[Frameworks] 16mm print - help needed (Ireland)

[Freya]

If she can work in B&W then she could do the lot at nowhere lab in London:

http://www.no-w-here.org.uk/

That way she could hand process the film in Eire too and avoid X-raying her unprocessed film.

If she is working in colour however, it all becomes less straightforward as I understand that the end of printing at Soho, includes workprints. She might as well fly to a lab in France or Germany in that case. She would be best off shooting on the slowest stock she can to reduce the impact of x-rays or finding a way of posting it over in the hope of avoiding such (non-)Schenenegens! ;) Hopefully she could get a direct flight from Ireland to France so that it's only one pass through the x-rays.

I'm guessing the abominable lab might have rewinds and editing stuff and is in France:

http://www.l-abominable.org/index-en.html

love

Freya


--- On Thu, 3/10/11, ev petrol <epetrol2 at yahoo.com> wrote:

From: ev petrol <epetrol2 at yahoo.com>
Subject: [Frameworks] 16mm print - help needed (Ireland)
To: "Experimental Film Discussion List" <frameworks at jonasmekasfilms.com>
Date: Thursday, March 10, 2011, 3:30 AM

hey folks, just got the email below from a friend in Galway - can explain the process to her - presuming she's better off going the workprint route (?) - but not sure where to send her for the resources (steenbeck, rewinds &c, lab ...) - anyone have an idea?
cheers Moira

I've shot 16mm before but have had it telecined and edited &
      exhibited the work digitally, but this time it's important to show
      the work on 16mm. I was wondering if you have any advice on the
      cheapest and most efficient way to edit and produce a final print
      - telecine and print back to 16mm (expensive)? Or are there are
      Steinbeck editing tables around that would make it possible to cut
      a workprint from the rushes (and if not supplying the lab with an
      EDL, how do they cut the original neg)?

      

      As is obvious from the crudeness of these questions I am a bit in
      the dark with this process and finding it difficult to get clarity
      on the production process, especially now that Soho in London have
      closed their 16mm printing. Any help would be very much
      appreciated.

      

www.moiratierney.net

www.soluscollective.org

--- On Wed, 3/9/11, 40 Frames <info at 40frames.org> wrote:

From: 40 Frames <info at 40frames.org>
Subject: [Frameworks] Schools looking for super 16 camera package?
To: "Experimental Film Discussion List" <frameworks at jonasmekasfilms.com>
Date: Wednesday, March 9, 2011, 8:07 PM


40 Frames is preparing to sell our Aaton XTR camera package, and wanted to see if there was any interest from 
schools looking to add a super 16 camera to their inventory. Interested individuals can fee free to contact us as well. 


Please contact us off-list if you'd like more information. 


Best, 
Alain


-- 
40 FRAMES
Alain LeTourneau
Pam Minty

40 FRAMES
5232 N Williams Ave
Portland, Oregon 97217

USA

+1 503 231 6548
www.40frames.org
www.16mmdirectory.org
www.emptyquarterfilm.org




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