[Frameworks] This week [October 5 - 13, 2013] in avant garde cinema

Weekly Listing weeklylisting at hi-beam.net
Sat Oct 5 14:06:06 UTC 2013


This week [October 5 - 13, 2013] in avant garde cinema

To subscribe/unsubscribe to the weekly listing, go to
http://www.hi-beam.net/cgi-bin/mailto.pl?mailto=subscribe
or send an email to weeklylisting at hi-beam.net.

Enter your announcements (calls for entries, new work, screenings, 
jobs, items for sale, etc.) at:

http://www.hi-beam.net/cgi-bin/ann.pl

NEW FILM/VIDEO: NON-FEATURE:
===========================
"defunct" by Andrea Vincenzi
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=527.ann

JOB AVAILABLE:
=============
Academy of Art University
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=2.ann
Binghamton University
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=3.ann
Binghamton University
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=4.ann

NEW CALLS FOR ENTRIES:
=====================
Ann Arbor Film Festival (Ann Arbor, MI, USA; Deadline: October 07, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1632.ann
Haverhill Experimental Film Festival (Haverhill, MA, USA; Deadline: February 01, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1633.ann

DEADLINES APPROACHING:
======================
Beloit International Film Festival (Beloit, WI, USA; Deadline: October 23, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1585.ann
Beloit International Film Festival (Beloit, WI, USA; Deadline: October 19, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1590.ann
Angular (Barcelona-Madrid, Spain; Deadline: November 01, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1610.ann
LITTLE SCUZZY FILM FEST (Carbondale, IL, USA; Deadline: October 10, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1611.ann
Experimental Documentaries (new york, NY; Deadline: October 15, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1612.ann
MONO NO AWARE VII (Brooklyn, New York; Deadline: October 31, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1615.ann
Experiments in Cinema v9.72 (Albuquerque, New Mexico; Deadline: November 01, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1619.ann
Punto y Raya Festival (Barcelona, Spain; Deadline: October 28, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1620.ann
Go Short - International Short Film Festival Nijmegen (Nijmegen, the Netherlands; Deadline: November 01, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1621.ann
RICHMOND RADICALS (Richmond, VA usa; Deadline: October 18, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1622.ann
Open City Cinema (Winnipeg, Manitoba, Canada; Deadline: October 15, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1627.ann
MVAS Screening/Exhibition at Kings ARI (Melbourne, Vic. Australia; Deadline: October 15, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1630.ann
Ann Arbor Film Festival (Ann Arbor, MI, USA; Deadline: October 07, 2013)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1632.ann

Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

Also available online at Flicker: http://www.hi-beam.net

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 *  Cinema / Poetry With John Cannizzaro [October 5, Los Angeles, California]
 *  Alva-Dye + Becker + Woodman + Dumptruck + Shalo P +	      [October 5, San Francisco, California]
 *  Light Industry At Empire Drive-In: A Samuel Z. Arkoff Double Feature [October 6, Corona, California]
 *  Los Angeles Filmforum Presents "The Skin I'm In" - Los Angeles Premiere! [October 6, Los Angeles, California]
 *  Yans & Reto [October 6, New York, New York]
 *  Your Store [October 6, San Francisco, California]
 *  Polysexual Delirium: Jack Smith's Flaming Creatures [October 6, Tucson ]
 *  Sound/Film Performance By Paul Clipson & En [October 6, Washington, DC]
 *  Expanded Cinema [October 6, Washington, DC]
 *  The Black Radical Imagination [October 7, Los Angeles, California]
 *  An Evening With Kurt Hentschl�Ger [October 10, Chicago, Illinois]
 *  Kevin Rice Presents Frenkel Defects [October 10, Los Angeles, California]
 *  Communion By Nina Danino [October 12, London, England]
 *  Henri-Georges Clouzot and the Aesthetics of the Sixties Reflections On La
    V�Rit�  [October 12, Los Angeles, California]
 *  Ackerman's Widely Unknown + Daniel + Swoon + English + 		    [October 12, San Francisco, California]
 *  Our Nixon [October 12, Tucson ]
 *  Shapeshifters Cinema Presents Craig Baldwin [October 13, Oakland]
 *  Kinoclub SpÉCial Found Footage [October 13, Paris, France]


Events are sorted by CITY within each DATE.

