[Frameworks] animals and human-animal relationships on film
Tess Martin
tessmartin at hotmail.com
Sun Apr 27 07:59:11 UTC 2014
Hello Sarah,
You could look at my animated short They Look Right Through You, which is about human-pet relationships:
http://www.tessmartinart.com/?cat=159
It played at Tricky Women last month.
-tess
-----------------------------
www.tessmartinart.com
www.vimeo.com/tessmartin
> From: frameworks-request at jonasmekasfilms.com
> Subject: FrameWorks Digest, Vol 47, Issue 29
> To: frameworks at jonasmekasfilms.com
> Date: Thu, 24 Apr 2014 21:14:06 +0000
>
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>
>
> Today's Topics:
>
> 1. Re: animals and human-animal relationships on film
> (Benjamin Pearson)
> 2. Re: animals and human-animal relationships on film (Albert Alcoz)
> 3. Re: animals and human-animal relationships on film (Albert Alcoz)
> 4. Re: animals and human-animal relationships on film
> (marilyn brakhage)
> 5. Re: query for those who teach filmmaking (Rajesh Barnabas)
> 6. Re: query for those who teach filmmaking
> (chris at signaltoground.com)
> 7. Looking for 35mm Equipment (Echo Park Film Center)
> 8. Re: Looking for 35mm Equipment (Sean Weitzel)
> 9. Peter Emanuel Goldman's ECHOES OF SILENCE at the Film-Makers'
> Cooperative (Filmmakers Cooperative)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 24 Apr 2014 07:38:54 -0500
> From: Benjamin Pearson <b.seth.pearson at gmail.com>
> To: sarah browne <sarahjbrowne at yahoo.ie>, Experimental Film Discussion
> List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] animals and human-animal relationships on
> film
> Message-ID: <BC24873D-A503-404B-9570-19325C4BB8DB at gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Hi Sarah - maybe this already got mentioned but Cooper bartesby and Emily vey Duke's work might be perfect for you. Check out their vimeo - great filmmakers
>
> -B
>
> > On Apr 24, 2014, at 4:04 AM, sarah browne <sarahjbrowne at yahoo.ie> wrote:
> >
> > Thanks Shelly!
> >
> >
> > From: Shelly Silver <silvernyc at earthlink.net>
> > To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> > Sent: Thursday, 24 April 2014, 4:04:44
> > Subject: Re: [Frameworks] animals and human-animal relationships on film
> >
> > Kathy high. Animal attraction!!!!
> >
> > Sent from my phone
> >
> >> On Apr 23, 2014, at 9:18 PM, Ruth Hayes <randomruth at comcast.net> wrote:
> >>
> >> Here's a sampling of animation featuring animals in some way: Wendy Tilby and Amanda Forbis' When the Day Breaks, Caroline Leaf's The Owl Who Married a Goose, my own Wanda, Iain Gardner's films, Aardman's Creature Comforts, Yuri Norstein's films, Alison deVere's Black Dog, Dennis Tupicoff's Darra Dogs, Igor Kovalyov's Hen His Wife, Sara Petty's Furies, Joanna Quinn's Britannia, Paul Fierlinger's Still Life with Animated DOgs, Alexander Petrov's The Cow, Run Wrake's Rabbit, three versions of Little Red Riding Hood: Piotr Dumala's Little Black Riding Hood, Tex Avery's Red Hot Riding Hood and Fleischer's Dizzy Red Riding Hood.
> >>
> >> Ruth Hayes
> >> http://www.randommotion.com
> >> blogs.evergreen.edu/hayesr
> >>
> >>> On Apr 23, 2014, at 8:05 AM, sarah browne wrote:
> >>>
> >>> Dear Frameworkers,
> >>>
> >>> I'm looking for some help in compiling a list of films that feature animals or human-animal relationships on film. Rather than wildlife documentaries (with some exceptions!) I'm more interested in the animal presence as an a kind of distancing tactic that allows for reflection on inter-human behaviours (ethics, empathy, violence). Arthouse or experimental material more than Babe.
> >>>
> >>> Any tips very gratefully received!
