[Frameworks] This week [October 29 - November 6, 2011] in avant garde cinema
Weekly Listing
weeklylisting at hi-beam.net
Sat Oct 29 11:55:36 CDT 2011
This week [October 29 - November 6, 2011] in avant garde cinema
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NEW FILM/VIDEO:
===============
"East River Pavilion, Upper East Side, New York City" by Barton Lewis
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=482.annNew Film/Video: non-feature:
"fire doors, Pacific Street, Atlantic Yards" by Barton Lewis
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=483.ann
"Between The Scan Lines" by Mike Celona
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=481.ann
NEW CALLS FOR ENTRIES:
=====================
ARTErra-rural artistic residency (Tondela, Portugal; Deadline: October 30, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1340.ann
Big Muddy Film Festival (Carbondale, Illinois, USA; Deadline: November 11, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1372.ann
Courtisane Festival (Ghent, Belgium; Deadline: December 31, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1373.ann
19th Chicago Underground Film Festival (Chicago, IL USA; Deadline: March 01, 2012)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1374.ann
De Anza Experimental Film Exhibition (Cupertino, CA, USA; Deadline: November 07, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1375.ann
360 | 365 Film Festival (Rochester, NY USA; Deadline: February 01, 2012)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1376.ann
DEADLINES APPROACHING:
======================
Stop & Go (San Francisco, CA, USA; Deadline: November 15, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1302.ann
Go Short - International Film Festival Nijmegen (Nijmegen, the Netherlands; Deadline: November 30, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1319.ann
$100 Film Festival (Calgary, AB CANADA; Deadline: December 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1339.ann
ARTErra-rural artistic residency (Tondela, Portugal; Deadline: October 30, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1340.ann
Experiments in Cinema v7.9 (Albuquerque, New Mexico USA; Deadline: December 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1343.ann
MONO NO AWARE V (Brooklyn, NY USA; Deadline: November 09, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1357.ann
Black Maria Film + Video Festival (Jersey City, NJ, USA; Deadline: November 26, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1363.ann
Accolade Competition (La Jolla, Ca USA; Deadline: November 18, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1369.ann
Big Muddy Film Festival (Carbondale, Illinois, USA; Deadline: November 11, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1372.ann
De Anza Experimental Film Exhibition (Cupertino, CA, USA; Deadline: November 07, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1375.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
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Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Paul Clipson / Tashi Wada [October 29, Los Angeles, California]
* Essential Cinema: Marie Menken Program 1 [October 29, New York, New York]
* Essential Cinema: Film Portrait [October 29, New York, New York]
* Reason Over Passion [October 29, New York, New York]
* Joyce Wieland Program 4 [October 29, New York, New York]
* Slimey Green Halloween [October 29, San Francisco, California]
* Distributing the Avant-Garde: the Creative Film Society [October 30, Los Angeles, California]
* Essential Cinema: Marie Menken Program 2 [October 30, New York, New York]
* The Far Shore [October 30, New York, New York]
* Joyce Wieland Program 1 [October 30, New York, New York]
* The Brig [October 30, New York, New York]
* Times For [October 31, New York, New York]
* Joyce Wieland Program 2 [October 31, New York, New York]
* Reason Over Passion [October 31, New York, New York]
* Suzan Pitt and Jim Trainor: A Conversation In Light and Darkness [November 1, Los Angeles, California]
* Joyce Wieland Program 4 [November 1, New York, New York]
* The Far Shore [November 1, New York, New York]
* Companeras and Companeros [November 1, New York, New York]
* Beau Travail [November 1, Reading, Pennsylvania]
* Richard Serra Films--Early Works [November 1, San Francisco, California]
* Carving the Ball of Sound: Recent videos By Leighton Pierce [November 2, New York, New York]
* Gregory Markopoulos: Eniaios ii [November 3, Chicago, Illinois]
* All Divided Selves [November 3, New York, New York]
* Times For [November 3, New York, New York]
* Seeing the Light [November 4, Cork]
* Wasteland Utopias W/ Filmmaker David Sherman In Person [November 5, Buffalo, New York]
* How To Carve A Ball of Sound/ Sound Design Masterclass With Leighton
Pierce [November 5, New York, New York]
* Another Experiment By Women Film Festival [November 5, New York, New York]
* Meso-American Memory [November 5, San Francisco, California]
Events are sorted by CITY within each DATE.