-------------------------
SATURDAY, OCTOBER 5, 2013
-------------------------

10/5
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St. (at Sunset)

 CINEMA / POETRY WITH JOHN CANNIZZARO
  Playfully exploring the connection between cinema and poetry, John
  Cannizzaro returns to EPFC with an eclectic array of 16mm films, music,
  and poetry from the archives of Smokehouse Films. Combining works by
  Stan Brakhage, Kenneth Anger, Bruce Baillie, Margaret Atwood, Nick Cave,
  Eddie Vedder, Jean Cocteau, Norman McLaren, Charles and Ray Eames and
  many others, the program will delve into the myriad ways that cinema and
  poetry collide and/or overlap ... and hopefully even create a few new,
  live poems. The night includes multi-projected 16mm films, live music
  and poetry by Norwood Cheek and Andrea Richards, and the premiere of a
  brand new cine-poem by John Cannizzaro. The curator and refreshments
  will be present.

10/5
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.

 ALVA-DYE + BECKER + WOODMAN + DUMPTRUCK + SHALO P +	     
  Launching Incite's new issue on alt.exhibition, OC enacts the theme with
  an aggressive Live Cinema show!! Deploying a free-hanging screen, Alva &
  Dyemark's double-projector As Big as a House rhapsodizes on sports,
  while Tommy Becker vocalizes to Songs for the Lemons and for Disobedient
  Youth, with audience participation! Cincinnati's Charlie (viDEO sAVant)
  Woodman pic-mixes his Drowned World in concert with the ambient-jazz
  Geishafold. Shalo P unveils The Spy, a neo-psychedelic electronic
  collage, while Sam (Dumptruck) Manera hunkers down on a home-made knot
  of noise-makers, with closed-circuit close-ups! Twixt the live acts:
  Semiconductor's latest, Claire Bain's mirrored imagery, Lillian
  Schwartz' 3-D, Bing Crosby's Auroratone, Len Lye's '35 GasparColor, and
  Peggy Nelson's adieu-to-analog. $7.77. 

-----------------------
SUNDAY, OCTOBER 6, 2013
-----------------------

10/6
Corona, California: Light Industry
http://www.lightindustry.org/
7pm, New York Hall of Science, 4701 111th St

 LIGHT INDUSTRY AT EMPIRE DRIVE-IN: A SAMUEL Z. ARKOFF DOUBLE FEATURE
  Reptilicus, Sidney W. Pink, digital projection, 1961, 82 mins, Dr.
  Goldfoot and the Bikini Machine, Norman Taurog, digital projection,
  1965, 88 mins - Empire Drive-In, New York Hall of Science, 47-01 111th
  Street, Flushing Meadows Corona Park, Queens - www.empiredrivein.com -
  Light Industry presents a tribute to producer Samuel Z. Arkoff, the
  low-budget mogul who oversaw the creation of more than 400 movies in the
  50s, 60s, and 70s. A founder of American International Pictures, Arkoff
  made drive-ins the premiere destination for teenagers in search of cheap
  thrills at a time when Hollywood largely ignored the burgeoning youth
  market, serving up hundreds of hot rod epics, biker flicks, beach party
  spectaculars, and monster rampages. Under Arkoff's watch, AIP hired tyro
  directors like Roger Corman, Francis Ford Coppola, and Martin Scorsese
  to churn out stuff like A Bucket of Blood, Dementia 13, and Boxcar
  Bertha. - "These were pictures intended to be watched on forty-foot
  high, drive-in screens through steamed-up windshields, and heard through
  tinny car speakers over the sound of crunching, buttered popcorn,"
  Arkoff wrote in his memoir Flying Through Hollywood by the Seat of my
  Pants, noting how he sought to make "films to appeal to kids who have
  wheels." He claimed the secret to his success was the "Arkoff
  formula," making sure every film he produced contained - Action! -
  Revolution! - Killing! - Oratory! - Fantasy! and - Fornication! - For
  our Arkoff double-bill, Light Industry presents two very different
  sci-fi epics. A Godzilla knockoff made on the cheap in Denmark,
  Reptilicus stars a gigantic prehistoric reptile, awakened by industrial
  activity, that begins to attack Copenhagen. Impervious to bombs,
  flamethrowers, and tanks, Reptilicus tosses aside armies as the street
  of the city become clogged by throngs of screaming, terrified Danes.
  Kicking off with a swinging theme song performed by The Supremes over an
  animated title sequence by Gumby creator Art Clokey, Dr. Goldfoot and
  the Bikini Machine features a scenery-chewing Vincent Price. Here, Price
  plays the nefarious Dr. Goldfoot, creator of an army of sexy,
  bikini-clad robots who are programmed to seduce rich men and steal their
  money. Goldfoot spoofs the then-popular James Bond series and, in a
  self-referential twist, Arkoff's own beach party and horror titles.
  "THIS is a bikini machine!" screamed Arkoff's poster for the film,
  pointing to a babe in a golden two-piece "All New Parts! Tested,
  Approved and ready to GO-GO-GO!" - Doors at 6 pm, films at 7 pm. -
  Tickets - $15, $10 for NYSCI members.

