[Frameworks] This week [September 29 - October 7, 2012] in avant garde cinema

Sat Sep 29 09:23:28 CDT 2012

This week [September 29 - October 7, 2012] in avant garde cinema

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JOB AVAILABLE:
==============
Premiere Pictures Int'l. ,Inc.
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=13.ann

NEW CALLS FOR ENTRIES:
=====================
International Film Festival Rotterdam (The Netherlands; Deadline: October 01, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1488.ann
Oberhausen International Short Film Festival (Germany; Deadline: January 15, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1489.ann
WAMMFest (Towson, MD, USA; Deadline: December 15, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1490.ann

DEADLINES APPROACHING:
======================
INTERNATIONAL MEDIA ARTS COLLABORATORY (Ghana; Deadline: October 02, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1431.ann
MONO NO AWARE VI (Brooklyn, NY USA; Deadline: October 31, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1456.ann
Beloit International Film Festival (Beloit, WI, US; Deadline: October 31, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1458.ann
Go Short (Nijmegen, the Netherlands; Deadline: November 01, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1462.ann
(Re)Capturing Womanhood (Carbondale, IL, USA; Deadline: October 01, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1468.ann
FLEX Fest (Gainesville, FL, USA; Deadline: October 15, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1469.ann
Big Muddy Film Festival (Carbondale, IL, United States; Deadline: October 15, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1473.ann
Ann Arbor Film Festival (Ann Arbor, MI, USA; Deadline: October 08, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1478.ann
The 8 Fest (Toronto, Canada; Deadline: September 30, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1483.ann
Images Festival (Toronto, CANADA; Deadline: October 01, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1485.ann
International Film Festival Rotterdam (The Netherlands; Deadline: October 01, 2012)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1488.ann

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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 *  New Films, Recent Films, Works In Progress By Joel Schlemowitz [September 29, Brooklyn, New York]
 *  Animated Shorts [September 29, Dallas, TX]
 *  Some Are More Equal Than Others [September 29, Dallas, TX]
 *  Incidental Odysseys [September 29, Dallas, TX]
 *  Someone New To Make Me Feel Alive [September 29, Dallas, TX]
 *  Hearkenings Presents the Profound Otherness of Early Cinema [September 29, Los Angeles, California]
 *  Who Bombed Judi Bari? + Petropolis + Monsanto In Our Midst [September 29, San Francisco, California]
 *  Klaus Wyborny's Studies For the Decay of the West [September 30, Chicago, IL]
 *  Mess With Texas [September 30, Dallas, TX]
 *  Texas Filmmakers Showcase [September 30, Dallas, TX]
 *  The Well of Reprensentation [September 30, Dallas, TX]
 *  Images From the Past [September 30, Dallas, TX]
 *  L.A. Filmforum Presents Breaking Ground: 60 Years of Austrian
    Experimental Cinema - Part 10: In Awe [September 30, Los Angeles, California]
 *  Gozocine [September 30, New York, New York]
 *  Rick Bahto: Selections From Accretions [October 1, Los Angeles, California]
 *  Germany Year 1962 [October 2, Cambridge, Massachusetts]
 *  An Evening With Phil Solomon [October 3, Astoria, NY ]
 *  Henry King's Chad Hanna (1940) + Jonas Mekas's Notes On the Circus (1966) [October 3, Chicago, Illinois]
 *  “Empire”  [October 4, New York, New York]
 *  Vulgar Fractions  [October 4, New York, New York]
 *  Ponce De Leon [October 4, New York, New York]
 *  Age Is… [October 4, New York, New York]
 *  Shapeshifters Cinema Presents Tommy Becker [October 4, Oakland]
 *  It's Not Easy Being Beautiful - vintage Beauty Tips [October 4, San Francisco, California]
 *  Expressions of Self: New Films By Doug Ischar  [October 5, Chicago, Illinois]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Views From the Avant Garde [October 5, New York, New York]
 *  Ornette: Made In America [October 5, Philadelphia, Pennsylvania]
 *  Seuss On the Loose! [October 5, San Francisco, California]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Views From the Avant Garde [October 6, New York, New York]
 *  Essential Cinema: Tony Conrad [October 6, New York]
 *  The Connection [October 6, Philadelphia, Pennsylvania]
 *  United In Anger: A History of Act Up [October 6, San Francisco, California]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Views From the Avant Garde [October 7, New York, New York]
 *  Judson Dance theater Program 2 [October 7, New York]

Events are sorted by CITY within each DATE.

----------------------------
SATURDAY, SEPTEMBER 29, 2012
----------------------------

9/29
Brooklyn, New York: Microscope Gallery
http://www.microscopegallery.com
7PM-8:30PM, 4 Charles Place (at Myrtle btwn Bushwick & Evergreen Aves)

