[Frameworks] The Pace of Time / Roundhouse / 4 August

[Ben Pritchard]

Hello

I'd like to inform you of two film events happening at the Roundhouse this
Sunday 4 August.

If you could include in your listings that would be much appreciated.

Thanks
Ben

*THE PACE OF TIME : A CONTEMPORARY
INTERRUPTION<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-a-contemporary-interruption>
*
4.30PM, SUNDAY 4 AUGUST
FREE ENTRY
BUY TICKETS<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-a-contemporary-interruption>

A free screening featuring new work by contemporary artists. Artists are
invited to explore and respond to ideas of time, memory and duration.

PROGRAMME:
Joseph Curran - The Blue Pool (2012)
Luke Aspell - Towards ‘To Pass and Repass’ (2013)
Deniz Johns - La Scala della Memoria (2013)
Amy Dickson - W11 (2013)
Jamie Jenkinson - Two Kitchen Pans (2013)
Jamie Jenkinson - Fan On Floral (2013)
Karolina Raczynski with Deniz Johns - Signals II (2013)


*THE PACE OF TIME : IN TO
FRAGMENTS<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-in-to-fragments>
*
6.30PM, SUNDAY 5 AUGUST
£5
BUY TICKETS<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-in-to-fragments>

This film screening involves different uses of time manipulation and
fragmentation. The programme shifts from slower films which meditate on
immediate surroundings (John Smith’s *Leading Light*) to the fragmented and
jilted (Chris Welsby’s *Fforest bay II*), to the creative splicing of
fragments and instances (*The Cut-Ups* by William S. Burroughs and Antony
Balch). A presentation of transference from slow single focus, to the
coexistence of multiple planes of consciousness.

The presence of the past informs our contemporary state. Memory focuses our
attention in the present moment; it is fragmented, indistinct and filtered
in flux.

PROGRAMME:

Rob Gawthrop - Distancing (1979)
John Smith – Leading Light (1975)
David Hall - Phased Time (1974)
Chris Welsby – Fforest bay II (1973)
Rose Lowder - Bouquet 5 & 10 (1995)
Bruce Baillie – Castro Street (1966)
William S. Burroughs and Antony Balch – The Cut-Ups (1966)

Rob Gawthrop introduces the programme with a discussion on the relevance
and possibilities of film in relation to time.

All films shown on 16mm.

Projection by Maria Anastassiou
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