> >>>
> >>> Best wishes,
> >>>
> >>> Sarah Browne
> >>>
> >>> www.sarahbrowne.info
> >>> www.kennedybrowne.com
> >>>
> >>> Hand to Mouth
> >>> CCA Derry-Londonderry
> >>> until 24 May 2014
> >>>
> >>>
> >>> _______________________________________________
> >>> FrameWorks mailing list
> >>> FrameWorks at jonasmekasfilms.com
> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
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>
> ------------------------------
>
> Message: 2
> Date: Thu, 24 Apr 2014 13:52:25 +0100 (BST)
> From: Albert Alcoz <albertalcoz7 at yahoo.es>
> To: sarah browne <sarahjbrowne at yahoo.ie>, Experimental Film Discussion
> List <frameworks at jonasmekasfilms.com>, Experimental Film Discussion
> List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] animals and human-animal relationships on
> film
> Message-ID:
> <1398343945.42231.YahooMailNeo at web28804.mail.ir2.yahoo.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Jean Painlevé Films
> Little Dog For Roger and Berlin Horse by Malcolm LeGrice,
>
> and what about things like this?
> https://www.youtube.com/watch?v=sP4NMoJcFd4
>
> El Jueves 24 de abril de 2014 11:04, sarah browne <sarahjbrowne at yahoo.ie> escribió:
>
> Thanks Shelly!
>
>
>
>
> ________________________________
> From: Shelly Silver <silvernyc at earthlink.net>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Sent: Thursday, 24 April 2014, 4:04:44
> Subject: Re: [Frameworks] animals and human-animal relationships on film
>
>
>
> Kathy high. Animal attraction!!!!
>
> Sent from my phone
>
> On Apr 23, 2014, at 9:18 PM, Ruth Hayes <randomruth at comcast.net> wrote:
>
>
> Here's a sampling of animation featuring animals in some way: Wendy Tilby and Amanda Forbis' When the Day Breaks, Caroline Leaf's The Owl Who Married a Goose, my own Wanda, Iain Gardner's films, Aardman's Creature Comforts, Yuri Norstein's films, Alison deVere's Black Dog, Dennis Tupicoff's Darra Dogs, Igor Kovalyov's Hen His Wife, Sara Petty's Furies, Joanna Quinn's Britannia, Paul Fierlinger's Still Life with Animated DOgs, Alexander Petrov's The Cow, Run Wrake's Rabbit, three versions of Little Red Riding Hood: Piotr Dumala's Little Black Riding Hood, Tex Avery's Red Hot Riding Hood and Fleischer's Dizzy Red Riding Hood.
> >
> >
> >Ruth Hayes
> >
> >http://www.randommotion.com
> >blogs.evergreen.edu/hayesr
> >
> >On Apr 23, 2014, at 8:05 AM, sarah browne wrote:
> >
> >Dear Frameworkers,
> >>
> >>
> >>I'm looking for some help in compiling a list of films that feature animals or human-animal relationships on film. Rather than wildlife documentaries (with some exceptions!) I'm more interested in the animal presence as an a kind of distancing tactic that allows for reflection on inter-human behaviours (ethics, empathy, violence). Arthouse or experimental material more than Babe.
> >>
> >>
> >>
> >>Any tips very gratefully received!
> >>
> >>
> >>Best wishes,
> >>
> >>
> >>Sarah Browne
> >>
> >>www.sarahbrowne.info
> >>www.kennedybrowne.com
> >>
> >>
> >>Hand to Mouth
> >>
> >>CCA Derry-Londonderry
> >>
> >>until 24 May 2014
> >>
> >>_______________________________________________
> >>FrameWorks mailing list
> >>FrameWorks at jonasmekasfilms.com
> >>https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >
> _______________________________________________
> >FrameWorks mailing list
> >FrameWorks at jonasmekasfilms.com
> >https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
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>
> ------------------------------
>
> Message: 3
> Date: Thu, 24 Apr 2014 13:52:25 +0100 (BST)
> From: Albert Alcoz <albertalcoz7 at yahoo.es>
> To: sarah browne <sarahjbrowne at yahoo.ie>, Experimental Film Discussion
> List <frameworks at jonasmekasfilms.com>, Experimental Film Discussion
> List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] animals and human-animal relationships on
> film
> Message-ID:
> <1398343945.42231.YahooMailNeo at web28804.mail.ir2.yahoo.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Jean Painlevé Films
> Little Dog For Roger and Berlin Horse by Malcolm LeGrice,
>
> and what about things like this?
> https://www.youtube.com/watch?v=sP4NMoJcFd4
>
> El Jueves 24 de abril de 2014 11:04, sarah browne <sarahjbrowne at yahoo.ie> escribió:
>
> Thanks Shelly!
>
>
>
>
> ________________________________
> From: Shelly Silver <silvernyc at earthlink.net>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Sent: Thursday, 24 April 2014, 4:04:44
> Subject: Re: [Frameworks] animals and human-animal relationships on film
>
>
>
> Kathy high. Animal attraction!!!!
