[Frameworks] Online film clips

[Myron Ort]

Thanks for the info.  We used "Compressor" and did everything  
correctly, but I am not thinking that what Kev said may have  
something to do with the problem in that these older clips originated  
from telecine transfers that were received as mini dv and then taken  
into fcp.
Not sure how we dealt with the interlacing issue,  could that be more  
of a noticeable issue with handpainted material when there is less  
"continuity" from frame to frame compared to live action?

mo


On Jan 9, 2011, at 2:37 PM, Serge Levchin wrote:

>
> if you or your assistant are uploading ProRes 422 videos for  
> YouTube that may well be the problem. either YouTube can't handle  
> the data rate, or your connection is not fast enough for it.
> perhaps you should try a codec with a lower data rate. I think H. 
> 264 is recommended for YT.
>
> a quick internet search turns up these basic instructions for web  
> export (using Compressor):
> http://www.pauljoy.com/workflow/final-cut-pro/exporting-for-the-web/
>
> "For web video I choose the H.264 format..." says Paul Joy...
>
> hope that helps
> s
>
>
>
> On Sun, Jan 9, 2011 at 4:58 PM, Kevin Timmins <on- 
> one-2 at hotmail.com> wrote:
> Hi, i'll try and help but firstly will need to know a few things:
>
> When you say film, do you mean film? If so how have you digitized  
> it (with a handycam or telecine)? What did you edit it with? How  
> have you exported it in? Where are you exporting it too on the  
> internet? If you are exporting to youtube or vimeo have a look at  
> the bellow links (these might help anyway even if you're not).
>
> http://vimeo.com/help/compression
>
> http://www.google.com/support/youtube/bin/answer.py?answer=165543
>
> And remember settings might change depending on what you're  
> shooting with and where you are in the world.
>
> Kev
>
> > From: zeno at sonic.net
> > Date: Sun, 9 Jan 2011 13:00:28 -0800
> > To: frameworks at jonasmekasfilms.com
> > Subject: Re: [Frameworks] Online film clips
>
> >
> >
> > What is the trick or technical process needed to get film clips to
> > play relatively smoothly online? What causes them to be jerky and
> > inconsistent in their flow?
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