[Frameworks] This week [October 5 - 13, 2013] in avant garde cinema
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Sat Oct 5 14:06:06 UTC 2013
This week [October 5 - 13, 2013] in avant garde cinema
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NEW FILM/VIDEO: NON-FEATURE:
===========================
"defunct" by Andrea Vincenzi
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=527.ann
JOB AVAILABLE:
=============
Academy of Art University
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=2.ann
Binghamton University
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Binghamton University
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NEW CALLS FOR ENTRIES:
=====================
Ann Arbor Film Festival (Ann Arbor, MI, USA; Deadline: October 07, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1632.ann
Haverhill Experimental Film Festival (Haverhill, MA, USA; Deadline: February 01, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1633.ann
DEADLINES APPROACHING:
======================
Beloit International Film Festival (Beloit, WI, USA; Deadline: October 23, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1585.ann
Beloit International Film Festival (Beloit, WI, USA; Deadline: October 19, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1590.ann
Angular (Barcelona-Madrid, Spain; Deadline: November 01, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1610.ann
LITTLE SCUZZY FILM FEST (Carbondale, IL, USA; Deadline: October 10, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1611.ann
Experimental Documentaries (new york, NY; Deadline: October 15, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1612.ann
MONO NO AWARE VII (Brooklyn, New York; Deadline: October 31, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1615.ann
Experiments in Cinema v9.72 (Albuquerque, New Mexico; Deadline: November 01, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1619.ann
Punto y Raya Festival (Barcelona, Spain; Deadline: October 28, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1620.ann
Go Short - International Short Film Festival Nijmegen (Nijmegen, the Netherlands; Deadline: November 01, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1621.ann
RICHMOND RADICALS (Richmond, VA usa; Deadline: October 18, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1622.ann
Open City Cinema (Winnipeg, Manitoba, Canada; Deadline: October 15, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1627.ann
MVAS Screening/Exhibition at Kings ARI (Melbourne, Vic. Australia; Deadline: October 15, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1630.ann
Ann Arbor Film Festival (Ann Arbor, MI, USA; Deadline: October 07, 2013)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1632.ann
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Cinema / Poetry With John Cannizzaro [October 5, Los Angeles, California]
* Alva-Dye + Becker + Woodman + Dumptruck + Shalo P + [October 5, San Francisco, California]
* Light Industry At Empire Drive-In: A Samuel Z. Arkoff Double Feature [October 6, Corona, California]
* Los Angeles Filmforum Presents "The Skin I'm In" - Los Angeles Premiere! [October 6, Los Angeles, California]
* Yans & Reto [October 6, New York, New York]
* Your Store [October 6, San Francisco, California]
* Polysexual Delirium: Jack Smith's Flaming Creatures [October 6, Tucson ]
* Sound/Film Performance By Paul Clipson & En [October 6, Washington, DC]
* Expanded Cinema [October 6, Washington, DC]
* The Black Radical Imagination [October 7, Los Angeles, California]
* An Evening With Kurt Hentschl�Ger [October 10, Chicago, Illinois]
* Kevin Rice Presents Frenkel Defects [October 10, Los Angeles, California]
* Communion By Nina Danino [October 12, London, England]
* Henri-Georges Clouzot and the Aesthetics of the Sixties Reflections On La
V�Rit� [October 12, Los Angeles, California]
* Ackerman's Widely Unknown + Daniel + Swoon + English + [October 12, San Francisco, California]
* Our Nixon [October 12, Tucson ]
* Shapeshifters Cinema Presents Craig Baldwin [October 13, Oakland]
* Kinoclub SpÉCial Found Footage [October 13, Paris, France]
Events are sorted by CITY within each DATE.
-------------------------
SATURDAY, OCTOBER 5, 2013
-------------------------
10/5
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St. (at Sunset)
CINEMA / POETRY WITH JOHN CANNIZZARO
Playfully exploring the connection between cinema and poetry, John
Cannizzaro returns to EPFC with an eclectic array of 16mm films, music,
and poetry from the archives of Smokehouse Films. Combining works by
Stan Brakhage, Kenneth Anger, Bruce Baillie, Margaret Atwood, Nick Cave,
Eddie Vedder, Jean Cocteau, Norman McLaren, Charles and Ray Eames and
many others, the program will delve into the myriad ways that cinema and
poetry collide and/or overlap ... and hopefully even create a few new,
live poems. The night includes multi-projected 16mm films, live music
and poetry by Norwood Cheek and Andrea Richards, and the premiere of a
brand new cine-poem by John Cannizzaro. The curator and refreshments
will be present.