>
> Sent from my phone
>
> On Apr 23, 2014, at 9:18 PM, Ruth Hayes <randomruth at comcast.net> wrote:
>
>
> Here's a sampling of animation featuring animals in some way: Wendy Tilby and Amanda Forbis' When the Day Breaks, Caroline Leaf's The Owl Who Married a Goose, my own Wanda, Iain Gardner's films, Aardman's Creature Comforts, Yuri Norstein's films, Alison deVere's Black Dog, Dennis Tupicoff's Darra Dogs, Igor Kovalyov's Hen His Wife, Sara Petty's Furies, Joanna Quinn's Britannia, Paul Fierlinger's Still Life with Animated DOgs, Alexander Petrov's The Cow, Run Wrake's Rabbit, three versions of Little Red Riding Hood: Piotr Dumala's Little Black Riding Hood, Tex Avery's Red Hot Riding Hood and Fleischer's Dizzy Red Riding Hood.
> >
> >
> >Ruth Hayes
> >
> >http://www.randommotion.com
> >blogs.evergreen.edu/hayesr
> >
> >On Apr 23, 2014, at 8:05 AM, sarah browne wrote:
> >
> >Dear Frameworkers,
> >>
> >>
> >>I'm looking for some help in compiling a list of films that feature animals or human-animal relationships on film. Rather than wildlife documentaries (with some exceptions!) I'm more interested in the animal presence as an a kind of distancing tactic that allows for reflection on inter-human behaviours (ethics, empathy, violence). Arthouse or experimental material more than Babe.
> >>
> >>
> >>
> >>Any tips very gratefully received!
> >>
> >>
> >>Best wishes,
> >>
> >>
> >>Sarah Browne
> >>
> >>www.sarahbrowne.info
> >>www.kennedybrowne.com
> >>
> >>
> >>Hand to Mouth
> >>
> >>CCA Derry-Londonderry
> >>
> >>until 24 May 2014
> >>
> >>_______________________________________________
> >>FrameWorks mailing list
> >>FrameWorks at jonasmekasfilms.com
> >>https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >
> _______________________________________________
> >FrameWorks mailing list
> >FrameWorks at jonasmekasfilms.com
> >https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
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> ------------------------------
>
> Message: 4
> Date: Thu, 24 Apr 2014 05:59:48 -0700
> From: marilyn brakhage <vams at shaw.ca>
> To: sarah browne <sarahjbrowne at yahoo.ie>, Experimental Film Discussion
> List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] animals and human-animal relationships on
> film
> Message-ID: <547E2744-0EB7-499C-8E9E-E981F55E239B at shaw.ca>
> Content-Type: text/plain; charset="utf-8"; Format="flowed";
> DelSp="yes"
>
> "We Mammals Pushy" by Rick Raxlen
>
> MB
>
> On 23-Apr-14, at 8:05 AM, sarah browne wrote:
>
> > Dear Frameworkers,
> >
> > I'm looking for some help in compiling a list of films that feature
> > animals or human-animal relationships on film. Rather than wildlife
> > documentaries (with some exceptions!) I'm more interested in the
> > animal presence as an a kind of distancing tactic that allows for
> > reflection on inter-human behaviours (ethics, empathy, violence).
> > Arthouse or experimental material more than Babe.
> >
> > Any tips very gratefully received!
> >
> > Best wishes,
> >
> > Sarah Browne
> >
> > www.sarahbrowne.info
> > www.kennedybrowne.com
> >
> > Hand to Mouth
> > CCA Derry-Londonderry
> > until 24 May 2014
> >
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
> -------------- next part --------------
> An HTML attachment was scrubbed...
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>
> ------------------------------
>
> Message: 5
> Date: Thu, 24 Apr 2014 10:24:25 -0400
> From: Rajesh Barnabas <rbarnabas at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] query for those who teach filmmaking
> Message-ID:
> <CAJhye0yADoW=aW5JAK6KCaH-FUMeQRUPFYee3ik-erzXLiL1qQ at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> look at ebay, one man's trash is another man's treasure. i think it is good
> for the old to learn from the young and vice versa. it is a negotiation.
> That is teaching, not one way. That is constructivist theory and I think it
> fits right well with experimental philosophies of filmmaking.