 NEW FILMS, RECENT FILMS, WORKS IN PROGRESS BY JOEL SCHLEMOWITZ
  Admission $6. Filmmaker Joel Schlemowitz screens a selection of new
  films and works-in-progress, including a series of film rolls from his
  recent travels throughout the cities and countryside of Japan. For
  Adolfas his 1999 short film will also be shown in memory of the
  filmmaker Adolfas Mekas who died last year. The screening takes place in
  connection with Schlemowitz's current exhibition LIGHT OBJECTS at
  Microscope featuring camera painting and cinema sculptures. The exhibit
  runs through October 7th. Joel Schlemowitz's films have screened widely
  at cinemas, festivals, and institutions including including the New York
  Film Festival, Tribeca Film Festival, MoMA, The Whitney Museum, Harvard
  Film Archives, New York Underground Film Festival, The London Film
  Festival, and many others. HIs light boxes, sculptures and installations
  have been previously exhibited at Courthouse Gallery at Anthology Film
  Archives, KUMUKUMU Gallery, Museum of Contemporary Cinema (Madrid),
  Ukrainian Institute of America, The Images Festival (Canada), Bound &
  Unbound Gallery, and Microscope Gallery (Brooklyn). More info:
  www.microscopegallery.com. Tel: 347.925.1433. Nearest Subway- J/M/Z
  -Myrtle/Broadway. Other options L- Morgan Ave or Jefferson Street. B54 -
  Myrtle/Willoughby stop. 

9/29
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
1:30pm, Dallas Museum of Art

 ANIMATED SHORTS
  Waiting for Her Sailor | Bill Plympton 2012 The Flying House | Winsor
  McCay 2011 Ingrid Pitt: Beyond the Forest | Kevin Sean Michaels 2011
  and/or | Emily Hubley 2012 Princesse | Frédérick Tremblay 2010 White Out
  | Jeff Scher 2007 Flawed | Andrea Dorfman 2010 Summer Bummer | Bill
  Plympton 2012 Guard Dog Global Jam | Bill Plympton 2011 One Minute
  Puberty | Alexander Gellner 2011 

9/29
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
3pm, Dallas Museum of Art

 SOME ARE MORE EQUAL THAN OTHERS
  Pigs | Pawel Wojtasik 2010 Swarm | Colette Copeland 2012 The Wake | Dana
  Levy 2011 Victoria | Olivia Ciummo 2012 Lesser Apes | Duke, Battersby
  2011 Tin Pressed | Dani Leventhal 2011 

9/29
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
5:15, Dallas Museum of Art

9/29
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
9:15, Dallas Museum of Art

 SOMEONE NEW TO MAKE ME FEEL ALIVE
  The Recitation of a Soliloquy | Morehshin Allahyari 2012 Apnoe (Apnea) |
  Harald Hund, Paul Horn 2011 Danseuse Priv"e: Danse Avec Moi-M"me |
  Danielle Marie Georgiou 2012 These Hammers Don't Hurt Us | Michael
  Robinson 2010 And I Wil Rise If Only To Hold You Down | Jennifer Reeder
  2012 CB | Doug Ischar 2011 Miss Yummy Yummy | Bryan Konefsky 2012 The
  Ephemeral Nature of Contrails | Jeremy Massey 2012 Traces | Scott Stark 

9/29
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St. (at Sunset)

 HEARKENINGS PRESENTS THE PROFOUND OTHERNESS OF EARLY CINEMA
  $5 / "Early cinema was once considered to consist of clumsy attempts to
  find the way to a kind of film narrative style that was 'intrinsic' to
  the medium, the style we now call classic cinema. In fact, the films of
  the early period are the results of other, equally valid ways of seeing.
  Classic cinema draws the eye and the mind of the spectator in and exerts
  a control over what is seen and felt, whereas early cinema was a
  phenomenon to be looked at, a show to be enjoyed and examined in detail…
  looking back at early cinema can freshen our vision." – Eileen Bowser.
  This program looks at early cinema in all its "profound otherness." The
  first half presents Nöel Burch's Correction Please, Or, How We Got Into
  Pictures, a playful essay that explores early cinema and its evolution.
  The second half features five films by Edwin Porter, the pioneer whose
  work straddles the primitive and classic styles of film and, as Burch
  puts it, is "a locus of contradictions which informed the development of
  the cinema in its beginnings…one foot effectively 'in the past' and one
  'in the future'…Porter's steps forward in fact end by accentuating some
  features of the primitive cinema even more strongly than before."
  1903-1979, 85 min, 16mm & DVD.

9/29
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30pm, 992 Valencia

 WHO BOMBED JUDI BARI? + PETROPOLIS + MONSANTO IN OUR MIDST
  Drawing from some 700 hours of archival footage, photos and documents,
  Darryl Cherney presents his feature doc, co-directed by Mary Liz
  Thomson, that inquires into the car-bombing of Judi Bari (and Cherney)
  during their campaign around Redwood Summer 1990…the two were blamed by
  the FBI and Oakland Police for bombing themselves! Bari gives eloquent
  deathbed testimony for a trial victory that she, tragically, didn't live
  to see, enlightening us on saving large wilderness tracts from Big
  Lumber. PLUS the NorCal premiere of Peter (Manufactured Landscapes)
  Mettler's meditative Petropolis on the Alberta Tar Sands, Sarah
  Lewison's mock-trial of Monsanto, and Josh (Gasland) Fox' The Sky Is
  Pink. *$7.