10/5
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.
ALVA-DYE + BECKER + WOODMAN + DUMPTRUCK + SHALO P +
Launching Incite's new issue on alt.exhibition, OC enacts the theme with
an aggressive Live Cinema show!! Deploying a free-hanging screen, Alva &
Dyemark's double-projector As Big as a House rhapsodizes on sports,
while Tommy Becker vocalizes to Songs for the Lemons and for Disobedient
Youth, with audience participation! Cincinnati's Charlie (viDEO sAVant)
Woodman pic-mixes his Drowned World in concert with the ambient-jazz
Geishafold. Shalo P unveils The Spy, a neo-psychedelic electronic
collage, while Sam (Dumptruck) Manera hunkers down on a home-made knot
of noise-makers, with closed-circuit close-ups! Twixt the live acts:
Semiconductor's latest, Claire Bain's mirrored imagery, Lillian
Schwartz' 3-D, Bing Crosby's Auroratone, Len Lye's '35 GasparColor, and
Peggy Nelson's adieu-to-analog. $7.77.
-----------------------
SUNDAY, OCTOBER 6, 2013
-----------------------
10/6
Corona, California: Light Industry
http://www.lightindustry.org/
7pm, New York Hall of Science, 4701 111th St
LIGHT INDUSTRY AT EMPIRE DRIVE-IN: A SAMUEL Z. ARKOFF DOUBLE FEATURE
Reptilicus, Sidney W. Pink, digital projection, 1961, 82 mins, Dr.
Goldfoot and the Bikini Machine, Norman Taurog, digital projection,
1965, 88 mins - Empire Drive-In, New York Hall of Science, 47-01 111th
Street, Flushing Meadows Corona Park, Queens - www.empiredrivein.com -
Light Industry presents a tribute to producer Samuel Z. Arkoff, the
low-budget mogul who oversaw the creation of more than 400 movies in the
50s, 60s, and 70s. A founder of American International Pictures, Arkoff
made drive-ins the premiere destination for teenagers in search of cheap
thrills at a time when Hollywood largely ignored the burgeoning youth
market, serving up hundreds of hot rod epics, biker flicks, beach party
spectaculars, and monster rampages. Under Arkoff's watch, AIP hired tyro
directors like Roger Corman, Francis Ford Coppola, and Martin Scorsese
to churn out stuff like A Bucket of Blood, Dementia 13, and Boxcar
Bertha. - "These were pictures intended to be watched on forty-foot
high, drive-in screens through steamed-up windshields, and heard through
tinny car speakers over the sound of crunching, buttered popcorn,"
Arkoff wrote in his memoir Flying Through Hollywood by the Seat of my
Pants, noting how he sought to make "films to appeal to kids who have
wheels." He claimed the secret to his success was the "Arkoff
formula," making sure every film he produced contained - Action! -
Revolution! - Killing! - Oratory! - Fantasy! and - Fornication! - For
our Arkoff double-bill, Light Industry presents two very different
sci-fi epics. A Godzilla knockoff made on the cheap in Denmark,
Reptilicus stars a gigantic prehistoric reptile, awakened by industrial
activity, that begins to attack Copenhagen. Impervious to bombs,
flamethrowers, and tanks, Reptilicus tosses aside armies as the street
of the city become clogged by throngs of screaming, terrified Danes.
Kicking off with a swinging theme song performed by The Supremes over an
animated title sequence by Gumby creator Art Clokey, Dr. Goldfoot and
the Bikini Machine features a scenery-chewing Vincent Price. Here, Price
plays the nefarious Dr. Goldfoot, creator of an army of sexy,
bikini-clad robots who are programmed to seduce rich men and steal their
money. Goldfoot spoofs the then-popular James Bond series and, in a
self-referential twist, Arkoff's own beach party and horror titles.
"THIS is a bikini machine!" screamed Arkoff's poster for the film,
pointing to a babe in a golden two-piece "All New Parts! Tested,
Approved and ready to GO-GO-GO!" - Doors at 6 pm, films at 7 pm. -
Tickets - $15, $10 for NYSCI members.
10/6
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
LOS ANGELES FILMFORUM PRESENTS "THE SKIN I'M IN" - LOS ANGELES PREMIERE!
