[Frameworks] Texts on appropriation, collage and ethics/fair use

Sat May 25 07:25:15 UTC 2013

hi all
this is an excerpt of a list I made a couple of years ago with materials on ff-film. some of it is in german even for texts originally written in english. you should be able to find these in english, too.
hope it helps,
fred

Arthur, Paul: Lost and Found: American Avant-Garde Film in the Eighties. In: Nelly Voorhuis: A Passage Illuminated. The American Avant-Garde Film 1980-1990. Amsterdam 1991. S. 15-29.
Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1, Fall/Winter 2000. Los Angeles 2000. S. 57-69.
Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker, Steve; Geritz, Kathy; Seid Steve (Hrsg.): Radical Light. Alternative Film & Video in the San Francisco Bay Area, 1945-2000. Berkeley 2010. S. 95-100.
Basilico, Stefano: Cut. Film as Found Object in Contemporary Video. Milwaukee 2004.
Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp, Heft 16. Graz 1991. S. 4-11.
Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer, Christoph Settele: Found Footage Film. Luzern 1992. S. 8-25.
Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa Blümlinger; Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen. Texte zum essayistischen Film. Wien 1992.
Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik materieller Aneignung im Film und in der Medienkunst. Berlin 2009.
Bovier, François (Hrsg.): Is This What You Were Born For? Strategies of Appropriation and Audio-Visual Collage in the Films of Abigail Child. Geneva 2011.
Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom Cinema. In: Spectator, 27.3: Supplement 2007. Los Angeles 2007. S. 19-25.
Child, Abigail: This is Called Moving. A Critical Poetics of Film. Tuscalosa, Alabama 2005.
Christine N. Brinckmann: Die poetische Verkettung der Bilder. In: montage/av. 20/1/2011. Marburg 2012. S. 29-43.
Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda Badley; R. Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions in World Cinema. Edinburgh 2006.
Halter, Ed: Recycle it. Internet: http://www.movingimagesource.us/articles/recycle-it-20080710 (Internetzugriff am: 1.2.2012).
Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven 1999.
Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern 1992.
Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker. David Rimmer's Moving Images. Vancouver 2009.
Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter Tscherkassky. Wien 2005.
James, David E.: Allegories of Cinema. American Film in the Sixties. Princeton 1989.
Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine medientheoretische Perspektive auf Formen und Funktionen des Bilderrecyclings im Found-Footage-Film. In: Thomas Koebner; Thomas Meder (Hrsg.): Bildtheorie und Film. München 2006. S. 497-512.
Leyda, Jay: Films beget Films. In: London. London 1964.
O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-Footage Film. In: Monthly Film Bulletin. London 1987. S. 315-316.
Peterson, James: Bruce Conner and the Compilation Narrative. In: Wide Angle, Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative. Ann Arbor 1986. S. 53-62.
Peterson, James: Making Sense of Found Footage. In: Cecilia Hausheer, Christoph Settele: Found Footage Film. Luzern 1992. S. 54-75.
Peterson, James: Dreams of Chaos, Visions of Order. Understanding the American Avant-Garde Cinema. Detroit 1994.
Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22.
Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine, Kynaston (Hrsg.): Joseph Cornell. München 1990. S. 69-89.
Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford 1979.
Sitney, P. Adams: Eyes Upside Down. Oxford 2008.
Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films. Stockholm 2001.
Skoller, Jeffrey: Shadows, Specters, Shards. Making History in Avant-Garde Film. Minneapolis 2005.
Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische Auseinandersetzung mit der Geschichte. Zürich 1995.
Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er Jahre. Nürnberg 2010.
Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films (Reclam). Stuttgart 1979. S. 24-38.
Wees, William C: Recycled Images. New York 1993.
Wees, William C.: Old Images, New Meanings: Reontextualizing Archival Footage of Nazism and the Holocaust. In: Spectator, 20.1, Fall/Winter 2000. Los Angeles 2000. S. 70-76.
Zryd, Michael: Found Footage-Film als diskursive Metageschichte. Craig Baldwins TRIBULATION 99. In: montage/av. 11/1/2002. Berlin 2002. S. 113-134.

Am 24.05.2013 um 18:50 schrieb Adam R. Levine:

> Hello,
> 
> I'm looking for any books or short texts that might offer a survey of the history and practice of the appropriation and collage in the field of moving images. In addition, if there is any such work that also address questions of copyright, ethics and fair use, that would be great.
> 
> Thanks,
> Adam
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> FrameWorks at jonasmekasfilms.com
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