[Frameworks] Final orders of Ektachrome
Nicholas Kovats
nkovats at gmail.com
Fri Jan 11 14:44:12 CST 2013
Zach,
Thanks for the confirmation. I am still waiting to hear from my UK contact.
On Fri, Jan 11, 2013 at 1:43 PM, zach vonjoo <zuhvj at yahoo.com> wrote:
> Nicholas--
>
> I was looking for super-8.
>
> --- On *Fri, 1/11/13, frameworks-request at jonasmekasfilms.com <
> frameworks-request at jonasmekasfilms.com>* wrote:
>
>
> From: frameworks-request at jonasmekasfilms.com <
> frameworks-request at jonasmekasfilms.com>
> Subject: FrameWorks Digest, Vol 32, Issue 11
> To: frameworks at jonasmekasfilms.com
> Date: Friday, January 11, 2013, 10:02 AM
>
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> Today's Topics:
>
> 1. Final orders of Ektachrome. (zach vonjoo)
> 2. Re: Final orders of Ektachrome. (Royce Marcus (Film))
> 3. Re: Films composed to music (mstreet430 at gmail.com<http://mc/compose?to=mstreet430@gmail.com>
> )
> 4. Re: Final orders of Ektachrome. (Nicholas Kovats)
> 5. Re: Final orders of Ektachrome. (Sasha Janerus)
> 6. Re: films featuring projectionists (Sasha Janerus)
> 7. Re: films featuring projectionists (Andy Ditzler)
> 8. Re: films featuring projectionists (Alex)
> 9. Re: films featuring projectionists (Jason Stauffacher)
> 10. call for papers (Jack Sargeant)
> 11. Re: Films composed to music (Lawrence Brose)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 10 Jan 2013 10:43:29 -0800 (PST)
> From: zach vonjoo <zuhvj at yahoo.com <http://mc/compose?to=zuhvj@yahoo.com>>
> Subject: [Frameworks] Final orders of Ektachrome.
> To: frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> Message-ID:
> <1357843409.80444.YahooMailClassic at web121701.mail.ne1.yahoo.com<http://mc/compose?to=1357843409.80444.YahooMailClassic@web121701.mail.ne1.yahoo.com>
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hello Filmmakers--
>
> I was still getting my resources together for a large order when I found
> Kodak had stopped taking orders for Ektachrome a couple of weeks ago, a
> little sooner than I had anticipated.
>
> Does anyone know the status of Kodak's final batch of Ektachrome? How
> much are they making, when will it be shipped out, etc.
>
> I called Kodak and they couldn't answer my questions, but maybe that was
> just whoever I spoke with on the phone...
>
> Happy New Year,
>
> Zach
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> ------------------------------
>
> Message: 2
> Date: Thu, 10 Jan 2013 14:25:04 -0500
> From: "Royce Marcus (Film)" <roycemarcusfilms at gmail.com<http://mc/compose?to=roycemarcusfilms@gmail.com>
> >
> Subject: Re: [Frameworks] Final orders of Ektachrome.
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID:
> <CANcV-iFSrKLFOadheKtfdWx_TL38OETb5k0ZaEPTYFwTKDD37g at mail.gmail.com<http://mc/compose?to=CANcV-iFSrKLFOadheKtfdWx_TL38OETb5k0ZaEPTYFwTKDD37g@mail.gmail.com>
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> >From what I understood, when the sent out that press release, they were
> already done "making" ektachrome. It was just whatever they had left they
> were going to sell. I may be wrong though. It was sort of a mad dash
> after that.
>
> Royce
>
> On Thu, Jan 10, 2013 at 1:43 PM, zach vonjoo <zuhvj at yahoo.com<http://mc/compose?to=zuhvj@yahoo.com>>
> wrote:
>
> > Hello Filmmakers--
> >
> > I was still getting my resources together for a large order when I found
> > Kodak had stopped taking orders for Ektachrome a couple of weeks ago, a
> > little sooner than I had anticipated.
> >
> > Does anyone know the status of Kodak's final batch of Ektachrome? How
> > much are they making, when will it be shipped out, etc.
> >
> > I called Kodak and they couldn't answer my questions, but maybe that was
> > just whoever I spoke with on the phone...