Filmmaker Broderick Fox and composer Ronit Kirchman in person! Los
Angeles Filmforum presents the Los Angeles premiere of THE SKIN I'M IN,
an autobiographical documentary by Broderick Fox, with a live
pre-screening remix performance of the film's score by composer Ronit
Kirchman. Fox and Kirchman will both be in attendance for a Q&A
following the screening. THE SKIN I'M IN is a documentary about a son/
Eagle Scout/ valedictorian/ professor/ filmmaker/ club kid/ drag queen/
hustler/ alcoholic, his brush with death, and his search for self and
spirit through the transformative ritual of tattooing. NOTE THE EARLY
START TIME! Composer Ronit Kirchman will perform a live remix of her
score from 7:00 � 7:30, and the film will start at 7:30. Tickets: $10
general, $6 students/seniors; free for Filmforum members. Available at
the door or in advance from Brown Paper Tickets at
http://www.brownpapertickets.com/event/471005. The Skin I'm In (2012,
video & digital, color, sound, 86 min.) trailer:
http://vimeo.com/broderickfox/skintrailer
10/6
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
YANS & RETO
YANS & RETO is a one-night festival of action art by artists (mainly,
but not limited to) over sixty and under thirty. YANS & RETO is an
assembly of people engaged in contemporary culture who, regardless of
their disciplines, share a taste for radicalism and experimental
creation. Nothing is more brutal than money. YANS & RETO's fourth
edition is dedicated to $$$. "7 minutes or less" performances, short
films, videos, proclamations, comedy, songs, etc, that deal in extreme
ways with money will be on view. Stand up and bite the hand of your
owner! For more information or to register, visit:
http://fundacionmosis.com/English/yans.htm. Entries must be in before
September 10. YANS & RETO is a festival conceived by Jana Leo.
Co-organized and co-produced by Fundaci�n MOSIS and Spain Culture New
York-Consulate General of Spain with the support of AC/E, Acci�n
Cultural Espa�ola.
10/6
San Francisco, California: Artists Television Access
http://www.atasite.org/
3:00- 5:00 pm (reception), 992 Valencia Street
YOUR STORE
For the month of October the window of Artist Television Access will be
a place where the everyday is on display with Your Store. Hand-made
cardboard sculptures, drawings and stop-motion animations inspired by
the people who live, work and visit the Valencia Street Corridor and the
greater Mission Neighborhood will be accessible to any passer-by as a
homestyle advertisement of the neighborhood. Your Store hopes to give
the neighborhood a chance to reflect on the people and places that make
up this dynamic and quickly changing area. www.yourstoreproject.com
10/6
Tucson : EXPLODED VIEW gallery/microcinema
http://explodedviewgallery.org
7:30, 197 E Toole Ave
POLYSEXUAL DELIRIUM: JACK SMITH�S FLAMING CREATURES
*co-sponsored by the U of A's LGBT Institute. Reviled, rioted over and
banned as pornographic even as it was recognized by many as an
unprecedented visionary masterpiece, Jack Smith's Flaming Creatures
(1963), tonight shown in beautifully restored 16mm print, is one of the
most important and influential underground movies ever released in
America. In Flaming Creatures, entangle on the floor, and it's difficult
to distinguish one delirious being from another. Jack Smith is
considered a visionary photographer, the founding father of performance
art and a pioneer of transgressive queer cinema. In celebration of the
film's 50th anniversary and LGBT history month!!
10/6
Washington, DC: Sonic Circuits Festival
http://dc-soniccircuits.org/
3:30-6:30pm (Part of Lab ll performances), Atlas Performing Arts Center, 1333 H Street NE, Washington, D.C. 20002
SOUND/FILM PERFORMANCE BY PAUL CLIPSON & EN
Super 8mm films and sound performance by Paul Clipson and En (Maxwell
August Croy and James Devane) at the Sonic Circuits Festival
10/6
Washington, DC: Sonic Circuits
http://http://dc-soniccircuits.org/
3:00 PM, Atlas Performing Arts Center 1333 H Street NE
EXPANDED CINEMA
Chris H Lynn and Amptext(Gary Rouzer) Live Super 8 projection with
sounds, objects, and field recordings. The super 8 films were shot in
China and France during the summer of 2013
-----------------------
MONDAY, OCTOBER 7, 2013
-----------------------
10/7
Los Angeles, California: Redcat
http://www.redcat.org/
8:30pm, 631 West 2nd Street, Los Angeles, CA 90012
THE BLACK RADICAL IMAGINATION
Presented following a recent U.S. tour and an installation in Basel,
Switzerland, The Black Radical Imagination is a visually rich collection
of shorts�from video art to experimental and narrative films�inspired by
a futurist aesthetic that explores issues of identity in our post-modern
society. The program features Golden Chain (2013) by Adebukola Bodunrin
and Ezra Clayton Daniels; Afronauts (2013) by Cristina De Middel; Mae's
Journal (2013) by Amir George; Quiescence Interrupted... Adumbrate
(2013) by Anansi Knowbody; Split Ends, I Feel Wonderful (2012) by
CalArts alumnus Akosua Adoma Owusu; Reifying Desire 2 (2012) by Jacolby
Satterwhite; and The Changing Same (1998) by Cauleen Smith, whose
experimental work was presented at REDCAT last spring. In addition,
Pumzi (2009) by Wanuri Kahiu is screened as part of the evening. Jack H.