--------------------------
SUNDAY, SEPTEMBER 30, 2012
--------------------------

9/30
Chicago, IL: White Light Cinema
http://www.whitelightcinema.com
7:30, The Nightingale, 1084 N. Milwaukee

 KLAUS WYBORNY'S STUDIES FOR THE DECAY OF THE WEST
  White Light Cinema & The Nightingale Present, Klaus Wyborny's
  STUDIES FOR THE DECAY OF THE WEST, Co-Presented by Goethe
  Institut-Chicago - Introduced by Filmmaker and SAIC Professor Dan
  Eisenberg! - Sunday, September 30 – 7:30pm, At The Nightingale
  (1084 N. Milwaukee Ave.) - - White Light Cinema is pleased to present
  the Chicago premiere of the great German filmmaker Klaus Wyborny's
  much-acclaimed 2010 film STUDIES FOR THE DECAY OF THE WEST. The program
  will be introduced by local filmmaker and SAIC Professor Dan Eisenberg,
  a long-time friend and former student of Wyborny's. - Still woefully
  under-known in the U.S., Wyborny began making films in the late 1960's,
  following several years of studying theoretical physics, and was part of
  the explosive generation of New German Cinema filmmakers that included
  Harun Farocki, Wim Wenders, Werner Herzog, Werner Schroeter, Alexander
  Kluge, and Rainer Werner Fassbinder. Over the past 40-plus years,
  Wyborny has created a rich, varied body of work that blurs the
  boundaries between experimental, documentary, and essay filmmaking. - -
  STUDIES FOR THE DECAY OF THE WEST, Klaus Wyborny, 1979/2010, 80 min,
  Super-8mm to Video (DVD exhibition format), Germany - A Music Film in
  five parts, 1: Tiring\; tumbling towards the end7 parts, edited directly
  in the camera, shot in the Ruhr (spring 1980) (10m, 30 sec) - 2:
  Serene\; in the way of ants13 parts (6 double-exposed) shot in the same
  way in the Ruhr (1980) (11m, 16 sec) - 3: Classical\; radiant with
  glory8 parts (4 double-exposed) in the Ruhr (1980) and Athens (1991)
  (9m, 32 sec) - 4: About the Light of the North13 parts (8
  double-exposures) in Hamburg (1983/84), La Gomera (1984) and East Africa
  (1981/82) (20m), with an intermezzo "Out of New York" (1987) (12m) - 5:
  From the New World16 parts shot in Hamburg (1984), Rimini (1990),
  Cleveland and Columbus, Ohio (1979)(13m, 48 sec) - Total number of
  shots: 6.299 - 

9/30
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
4:45, Dallas Museum of Art

 MESS WITH TEXAS
  Kelly Sears, Angela and Mark Walley, Scott Stark, Alec Jhangiani, Alex
  Luster | Experimental | 60 min.

9/30
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
5:15, Dallas Museum of Art

 TEXAS FILMMAKERS SHOWCASE
  The Order of Things | Chris Spisak 2012 Cinnamon | Timothy Edwards 2011
  Z and Beau | Carlyn Hudson 2011 

9/30
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
5:30, Dallas Museum of Art

9/30
Dallas, TX: Dallas Video Festival
http://dallasvideofest.festivalgenius.com/2012/schedule/week
6:30, Dallas Museum of Art

 IMAGES FROM THE PAST
  Intermezzo | Roger Deutsch 2012 Synchronize | Elise The 2011 

9/30
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm (box office opens 6:30, doors open 7), Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.

 L.A. FILMFORUM PRESENTS BREAKING GROUND: 60 YEARS OF AUSTRIAN
 EXPERIMENTAL CINEMA - PART 10: IN AWE
  Filmforum presents the concluding program in this astounding ten-part
  retrospective of Experimental films from Austria. Austria's avant-garde
  film tradition, arising at mid-century (and thus, relatively later than
  those of other Western nations) has been among the most sustained and
  radical of such traditions. As with other Austrian arts, it is a
  response (in part) to past national decadence and entrenched
  conservatism; its repository of cutting-edge experimental film and video
  works is uniquely impressive and progressive, fracturing into ever-newer
  distinctions. The programs in this series have been constructed from
  avant-garde films and videos produced between 1955 and 2010 in which
  virtually every technique and genre imaginable is employed, from
  formalist and structuralist works by such globally renowned figures as
  Peter Kubelka, Peter Tscherkassky and Martin Arnold, to the radical work
  by performance-based artists such as VALIE EXPORT, Mara Mattuschka, Kurt
  Kren and the Viennese actionists, as well as the boundary-breaking
  contemporary output of artists including Siegfried A. Fruhauf, Johann
  Lurf and Virgil Widrich. Works already considered canonical are
  supplemented by other works that experiment with sonic art and digital
  technology. Moving between historical, social and aesthetic questions
  and purely formal works that wreak havoc with the retina, this panoramic
  selection is an attempt to define a poetic edge within a vast array of
  production while underlining links and relationships between several
  generations of artists, (re)discovering new ways of entering into the
  "material" and the frame, and examining the mechanics of cinema. This
  series is made possible with the support of the Austrian Consulate
  General in Los Angeles. This program was curated by Brent Klinkum and
  presented in association with the UCLA Film & Television Archive and
  Anthology Film Archives. TICKETS: $10 general; $6 students/seniors; free
  for Filmforum members. Available at Brown Paper Tickets NOTE: The first
  eight screenings in this series will be at the UCLA Film & Television
  Archive, from August 17 – September 22. SCREENING: Exposed (Siegfried A.
  Fruhauf, 2001, 16mm, b&w, 9min), Adebar (Peter Kubelka, 1957, 35mm,
  colour, 1min), Schwechater (Peter Kubelka, 1957-58, 35mm, colour, 1min),
  Iris (Maria Lassnig, 1971, 16mm, 10min), Le Barometre (Friedl vom
  Gröller, 2001, 35mm, b&w, silent, 3min), Berühmte Wieneriennen nackt:
  Die Geschichte des Pip-Ups [Famous Viennese Women naked: The History of
  the Pin-Up] (Ernst Schmidt, Jr., 1983, 16mm, colour, silent, 9min), TV +
  VT Works (Peter Weibel, 1969-72, video, b&w, 17.30min), Close Your Eyes
  (Billy Roisz, 2009, video, colour, 13min), Mann & Frau & Animal (VALIE
  EXPORT, 1970-73, 16mm, colour, 10min), 22/69 Happy End (Kurt Kren, 1969,
  16mm, b&w, silent, 4min) TRT=90min