> >
> > Happy New Year,
> >
> > Zach
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
>
>
> --
> Royce Marcus
> 919-616-5425
> RoyceMarcusFilms at gmail.com<http://mc/compose?to=RoyceMarcusFilms@gmail.com>
> https://twitter.com/RoyceMarcusFilm
> http://www.behance.net/RoyceMarcusFilms (password for video is "preview"
> without quotations)
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> ------------------------------
>
> Message: 3
> Date: Thu, 10 Jan 2013 19:54:30 +0000
> From: mstreet430 at gmail.com <http://mc/compose?to=mstreet430@gmail.com>
> Subject: Re: [Frameworks] Films composed to music
> To: "Experimental Film Discussion List"
> <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID:
> <
> 1953716096-1357847674-cardhu_decombobulator_blackberry.rim.net-1370528639- at b25.c23.bise6.blackberry<http://mc/compose?to=1953716096-1357847674-cardhu_decombobulator_blackberry.rim.net-1370528639-@b25.c23.bise6.blackberry>
> >
>
> Content-Type: text/plain; charset="utf-8"
>
>
> Sent via BlackBerry from T-Mobile
>
> -----Original Message-----
> From: David Baker <dbaker1 at hvc.rr.com<http://mc/compose?to=dbaker1@hvc.rr.com>
> >
> Sender: frameworks-bounces at jonasmekasfilms.com<http://mc/compose?to=frameworks-bounces@jonasmekasfilms.com>
> Date: Wed, 9 Jan 2013 19:54:34
> To: Mark Toscano<fiddybop at yahoo.com<http://mc/compose?to=fiddybop@yahoo.com>>;
> Experimental Film Discussion List<frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Reply-To: Experimental Film Discussion List <
> frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Subject: Re: [Frameworks] Films composed to music
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
> ------------------------------
>
> Message: 4
> Date: Thu, 10 Jan 2013 18:07:12 -0500
> From: Nicholas Kovats <nkovats at gmail.com<http://mc/compose?to=nkovats@gmail.com>
> >
> Subject: Re: [Frameworks] Final orders of Ektachrome.
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID: <-2053320738467499706 at unknownmsgid>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Zach,
>
> What format are you seeking re: E100D? R8, S8. 16mm, etc.
>
> Nicholas
>
> Sent from my iPhone
>
> On 2013-01-10, at 2:26 PM, "Royce Marcus (Film)" <
> roycemarcusfilms at gmail.com<http://mc/compose?to=roycemarcusfilms@gmail.com>
> >
> wrote:
>
> >From what I understood, when the sent out that press release, they were
> already done "making" ektachrome. It was just whatever they had left they
> were going to sell. I may be wrong though. It was sort of a mad dash
> after that.
>
> Royce
>
> On Thu, Jan 10, 2013 at 1:43 PM, zach vonjoo <zuhvj at yahoo.com<http://mc/compose?to=zuhvj@yahoo.com>>
> wrote:
>
> > Hello Filmmakers--
> >
> > I was still getting my resources together for a large order when I found
> > Kodak had stopped taking orders for Ektachrome a couple of weeks ago, a
> > little sooner than I had anticipated.
> >
> > Does anyone know the status of Kodak's final batch of Ektachrome? How
> > much are they making, when will it be shipped out, etc.
> >
> > I called Kodak and they couldn't answer my questions, but maybe that was
> > just whoever I spoke with on the phone...
> >
> > Happy New Year,
> >
> > Zach
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
>
>
> --
> Royce Marcus
> 919-616-5425
> RoyceMarcusFilms at gmail.com<http://mc/compose?to=RoyceMarcusFilms@gmail.com>
> https://twitter.com/RoyceMarcusFilm
> http://www.behance.net/RoyceMarcusFilms (password for video is "preview"
> without quotations)
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks
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> ------------------------------
>
> Message: 5
> Date: Thu, 10 Jan 2013 20:40:13 -0500
> From: Sasha Janerus <sasha.janerus at gmail.com<http://mc/compose?to=sasha.janerus@gmail.com>
> >
> Subject: Re: [Frameworks] Final orders of Ektachrome.
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID:
> <CADmb+FwuvO8WM2A3ZRHr9N8t-HSfdptg3ZX87VTGL5beKfcDUA at mail.gmail.com<http://mc/compose?to=FwuvO8WM2A3ZRHr9N8t-HSfdptg3ZX87VTGL5beKfcDUA@mail.gmail.com>
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> I've talked both to phone reps and their NY office. It's been gone gone for
> weeks in S8 and 16. I assume R8 too, as I think they perfed it to order.
