[Frameworks] The Pace of Time / Roundhouse / 4 August

[Ben Pritchard]

Yes Tom,

Roundhouse
Chalk Farm Rd  London, Greater London NW1 8EH
0844 482 8008
Thanks
Ben

On Thu, Aug 1, 2013 at 3:56 PM, Tom Whiteside <tom.whiteside at duke.edu>wrote:

>  One might add that this Roundhouse is in London – correct?****
>
> ** **
>
> *From:* FrameWorks [mailto:frameworks-bounces at jonasmekasfilms.com] *On
> Behalf Of *Ben Pritchard
> *Sent:* Thursday, August 01, 2013 9:15 AM
> *To:* frameworks at jonasmekasfilms.com; Pip Chodorov
> *Subject:* [Frameworks] The Pace of Time / Roundhouse / 4 August****
>
> ** **
>
> Hello
>
> I'd like to inform you of two film events happening at the Roundhouse this
> Sunday 4 August.
>
> If you could include in your listings that would be much appreciated.
>
> Thanks
> Ben
>
> *THE PACE OF TIME : A CONTEMPORARY INTERRUPTION<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-a-contemporary-interruption>
> *
> 4.30PM, SUNDAY 4 AUGUST
> FREE ENTRY
> BUY TICKETS<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-a-contemporary-interruption>
> ****
>
> A free screening featuring new work by contemporary artists. Artists are
> invited to explore and respond to ideas of time, memory and duration.****
>
> PROGRAMME:****
>
> Joseph Curran - The Blue Pool (2012)
> Luke Aspell - Towards ‘To Pass and Repass’ (2013)
> Deniz Johns - La Scala della Memoria (2013)
> Amy Dickson - W11 (2013)
> Jamie Jenkinson - Two Kitchen Pans (2013)
> Jamie Jenkinson - Fan On Floral (2013)
> Karolina Raczynski with Deniz Johns - Signals II (2013)
>
>
> *THE PACE OF TIME : IN TO FRAGMENTS<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-in-to-fragments>
> *
> 6.30PM, SUNDAY 5 AUGUST
> £5
> BUY TICKETS<http://www.roundhouse.org.uk/whats-on/productions/the-pace-of-time-in-to-fragments>
>
> This film screening involves different uses of time manipulation and
> fragmentation. The programme shifts from slower films which meditate on
> immediate surroundings (John Smith’s *Leading Light*) to the fragmented
> and jilted (Chris Welsby’s *Fforest bay II*), to the creative splicing of
> fragments and instances (*The Cut-Ups* by William S. Burroughs and Antony
> Balch). A presentation of transference from slow single focus, to the
> coexistence of multiple planes of consciousness.
>
> The presence of the past informs our contemporary state. Memory focuses
> our attention in the present moment; it is fragmented, indistinct and
> filtered in flux.
>
> PROGRAMME:
>
> Rob Gawthrop - Distancing (1979)
> John Smith – Leading Light (1975)
> David Hall - Phased Time (1974)
> Chris Welsby – Fforest bay II (1973)
> Rose Lowder - Bouquet 5 & 10 (1995)
> Bruce Baillie – Castro Street (1966)
> William S. Burroughs and Antony Balch – The Cut-Ups (1966) ****
>
> Rob Gawthrop introduces the programme with a discussion on the relevance
> and possibilities of film in relation to time.
>
> All films shown on 16mm.
>
> Projection by Maria Anastassiou****
>
> ** **
>
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>
>
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