[Frameworks] Film's rupture

Matt Helme dcinema2134 at yahoo.com
Sun Apr 17 23:26:52 CDT 2011


Part 2 of Dog Star Man, in case anyone wondered.
Matt

 http://www.youtube.com/results?search_query=oscarthepug1234&aq=f




________________________________
From: gyoungblood <atopia at comcast.net>
To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
Sent: Sun, April 17, 2011 11:09:21 PM
Subject: Re: [Frameworks] Film's rupture

Re: [Frameworks] Film's rupture  
I vaguely recall a pseudo-rupture at the end of Milton Moses  Ginsberg's "Coming 
Apart." In experimental there are endless examples, of  course, but a 
particularly self-referential (and iconic) one is in Dog Star Man  (I don't 
remember which part) when the newborn infant bursts through a  ragged hole in 
the film. A very intense use of material ruptures to  reveal (or destroy) faces 
or figures is Garine Torossian's "Visions"  (1992), constructed almost entirely 
around this technique.
----- Original Message ----- 
>From: Adam    Hyman 
>To: Experimental Film Discussion    List 
>Sent: Sunday, April 17, 2011 5:24  PM
>Subject: Re: [Frameworks] Film's    rupture
>
>Two-lane Blacktop, by Monte Hellman, ends with that,    in the 
>“non-experimental” world.
>Irma Vep by Olivier Assayas – scratching,    etc
>
>
>On 4/17/11 4:06 PM, "Anastasia Tsarkova" <nastya.tsarkova at gmail.com>    wrote:
>
> 
>Dear colleagues,
>>
>>Could you please tell me in      which films (mostly non-experimental, but 
>>experimental is also ok) we      can observe the film's rupture and the 
>>involving of film (as material) into      the fictional world (just like in 
>>Bergman's Persona & Peter      Tscherkassky's Outer Space)? The examples with 
>>the premeditated and      non-accidental scrathes are also worth a lot.
>>Thanks in      advance
>>
>>Best Regards,
>>Anastasia 
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