[Frameworks] Film's rupture
Matt Helme
dcinema2134 at yahoo.com
Sun Apr 17 23:26:52 CDT 2011
Part 2 of Dog Star Man, in case anyone wondered.
Matt
http://www.youtube.com/results?search_query=oscarthepug1234&aq=f
________________________________
From: gyoungblood <atopia at comcast.net>
To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
Sent: Sun, April 17, 2011 11:09:21 PM
Subject: Re: [Frameworks] Film's rupture
Re: [Frameworks] Film's rupture
I vaguely recall a pseudo-rupture at the end of Milton Moses Ginsberg's "Coming
Apart." In experimental there are endless examples, of course, but a
particularly self-referential (and iconic) one is in Dog Star Man (I don't
remember which part) when the newborn infant bursts through a ragged hole in
the film. A very intense use of material ruptures to reveal (or destroy) faces
or figures is Garine Torossian's "Visions" (1992), constructed almost entirely
around this technique.
----- Original Message -----
>From: Adam Hyman
>To: Experimental Film Discussion List
>Sent: Sunday, April 17, 2011 5:24 PM
>Subject: Re: [Frameworks] Film's rupture
>
>Two-lane Blacktop, by Monte Hellman, ends with that, in the
>“non-experimental” world.
>Irma Vep by Olivier Assayas – scratching, etc
>
>
>On 4/17/11 4:06 PM, "Anastasia Tsarkova" <nastya.tsarkova at gmail.com> wrote:
>
>
>Dear colleagues,
>>
>>Could you please tell me in which films (mostly non-experimental, but
>>experimental is also ok) we can observe the film's rupture and the
>>involving of film (as material) into the fictional world (just like in
>>Bergman's Persona & Peter Tscherkassky's Outer Space)? The examples with
>>the premeditated and non-accidental scrathes are also worth a lot.
>>Thanks in advance
>>
>>Best Regards,
>>Anastasia
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