[Frameworks] Current situation with Film Festivals

Matt Helme dcinema2134 at yahoo.com
Wed Feb 16 11:46:53 CST 2011


Most of us may still see the value of big screen projection and the festival 
experience, but most people would rather stay home and rent one or see it on you 
tube.  The two theaters close to me closed down in the past few years and i 
don't see it getting any better.
Matt

 http://www.youtube.com/watch?v=ff-94PXtixo




________________________________
From: Bryan McKay <bryan.mckay at gmail.com>
To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
Sent: Wed, February 16, 2011 12:30:27 PM
Subject: Re: [Frameworks] Current situation with Film Festivals

Because watching a film in the theatre still beats watching one on your computer 
screen? Because YouTube still can't manage to screen 35mm or 16mm? Because you 
want to support your local arts community? Because the sort of curation that 
goes on at festival screenings can elaborate heretofore unseen thematic or 
aesthetic links between disparate works? Because you might actually get a chance 
to meet and chat with the filmmaker whose work you've just enjoyed? Because 
having a shared experience in a dark room with a bunch of other people can be a 
profoundly moving experience?


On Wed, Feb 16, 2011 at 12:22 PM, Matt Helme <dcinema2134 at yahoo.com> wrote:

When you can put your work on-line and have it seen worldwide, why bother with 
festivals?
>Matt  
>
> http://www.youtube.com/watch?v=ff-94PXtixo
>
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________________________________
From: D Dawson <decodawson at shaw.ca>
>To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
>Sent: Wed, February 16, 2011 12:11:52 PM
>Subject: Re: [Frameworks] Current situation with Film Festivals
>
>
>I agree with Dominic,  I have heard horror stories about festivals sending home 
>150 tapes each to 5 individual undergrads telling them to choose 20 that “he/she 
>likes” no mention of the criteria of evaluation or the fact that a single 
>person’s judgment might throw off the whole process.    I mean realistically how 
>else are you going to get through 1000-2000 films right?   
>
>Deco
>
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>On 2/16/11 10:38 AM, "DOMINIC ANGERAME" <dominicangerame at sbcglobal.net> wrote:
>
>
>
>>I am noticing an alarming trend these days with experimental film festivals 
>>throughout the world. I received a notice from the Images Festival in Canada 
>>that they received more than 1,000 entries for exhibition. I am sure that Ann 
>>Arbor Film Festival received far more entries than the 150 films they are 
>>viewing. Since is seems that almost everyone is a filmmaker these days that the 
>>structure and procedures of the major experimental film festivals should be 
>>changed in major ways. Virtually all festivals charge an fee for entry. 1000 
>>entries can mean $25,000 going to the festivals for admin/pre-screening, etc. 
>>This does not include the donations, governmental grants, and other sources of 
>>income.  I used to run a couple of festivals and understand the purpose of entry 
>>fees to help defray costs. However, since the number of entries for many 
>>festivals has risen more than 3 or 4 times the amount the festivals need to 
>>consider extending their exhibitions  to accomodate the amount of entries. Most 
>>filmmakers are now facing a 1 to 20 odds of having their films shown in major 
>>festivals. This is less than playing the lottery.
>>
>>It is distressing for me, having been making films for more than 40 years to see 
>>the festival situation become so debased. The volume of work being entered is 
>>drowning these festivals in both admin, and creative decisions. I have served on 
>>juries in many festivals and noticed when I looked at the list of the films 
>>rejected by pre screeners that many great films had been rejected. As a judge I 
>>requested to view those rejected and found most of the films selected by me were 
>>shown at these particular festivals. Since the volume of entered work in most 
>>well known festivals far exceeds the festivals ability to manage this volume, 
>>that a new structure needs to be put in place. This would be a great service to 
>>the filmmakers entering their works into these festivals.
>>
>>Dominic Angerame
>>
________________________________

>>
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>>FrameWorks at jonasmekasfilms.com
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>>

www.decodawson.com  

 
>
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