[Frameworks] Open letter to Jeff Kreines

40 Frames info at 40frames.org
Thu Jul 29 16:44:42 CDT 2010


40 Frames screened both Demon Lover and Seventeen....

http://40frames.org/past_screenings/2007/winter_spring/#joel_demott
http://40frames.org/past_screenings/2006/winter_spring/#seventeen

Prints were rented directly from Jeff.... have the prints become suddenly
unavailable?


--Alain





On Thu, Jul 29, 2010 at 12:15 PM, Patricia R. Zimmermann
<patty at ithaca.edu>wrote:

> Compare to Wiseman's HIGH SCHOOL, and it's easy to make the claim of the
> significance for SEVENTEEN in US film history.
>
> -------
> Patricia R. Zimmermann, Ph.D.
> Professor, Cinema, Photography and Media Arts
> Roy H. Park School of Communications
> Codirector, Finger Lakes Environmental Film Festival
> Division of Interdisciplinary and International Studies
> 953 Danby Road
> Ithaca College
> Ithaca, New York 14850 USA
> Office: +1 (607) 274 3431
> FAX: +1 (607) 274 7078
> http://faculty.ithaca.edu/patty/
> http://www.ithaca.edu/fleff
> BLOG: http://www.ithaca.edu/fleff10/blogs/open_spaces/
> patty at ithaca.edu
>
>
> ---- Original message ----
> >Date: Thu, 29 Jul 2010 15:12:22 -0400
> >From: frameworks-bounces at jonasmekasfilms.com (on behalf of Adam Levine <
> adamrl at gmail.com>)
> >Subject: Re: [Frameworks] Open letter to Jeff Kreines
> >To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> >
> >   Cosigned. Seeing Seventeen at the PFA was a seminal
> >   experience for me. It's definitely up there with any
> >   American film ever made, documentary or otherwise.
> >
> >   On Jul 29, 2010, at 2:44 PM, Rick Prelinger
> >   <footage at panix.com> wrote:
> >
> >     Seventeen, one of the greatest unavailable US
> >     films.
> >
> >     Rick Prelinger
> >     footage at panix.com
> >     Prelinger Library & Archives
> >     San Francisco
> >     On Jul 29, 2010, at 11:37,
> >     <scott at financialcleansing.com> wrote:
> >
> >       Sorry Frameworkers,
> >           Didn't mean to send this as part of the
> >       Kodachrome discussion.
> >
> >         Open Letter to Jeff Kreines:
> >         Dear Jeff,
> >             As you know, I've been trying to find out
> >         how to access your (and Joel DeMott's) films
> >         for some months now--without success. And you
> >         also know of my interest in speaking with you
> >         about your experiences as a student in the MIT
> >         film program years ago.
> >             You are a regular and valuable contributor
> >         to FRAMEWORKS, and I'm sure many FRAMEWORKERS
> >         would be interested in knowing whether your
> >         films are available, and if so how (and if
> >         not, why not). And my guess is that many of us
> >         would be interested in hearing about your
> >         experiences at MIT: would you be willing to
> >         respond to questions about this on FRAMEWORKS?
> >         All the Best,
> >         Scott
> >         Scott MacDonald
> >
> >           -------- Original Message --------
> >           Subject: Re: [Frameworks] Early Kodachrome
> >           From: Jeff Kreines
> >           <jeffkreines at mindspring.com>
> >           Date: Wed, July 28, 2010 3:38 pm
> >           To: Experimental Film Discussion List
> >           <frameworks at jonasmekasfilms.com>
> >
> >           A little more on that film (with a few
> >           inaccuracies):
> >           http://1000words.kodak.com/post/?ID=2982503
> >
> >     ------------------------------------------------
> >
> >           _______________________________________________
> >           FrameWorks mailing list
> >           FrameWorks at jonasmekasfilms.com
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> >
> >     ------------------------------------------------
> >
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> >
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> >
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> >________________
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-- 
40 FRAMES
Alain LeTourneau
Pam Minty

40 FRAMES
Attention: Pam Minty
PO Box 15207
Portland, OR 97293
USA

+1 503 231 6548
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