10/6
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.

 LOS ANGELES FILMFORUM PRESENTS "THE SKIN I'M IN" - LOS ANGELES PREMIERE!
  Filmmaker Broderick Fox and composer Ronit Kirchman in person! Los
  Angeles Filmforum presents the Los Angeles premiere of THE SKIN I'M IN,
  an autobiographical documentary by Broderick Fox, with a live
  pre-screening remix performance of the film's score by composer Ronit
  Kirchman. Fox and Kirchman will both be in attendance for a Q&A
  following the screening. THE SKIN I'M IN is a documentary about a son/
  Eagle Scout/ valedictorian/ professor/ filmmaker/ club kid/ drag queen/
  hustler/ alcoholic, his brush with death, and his search for self and
  spirit through the transformative ritual of tattooing. NOTE THE EARLY
  START TIME! Composer Ronit Kirchman will perform a live remix of her
  score from 7:00 � 7:30, and the film will start at 7:30. Tickets: $10
  general, $6 students/seniors; free for Filmforum members. Available at
  the door or in advance from Brown Paper Tickets at
  http://www.brownpapertickets.com/event/471005. The Skin I'm In (2012,
  video & digital, color, sound, 86 min.) trailer:
  http://vimeo.com/broderickfox/skintrailer

10/6
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 YANS & RETO
  YANS & RETO is a one-night festival of action art by artists (mainly,
  but not limited to) over sixty and under thirty. YANS & RETO is an
  assembly of people engaged in contemporary culture who, regardless of
  their disciplines, share a taste for radicalism and experimental
  creation. Nothing is more brutal than money. YANS & RETO's fourth
  edition is dedicated to $$$. "7 minutes or less" performances, short
  films, videos, proclamations, comedy, songs, etc, that deal in extreme
  ways with money will be on view. Stand up and bite the hand of your
  owner! For more information or to register, visit:
  http://fundacionmosis.com/English/yans.htm. Entries must be in before
  September 10. YANS & RETO is a festival conceived by Jana Leo.
  Co-organized and co-produced by Fundaci�n MOSIS and Spain Culture New
  York-Consulate General of Spain with the support of AC/E, Acci�n
  Cultural Espa�ola.