9/30
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue

 GOZOCINE
  gozoCine: WORKS BY GOZO YOSHIMASU Born in 1939, Gozo Yoshimasu is a
  highly acclaimed poet, filmmaker, and photographer living in Tokyo,
  Japan. Yoshimasu has published over thirty books of poetry, several of
  which have been translated in several languages. He has extended his
  poetry into other forms of artistic expression – calligraphy,
  photography, and film. All of these films were shot and edited in-camera
  by Yoshimasu who captures landscapes and translates them into a delicate
  texture of interconnected images. This is the first time Yoshimasu has
  presented his films in the US. This program is presented in partnership
  with ISSUE Project Room and Aki Onda, as part of the "Voices and Echoes
  from Japan" tour. Funding for the tour is made possible by The Japan
  Foundation through the Performing Arts Japan program. Special thanks to
  the Yamagata International Documentary Film Festival and Osiris. AN
  ABANDONED SWIMMING POOL, TATESHINA (2006, 7 minutes, video) EIFFEL
  TOWER, TWILIGHT (2006, 6 minutes, video) WATTS TOWERS: THE TOWERS OF
  SHELLS OR SONG FOR DISAPPEARING SEA (2011, 10 minutes, video) WATER'S
  EDGE OF AMERICA, CONCORD (2011, 7 minutes, video) Plus other new works,
  and a performance by the filmmaker! Total running time: ca. 60 minutes.

-----------------------
MONDAY, OCTOBER 1, 2012
-----------------------

10/1
Los Angeles, California: the wulf.
http://www.thewulf.org/
8 pm, 1026 s. sante fe ave. #203

 RICK BAHTO: SELECTIONS FROM ACCRETIONS
  Over the course of several hours, projections of a selection of new 35mm
  slides from an expanding collection of thousands of images, using 1, 2,
  and 3 projectors. $0

------------------------
TUESDAY, OCTOBER 2, 2012
------------------------

10/2
Cambridge, Massachusetts: Balagan Films
http://www.balaganfilms.com
8pm, Brattle Theatre, 40 Brattle Street

 GERMANY YEAR 1962
  February 28, 1962: 26 young directors declared the end of "Papa's Kino"
  and the birth of the New German Cinema by signing the Oberhausen
  Manifesto. At the intractable shift from post-war hardship to
  "Wirtschaftswunder," this group of creatives represented a skeptical
  generation eager to establish a realistic and aesthetically ambitious
  cinematic future. Form and consequences of this manifesto remained
  highly controversial, even among the signers themselves. Their works –
  170 mostly short films made between 1958 and 1967 – disappeared soon
  after in oblivion. People had to face the curious fact that one of the
  most significant periods of German film history was at the same time the
  most unknown. For the 50th anniversary of the manifesto, four major
  German institutions took action and succeeded in unearthing and
  restoring a dozen of these films, making available brand new film prints
  and digital copies. Curated and introduced by Dagmar Kamlah. All films
  presented on 35mm. Program: ARME LEUTE, Vlado Kristl, 8 min, 1963 ////
  NOTIZEN AUS DEM ALTMÜHLTAL, H.R.Strobel/H.Tichawsky, 17 min, 1961 ////
  KAHL, Haro Senft, 12 min, 1961 //// GRANSTEIN, C.Doermer u.a., 13 min,
  1965 //// TRAB TRAB, Detten Schleiermacher, 11 min, 1959 

--------------------------
WEDNESDAY, OCTOBER 3, 2012
--------------------------

10/3
Astoria, NY : Museum of the Moving Image
movingimage.us
7:00 PM, 36-01 35 Avenue

 AN EVENING WITH PHIL SOLOMON
  Museum of the Moving Image presents An Evening with Phil Solomon
  Wednesday, October 3, 7:00 p.m. (5:30-7:00 p.m. viewing for American
  Falls) Phil Solomon, who has been making films since 1979, is known for
  his "image alchemy," manipulating existing and original footage to
  create evocative, dreamlike works that reveal subterranean depths in the
  imagery. While Solomon frequently works in a miniaturist scale with such
  formats as 16mm film and video, his triptych film American Falls,
  presented at the Museum as an installation in the third-floor Changing
  Exhibitions Gallery, is appropriately monumental in form and scope,
  taking as its subject nothing less than the promise and the failure of
  the American Dream through the twentieth century. This is a special
  opportunity to see American Falls and to also see Solomon introduce a
  selection of his work in the Main Theater. Included in the theater
  program is a trilogy of works composed entirely of footage from the
  video game Grand Theft Auto. Tickets: $15 public / $9 Museum members.
  Free for Silver Screen members and above. Advance tickets are available
  online at http://movingimage.us or by calling 718 777 6830. The Museum
  is located at 36-01 35 Avenue, Astoria, NY 11106. 