--------------------------
SATURDAY, OCTOBER 29, 2011
--------------------------
10/29
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8:00 pm, 1200 N. Alvarado St (at Sunset)
PAUL CLIPSON / TASHI WADA
Paul Clipson and Tashi Wada present a performance of their ongoing film
and music collaboration. Clipson's largely improvised and in-camera
edited films employ multiple exposures, dissolves and macro imagery,
that bring to light subconscious preoccupations and unexpected visual
forms. Wada's recent work focuses on sound perception as a basis for
direct listening experiences. Also on the program are three of Paul
Clipson's short films, Sphinx on the Seine, Light from the Mesa, and one
other tba. $5
10/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:15 pm, 32 2nd Avenue
ESSENTIAL CINEMA: MARIE MENKEN PROGRAM 1
All films preserved by Anthology Film Archives. VISUAL VARIATIONS ON
NOGUCHI (1955, 4 minutes, 16mm, b&w) HURRY! HURRY! (1957, 3 minutes,
16mm) GLIMPSE OF THE GARDEN (1957, 5 minutes, 16mm) DWIGHTIANA (1959, 3
minutes, 16mm, score by Teiji Ito) BAGATELLE FOR WILLARD MAAS (1961, 5
minutes, 16mm) NOTEBOOK (1962-63, 10 minutes, 16mm, silent) MOOD
MONDRIAN (1961, 7 minutes, 16mm, silent) EYE MUSIC IN RED MAJOR (1961, 4
minutes, 16mm, silent) ANDY WARHOL (1965, 22 minutes, 16mm) Marie Menken
represents the lyrical sensibility in the American avant-garde film. She
manages to get the maximum visual intensity from minimally photogenic
subjects. Her usage of single-frame and her poetic attitude and purity
had a strong influence on many filmmakers of the sixties. Total running
time: ca. 70 minutes.
10/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: FILM PORTRAIT
by Jerome Hill 1971, 81 minutes, 35mm Assistant Producers: David C.
Stone and Barbara Stone. This pioneering work in autobiographical cinema
masterfully combines actual and staged footage and painting over images.
Filmmaker, painter, and composer Jerome Hill was born into the famous
James J. Hill railroad-building family and lived on the same street as
F. Scott Fitzgerald. Here he re-creates wonderfully – with old family
footage – the period and milieu of the American upper class at the
beginning of the 20th century. With: DEATH IN THE FORENOON (1934/66, 2
minutes, 35mm) CANARIES (1969, 4 minutes, 35mm) [Please note: This is an
Essential Cinema screening, and is FREE for AFA members!]
10/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00 pm, 32 2nd Avenue
REASON OVER PASSION
A RAISON AVANT LA PASSION / REASON OVER PASSION 1969, 84 minutes, 16mm.
"REASON OVER PASSION is structured around four distinct sections, with a
loosely constructed preface that introduces the motifs Wieland employs
consistently throughout the film: strobing images of the Canadian flag;
long shots of passing landscapes; and the lyrics to 'O Canada',
didactically presented as overlayed text. Followed by a silent take of
the artist's face reflected in a mirror, singing the opening lines to 'O
Canada', the origins of the title of the film are presented: a quote
from Trudeau, in which he stated 'About reason over passion, that is the
theme of all of my writings.'" –Anne Low "Wieland's major film so far.
With its many eccentricities, it is a glyph of her artistic personality;
a lyric vision tempered by an aggressive form and a visionary patriotism
mixed with ironic self parody. It is a film to be seen many times." –P.
Adams Sitney, FILM CULTURE
10/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Avenue
JOYCE WIELAND PROGRAM 4
"Joyce Wieland's four films PIERRE VALLIÈRES, A & B IN ONTARIO,
SOLIDARITY and BIRDS AT SUNRISE were created when the Canadian Women's
Movement was at its most visible and vocal. They were made as a direct
response to hegemony, colonialism, sexism, imperialism and the
destruction of the environment – issues that feminists across the
country were writing about, protesting about, lobbying around and, in
Wieland's case, making films about." –Allyson Mitchell PIERRE VALLIÈRES
(1972, 32.5 minutes, 16mm) SOLIDARITY (1973, 10.5 minutes, 16mm) A & B
IN ONTARIO (with Hollis Frampton) (1984, 16 minutes, 16mm, b&w) BIRDS AT
SUNRISE (1986, 10 minutes, 16mm) Total running time: ca. 75 minutes.
