[Frameworks] FrameWorks Digest, Vol 36, Issue 28
Curtis Tamm
curtis.tamm at gmail.com
Sat May 25 23:08:35 UTC 2013
Greetings frameworkers,
I will be traveling from Los Angeles to Copenhagen with 30+ rolls of 16mm
filmstock,
wondering what the airport logistics are in terms of keeping the film safe
from any kind of damaging
radiation.
Curtis
On Sat, May 25, 2013 at 5:00 AM, <frameworks-request at jonasmekasfilms.com>wrote:
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>
> Today's Topics:
>
> 1. Texts on appropriation, collage and ethics/fair use
> (Adam R. Levine)
> 2. Re: Texts on appropriation, collage and ethics/fair use
> (Francisco Torres)
> 3. Re: Texts on appropriation, collage and ethics/fair use
> (Christian Gosvig Olesen)
> 4. Re: Texts on appropriation, collage and ethics/fair use
> (adeena.mey at unil.ch)
> 5. Re: Texts on appropriation, collage and ethics/fair use
> (Watter, Seth)
> 6. Re: Texts on appropriation, collage and ethics/fair use
> (William Wees, Dr.)
> 7. Re: Texts on appropriation, collage and ethics/fair use
> (David Tetzlaff)
> 8. New Super 8 200D Reversal Stock!!! (Ken Paul Rosenthal)
> 9. Re: New Super 8 200D Reversal Stock!!! (Roger Wilson)
> 10. Re: Texts on appropriation, collage and ethics/fair use
> (Fred Truniger)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 24 May 2013 09:50:34 -0700
> From: "Adam R. Levine" <adamrl at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: [Frameworks] Texts on appropriation, collage and ethics/fair
> use
> Message-ID:
> <
> CAB-OeP12TBwVWTwkKAXRAf3aWHp6bruhK9V8nTCUBurOpBHMLQ at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hello,
>
> I'm looking for any books or short texts that might offer a survey of the
> history and practice of the appropriation and collage in the field of
> moving images. In addition, if there is any such work that also address
> questions of copyright, ethics and fair use, that would be great.
>
> Thanks,
> Adam
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> ------------------------------
>
> Message: 2
> Date: Fri, 24 May 2013 14:00:25 -0300
> From: Francisco Torres <fjtorrespr at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Texts on appropriation, collage and
> ethics/fair use
> Message-ID:
> <
> CAEN6Uckf7bL42yAeocuuSLhuHwBGrSuufLuODLRLW+CW5pePRQ at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> this one is pretty good.
>
>
> http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225
> Cutting Across Media: Appropriation Art, Interventionist Collage, and
> Copyright Law
>
>
> On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <adamrl at gmail.com> wrote:
>
> > Hello,
> >
> > I'm looking for any books or short texts that might offer a survey of the
> > history and practice of the appropriation and collage in the field of
> > moving images. In addition, if there is any such work that also address
> > questions of copyright, ethics and fair use, that would be great.
> >
> > Thanks,
> > Adam
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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> ------------------------------
>
> Message: 3
> Date: Fri, 24 May 2013 19:05:03 +0200
> From: Christian Gosvig Olesen <christian.gosvig at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Texts on appropriation, collage and
> ethics/fair use
> Message-ID:
> <
> CACmTcvqtvZdyD9hQxGV5v1_gd96NR+01z95p5CnapGWUsYF69Q at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> This one is in french but is one of the most helpful I have come across:
>
> http://lucdall.free.fr/workshops/IAV07/documents/found-footage_n_brenez.pdf
>
>
> 2013/5/24 Francisco Torres <fjtorrespr at gmail.com>
>
> > this one is pretty good.
> >
> >
> >
> http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225
> > Cutting Across Media: Appropriation Art, Interventionist Collage, and
> > Copyright Law
> >
> >
> > On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <adamrl at gmail.com>
> wrote:
> >
> >> Hello,
> >>
> >> I'm looking for any books or short texts that might offer a survey of
> the
> >> history and practice of the appropriation and collage in the field of
> >> moving images. In addition, if there is any such work that also address
> >> questions of copyright, ethics and fair use, that would be great.
> >>
> >> Thanks,
> >> Adam
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >>
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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> ------------------------------
>
> Message: 4
> Date: Fri, 24 May 2013 20:58:34 +0200
> From: adeena.mey at unil.ch
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Texts on appropriation, collage and
> ethics/fair use
> Message-ID: <519fb85a.1240.5225b700.10e81830 at unil.ch>
> Content-Type: text/plain; charset="utf-8"; Format="flowed"
>
> This book on Abigail Child:
> http://www.metispresses.ch/ps_child_anglais.html
> Best,
> A.
>
>
>
>
> On vendredi 24/05/2013 at 18:51:52, Adam R. Levine a écrit:
> >
> > Hello,
> >
> > I'm looking for any books or short texts that might offer a survey of
> > the history and practice of the appropriation and collage in the field
> > of moving images. In addition, if there is any such work that also
> > address questions of copyright, ethics and fair use, that would be
> > great.