>
> On Thu, Jan 10, 2013 at 6:07 PM, Nicholas Kovats <nkovats at gmail.com<http://mc/compose?to=nkovats@gmail.com>>
> wrote:
>
> > Zach,
> >
> > What format are you seeking re: E100D? R8, S8. 16mm, etc.
> >
> > Nicholas
> >
> > Sent from my iPhone
> >
> > On 2013-01-10, at 2:26 PM, "Royce Marcus (Film)" <
> > roycemarcusfilms at gmail.com<http://mc/compose?to=roycemarcusfilms@gmail.com>>
> wrote:
> >
> > >From what I understood, when the sent out that press release, they were
> > already done "making" ektachrome. It was just whatever they had left
> they
> > were going to sell. I may be wrong though. It was sort of a mad dash
> > after that.
> >
> > Royce
> >
> > On Thu, Jan 10, 2013 at 1:43 PM, zach vonjoo <zuhvj at yahoo.com<http://mc/compose?to=zuhvj@yahoo.com>>
> wrote:
> >
> >> Hello Filmmakers--
> >>
> >> I was still getting my resources together for a large order when I found
> >> Kodak had stopped taking orders for Ektachrome a couple of weeks ago, a
> >> little sooner than I had anticipated.
> >>
> >> Does anyone know the status of Kodak's final batch of Ektachrome? How
> >> much are they making, when will it be shipped out, etc.
> >>
> >> I called Kodak and they couldn't answer my questions, but maybe that was
> >> just whoever I spoke with on the phone...
> >>
> >> Happy New Year,
> >>
> >> Zach
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >>
> >
> >
> > --
> > Royce Marcus
> > 919-616-5425
> > RoyceMarcusFilms at gmail.com<http://mc/compose?to=RoyceMarcusFilms@gmail.com>
> > https://twitter.com/RoyceMarcusFilm
> > http://www.behance.net/RoyceMarcusFilms (password for video is "preview"
> > without quotations)
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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> ------------------------------
>
> Message: 6
> Date: Thu, 10 Jan 2013 20:41:50 -0500
> From: Sasha Janerus <sasha.janerus at gmail.com<http://mc/compose?to=sasha.janerus@gmail.com>
> >
> Subject: Re: [Frameworks] films featuring projectionists
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID:
> <CADmb+Fw2V-wVDWEHYfWaDP5isyVyBwt8L-VQd0us4Uu_t6eaeQ at mail.gmail.com<http://mc/compose?to=Fw2V-wVDWEHYfWaDP5isyVyBwt8L-VQd0us4Uu_t6eaeQ@mail.gmail.com>
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> Daddy Longlegs has plenty.
>
> On Wed, Jan 9, 2013 at 3:15 PM, Sasha Janerus <sasha.janerus at gmail.com<http://mc/compose?to=sasha.janerus@gmail.com>
> >wrote:
>
> > Goodbye Dragon Inn def., Variety and Serbis probably
> >
> >
> > On Tue, Jan 8, 2013 at 11:16 PM, Jack <jack at jacktext.net<http://mc/compose?to=jack@jacktext.net>>
> wrote:
> >
> >> Mary Jane isn't a virgin anymore, 96, Sarah Jacobson
> >>
> >> Jack
> >>
> >> Sent from my iPhone
> >>
> >> On 09/01/2013, at 2:59 PM, David Tetzlaff <djtet53 at gmail.com<http://mc/compose?to=djtet53@gmail.com>>
> wrote:
> >>
> >> > There was an American Indie feature from the 90s (I think) set
> >> primarily in the Uptown Theater in Minneapolis. I can't remember the
> name
> >> of the film or the director (a woman who passed tragically at a
> relatively
> >> young age, IIRC). I don't recall if any of the characters were
> >> projectionists, they may only have been ushers, concessioners or other
> >> theater employees. Can anyone here recall this film, and help jog my
> >> failing memory?
> >> > _______________________________________________
> >> > FrameWorks mailing list
> >> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> >> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >
> >
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> ------------------------------
>
> Message: 7
> Date: Thu, 10 Jan 2013 23:00:03 -0500
> From: Andy Ditzler <andy at andyditzler.com<http://mc/compose?to=andy@andyditzler.com>
> >
> Subject: Re: [Frameworks] films featuring projectionists
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID:
> <CANgjuVxMEhZyPN0H5-5b25F9XEtZAnphk5qQvse4Um-eifhpcw at mail.gmail.com<http://mc/compose?to=CANgjuVxMEhZyPN0H5-5b25F9XEtZAnphk5qQvse4Um-eifhpcw@mail.gmail.com>
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> Famously, the end of the newsreel sequence in Citizen Kane has visible
> light rays from the booth.