10/6
San Francisco, California: Artists Television Access
http://www.atasite.org/
3:00- 5:00 pm (reception), 992 Valencia Street

 YOUR STORE
  For the month of October the window of Artist Television Access will be
  a place where the everyday is on display with Your Store. Hand-made
  cardboard sculptures, drawings and stop-motion animations inspired by
  the people who live, work and visit the Valencia Street Corridor and the
  greater Mission Neighborhood will be accessible to any passer-by as a
  homestyle advertisement of the neighborhood. Your Store hopes to give
  the neighborhood a chance to reflect on the people and places that make
  up this dynamic and quickly changing area. www.yourstoreproject.com

10/6
Tucson : EXPLODED VIEW gallery/microcinema 
http://explodedviewgallery.org
7:30, 197 E Toole Ave

 POLYSEXUAL DELIRIUM: JACK SMITH�S FLAMING CREATURES
  *co-sponsored by the U of A's LGBT Institute. Reviled, rioted over and
  banned as pornographic even as it was recognized by many as an
  unprecedented visionary masterpiece, Jack Smith's Flaming Creatures
  (1963), tonight shown in beautifully restored 16mm print, is one of the
  most important and influential underground movies ever released in
  America. In Flaming Creatures, entangle on the floor, and it's difficult
  to distinguish one delirious being from another. Jack Smith is
  considered a visionary photographer, the founding father of performance
  art and a pioneer of transgressive queer cinema. In celebration of the
  film's 50th anniversary and LGBT history month!! 

10/6
Washington, DC: Sonic Circuits Festival
http://dc-soniccircuits.org/
3:30-6:30pm (Part of Lab ll performances), Atlas Performing Arts Center, 1333 H Street NE, Washington, D.C. 20002

 SOUND/FILM PERFORMANCE BY PAUL CLIPSON & EN
  Super 8mm films and sound performance by Paul Clipson and En (Maxwell
  August Croy and James Devane) at the Sonic Circuits Festival

10/6
Washington, DC: Sonic Circuits
http://http://dc-soniccircuits.org/
3:00 PM, Atlas Performing Arts Center 1333 H Street NE 

 EXPANDED CINEMA
  Chris H Lynn and Amptext(Gary Rouzer) Live Super 8 projection with
  sounds, objects, and field recordings. The super 8 films were shot in
  China and France during the summer of 2013 

-----------------------
MONDAY, OCTOBER 7, 2013
-----------------------

10/7
Los Angeles, California: Redcat
http://www.redcat.org/
8:30pm, 631 West 2nd Street, Los Angeles, CA 90012

 THE BLACK RADICAL IMAGINATION
  Presented following a recent U.S. tour and an installation in Basel,
  Switzerland, The Black Radical Imagination is a visually rich collection
  of shorts�from video art to experimental and narrative films�inspired by
  a futurist aesthetic that explores issues of identity in our post-modern
  society. The program features Golden Chain (2013) by Adebukola Bodunrin
  and Ezra Clayton Daniels; Afronauts (2013) by Cristina De Middel; Mae's
  Journal (2013) by Amir George; Quiescence Interrupted... Adumbrate
  (2013) by Anansi Knowbody; Split Ends, I Feel Wonderful (2012) by
  CalArts alumnus Akosua Adoma Owusu; Reifying Desire 2 (2012) by Jacolby
  Satterwhite; and The Changing Same (1998) by Cauleen Smith, whose
  experimental work was presented at REDCAT last spring. In addition,
  Pumzi (2009) by Wanuri Kahiu is screened as part of the evening. Jack H.
  Skirball Series. $10 [members $8] In person: curators Amir George and
  Erin Christovale 

--------------------------
THURSDAY, OCTOBER 10, 2013
--------------------------

10/10
Chicago, Illinois: Conversations at the Edge
http://www.saic.edu/cate
6:00 pm, Gene Siskel Film Center / 164 N. State St.