>
>
> On Thu, Apr 24, 2014 at 3:25 AM, <nicky.hamlyn at talktalk.net> wrote:
>
> > This is what I do / did for semester one. Project one:one week, one
> > minute, one shot, no sound. Project two: one week, two shots, and so on
> > (including, or not, shot one from the previous project, building up to more
> > complex structures. Drawing on film early on in the semester. A B&W
> > project etc.
> >
> > Years ago, on the Time Based Media course founded by David Hall at KIAD
> > Maidstone (UK), we used to have the students make no-technology time-based
> > work before they got their hands on camcorders. This generally meant
> > performance, a walk-through environment, sometimes a crawl through environment,
> > eg, where the spectator had to crawl through a tunnel made of cardboard
> > boxes whiles they were subjected to human-generated effects from outside
> > the tunnel, or an object that could only be seen in a series of
> > successive moves etc. Worked well.
> >
> > Nicky.
> >
> >
> >
> > -----Original Message-----
> > From: John Knecht <jknecht at colgate.edu>
> > To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> > Sent: Wed, 23 Apr 2014 20:39
> > Subject: Re: [Frameworks] query for those who teach filmmaking
> >
> >
> > Tim,
> >
> > I would hold their first projects to one minute in length. Talk to them
> > up front about each frame being "precious". Hold them responsible for what
> > they shoot. Talk to them about light, color, motion (the camera moving and
> > what is being shot as moving). Keep it extraordinarily essential. If they
> > can learn to appreciate the shot that they are making, if they can think
> > about composition, color, and the semiotic system within each framed
> > rectangle, then they will be able someday to make any kind of film;
> > narrative, doc, or strictly formal. Forget this "story telling" stuff.
> > That is something else. Teach them about light and motion. You will then
> > have empowered them to use a cinematic tool to convey the content of what
> > ever it is that they want to say to the world. Then they can tell their
> > stories if they have something to say.
> >
> >
> > jk
> >
> >
> > On Wed, Apr 23, 2014 at 3:05 PM, Tim Halloran <televisual at hotmail.com>wrote:
> >
> >> But with our students it actually is "speed" that's killing creativity,
> >> as they become more and more acclimated to working "fast"--digital cameras,
> >> digital editing systems, etc. Ah, it's just terrible--so much junk.
> >>
> >> Shoot slow, edit slow, experience slow. ;]
> >>
> >> Tim
> >>
> >> ------------------------------
> >> From: flick at flickharrison.com
> >> Date: Tue, 22 Apr 2014 12:29:52 -0700
> >> To: frameworks at jonasmekasfilms.com
> >> Subject: Re: [Frameworks] query for those who teach filmmaking
> >>
> >> On Apr 18, 2014, at 15:26 , Tim Halloran <televisual at hotmail.com> wrote:
> >>
> >> Slow=bad?!
> >>
> >> Bah.
> >>
> >> Tim
> >>
> >>
> >> It's nice to work slowly if you are trying to do so; it's insanely
> >> annoying if you are not.
> >>
> >> Imagine if a painter put a stroke on the canvas and couldn't see it for
> >> 30 seconds afterwards. Not too many painters are striving to achieve that
> >> workflow.
> >>
> >> ;-)
> >>
> >> --
> >> ** WHERE'S MY ARTICLE, WORLD?* http://wikipedia.org/wiki/Flick_Harrison
> >>
> >> ** FLICK's WEBSITE: *
> >> http://www.flickharrison.com
> >> [image: Zero for Conduct]<http://feeds.feedburner.com/~r/ZeroForConduct/~6/2>
> >> ↑ Grab this Headline Animator<http://feedburner.google.com/fb/a/headlineanimator/install?id=90rffbei3nr88m9ci3u0qr9d14&w=2>
> >>
> >> Sent from my iPhone
> >>
> >> On Apr 18, 2014, at 1:16 PM, "Flick Harrison" <flick at flickharrison.com>
> >> wrote:
> >>
> >> ...will sloooooow you down, and that's bad creatively...
> >>
> >> - Flick
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >>
> >>
> >> _______________________________________________ FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >>
> >
> >
> > --
> > John Knecht, Russell Colgate Distinguished
> > University Professor of Art and Art History
> > and Film and Media Studies
> >
> > _______________________________________________
> > FrameWorks mailing listFrameWorks at jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
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>
> ------------------------------
>
> Message: 6
> Date: Thu, 24 Apr 2014 10:19:36 -0500
> From: chris at signaltoground.com
> To: frameworks at jonasmekasfilms.com
> Subject: Re: [Frameworks] query for those who teach filmmaking
> Message-ID:
> <90e4689903f059c0dac1a6a20f272cbd.squirrel at www.signaltoground.com>
> Content-Type: text/plain;charset=iso-8859-1
>
>
> > If you want to piss off students, wasting their time and money, then
> > by all means, make them learn some specialized, anachronistic subject
> > that has little or no application in the real world.