> >
> > Thanks,
> > Adam_______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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> ------------------------------
>
> Message: 5
> Date: Fri, 24 May 2013 16:21:38 -0400
> From: "Watter, Seth" <seth_watter at brown.edu>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Texts on appropriation, collage and
> ethics/fair use
> Message-ID:
> <
> CAABi6SP+y1YMMmDj8fWG6PQAgDJ4nTSsr1EuMfp+DecVifHFTg at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> 'films beget films' by jay leyda is a classic, and might be the earliest
> study of 'found footage' in film history.
>
> seth
>
>
> On Fri, May 24, 2013 at 12:50 PM, Adam R. Levine <adamrl at gmail.com> wrote:
>
> > Hello,
> >
> > I'm looking for any books or short texts that might offer a survey of the
> > history and practice of the appropriation and collage in the field of
> > moving images. In addition, if there is any such work that also address
> > questions of copyright, ethics and fair use, that would be great.
> >
> > Thanks,
> > Adam
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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> ------------------------------
>
> Message: 6
> Date: Fri, 24 May 2013 20:22:18 +0000
> From: "William Wees, Dr." <william.wees at mcgill.ca>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Texts on appropriation, collage and
> ethics/fair use
> Message-ID:
> <
> 3EB76ACCC84C7B4DA862A9DBBF9D9E6908A52D19 at exmbx2010-8.campus.MCGILL.CA>
>
> Content-Type: text/plain; charset="utf-8"
>
> Recycled Images: The Art and Politics of Found-Footage Films by William C.
> Wees, distributed by Anthology Film Archives.
>
> --Bill Wees
>
>
> From: FrameWorks [mailto:frameworks-bounces at jonasmekasfilms.com] On
> Behalf Of Adam R. Levine
> Sent: May 24, 2013 12:51 PM
> To: Experimental Film Discussion List
> Subject: [Frameworks] Texts on appropriation, collage and ethics/fair use
>
> Hello,
>
> I'm looking for any books or short texts that might offer a survey of the
> history and practice of the appropriation and collage in the field of
> moving images. In addition, if there is any such work that also address
> questions of copyright, ethics and fair use, that would be great.
>
> Thanks,
> Adam
> -------------- next part --------------
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> >
>
> ------------------------------
>
> Message: 7
> Date: Fri, 24 May 2013 13:48:32 -0700
> From: David Tetzlaff <djtet53 at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Texts on appropriation, collage and
> ethics/fair use
> Message-ID: <01B588FE-38DF-494E-ADD6-14DCFCD05AA4 at gmail.com>
> Content-Type: text/plain; charset=us-ascii
>
> Not nec. film specific, but there's tons of stuff on appropriation,
> collage, copyright and fair use. Much of it is related to audio collage as
> both an avant garde practice and pop culture 'mashups'. The discussions are
> generally applicable to found footage films, though.
>
> An essential text is Craig Baldwin's film "Sonic Outlaws".
>
> For the whole question of Fair Use of images, moving or otherwise, you'll
> also want to check the essential materials available on the website of the
> Center for Social Media at American University.
>
> Filmmakers working in collage and appropriation seem not to discuss the
> issues surrounding their work as much as artists in other media do. You
> might look into the websites, publications, videos etc. produced by
> Negativland RTMark, Stay Free magazine, Public Works etc. Also the various
> writings on 'Neoism'.
>
> The afore-cited "Cutting Across Media" should offer a list of contributors
> whose other works are worth looking into, and be a good starting place for
> a bibliography.
>
> (Again, none of this is really film specific, though...)
>
>
>
> ------------------------------
>
> Message: 8
> Date: Fri, 24 May 2013 14:44:14 -0700
> From: Ken Paul Rosenthal <kenpaulrosenthal at hotmail.com>
> To: Frameworks Postings <frameworks at jonasmekasfilms.com>
> Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
> Message-ID: <COL126-W36291DA72D0D09E00B9DCBD3AB0 at phx.gbl>
> Content-Type: text/plain; charset="iso-8859-1"
>
> NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
>
>
> http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/
>
>
> Ken
>
> www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com
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> ------------------------------
>
> Message: 9
> Date: Fri, 24 May 2013 22:23:03 +0000
> From: Roger Wilson <rogerdwilson at sympatico.ca>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] New Super 8 200D Reversal Stock!!!
> Message-ID: <BAY173-W1915FF9F8A948B7D262CB3B8AB0 at phx.gbl>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Awesome News Ken!
>
> Roger D. Wilson613 324 - 7504rogerdwilson at sympatico.cahttp://
> www.rogerdwilson.ca
> Without failure you can never achieve success. I have based my process and
> my career as an experimental film artist on this statement; and I welcome
> it as it pushes me forward as an artist to try something different,
> something new.