10/3
Chicago, Illinois: Northwest Chicago Film Society
http://www.northwestchicagofilmsociety.org
7:30 PM, The Portage Theater, 4050 N Milwaukee Ave

 HENRY KING'S CHAD HANNA (1940) + JONAS MEKAS'S NOTES ON THE CIRCUS (1966)
  Screening with "Notes on the Circus" (Jonas Mekas, 1966) - 16mm —
  Adapted from Red Wheels Rolling, a Saturday Evening Post serial by
  Walter Dumaux Edmonds, Chad Hanna is the kind of simple, natural
  filmmaking that made Henry King 20th Century-Fox's most subtly valuable
  director. Bosley Crowther captured the overwhelmingly lush and dreamlike
  state of Chad Hanna in his New York Times review: "the color and mood of
  that small town America has been excellently captured in the crickets
  dinning the night silence at Canastota; the creak of wagon harness as
  the little caravan journeys to the next town; . . . the roustabouts of
  rival circuses fighting it out with tent pegs on the bridge; the
  acrobats in pink tights and gold fringe running into the sawdust ring
  while Guy Kibbee delivers a stentorian rhetoric on the 'most daring, the
  most breath-taking . . .'" —— 86 min — 20th Century-Fox — IB Technicolor
  16mm from the Radio Cinema Film Archive

-------------------------
THURSDAY, OCTOBER 4, 2012
-------------------------

10/4
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
6pm, Film Center Amphitheater

 “EMPIRE” 
  Phil Solomon, U.S., 2008-12, 48m Presented by Phil Solomon Reception to
  follow 

10/4
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
7:45pm, Film Center Amphitheater

 VULGAR FRACTIONS 
  Peter Bo Rappmund, U.S., 2012, 27:46 

10/4
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
8:00pm, Film Center Amphitheater

 PONCE DE LEON
  Ben Russell & Jim Drain, U.S., 2012, 26m

10/4
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
9:15pm, Film Center Amphitheater

 AGE IS…
  Stephen Dwoskin, France/UK, 2011, 75m 

10/4
Oakland: Shapeshifters Cinema
http://shapeshifterscinema.com/
8-9PM, 4201 Telegraph Ave. Oakland

 SHAPESHIFTERS CINEMA PRESENTS TOMMY BECKER
  A poet trapped in a camcorder, Tommy Becker continuously works to feed
  video poems into his never-ending saga, TAPE NUMBER ONE, a collection of
  short videos made up of found footage, spoken word, music, performance,
  graphic design and sound collage. Join us as we witness the unfolding of
  TAPE NUMBER ONE into live spoken word/video performances. 

10/4
San Francisco, California: Oddball Films
http://www.oddballfilm.com
8 PM, 275 Capp St.

 IT'S NOT EASY BEING BEAUTIFUL - VINTAGE BEAUTY TIPS
  Oddball Films and curator Kat Shuchter bring you It's Not Easy Being
  Beautiful, a fun and fashionable night of vintage films that highlight
  the endless steps of beauty women must take on a daily basis, from
  makeup to hair to fashion to diet. Our beauty regime begins with
  glamorous undergarments, as we can see in the Special Edition segment on
  Frederick's of Hollywood (1970s), replete with sexy teddies and padded
  panties sold to you by frumpy old women. From there, we must build the
  foundation, with a creamy liquid foundation, of course, as we learn what
  goes into the makeup we pile on our faces in Accent on Beauty (1930s).
  Then, it's time to get dressed and JC Penney's has a whole fabulous
  array of frocks and sweater-sets for three young ladies on a
  cross-country shopping spree in The Scenemakers (1960). Learn how to
  stay beautiful, even as a beach bum, including how keep your clothes
  clean, or at least off, in the sexy short Beachcombing Belle (1949).
  Learn how to keep a trim figure and your hubby's admiration in the
  antiquatedly offensive Battle of the Bulge (1950). Once you're all
  dolled up, it's time to fight off the wolves howling at your sexy gams,
  as seen in Tex Avery's sexy fairytale Red Hot Red Riding Hood (1943).
  Beauty is not just for biological women, as the early and groundbreaking
  and tender gender-bending portrait Behind Every Good Man (1966)
  demonstrates. And if you find you love spreading the beauty, you too can
  be like young Cindy and explore Beauty for a Career (1960s). With
  vintage cosmetics commercials, Tony Curtis hosting a poolside party for
  the winners of Miss Universe 1955, Jayne Mansfield knocking Mickey
  Rooney speechless at the 1958 Golden Globes and tons of other sexy
  surprises, it's bound to be one beautiful night for boys and girls
  alike!