> >
> > Aaron
> >
>
> ten years ago at art school I went to, this was the argument from
> management about 16mm filmmmaking. Strangely enough, we're in the midst of
> another resurgence. technology is neither new nor old.
>
> > Adjuncts have to continually
> > prove/improve themselves, and can't rest on their laurels. Ever.
> > Also Aaron
>
>
> Local art school has a five year cap on sessionals--you can teach a course
> or two every year for up to five years and then never teach again. The
> results-- sessionals give the school as much investment that the school
> gives to them. Students suffer.
>
> best
> Chris
>
>
>
>
>
>
>
> ------------------------------
>
> Message: 7
> Date: Thu, 24 Apr 2014 13:39:51 -0700
> From: Echo Park Film Center <info at echoparkfilmcenter.org>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: [Frameworks] Looking for 35mm Equipment
> Message-ID:
> <D465F985-FAA5-402C-B795-2C710396786E at echoparkfilmcenter.org>
> Content-Type: text/plain; charset=windows-1252
>
> Echo Park Film Center in Los Angeles is on the hunt for 35mm film equipment: cameras, projectors, viewers, flatbeds, developing equipment… You name it, we want it and we'll give it a darn good home! Information, leads, clues, secret stashes and treasure troves are much appreciated….
>
> ------------------------------
>
> Message: 8
> Date: Thu, 24 Apr 2014 13:42:10 -0700
> From: Sean Weitzel <panaflex at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] Looking for 35mm Equipment
> Message-ID:
> <CAL4hNLZCM_2TtPfhj6F6vqK5MZUrjNOXB8mOtA4R8mDHUn7+Fw at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> You might consider attending the auctions of the contents of Technicolor's
> lab and Deluxe's labs in Glendale and Los Angeles respectively. Auctions
> are next month:
> Deluxe: http://www.hgpauction.com/auctions/60587/deluxe
> Technicolor: http://www.josephfinn.com/auctions-1/technicolor-glendale
>
>
> On Thu, Apr 24, 2014 at 1:39 PM, Echo Park Film Center <
> info at echoparkfilmcenter.org> wrote:
>
> > Echo Park Film Center in Los Angeles is on the hunt for 35mm film
> > equipment: cameras, projectors, viewers, flatbeds, developing equipment…
> > You name it, we want it and we'll give it a darn good home! Information,
> > leads, clues, secret stashes and treasure troves are much appreciated….
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
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> ------------------------------
>
> Message: 9
> Date: Thu, 24 Apr 2014 17:13:59 -0400
> From: Filmmakers Cooperative <filmmakerscoop at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: [Frameworks] Peter Emanuel Goldman's ECHOES OF SILENCE at the
> Film-Makers' Cooperative
> Message-ID:
> <CAP2h84VhNbS1K4-4RrO0eBEv9au+M8mfiYxGVt+uC8Df-vz=3A at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> *Peter Emanuel Goldman's Echoes of Silence*
>
>
>
> *Wednesday, April 30 at 7:30 pm*
> *The Film-Makers' Cooperative*
>
> *475 Park Avenue South, 6th Floor (at 32nd St.)$10 Suggested Donation*
> *Facebook event page* <https://www.facebook.com/events/1410672909204123/>
>
> Structured as a series of 15 loosely-related vignettes, each introduced by
> a hand-drawn title card, a watercolor painting, and a short montage of
> stills drawn from elsewhere in the film, *Echoes of Silence* is a black and
> white wandering through 1960s New York City. The film has no dialogue,
> instead focusing on its characters' faces and Charles Mingus' music.
>
> **Skype Q&A with Peter Emanuel Goldman to follow the screening!**
>
> Curated by Carlo Pangalangan Labrador
>
> Sixpoint Beer and refreshments served
>
> This screening is funded in part by the New York State Council on the Arts
> and the New York Department of Cultural Affairs.
>
> --
> MM Serra, Director
> Corynn Loebs, Assistant to the Director
> NACG/The Film-Makers' Cooperative
> 475 Park Ave South, 6th Floor
> New York, NY 10016
> www.film-makerscoop.com
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> ------------------------------
>
> Subject: Digest Footer
>
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> ------------------------------
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> End of FrameWorks Digest, Vol 47, Issue 29
> ******************************************
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