10/29
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:00pm, ATA, 992 Valencia Street
SLIMEY GREEN HALLOWEEN
CHRISTIAN DIVINE'S ECO-HORROR SPOOKTACULAR + Apropos of OC's love of all
things psychotronic, thee Area expert on '70s exploitation film
enthralls all with a fanboy-critical take on the eco-dystopian genre,
that cinematic mutation of the era's budding environmentalism. Divine
nimbly negotiates his way through a 2-hour clip-show of that decade's
most toxic shockers, parables that parlayed the pollution of nature into
an embodied force of evil. Among the jaw-droppers are Them!, Soylent
Green, Willard, Piranha, Stalker (!), and Godzilla vs. the Smog Monster.
Come early for Doug Katelus on his Mighty Hammond organ, glimpses of
Gamera (in 16mm), OCD Terror DVDs for a pittance, and intoxicating
witches' brew! $6.66. NOTE: DOORS 7:30, SHOWTIME 8PM.
------------------------
SUNDAY, OCTOBER 30, 2011
------------------------
10/30
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm, The Spielberg Theater at the Egyptian, 6712 Hollywood Blvd (at Las Palmas)
DISTRIBUTING THE AVANT-GARDE: THE CREATIVE FILM SOCIETY
In person: Angie Pike Film historian Anthony Slide, while writing an
appraisal letter for the film collection of late 1960's film distributor
Creative Film Society, stated that "Any student researching the rise of
the independent and experimental American film in the 1960s and 1970s
would find this collection invaluable, and it is unlikely that a
collection of this scope exists elsewhere. It is in many ways a tribute
to a filmmaking experience that has disappeared." Films to be screened:
Gumbasia, by Art Clokey (1955), Furies, by Sara Petty (1977), Carnival,
by Donald Bevis, Jim May, Herb Bertel (ca.1955), The Further Adventures
of Uncle Sam, by Dale Case & Robert Mitchell (1970), One Hundred and
Eight Movements, by Peggy Wolff (1973), The Unicycle Race, by Robert
Swarthe (1966), Microsecond, by Dan McLaughlin (1970), The Towers, by
William Hale (1955), Mobile Static, by Helmut Schultz (1969), The
Critic, by Ernie Pintoff (1963), Waiting, by Flora Mock (1952), and Wu
Ming, by James Whitney (1977).
10/30
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:15 pm, 32 2nd Avenue
ESSENTIAL CINEMA: MARIE MENKEN PROGRAM 2
WRESTLING (1964, 8 minutes, 16mm, b&w, silent) MOONPLAY (1962, 5
minutes, 16mm, b&w) DRIPS IN STRIPS (1961, 3 minutes, 16mm, silent) GO!
GO! GO! (1962-64, 12 minutes, 16mm, silent) LIGHTS (1964-66, 7 minutes,
16mm, b&w, silent) SIDEWALKS (1966, 7 minutes, 16mm, b&w, silent)
EXCURSION (1968, 5 minutes, 16mm) WATTS WITH EGGS? (1967, 12 minutes,
16mm, silent) ARABESQUE FOR KENNETH ANGER (1961, 4 minutes, 16mm) Total
running time: ca. 70 minutes.
10/30
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00 pm, 32 2nd Avenue
THE FAR SHORE
THE FAR SHORE 1976, 105 minutes, 35mm. A consummate expression of
Wieland's artistic sensibility, a gorgeous, painterly film, formal in
conception, deliberate in its flagrant symbolism (the rigid imposition
of WASP power on French-Canadian culture) and portrayal of Canadian
myths (the mystery of Tom Thomson's drowning in Algonquin Park), and
exuding romantic naturalism. This northern love story, rooted in the
landscape of the Group of Seven and the realities of the Canadian
experience, is a tale of passion both carnal and artistic. "A vast and
epic meditation on all those 'big' themes that constantly abound:
gender, romance, ethnicity, nationality, French-English relations, and
the unsavory relationship between art and commerce. … This is a rare
opportunity to experience a seminal oeuvre in the history of Canadian
film by one of our country's most diverse, powerful, patriotic, and
renowned artists. The film is not only an agitational look at some of
the most omnipresent issues in Canadian popular culture and social life,
but also a gorgeous painterly visual object that deserves the full
attention of ears and eyes." –TIFF CINEMATHEQUE
10/30
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:15 pm, 32 2nd Avenue
JOYCE WIELAND PROGRAM 1
See program notes for October 28, 7:15 pm.
10/30
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
THE BRIG
See notes for October 20, 9:15 pm.