> There's a projection sequence in 8 1/2.
> Katherine Hepburn and Spencer Tracy project home movies in Adam's Rib.
> If memory serves, Colin Firth is seen projecting the final scene of Touch
> of Evil in Apartment Zero.
> I believe there's a home movie projection scene in Carnal Knowledge - or
> perhaps it's slides.
> There are several projection room sequences in Andzrej Wajda's Man of
> Marble.
> There's a projection sequence in Chronicle of a Summer, but I can't
> remember if the booth is visible in that.
>
> Andy Ditzler
>
>
> On Mon, Jan 7, 2013 at 9:55 AM, Pigott, Michael <
> Michael.Pigott at warwick.ac.uk<http://mc/compose?to=Michael.Pigott@warwick.ac.uk>>
> wrote:
>
> > Hello there,
> >
> > I'm trying to compile a list of films featuring projectionists or
> > projection boothes. So far it feels like there's a lot less that I
> thought
> > there was, so I wondered if anybody had any suggestions?
> >
> > Thanks in advance,
> >
> > Michael
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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> ------------------------------
>
> Message: 8
> Date: Fri, 11 Jan 2013 02:07:23 -0500
> From: Alex <alex.mccarron at gmail.com<http://mc/compose?to=alex.mccarron@gmail.com>
> >
> Subject: Re: [Frameworks] films featuring projectionists
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID: <2AEA6FC2-D9E0-4A52-95EE-4E65ED6DB5FA at gmail.com<http://mc/compose?to=2AEA6FC2-D9E0-4A52-95EE-4E65ED6DB5FA@gmail.com>
> >
> Content-Type: text/plain; charset="utf-8"
>
> The Most Terrible Time of My Life and the rest of the Miku Hama series
> feature a detective with an office in a projection room.
>
> The bad guy hideout in Youth of The Beast is sort of in a projector booth.
>
> In Branded to Kill there's a good scene with a 16mm projector which ends
> up projecting onto Joe Shishido's forehead. All of these movies have Joe
> Shishido in them, actually.
>
> Alex
>
> On Jan 10, 2013, at 11:00 PM, Andy Ditzler <andy at andyditzler.com<http://mc/compose?to=andy@andyditzler.com>>
> wrote:
>
> > Famously, the end of the newsreel sequence in Citizen Kane has visible
> light rays from the booth.
> > There's a projection sequence in 8 1/2.
> > Katherine Hepburn and Spencer Tracy project home movies in Adam's Rib.
> > If memory serves, Colin Firth is seen projecting the final scene of
> Touch of Evil in Apartment Zero.
> > I believe there's a home movie projection scene in Carnal Knowledge - or
> perhaps it's slides.
> > There are several projection room sequences in Andzrej Wajda's Man of
> Marble.
> > There's a projection sequence in Chronicle of a Summer, but I can't
> remember if the booth is visible in that.
> >
> > Andy Ditzler
> >
> >
> > On Mon, Jan 7, 2013 at 9:55 AM, Pigott, Michael <
> Michael.Pigott at warwick.ac.uk<http://mc/compose?to=Michael.Pigott@warwick.ac.uk>>
> wrote:
> >> Hello there,
> >>
> >> I'm trying to compile a list of films featuring projectionists or
> projection boothes. So far it feels like there's a lot less that I thought
> there was, so I wondered if anybody had any suggestions?
> >>
> >> Thanks in advance,
> >>
> >> Michael
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
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> ------------------------------
>
> Message: 9
> Date: Fri, 11 Jan 2013 15:25:50 +0800
> From: Jason Stauffacher <jasonstauffacher at gmail.com<http://mc/compose?to=jasonstauffacher@gmail.com>
> >
> Subject: Re: [Frameworks] films featuring projectionists
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID:
> <CAHoDt+aq-ADv5tx+0V_aKNKdGPuuzA5zcE6RDN=poG=ZiqbP8w at mail.gmail.com<http://mc/compose?to=ZiqbP8w@mail.gmail.com>
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> The Green Mile has a shot in the projector room.
>
> On Friday, January 11, 2013, Alex wrote:
>
> > The Most Terrible Time of My Life and the rest of the Miku Hama series
> > feature a detective with an office in a projection room.
> >
> > The bad guy hideout in Youth of The Beast is sort of in a projector
> booth.
> >
> > In Branded to Kill there's a good scene with a 16mm projector which ends
> > up projecting onto Joe Shishido's forehead. All of these movies have Joe
> > Shishido in them, actually.
