cinema. The abstractsof our invited lecturers and guests will be made public in the forthcomingweeks.

/The event also aims to promote technical education, with aspecial focus on the experimental use of traditional film handling. In parallelto the screenings and scientific presentations, interactive workshops will beheld to introduce participants to various technical approaches, such as:scratching the emulsion, painting on, or even rotting the celluloid tape.

/A detailed programme and conference schedule of the eventwill be made public from the beginning of August. Until then, we will keepcoming with further details, lecturer profiles and other content!

"
Best regards,

Mihály



Celluloidra Revolverrel is a scientific and artistic grassroots platform that aims to organise contemporary Hungarian experimental filmmaking.
https://filmfreeway.com/celluloidrarevolverrel_experimentalfilm
Celluloidra Revolverrel Facebook Event
Celluloidra Revolverrel Facebook Page
http://www.celluloidrarevolverrel.hu/





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