------------------------
MONDAY, OCTOBER 31, 2011
------------------------
10/31
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
TIMES FOR
by Stephen Dwoskin 1970, 80 minutes, 16mm Distributed in the UK by David
C. Stone and Barbara Stone. In this rarely-screened film by the
important UK avant-garde filmmaker Stephen Dwoskin, "an unfulfilled man
renders himself to the unrealized sensuality of four women. In his
drifting search he fails and fades in the same loneliness as the women.
The film is the reality and a metaphor for the intensities of sexual
experience." –S.D. "His camera is a never-static instrument of his
intrusion into the fantasy/reality of the relationships he is dealing
with and forming. … TIMES FOR is one of the few erotic masterpieces."
–NATIONAL FILM THEATRE, LONDON
10/31
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
JOYCE WIELAND PROGRAM 2
See notes for October 28, 8:45 pm.
10/31
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
REASON OVER PASSION
See notes for October 29, 6 pm.
-------------------------
TUESDAY, NOVEMBER 1, 2011
-------------------------
11/1
Los Angeles, California: Redcat
http://www.redcat.org/
8:30pm, 631 West 2nd St.
SUZAN PITT AND JIM TRAINOR: A CONVERSATION IN LIGHT AND DARKNESS
Jack H. Skirball Series $10 [students $8, CalArts $5] West Coast
premiere Suzan Pitt and Jim Trainor have brought the art of animation to
new levels of artistic maturity and depth, and their films entertain
haunting correspondences with each other. Pitt's Visitation (2011)
allows a glimpse into the strange and surrealist aura of "an outer-world
night." Her earlier El Doctor (2006, 35mm), which takes place in
crumbling Mexican hospital, is a visual poem traveling between
desperation and dark comedy. In Alpert Award winner Jim Trainor's The
Presentation Theme (2008), a Peruvian prisoner of war is outmaneuvered
by a blood-drinking priestess. Also by Trainor: Harmony (2004), about
animal and human guilt; The Magic Kingdom (2002), imagined in a
blue-green jungle; and The Moschops (2000), a rueful account of faux
prehistoric creatures. In person: Suzan Pitt, Jim Trainor Curated by
Steve Anker and Bérénice Reynaud. "[Pitt's] animation is a visual orgy…
A luscious ice cream cone dripping with despair, surreality, hope and
redemption." —Animation Nation "A quirky, original vision of human and
animal nature…. Trainor's lines and shapes don't simply waver—they
pulsate." Heads and bodies change shape as if they were ready to burst
in some kind of growth spurt." —Fred Camper, Chicago Reader
11/1
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
JOYCE WIELAND PROGRAM 4
See notes for October 29, 8 pm.
11/1
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:45 pm, 32 2nd Avenue
THE FAR SHORE
See notes for October 30, 6 pm.
11/1
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:00 pm, 32 2nd Avenue
COMPANERAS AND COMPANEROS
See notes for October 27, 9:15 pm.
11/1
Reading, Pennsylvania: Berks Filmmakers, Inc
http://www.berksfilmmakers.org
7:30 pm, Albright College Center for the Arts
BEAU TRAVAIL
Director CLAIRE DENIS loosely adapted Herman Melville's Billy Budd and
transferred the tale from the sea to the sparse landscape of East
Africa's Djibouti. "Claire Denis is a sensational filmmaker—with all
that implies. Her Beau Travail, is a movie so tactile in its
cinematography, inventive in its camera
11/1
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
noon, Phyllis Wattis Theater at SFMOMA (151 Third Street)
RICHARD SERRA FILMS--EARLY WORKS
Introduced by Alison Gass, assistant curator of painting and sculpture,
SFMOMA Primarily known for his sculptures, Serra also has worked in
film. This screening showcases his early experimental works, including
his first film, Hand Catching Lead (1968), which shows the artist trying
to catch pieces of falling lead. Serra struggles under the weight of a
lead cylinder in Hand Lead Fulcrum (1968). In Frame (1969), he
illustrates the perceptual gap between the camera lens and the naked
eye. He collaborates with Philip Glass in Hands Scraping (1968), in
which the two methodically sweep a pile of steel shavings. Several other
titles drawn from the Museum of Modern Art, New York, film library will
round out the program. Museum and program admission are free.