> >
> > Alex
> >
> > On Jan 10, 2013, at 11:00 PM, Andy Ditzler <andy at andyditzler.com<http://mc/compose?to=andy@andyditzler.com><javascript:_e({},
> 'cvml', 'andy at andyditzler.com <http://mc/compose?to=andy@andyditzler.com>
> ');>>
> > wrote:
> >
> > Famously, the end of the newsreel sequence in Citizen Kane has visible
> > light rays from the booth.
> > There's a projection sequence in 8 1/2.
> > Katherine Hepburn and Spencer Tracy project home movies in Adam's Rib.
> > If memory serves, Colin Firth is seen projecting the final scene of Touch
> > of Evil in Apartment Zero.
> > I believe there's a home movie projection scene in Carnal Knowledge - or
> > perhaps it's slides.
> > There are several projection room sequences in Andzrej Wajda's Man of
> > Marble.
> > There's a projection sequence in Chronicle of a Summer, but I can't
> > remember if the booth is visible in that.
> >
> > Andy Ditzler
> >
> >
> > On Mon, Jan 7, 2013 at 9:55 AM, Pigott, Michael <
> > Michael.Pigott at warwick.ac.uk<http://mc/compose?to=Michael.Pigott@warwick.ac.uk><javascript:_e({}, 'cvml',
> > 'Michael.Pigott at warwick.ac.uk<http://mc/compose?to=Michael.Pigott@warwick.ac.uk>');>>
> wrote:
> >
> >> Hello there,
> >>
> >> I'm trying to compile a list of films featuring projectionists or
> >> projection boothes. So far it feels like there's a lot less that I
> thought
> >> there was, so I wondered if anybody had any suggestions?
> >>
> >> Thanks in advance,
> >>
> >> Michael
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com><javascript:_e({}, 'cvml',
> >> 'FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> ');>
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >>
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com><javascript:_e({}, 'cvml',
> > 'FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> ');>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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> ------------------------------
>
> Message: 10
> Date: Fri, 11 Jan 2013 20:03:44 +1100
> From: Jack Sargeant <jack at jacktext.net<http://mc/compose?to=jack@jacktext.net>
> >
> Subject: [Frameworks] call for papers
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID: <824BE541-0C86-4136-B636-C564818BB98F at jacktext.net<http://mc/compose?to=824BE541-0C86-4136-B636-C564818BB98F@jacktext.net>
> >
> Content-Type: text/plain; charset="utf-8"
>
>
> Revelation Perth International Film Festival's Academic Conference is back
> in 2013.
>
> Australia's cutting edge film festival takes place July 4th - 14th 2013.
> www.revelationfilmfest.org
>
> After the success of 2012's RevCon Academic we're repeating the exercise
> in 2013. Last time we saw a wide range of papers on a multitude of
> subjects. For 2013 we're once again looking for papers on screen culture,
> independent cinema (narrative and documentary), experimental film, film
> practice, hybridity, and emergent and digital screen media. Abstracts for
> papers should be no more than 200 words long, please also include any
> academic and/or professional affiliations, we will also accept papers from
> independent researchers.
>
> Don't forget to include contact details, email address and so on.
>
> Papers accepted for the conference should be no longer than 20 minutes in
> length.
>
> A selection of articles from 2012 event will be published in SCAN later
> this month: http://scan.net.au/
>
> Send abstracts to Jack via admin at jacktext.net<http://mc/compose?to=admin@jacktext.net>
>
> Please can you forward and share with you networks.
>
> Many thanks
>
> Jack Sargeant
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> ------------------------------
>
> Message: 11
> Date: Fri, 11 Jan 2013 11:54:47 -0500
> From: Lawrence Brose <lawrencebrose at gmail.com<http://mc/compose?to=lawrencebrose@gmail.com>
> >
> Subject: Re: [Frameworks] Films composed to music
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com<http://mc/compose?to=frameworks@jonasmekasfilms.com>
> >
> Message-ID: <CD15AE07.11C77%lawrencebrose at gmail.com<http://mc/compose?to=lawrencebrose@gmail.com>
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> I have a series of films titled Film for Music for Film that were all
> created/composed to music. The idea was to give equal weight to both the
> music and the film but the music came first. I can let you know more about
> this series (which also includes my film De Profundis plus my 5 multi
> screen
> one-hour work CAGE: A FILMIC CIRCUS ON METAPHORS ON VISION).