Skirball Series. $10 [members $8] In person: curators Amir George and
Erin Christovale
--------------------------
THURSDAY, OCTOBER 10, 2013
--------------------------
10/10
Chicago, Illinois: Conversations at the Edge
http://www.saic.edu/cate
6:00 pm, Gene Siskel Film Center / 164 N. State St.
AN EVENING WITH KURT HENTSCHL�GER
An evening with Chicago-based Austrian artist Kurt Hentschl�ger whose
work explores human perception through intricate, multi-sensorial
environments and live, audiovisual performances. He provides an overview
of his practice and a live demonstration of his sophisticated realtime
process. 2003�12, multiple countries, multiple formats, ca 60 min +
discussion
10/10
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St. (at Sunset)
KEVIN RICE PRESENTS FRENKEL DEFECTS
$5 / Frenkel Defects is an intermittent, mobile film program focusing on
works from among artist run film labs and collectives. This particular
edition is comprised of works from the Process Reversal Collective as
well as select films from L'Abominable (Paris), Cherry Kino (Leeds, UK),
and The Handmade Film Institute (Boulder). Filmmakers include Andrew
Busti, Sarah Biagini, Nicolas Rey, Kevin Rice, Taylor Dunne, Robert
Schaller, and Martha Jurksaitis. Kevin Rice is a 'film archivist' whose
practice focuses on the study of photochemical theories, the development
of lab resources for filmmakers, and the documentation of various
darkroom odysseys on motion picture film. He has worked with several
artist-run film labs including no.w.here (London), L'Abominable (Paris),
Klubvizija (Zagreb), and LaborBerlin (Berlin). In 2012 he helped found
Process Reversal, a film collective dedicated to producing resources for
filmmakers and film labs. His most recent work includes the engineering
of a black and white reversal process based on the properties of
seawater for an adaptation of Homer's Epic Cycle. Curator and artist
Kevin Rice in person!
--------------------------
SATURDAY, OCTOBER 12, 2013
--------------------------
10/12
London, England: Artprojx Cinema
http://www.artprojx.com/cinema
12-6pm, Heath Street Baptist Church, 84 Heath Street, Hampstead, NW3 1DN
COMMUNION BY NINA DANINO
Artprojx Cinema presents...COMMUNION by Nina Danino. 35mm, 10 mins
(2010) a film installation at: Heath Street Baptist Church, 84 Heath
Street, Hampstead, London NW3 1DN. 12-23 October 2013. Screening time 12
noon � 6pm (except Sundays 1- 6pm). *>>>>* Communion by Nina Danino is a
portrait of a young girl filmed by cinematographer Billy Williams BSC,
creating a silent, translucent image, which draws on the paradox between
beauty as iconic, secular glamour and as religious interiority. *>>>>*
"Art, Cinema and the Soul" a discussion with Nina Danino, Sarah Cooper,
Ewan King and other speakers. Heath Street Baptist Church, London.
Tuesday 22 October, 6.30 � 8pm followed by drinks. *>>>>* Supported
using public funding by the Arts Council England. *>>>>* Transport to
Heath Street Baptist Church: Underground: Northern Line (Edgware Branch)
to Hampstead. Bus Routes: N5, 603, 268, 46. *>>>>* For more information
on this project contact: David Gryn, Artprojx david at artprojx.com
+447711127848 http://www.artprojx.com & http://davidgryn.wordpress.com
10/12
Los Angeles, California: Redcat
http://www.redcat.org/
6:00pm, 631 West 2nd Street, Los Angeles, CA 90012
HENRI-GEORGES CLOUZOT AND THE AESTHETICS OF THE SIXTIES REFLECTIONS ON LA
V�RIT�
France, 1960, 35mm, 124 min. Program Curated by Martha Kirszenbaum and
B�r�nice Reynaud In conversation with the joint exhibitions La Fin de la
Nuit at Palais de Tokyo in Paris and The End of the Night at LACE in Los
Angeles, this panel discussion on the controversial French auteur
Henri-Georges Clouzot and his contribution to the aesthetics of the
1960s centers around a screening of his intriguing film, La V�rit� (1960
Oscar nominee and Golden Globe winner for Best Foreign Language Film). A
showcase for the alluring physical presence of the biggest French star
of the time, Brigitte Bardot�who transforms from pouting sex kitten to
grand tragedienne�La V�rit� is loosely inspired by a notorious "crime of
passion" case. With his stern and masterful direction of Bardot, Clouzot
creates another unforgettable, yet contradictory, sexual icon for the
Swinging Sixties. Jack H. Skirball Series. $10.00 [members $8.00] In
person: Martha Kirszenbaum, B�r�nice Reynaud, Janet Bergstrom, William
E. Jones, and Christine Wertheim
10/12
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia St.