---------------------------
WEDNESDAY, NOVEMBER 2, 2011
---------------------------
11/2
New York, New York: Exit Art
http://www.exitart.org/
7:30 PM, 475 Tenth Avenue / NYC / 10018
CARVING THE BALL OF SOUND: RECENT VIDEOS BY LEIGHTON PIERCE
Veteran film and video artist LEIGHTON PIERCE, one of the foremost
practitioners of digital cinema working today, visits Digimovies to
present a selection of his serene, impressionistic new video pieces.
Selections TBA. "Rarely does a filmmaker appreciate and explore the
complexities of sound and image as equally -- and deeply -- as Leighton
Pierce." - Harvard Film Archive// "I make films and videos that are
short experiences in transformative time. I strive to capture an active
and immediate emotional state during shooting, often by photographing
seemingly mundane activities. In editing, I distill the images to get
what I call 'emotionally charged nodes.'" - Leighton Pierce// Tickets
are $10 general admission and are available for purchase at the box
office 30 minutes prior to each screening or anytime on Exit Art's
website
--------------------------
THURSDAY, NOVEMBER 3, 2011
--------------------------
11/3
Chicago, Illinois: Conversations at the Edge
http://www.saic.edu/cateblog
6pm, Gene Siskel Film Center, 164 N. State Street
GREGORY MARKOPOULOS: ENIAIOS II
Archival print! Remembered as the "supreme erotic poet" of the American
avant-garde, Gregory Markopoulos spent decades creating his monumental
film Eniaios, an eighty-hour composition of twenty-two cycles. Eniaios
(meaning "unity" or "uniqueness") was originally conceived for screening
at Temenos, Markopolous's open-air theater in the hills overlooking
Lyssaraia, Greece. Silent yet sensuous, the film journeys through a host
of imagery, including pulses of white light, passages of black,
fragments of earlier works, and images of sacred places. Markopoulos
died before Eniaios could be printed and his partner, filmmaker Robert
Beavers, has spent the last two decades restoring the work. Only six of
the twenty-two film orders have been printed thus far. Tonight's
screening of Eniaios II — the second cycle in the piece and an epic film
in its own right — affords a rare opportunity to view Markopoulos's
magnum opus in the making. Gregory Markopoulos, 1949-1991, Greece/USA,
16mm, 125 min + discussion. Eniaios VI – VIII will premiere June 29 –
July 1, 2012 at the Temenos in Lyssarea (Arcadia) Greece. For more info,
visit: www.the-temenos.org.
11/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:45 pm, 32 2nd Avenue
ALL DIVIDED SELVES
Luke Fowler ALL DIVIDED SELVES 2011, ca. 90 minutes (work-in-progress),
video. The social and cultural revolutions of the 1960s were spearheaded
by the charismatic, guru-like figure of R.D. Laing. In "The Politics of
Experience" (1967) Laing argued that normality entailed adjusting
ourselves to the mystification of an alienating and depersonalizing
world. Thus, those society labels as 'mentally ill' are in fact
'hyper-sane' travelers, conducting an inner voyage through aeonic time.
Looking variously at the media representations of psychiatry and Laing's
own shifting viewpoints, the film is constructed equally from archival
material and footage of the filmmaker's daily life.
11/3
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
9:45 pm, 32 2nd Avenue
TIMES FOR
See notes for Oct 31, 7 pm.
------------------------
FRIDAY, NOVEMBER 4, 2011
------------------------
11/4
Cork: TACTIC Gallery
http://www.tactic-art.info/
6 pm opening, TACTIC Sample-Studios, 2nd Floor, Former Government Buildings, Sullivan's Quay, Cork, Ireland
SEEING THE LIGHT
An exhibition of contemporary Irish experimental film curated by
Maximilian Le Cain. Work by Esperanza Collado // Rouzbeh Rashidi //
Michael Higgins // Chris O'Neill // Soltan Karl. Preview 6pm, Friday 4th
November. Exhibition runs until Wednesday the 16th as part of Corona
Cork Film Festival. Open Saturday, Monday, Tuesday and Wednesday
afternoons. Also, accompanying screening series: Monday November 7th,
8pm: THE CONSECUTIVE IMPOSTORS; Tuesdsy November 8th, 6pm: IVAN & IGOR
BUHAROV SHORTS PROGRAMME AND DISCUSSION; Wednesday November 9th, 6 pm:
(AN)OTHER IRISH CINEMA & VICKY LANGAN.