-----------------------
FRIDAY, OCTOBER 5, 2012
-----------------------

10/5
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
7:30PM, Hokin Hall at Columbia College Chicago - 623 S. Wabash Ave

 EXPRESSIONS OF SELF: NEW FILMS BY DOUG ISCHAR 
  Chicago's Own: Filmmaker Doug Ischar In Person! Doug Ischar, the recent
  recipient of a spot on Newcity Magazine's list of the Top 50 Chicago
  Artists, presents a collection of short experimental work including a
  World Premiere of his newly finished piece, TRISTES TARZAN. Innovative
  and visionary, local filmmaker Doug Ischar has worked in sound, video,
  and photography since the early 1990s. His work has evolved from
  large-scale multimedia installations to single-channel videos that
  address issues surrounding gay identity, desire, and loss. Currently an
  associate professor of photography at the University of Illinois,
  Chicago, he has exhibited at museums and galleries throughout the world.
  Ischar will be in person to lead a discussion and Q&A following the
  screening. brb (2007, 17 min) come lontano (2010, 24 min) Alone With You
  (2011, 18 min) CHICAGO PREMIERE Tristes Tarzan (2012, 18 min) WORLD
  PREMIERE 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
12:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER: 12:30pm : Program 2: RAUL RUIZ. The Blind Owl (La
  Chouette aveugle) France, 1987, 90m, 16mm . 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
12pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER: 12:00pm: Program 1: CHRIS MARKER. Sans Soleil
  France, 1982, 100m, 35mm. 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
2:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER: 2:30pm : Program 3: INVISIBLE ATTRIBUTES – BY
  SKY AND ON FOOT : The Creation As We Saw It : Ben Rivers, U.K., 2012,
  14m, 16mm ; Morning of Saint Anthony's Day : João Pedro Rodrigues,
  Portugal, 2011, 25m ; Concrete Parlay : Fern Silva, U.S., 2012, 18:12;
  Walker : Tsai Ming-liang, Hong Kong/Taiwan, 2012, 22m . Total Running
  Time: 80m 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
3pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER: 3:00pm: Program 4. NICOLAS REY: anders, Molussien
  (differently, Molussia), France, 2012, 81m, 16mm . 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
5:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER: 5:30pm : Program 5. CIRCLES OF CONFUSION: 20Hz
  : Semiconductor, UK, 2012, 4:30; Tension Building : Ericka Beckman,
  U.S., 2012, 6:50 ; Collections : Peggy Ahwesh, U.S., 2012, 4m ;
  Interstitial Project 1 : Matt McCormick, U.S., 2012, 1:45 ; Birthstone :
  April Simmons, U.S., 2012, 7:45 ; 2 Couplets from The Rain series: Kiss
  the Rain : Lewis Klahr, U.S., 2012, 6:02; The Street of Everlasting Rain
  : Lewis Klahr, U.S., 2012, 7:55 ; Tokens and Penalties : Talena Sanders,
  U.S., 2012, 3:58 ; Interstitial Project 2 : Matt McCormick, U.S., 2012,
  2:35 ; Circle in the Sand Michael Robinson, U.S., 2012, 47m Total
  Running Time: 93m 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
6pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 6:00pm Program 6. FERDINAND KHITTL The Parallel
  Road (Die Parallelstraße) Germany, 1962, 86m 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
8:30, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 8:30pm Program 7. DAVID GATTEN The Extravagant
  Shadows, U.S., 2012, 175m 

10/5
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
9:15, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 9:15pm Program 8. LUKE FOWLER A Day At Karl Marx's
  Grave Peter von Bagh, Finland, 1983, 19m, 16mm The Poor Stockinger, The
  Luddite Cropper and the Deluded Followers of Joanna Southcott Luke
  Fowler, U.K., 2012, 61m Total Running Time: 80m 

10/5
Philadelphia, Pennsylvania: International House Philadelphia
http://ihousephilly.org/events/robinson-in-ruins/
7:00PM, 3701 Chestnut Street

 ORNETTE: MADE IN AMERICA
  dir. Shirley Clarke, US, 1985, 35mm, 85 mins, color ///// Ornette: Made
  In America captures Ornette Coleman's evolution over three decades.
  Returning home to Fort Worth, Texas in 1983 as a famed performer and
  composer, documentary footage, dramatic scenes, and some of the first
  music videostyle segments ever made chronicle his boyhood in segregated
  Texas and his subsequent emergence as an American cultural pioneer and
  world-class icon. Amongst those who contribute to the film include
  William Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko
  Ono, Charlie Haden, Robert Palmer, Jayne Cortez and John Rockwell.

10/5
San Francisco, California: Oddball Films
http://www.oddballfilm.com
8 PM, 275 Capp St.

 SEUSS ON THE LOOSE!
  Oddball Films presents Seuss on the Loose! a night of curious creatures,
  surreal landscapes and imagination gone wild, all from the mind of the
  inimitable Dr. Seuss. Theodor Seuss Geisel was an American writer, poet,
  and cartoonist widely known for his legendary children's books written
  under the pen name Dr. Seuss. Geisel also worked as an illustrator for
  advertising campaigns and was a political cartoonist for a New York City
  newspaper. During World War II, he worked in an animation department of
  the U.S. Army, where he co-authored Design for Death, a film that later
  won the 1947 Academy Award for Documentary Feature. Highlights include:
  The Cat in the Hat (1972), The Cat in the Hat appears to bored kids and
  things get way out of hand; The Lorax (1972), in which a boy meets a
  mustached defender of nature and learns about danger of mankind's greed;
  Green Eggs and Ham (1974), are constantly offered to a unnamed character
  who refuses to try them up until his last straw; The Sneetches (1974) a
  tale about star-belly Sneetches and plain-belly Sneetches who waste all
  their money on trying to segregate themselves from one another; The Zax
  (1974), a story exploring the idea of pride where two Zaxes run into
  each other while trying to get somewhere and refuse to move out of the
  way to let the other one pass. Horton Hatches the Egg (1957), watch an
  elephant help hatch a bird's egg while she relocates to Palm Beach. Plus
  clips from the only feature film ever written by Theodor Seuss Geisel,
  The 5,000 Fingers of Dr. T (1953) an inventive musical fantasy where a
  little boy dreams 500 children being forced to master a concert piece
  for 5,000 fingers! Also the US Army's propaganda short Private Snafu vs.
  Malaria Mike (1944) written by Geisel. The quirky animated film shows
  Snafu (Situation Normal All F*cked Up) learning the hard way about the
  consequences of not protecting himself from malaria infection. 