ACKERMAN�S WIDELY UNKNOWN + DANIEL + SWOON + ENGLISH +
Behind-the-scenes NYC "break-through" of the now-famous Mission School
movement, Josh Ackerman's hr-long doc chronicles that historic Deitch
Gallery exhibition acknowledging the tragic death of Margaret Kilgallen.
Composed of installation views, opening scenes, and thoughtful
interviews with Barry (Twist) McGee, Chris Johanson, Clare Rojas, and
Alicia McCarthy, this seminal material, mostly shot by Josh's
artist-father, Ralph (with help from Vanessa Renwick), took years to
finally gel, after Ralph's own untimely death. Tonight Bill Daniel
appears in person (with McGee and McCarthy tentatively slated) to
personalize our regional aesthetic. PLUS cameos of other street artists,
including Swoon, Futura, Doze Green, and Ron English. mission school
10/12
Tucson : EXPLODED VIEW gallery/microcinema
http://explodedviewgallery.org
7:30, 197 E Toole Ave
OUR NIXON
with Q & A with producer Brian Frye via Skype Exploded View is proud to
present the Tucson premiere of the raved about new documentary by Penny
Lane and Brian Frye, OUR NIXON. Throughout Richard Nixon's presidency,
three of his top White House aides obsessively documented their
experiences with Super-8 home movie cameras. Young, idealistic and
dedicated, they had no idea that a few years later they'd all be in
prison. OUR NIXON is an all-archival documentary presenting those home
movies for the first time, along with other rare footage, creating an
intimate and complex portrait of the Nixon presidency as never seen
before.
------------------------
SUNDAY, OCTOBER 13, 2013
------------------------
10/13
Oakland: Shapeshifters Cinema
http://shapeshifterscinema.com/
8PM - 9PM, Temescal Art Center, 511 48th St. Oakland, CA
SHAPESHIFTERS CINEMA PRESENTS CRAIG BALDWIN
Craig Baldwin is a filmmaker, curator and educator whose interests lie
in archival retrieval and recombinatory forms of cinema, performance,
and installation. Baldwin's suite of live-cinema pieces will
employ/deploy an array of 16mm projectors, putting into play the
accidental synchronicites of archival/found picture and sound towards an
exploration of the fleeting, ephemeral, and ambivalent poetry of
representation and reality.
10/13
Paris, France: KinoClub
7:30pm, 72 rue riquet
KINOCLUB SPÉCIAL FOUND FOOTAGE
« À partir d'un moment, je me suis rendu compte que
j'aimais tant les films que je voulais qu'ils m'appartiennent. »
Quentin Tarantino - C'est encore une édition spéciale que
le KinoClub vous à mijoté pour ce dimanche 13 octobre ! -
Cette programmation prend place dans le 15ème festival des
cinémas différents et expérimentaux de Paris,
organisé depuis 1999 par le Collectif Jeune Cinéma
(http://www.cjcinema.org/) - Le found footage que défendra le
Kino Club dans cette séance exceptionnelle au Shakirail voudrait
témoigner de la richesse critique, formelle et plastique de cet
artisanat finalement mal représenté et mal défendu.
- Du cinéma de fiction au cinéma expérimental, le
found footage est un sous-genre représentatif de nos
sociétés actuelles que les évènements du
World Trade Center sont venus d'une certaine manière exploser !
Ses pratiques peuvent être tour à tour associés au
« remixage » (écho musical), au « recyclage
» (écho écolo), au « remploi »
(écho économique). - Les films de found footage
montrés au Shakirail participent donc d'une sélection -
« insurrective » qui, je l'espère, rendra visible un
sous-genre expérimental bien plus passionnant et subversif qu'on
nous a laissé paraître jusqu'ici.
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
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