>
> You can preview some of the films on the Lightcone website at:
> http://lightcone.org/en/filmmaker-41-lawrence-f-brose
>
> You can read brief descriptions of some of the films on Canyon Cinema¹s
> website at: http://canyoncinema.com/catalog/filmmaker/?i=54
>
> Plus a brief overall description at:
> http://canyoncinema.com/catalog/film/?i=2624
>
> Please contact me off list if you have any questions.
>
> Best,
>
> Lawrence
>
>
>
> On 1/9/13 4:32 PM, "Herb Shellenberger" <HerbS at ihphilly.org<http://mc/compose?to=HerbS@ihphilly.org>>
> wrote:
>
> > Hello Frameworkers. There have been a few really great
> > looking-for-this-type-of-film threads recently, so I thought I would
> throw my
> > query out there.
> >
> > A colleague and I were discussing experimental films that were composed
> to
> > music. In general we think of film scores being added after the fact, but
> > there are few films that I can think of that are composed specifically
> to fit
> > a piece of music:
> >
> >
> > Studies for the Decay of the West (dir. Klaus Wyborny)
> > In Wyborny's "musical film," every new sound triggers a new image: 6,299
> > shots, all directly edited within his Super-8 camera. An intoxicating,
> > stroboscopic trip to industrial, natural and urban landscapes in East
> Africa,
> > New York, the Ruhr region and Rimini. This experimental music film
> refers to
> > Oswald Spengler¹s world-famous 1918 philosophical work The Decay of the
> West.
> > Culture pessimist Spengler argues that progress is an illusion and that
> the
> > modern era brings little good. People are no longer able to understand
> the
> > rationality of the world. Wyborny does not set out to make a film
> version of
> > Spengler's theories, but rather a visual reflection on the modern age; a
> > stroboscopic journey in five parts to industrial, natural and urban
> > landscapes. He uses 6,299 shots, edited directly in a Super-8 camera.
> Each
> > piano note and violin vibrato evokes a new image: demolished buildings,
> > rubble, destruction and nature. This film forms a counterpart to
> Wyborny¹s
> > previous films series Eine andere Welt. Lieder der Erde II(2004/2005).
> [Film
> > Society of Lincoln Center]
> >
> >
> > Passage Through: A Ritual (dir. Stan Brakahge)
> > When I received the tape of Philip Corner's ³Through the Mysterious
> Barricade,
> > Lumen 1 (after F. Couperin),² he included a note that thanked me for my
> film,
> > ³The Riddle of Lumen,² he'd just seen and which had in some way inspired
> this
> > music. I, in turn, was so moved by the tape he sent I immediately asked
> his
> > permission to "set it to film." It required the most exacting editing
> process
> > ever; and in the course of that work it occurred to me that I'd
> originally
> > made ³The Riddle of Lumen² hoping someone would make an "answering" film
> and
> > entertain my visual riddle in the manner of the riddling poets of yore.
> I most
> > expected Hollis Frampton (because of Zorn's ³Lemma²) to pick up the
> challenge;
> > but he never did. In some sense I think composer Corner has - and now we
> have
> > this dance of riddles as music and film combine to make "passage," in
> every
> > sense of the word, further possible. (To be absolutely "true to" the
> ritual of
> > this passage, the two reels of the film should be shown on one projector,
> > taking the normal amount of time, without rewinding reel #1 or showing
> the
> > finish and start leaders of either - especially without changing the
> sound
> > dials - between reels.) [Stan Brakhage, via CFMDC]
> >
> >
> > These are both films that use film to ³play² music in a sense, or use
> music to
> > generate images or structures. While some filmmakers may have used music
> in
> > this way in a portion of a larger film, I¹m more interested in films that
> > exclusively use this method, whether it is with one complete piece or a
> few.
> > Also, I¹m trying to focus on films that integrate music more deeply than
> just
> > cutting on specific beats.
> >
> > Any ideas would be much appreciated!
> >
> > Herb Shellenberger
> > Programs Office Manager
> >
> > 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104
> > phone: 215.895.6575 | fax: 215.895.6562
> > email: herbs at ihphilly.org <http://mc/compose?to=herbs@ihphilly.org> |
> web: www.ihousephilly.org
> > <http://www.ihousephilly.org/>
> >
> >
> >
> > _______________________________________________ FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com<http://mc/compose?to=FrameWorks@jonasmekasfilms.com>
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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>
> End of FrameWorks Digest, Vol 32, Issue 11
> ******************************************
>
>
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