 AN EVENING WITH KURT HENTSCHL�GER
  An evening with Chicago-based Austrian artist Kurt Hentschl�ger whose
  work explores human perception through intricate, multi-sensorial
  environments and live, audiovisual performances. He provides an overview
  of his practice and a live demonstration of his sophisticated realtime
  process. 2003�12, multiple countries, multiple formats, ca 60 min +
  discussion

10/10
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St. (at Sunset)

 KEVIN RICE PRESENTS FRENKEL DEFECTS
  $5 / Frenkel Defects is an intermittent, mobile film program focusing on
  works from among artist run film labs and collectives. This particular
  edition is comprised of works from the Process Reversal Collective as
  well as select films from L'Abominable (Paris), Cherry Kino (Leeds, UK),
  and The Handmade Film Institute (Boulder). Filmmakers include Andrew
  Busti, Sarah Biagini, Nicolas Rey, Kevin Rice, Taylor Dunne, Robert
  Schaller, and Martha Jurksaitis. Kevin Rice is a 'film archivist' whose
  practice focuses on the study of photochemical theories, the development
  of lab resources for filmmakers, and the documentation of various
  darkroom odysseys on motion picture film. He has worked with several
  artist-run film labs including no.w.here (London), L'Abominable (Paris),
  Klubvizija (Zagreb), and LaborBerlin (Berlin). In 2012 he helped found
  Process Reversal, a film collective dedicated to producing resources for
  filmmakers and film labs. His most recent work includes the engineering
  of a black and white reversal process based on the properties of
  seawater for an adaptation of Homer's Epic Cycle. Curator and artist
  Kevin Rice in person!

--------------------------
SATURDAY, OCTOBER 12, 2013
--------------------------

10/12
London, England: Artprojx Cinema
http://www.artprojx.com/cinema
12-6pm, Heath Street Baptist Church, 84 Heath Street, Hampstead, NW3 1DN

 COMMUNION BY NINA DANINO
  Artprojx Cinema presents...COMMUNION by Nina Danino. 35mm, 10 mins
  (2010) a film installation at: Heath Street Baptist Church, 84 Heath
  Street, Hampstead, London NW3 1DN. 12-23 October 2013. Screening time 12
  noon � 6pm (except Sundays 1- 6pm). *>>>>* Communion by Nina Danino is a
  portrait of a young girl filmed by cinematographer Billy Williams BSC,
  creating a silent, translucent image, which draws on the paradox between
  beauty as iconic, secular glamour and as religious interiority. *>>>>*
  "Art, Cinema and the Soul" a discussion with Nina Danino, Sarah Cooper,
  Ewan King and other speakers. Heath Street Baptist Church, London.
  Tuesday 22 October, 6.30 � 8pm followed by drinks. *>>>>* Supported
  using public funding by the Arts Council England. *>>>>* Transport to
  Heath Street Baptist Church: Underground: Northern Line (Edgware Branch)
  to Hampstead. Bus Routes: N5, 603, 268, 46. *>>>>* For more information
  on this project contact: David Gryn, Artprojx david at artprojx.com
  +447711127848 http://www.artprojx.com & http://davidgryn.wordpress.com 

10/12
Los Angeles, California: Redcat
http://www.redcat.org/
6:00pm, 631 West 2nd Street, Los Angeles, CA 90012

 HENRI-GEORGES CLOUZOT AND THE AESTHETICS OF THE SIXTIES REFLECTIONS ON LA
 V�RIT� 
  France, 1960, 35mm, 124 min. Program Curated by Martha Kirszenbaum and
  B�r�nice Reynaud In conversation with the joint exhibitions La Fin de la
  Nuit at Palais de Tokyo in Paris and The End of the Night at LACE in Los
  Angeles, this panel discussion on the controversial French auteur
  Henri-Georges Clouzot and his contribution to the aesthetics of the
  1960s centers around a screening of his intriguing film, La V�rit� (1960
  Oscar nominee and Golden Globe winner for Best Foreign Language Film). A
  showcase for the alluring physical presence of the biggest French star
  of the time, Brigitte Bardot�who transforms from pouting sex kitten to
  grand tragedienne�La V�rit� is loosely inspired by a notorious "crime of
  passion" case. With his stern and masterful direction of Bardot, Clouzot
  creates another unforgettable, yet contradictory, sexual icon for the
  Swinging Sixties. Jack H. Skirball Series. $10.00 [members $8.00] In
  person: Martha Kirszenbaum, B�r�nice Reynaud, Janet Bergstrom, William
  E. Jones, and Christine Wertheim

10/12
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.