-------------------------
SATURDAY, OCTOBER 6, 2012
-------------------------

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
1:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 1:30pm Program 10. BEYOND THE BORDERLINE Beyond
  Expression Bright Erin Espelie, U.S., 2012, 9m The Name Is Not the Thing
  Named Deborah Stratman, U.S., 2012, 10:50 Marshy Place Across Lorenzo
  Gattorna, U.S., 2012, 4:30 Tectonics Peter Bo Rappmund, U.S./Mexico,
  2012, 60m Total Running Time: 84m 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
10pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 10:00pm Program 2b. RAUL RUIZ The Blind Owl,
  France, 1987, 90m, 16mm 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
12pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 12:00pm Program 9. PHANTOM RESIDENCE S P E C T R E
  Sarah Grace Nesin, U.S., 2011, 5:50 Phantom of a Libertine Ben Rivers,
  UK, 2012, 10m, 16mm The Room Called Heaven Laida Lertxundi, U.S., 2012,
  11m Mekong Hotel Apichatpong Weerasethakul, Thailand, 2012, 60m Total
  Running Time: 87m 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
2:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 2:30pm Program 11. PEGGY AHWESH & JOE GIBBONS
  Martina's Playhouse Peggy Ahwesh, 1989, U.S., 20m From Romance to Ritual
  Peggy Ahwesh, 1985, U.S., 20m Confidential Pt. 2 Joe Gibbons, 1980,
  U.S., 25:50 Spying Joe Gibbons, 1977-78, U.S., 31:30 16mm blow-ups from
  Super 8 by BB Optics National Film Preservation Foundation funded
  projects of Bard College Total Running Time: 94m 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
4:15pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 4.15pm Program 12. JEROME HILER: NEW SHORES In
  the Stone House 1967-70/2012, U.S., 30-45m, 16mm New Shores 2012, U.S.,
  25m, 16mm Total Running Time: 70m 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
5pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 5:00pm Program 4. NICOLAS REY anders, Molussien
  (differently, Molussia), France, 2012, 81m, 16mm 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
6;15pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 6:15pm Program 13. NATHANIEL DORSKY August and
  After U.S., 2012, 18:50, 16mm April U.S., 2012, 26m, 16mm Total Running
  Time: 44m 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
7:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 7:30pm Program 3b. INVISIBLE ATTRIBUTES – BY SKY
  AND ON FOOT see Friday at 2:30pm Total Running Time: 81m 

10/6
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
8:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 8:30pm Program 14. JEFF PREISS STOP, U.S.,
  1995-2012, 120m 

10/6
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
3:00 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: TONY CONRAD
  THE FLICKER 1966, 30 min, 16mm, b&w. Preserved by Anthology Film
  Archives with funding provided by The National Film Preservation
  Foundation. Mathematical and rhythmical orchestration of white and black
  frames. STRAIGHT AND NARROW 1970, 10 min, 16mm, b&w. Preserved by
  Anthology Film Archives with funding provided by The National Film
  Preservation Foundation. A study in subjective color and visual rhythm.
  Although it is printed on black-and-white film, the hypnotic pacing of
  the images will cause viewers to experience a programmed gamut of
  hallucinatory color effects. FILM FEEDBACK 1974, 15 min, 16mm, b&w.
  Preserved by Anthology Film Archives with funding provided by The
  National Film Preservation Foundation. "Made with a film-feedback team
  which I directed at Antioch College. Negative image is shot from a small
  rear-projection screen, the film comes out of the camera continuously
  (in the dark room) and is immediately processed, dried, and projected on
  the screen by the team. What are the qualities of film that may be made
  visible through feedback?" –T.C. Total running time: ca. 60 min.

10/6
Philadelphia, Pennsylvania: International House Philadelphia
http://ihousephilly.org/events/robinson-in-ruins/
7:00PM, 3701 Chestnut Street

 THE CONNECTION
  dir. Shirley Clarke, US, 1962, 35mm, 102 mins, b/w ///// American
  independent filmmaker Shirley Clarke adapted this controversial play
  about a group of drug addicts, some of whom are also jazz musicians,
  waiting for their drug connection. Clarke's first feature draws from
  both Cinéma Vérité and the French New Wave to create a captivating and
  gritty vision of the beat era. Featuring music by jazz composer Freddie
  Redd, The Connection is a major achievement from one of the most
  important and tragically overlooked directors of American cinema. The
  Connection is the first release of Project Shirley, a four-year mission
  by Milestone Films to explore the life and work of Shirley Clarke by
  partnering with archives around the world to bring out the best versions
  of her films. The Connection was preserved by the UCLA Film & Television
  Archive with funding by the Film Foundation.