--------------------------
SATURDAY, NOVEMBER 5, 2011
--------------------------
11/5
Buffalo, New York: Squeaky Wheel
http://www.squeaky.org
7 PM, 712 Main Street
WASTELAND UTOPIAS W/ FILMMAKER DAVID SHERMAN IN PERSON
Wasteland Utopias explores the intersection of two radically different
utopian thinkers: mega-developer Del Webb and outsider
psychiatrist/naturalist Wilhelm Reich. Each found his way into southern
Arizona's Sonoran Desert in the late 1950s—Webb building his colossal,
panoptically-planned retirement community Sun City and Reich conducting
his weather manipulation experiments using Orgone Energy. This unlikely
pairing provokes a hallucinatory, magic-conceptualist examination of the
disintegrating fabric that connects man with nature, evoking questions
about both ecological and social sustainability. Using found footage,
documentary interviews, and narrative tableaux, the film interweaves
contradictory narratives and critically poetic observations. By
juxtaposing these two thinkers—who represent ostensibly opposing visions
of a still-undefined future—Sherman asks viewers to consider a
multiplicity of perspectives on our endangered natural and social
environments. The filmmaker, David Sherman, will be in town for a tasty
Q&A session.
11/5
New York, New York: Exit Art
http://www.exitart.org/
2:00 --3:30 PM, 475 Tenth Avenue / NYC / 10018
HOW TO CARVE A BALL OF SOUND/ SOUND DESIGN MASTERCLASS WITH LEIGHTON
PIERCE
Moving image makers are invited to attend a masterclass given by
LEIGHTON PIERCE on the creative use of sound design -- an element which
is the core of his art. Pierce will present Pro Tools session examples
from his own work and will also discuss his approach to sound.
Participating filmmakers are encouraged to bring a short three-minute
clip of their work on DVD or Vimeo link, which Pierce will discuss with
the class.// For more information go to Exit Art website// $12 General
Admission. Space is limited. To RSVP, please email Aimee Chan Lindquist,
aimee at exitart.org
11/5
New York, New York: Another Experiment by Women Film Festival
http://http://anotherexperimentbywomenfilmfestival.com
2 different shows: 4 & 8 PM / panel discussion-5:30PM, MILLENNIUM FILM WORKSHOP 66 East 4th STREET
ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL
ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL is the only festival of
Experimental film to feature work by women only........... HIGHLIGHTS
include:.. MY WINDOW by ANABELA COSTA uses CHROMADEPTH glasses to expand
its dimensions.... ANGELA FERRAIOLO will present her computer generated
interactive video installation, YOU! THE LAST FOUR SECONDS .... ALICE
COHEN will perform live with keyboards and voice accompaning her film,
TRANCE ACTIONS.... RACHAEL GUMA's live performance of 18FPS, 45RPM, 3SPI
using Super 8 film and vinyl phonograph recording.... PANEL DISCUSSION
led by KERRIE WELSH, with Festival filmmakers: Alice Cohen, Noe Kidder,
Courtney Krantz, Amy Ruhl, & Stephanie Wuertz.... IN ADDITION short
works by Lynne Sachs, Lori Felker, Sally Grizzell Larson, Lili White,
Mercedes Sader, Kelly Oliver, C & A Projects (Carolyn Radlo & Alanna
Simone), Rebecca Louise Tiernan, Noe Kidder with Tin Tay, Liliana
Resnick, Mo Hyun-shin, Cinzia Sarto, Alessandra Cianelli....... BUY
DISCOUNTED TICKETS ON-LINE NOW:
http://anotherexperimentbywomenfilmfestival.com/festival-tickets/.......
.... MORE INFO:
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ium-schedule/........... TAX-DEDUCTABLE DONATIONS:
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11/5
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, ATA, 992 Valencia Street
MESO-AMERICAN MEMORY
HISTORIES OF YANQUI WALKER + JESSE LERNER'S MAYA + Here's the Cali
premiere of Kathryn Ramey's Yanqui Walker and the Optical Revolution, a
revelatory experimental doc on the infamous imperialist adventurer who
seized Nicaragua. A hand-processed COLOR 16mm work, Ramey's lyrical
essay is preceded by (in person) Martha Wallner and Jeff Skoller's
updating of their Xchange TV project⎯bi-national Nicaraguan
history lessons that also address the Walker episode. An excerpt from
Alex Cox' legendary Clash-cast Walker completes the triptych. Opening
the show, our globe-trotting compadre Jesse Lerner initiates the Central
American theme with the book-launch of his Maya of Modernism, on Mayan
indigenous design in 20thCentury art and architecture, with copious
cultural-anthropological clips and scenes from Eisenstein's ¡Que Viva
México!.
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