[Frameworks] This week [January 1 - 6, 2011] in avant garde cinema
Weekly Listing
weeklylisting at hi-beam.net
Sat Dec 29 16:02:43 CST 2012
This week [January 1 - 6, 2011] in avant garde cinema
NEW CALLS FOR ENTRIES:
=====================
Microscope Gallery (Brooklyn, NY, USA; Deadline: December 10, 2012)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1516.ann
The 9th Berlin International Directors Lounge [DL9] (Berlin, Germany; Deadline: December 25, 2012)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1517.ann
URBAN RANCH PROJECT (Facebook; Deadline: March 31, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1521.ann
Esperimental Documentaries (New York, NY; Deadline: April 15, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1522.ann
Newport Beach Film Festival (Newport Beach; Deadline: December 21, 2012)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1523.ann
Montreal Underground Film Festival (Montreal, QC, Canada; Deadline: February 15, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1524.ann
West Virginia Mountaineer Short Film Festival (morgantown, WV, USA; Deadline: February 25, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1525.ann
DEADLINES APPROACHING:
======================
London End of The World Documentary Film Festival (London United Kingdom.; Deadline: January 15, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1385.ann
GAZE (San Francisco, CA; Deadline: December 31, 2012)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1423.ann
Newport Beach Film Festival (Newport Beach, CA; Deadline: January 27, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1475.ann
Oberhausen International Short Film Festival (Germany; Deadline: January 15, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1489.ann
MEDIAWAVE-"ANOTHER CONNECTION" Film and Music Gathering (Komarom, Hungary; Deadline: January 10, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1504.ann
IC Docs (Iowa City, IA USA; Deadline: January 18, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1507.ann
What the Festival (Alfred, NY, United States; Deadline: February 01, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1519.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Bay Area Lens: Seca Film Awards [January 3, San Francisco, California]
* The Free Screen: From Ecstacy To Rapture: 50 Years of the Other Spanish
Cinema: Session 1 [January 5, Toronto, Ontario, Canada]
* Essential Cinema: Strike [January 6, New York]
Events are sorted by CITY within each DATE.
-----------------------
MONDAY, JANUARY 3, 2011
-----------------------
1/3
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
noon, 151 Third Street
BAY AREA LENS: SECA FILM AWARDS
Tanya Zimbardo, assistant curator of media arts, SFMOMA Phyllis Wattis
Theater noon Tanya Zimbardo introduces a program of films culled from
the SECA Film as Art Awards, which ran from 1973 to 1998, and discusses
the role of the awards in relation to the museum's longer history of
supporting Bay Area avant-garde film. Including Petter Hutton's New
York, Near Sleep (for Saskia) (1972), Les Blank's Werner Herzog Eats His
Shoe (1980), and David Sherman's Tuning the Sleeping Machine (1996), the
selection of experimental film shorts reflects a range of approaches to
cinematic dreaming. Presented in conjunction with Fifty Years of Bay
Area Art: The SECA Awards; total running time: 60 min. Museum and
program admission are free.
--------------------------
WEDNESDAY, JANUARY 5, 2011
--------------------------
1/5
Toronto, Ontario, Canada: TIFF Bell Lightbox
http://tiff.net
7:00pm, TIFF Bell Lightbox , 350 King Street West
THE FREE SCREEN: FROM ECSTACY TO RAPTURE: 50 YEARS OF THE OTHER SPANISH
CINEMA: SESSION 1
The first installment of The Free Screen at TIFF Bell Lightbox features
From Ecstasy to Rapture: 50 Years of the other Spanish Cinema, an
unprecedented retrospective of Spanish experimental cinema of the last
half century. Featuring numerous restored prints and preservation video
transfers, this important international touring programme provides a
rare overview of an alternative national cinema whose contribution to
the international avant-garde stretches far beyond the renowned legacy
of Dali and Buñuel. Presented in six programmes arranged by theme and
technique rather than chronology, and including two feature-length cult
masterworks, this series was curated by Antoni Pinent for the
Contemporary Cultural Centre in Barcelona. We give special thanks to
Gloria Vilches (CCCB) for making possible the Toronto premiere of these
films. Andréa Picard CREDIT LINE From Ecstasy to Rapture: 50 Years of
the other Spanish Cinema An Xcèntric Programme, the Cinema of the CCCB.
Produced by CCCB Contemporary Culture Centre of Barcelona SEACEX
State Corporation for Spanish Cultural Action Abroad Ministry of Foreign
Affairs and Cooperation / Ministry of Culture (Spain) With the support
of ICIC / Cinematheque of Catalunya DOCUMENTS / ITINERARIES A programme
of shorts and réalités beginning with a film by José Val del Omar, a
visionary filmmaker and one of the most relevant and enigmatic figures
to emerge within the Spanish film industry. The stark but ravishing
Fuego en Castilla, which won an award at Cannes in 1961, forms part of
his unfinished Tríptico elemental de España, which both fascinated and
baffled the Francoist authorities. Other filmmakers included are the
architect Gabriel Blanco, better known as an animator but represented
here by a documentary depicting a typical Sunday for a Spanish citizen
in an outlying urban area; the multidisciplinary artists Benet Rossell
and Antoni Miralda, presenting a look at military iconography; and
celebrated filmmaker and documentarian José Luis Guerin (In the City of
Sylvia, Guest), who, after debuting with his full-length 1983 feature
Los motivos de Berta, created the short essay film Souvenir. The
programme concludes with a documentary by Virginia García del Pino about
people exercising professions having to do with death, dirt or sex.
Fuego en Castilla dir. José Val del Omar | Spain 1958-59 | 35mm | 17
min. De purificatione automobilis Dir. Gabriel Blanco | Spain 1974 |
35mm | 16 min. Miserere Dirs. Antoni Miralda and Benet Rossell | Spain
1979 | 35mm | 12 min. Souvenir Dirs. Silvia Gracia and José Luis Guerín
| Spain 1985 | Video | 5 min. Lo que tú dices que soy Dir. Virginia
García del Pino | Spain 2007 | Video | 28 min. Total running time: 78
minutes Co-presented with AluCine Wednesday, January 5, 2011 at 7:00pm
Cinema 3
-------------------------
THURSDAY, JANUARY 6, 2011
-------------------------
1/6
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: STRIKE
by Sergei Eisenstein With Russian intertitles; English synopsis
available., 1925, 106 minutes, 35mm Film Notes Eisenstein's interest in
the Freudian father complex drives this psychological scenario in which
non-actors step forward to acknowledge the viewer, illustrating
Eisenstein's desire to penetrate to the heart of cinema, sidestepping
realism by "being real." Governmental restrictions made STRIKE the only
completed film of a series intended to portray the road to revolution.
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
http://www.hi-beam.net
More information about the FrameWorks
mailing list