 ACKERMAN�S WIDELY UNKNOWN + DANIEL + SWOON + ENGLISH + 		   
  Behind-the-scenes NYC "break-through" of the now-famous Mission School
  movement, Josh Ackerman's hr-long doc chronicles that historic Deitch
  Gallery exhibition acknowledging the tragic death of Margaret Kilgallen.
  Composed of installation views, opening scenes, and thoughtful
  interviews with Barry (Twist) McGee, Chris Johanson, Clare Rojas, and
  Alicia McCarthy, this seminal material, mostly shot by Josh's
  artist-father, Ralph (with help from Vanessa Renwick), took years to
  finally gel, after Ralph's own untimely death. Tonight Bill Daniel
  appears in person (with McGee and McCarthy tentatively slated) to
  personalize our regional aesthetic. PLUS cameos of other street artists,
  including Swoon, Futura, Doze Green, and Ron English. mission school 

10/12
Tucson : EXPLODED VIEW gallery/microcinema 
http://explodedviewgallery.org
7:30, 197 E Toole Ave

 OUR NIXON
  with Q & A with producer Brian Frye via Skype Exploded View is proud to
  present the Tucson premiere of the raved about new documentary by Penny
  Lane and Brian Frye, OUR NIXON. Throughout Richard Nixon's presidency,
  three of his top White House aides obsessively documented their
  experiences with Super-8 home movie cameras. Young, idealistic and
  dedicated, they had no idea that a few years later they'd all be in
  prison. OUR NIXON is an all-archival documentary presenting those home
  movies for the first time, along with other rare footage, creating an
  intimate and complex portrait of the Nixon presidency as never seen
  before. 

------------------------
SUNDAY, OCTOBER 13, 2013
------------------------

10/13
Oakland: Shapeshifters Cinema
http://shapeshifterscinema.com/
8PM - 9PM, Temescal Art Center, 511 48th St. Oakland, CA

 SHAPESHIFTERS CINEMA PRESENTS CRAIG BALDWIN
  Craig Baldwin is a filmmaker, curator and educator whose interests lie
  in archival retrieval and recombinatory forms of cinema, performance,
  and installation. Baldwin's suite of live-cinema pieces will
  employ/deploy an array of 16mm projectors, putting into play the
  accidental synchronicites of archival/found picture and sound towards an
  exploration of the fleeting, ephemeral, and ambivalent poetry of
  representation and reality.

10/13
Paris, France: KinoClub
7:30pm, 72 rue riquet

 KINOCLUB SPÉCIAL FOUND FOOTAGE
  « À partir d'un moment, je me suis rendu compte que
  j'aimais tant les films que je voulais qu'ils m'appartiennent. »
  Quentin Tarantino - C'est encore une édition spéciale que
  le KinoClub vous à mijoté pour ce dimanche 13 octobre ! -
  Cette programmation prend place dans le 15ème festival des
  cinémas différents et expérimentaux de Paris,
  organisé depuis 1999 par le Collectif Jeune Cinéma
  (http://www.cjcinema.org/) - Le found footage que défendra le
  Kino Club dans cette séance exceptionnelle au Shakirail voudrait
  témoigner de la richesse critique, formelle et plastique de cet
  artisanat finalement mal représenté et mal défendu.
  - Du cinéma de fiction au cinéma expérimental, le
  found footage est un sous-genre représentatif de nos
  sociétés actuelles que les évènements du
  World Trade Center sont venus d'une certaine manière exploser !
  Ses pratiques peuvent être tour à tour associés au
  « remixage » (écho musical), au « recyclage
  » (écho écolo), au « remploi »
  (écho économique). - Les films de found footage
  montrés au Shakirail participent donc d'une sélection -
  « insurrective » qui, je l'espère, rendra visible un
  sous-genre expérimental bien plus passionnant et subversif qu'on
  nous a laissé paraître jusqu'ici.


Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

The weekly listing is also available online at Flicker:
http://www.hi-beam.net



More information about the FrameWorks mailing list