>
> From: kenpaulrosenthal at hotmail.com
> To: frameworks at jonasmekasfilms.com
> Date: Fri, 24 May 2013 14:44:14 -0700
> Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
>
>
>
>
> NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
>
>
> http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/
>
>
> Ken
>
> www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
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> ------------------------------
>
> Message: 10
> Date: Sat, 25 May 2013 09:25:15 +0200
> From: Fred Truniger <fred.truniger at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Texts on appropriation, collage and
> ethics/fair use
> Message-ID: <290ACB6D-C50C-4FC3-8CBF-48B6A87C6409 at gmail.com>
> Content-Type: text/plain; charset="windows-1252"
>
> hi all
> this is an excerpt of a list I made a couple of years ago with materials
> on ff-film. some of it is in german even for texts originally written in
> english. you should be able to find these in english, too.
> hope it helps,
> fred
>
>
> Arthur, Paul: Lost and Found: American Avant-Garde Film in the Eighties.
> In: Nelly Voorhuis: A Passage Illuminated. The American Avant-Garde Film
> 1980-1990. Amsterdam 1991. S. 15-29.
> Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1,
> Fall/Winter 2000. Los Angeles 2000. S. 57-69.
> Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker, Steve;
> Geritz, Kathy; Seid Steve (Hrsg.): Radical Light. Alternative Film & Video
> in the San Francisco Bay Area, 1945-2000. Berkeley 2010. S. 95-100.
> Basilico, Stefano: Cut. Film as Found Object in Contemporary Video.
> Milwaukee 2004.
> Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp, Heft 16.
> Graz 1991. S. 4-11.
> Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer,
> Christoph Settele: Found Footage Film. Luzern 1992. S. 8-25.
> Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa Blümlinger;
> Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen. Texte zum
> essayistischen Film. Wien 1992.
> Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik materieller
> Aneignung im Film und in der Medienkunst. Berlin 2009.
> Bovier, François (Hrsg.): Is This What You Were Born For? Strategies of
> Appropriation and Audio-Visual Collage in the Films of Abigail Child.
> Geneva 2011.
> Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom Cinema. In:
> Spectator, 27.3: Supplement 2007. Los Angeles 2007. S. 19-25.
> Child, Abigail: This is Called Moving. A Critical Poetics of Film.
> Tuscalosa, Alabama 2005.
> Christine N. Brinckmann: Die poetische Verkettung der Bilder. In:
> montage/av. 20/1/2011. Marburg 2012. S. 29-43.
> Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda Badley;
> R. Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions in World Cinema.
> Edinburgh 2006.
> Halter, Ed: Recycle it. Internet:
> http://www.movingimagesource.us/articles/recycle-it-20080710(Internetzugriff am: 1.2.2012).
> Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven 1999.
> Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern 1992.
> Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker. David
> Rimmer's Moving Images. Vancouver 2009.
> Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter Tscherkassky. Wien
> 2005.
> James, David E.: Allegories of Cinema. American Film in the Sixties.
> Princeton 1989.
> Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine medientheoretische
> Perspektive auf Formen und Funktionen des Bilderrecyclings im
> Found-Footage-Film. In: Thomas Koebner; Thomas Meder (Hrsg.): Bildtheorie
> und Film. München 2006. S. 497-512.
> Leyda, Jay: Films beget Films. In: London. London 1964.
> O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-Footage
> Film. In: Monthly Film Bulletin. London 1987. S. 315-316.
> Peterson, James: Bruce Conner and the Compilation Narrative. In: Wide
> Angle, Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative. Ann Arbor
> 1986. S. 53-62.
> Peterson, James: Making Sense of Found Footage. In: Cecilia Hausheer,
> Christoph Settele: Found Footage Film. Luzern 1992. S. 54-75.
> Peterson, James: Dreams of Chaos, Visions of Order. Understanding the
> American Avant-Garde Cinema. Detroit 1994.
> Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den
> Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22.
> Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine,
> Kynaston (Hrsg.): Joseph Cornell. München 1990. S. 69-89.
> Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford 1979.
> Sitney, P. Adams: Eyes Upside Down. Oxford 2008.
> Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films.
> Stockholm 2001.
> Skoller, Jeffrey: Shadows, Specters, Shards. Making History in Avant-Garde
> Film. Minneapolis 2005.
> Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische
> Auseinandersetzung mit der Geschichte. Zürich 1995.
> Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er Jahre.
> Nürnberg 2010.
> Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films (Reclam).
> Stuttgart 1979. S. 24-38.
> Wees, William C: Recycled Images. New York 1993.
> Wees, William C.: Old Images, New Meanings: Reontextualizing Archival
> Footage of Nazism and the Holocaust. In: Spectator, 20.1, Fall/Winter 2000.
> Los Angeles 2000. S. 70-76.
> Zryd, Michael: Found Footage-Film als diskursive Metageschichte. Craig
> Baldwins TRIBULATION 99. In: montage/av. 11/1/2002. Berlin 2002. S. 113-134.
>
>
>
> Am 24.05.2013 um 18:50 schrieb Adam R. Levine:
>
> > Hello,
> >
> > I'm looking for any books or short texts that might offer a survey of
> the history and practice of the appropriation and collage in the field of
> moving images. In addition, if there is any such work that also address
> questions of copyright, ethics and fair use, that would be great.
> >
> > Thanks,
> > Adam
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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> ------------------------------
>
> Subject: Digest Footer
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> ------------------------------
>
> End of FrameWorks Digest, Vol 36, Issue 28
> ******************************************
>
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