10/6
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30pm, 992 Valencia

 UNITED IN ANGER: A HISTORY OF ACT UP
  In its West Coast theatrical debut, Jim Hubbard and Sarah Schulman's
  United in Anger is a feature doc about the birth and life of the AIDS
  activist movement, from the perspective of the people in the trenches
  fighting the epidemic. Mixing oral histories of ACT UP members with rare
  archival footage, and taking the viewer through the planning and
  execution of a dozen exhilarating major actions, the film depicts the
  courageous efforts of the direct-action group as it battles corporate
  greed, social indifference, and government neglect. Introduced by Cyd
  Nova, of the local chapter, which receives a portion of the proceeds.

-----------------------
SUNDAY, OCTOBER 7, 2012
-----------------------

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
1:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 1:30pm Program 15. TOUCH AND GO Quando i volti
  si tòccano Paolo Gioli, Italy, 2012, 6:44 Arbor Janie Geiser, U.S.,
  2012, 7m Impressions Marika Borgeson, U.S., 2012, 4:29 Point de Gaze
  Jodie Mack, U.S., 2012, 5m Audition Karen Yasinsky, U.S., 2012, 4m
  Quando i corpi si tòccano Paolo Gioli, Italy, 2012, 3:44 Dragonflies
  with Birds and Snake Wolfgang Lehmann, Sweden, 2011, 60m Total Running
  Time: 93m 

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
10:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 10:30pm Program 21. CHRONOCOLOR Jake Seven Mary
  Beth Reed, U.S., 2012, 4m Austerity Measures Guillaume Callieau & Ben
  Russell, Greece, 2012, 8:40 Another Void Paul Clipson, U.S., 2012, 10:30
  Which Ceaselessly Float Up Beige Band (Vanessa O'Neill and Kent Long),
  U.S., 2012, 15m, 16mm double projection with live music Bloom Scott
  Stark, U.S., 2012, 11m Never a Foot Too Far, Even Daichi Saito, Canada,
  2011, 14m, 16mm double projection Deep Red Esther Urlus, Netherlands,
  2012, 7m, 35mm Total Running Time: 67m 

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
12pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 12:00pm Program 13. NATHANIEL DORSKY see Saturday
  at 6:15pm Total Running Time: 44m 

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
2:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 2:30pm Program 16. JAMES BENNING small roads,
  U.S., 2011, 103m 

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
4:30pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 4:30pm Program 17. DOPPLEGANGER (THE ETERNAL
  RETURN) Strata of Natural History Jeannette Muñoz, 2012,
  Switzerland/Chile, 11:45 Girl Chewing Gum John Smith, 1973, UK, 12m,
  16mm Man Phoning Mum John Smith, 2012, UK, 11:35 Interstitial Project 3
  Matt McCormick, U.S., 2012, 1:55 Waiting Room Vincent Grenier, U.S.,
  2012, 8:40 Interstitial Project 4 Matt McCormick, U.S., 2012, 2m Transit
  of Venus 1 Nicky Hamlyn, UK, 2005, 3m, 16mm Transit of Venus 2 Nicky
  Hamlyn, UK, 2012, 3m, 16mm WORK IN PROGRESS Ernie Gehr, U.S., 2012,
  30:20 Total Running Time: 84m 

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
5:15pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 5:15pm Program 18. PUZZLING EVIDENCE Across and
  Down Lori Felker, U.S., 2012, 18m Hotel Room Bernd Oppl, Austria, 2011,
  6m The Day of Two Noons Mike Gibisser, U.S., 2012, 67m Total Running
  Time: 92m 

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
7pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  FRANCESCA BEALE THEATER 7:00pm Program 19. ATLAS MINUS… The Strife of
  Love in a Dream Camille Henrot, 2012, France, 12m, 35mm 21 Chitrakoot
  Shambhavi Kaul, U.S./India, 2012, 9m A Few Extra Copies Bobby Abate,
  U.S., 2012, 9:15 17 New Dam Road Dani Leventhal, U.S., 2012, 8:52 The
  Voice of God Bernd Lützeler, India/Germany, 2011, 9:35, 35mm The
  Tombigbee Chronicles Number Two Kevin Jerome Everson, U.S., 2012, 19:13,
  16mm Chevelle Kevin Jerome Everson, U.S., 2012, 7:30, 35mm Wadena Peggy
  Ahwesh, U.S., 2012, 18:30 Total Running Time: 95m 

10/7
New York, New York: New York Film Festival
http://www.filmlinc.com/nyff/nyff.htm
9pm, Lincoln Center

 VIEWS FROM THE AVANT GARDE
  HOWARD GILMAN THEATER 9:00pm Program 20. A LUTHER PRICE BESTIARY
  selected 16mm work by Luther Price, U.S., 2007-12 Total Running Time:
  90m 

10/7
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
3:00 pm, 32 2nd Avenue

 JUDSON DANCE THEATER PROGRAM 2
  In 1982, Danspace Project and Bennington College collaborated on "The
  Judson Project", a series of performances dedicated to reconstructing
  Judson-era works with 14 Judson choreographers, including Edward
  Bhartonn, Remy Charlip, Lucinda Childs, Philip Corner, Brian De Palma,
  Judith Dunn, Simone Forti, Deborah Hay, Aileen Passloff, Steve Paxton,
  Yvonne Rainer, Carolee Schneemann, Elaine Summers, and James Waring. The
  Bennington College Judson Project also filmed interviews with many of
  the artists that were central to Judson Dance Theater. Danspace Project
  and Movement Research present a selection of these rarely-seen
  reconstructions and interviews in a special afternoon screening.

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