[Frameworks] Advice with screening format for festival. Help!
Pip Chodorov
frameworks at re-voir.com
Mon Apr 28 00:48:13 UTC 2014
Films when scanned may "look" like film but for
some films it is more important what they "are"
than what they "look" like.
I just thought I would forward this recent
message from Jonas Mekas to a film festival who
asked to show his film works digitally rather
than on film:
At 14:49 -0400 26/04/14, Jonas Mekas wrote:
>Dear Alessandro,
>I feel very honored that The Filmmaker Festival
>of Milano is considering holding my
>retrospective at the Milano Cinematheque.
>However,under the technical conditions that you
>are considering to present my films, I have to
>decline this honor.
>
>I find it totally unacceptable, that a festival
>which proclaims its purpose as a "filmmakers"
>festival, presents film-makers' works -- films
>-- on video. Anybody anywhere can see our films
>on video, who needs festivals for that! But
>there are fewer and fewer of places where films
>can be seen as films, and that's where the
>festivals could come in. But you are bailing
>outĀ You cite as an excuse technical
>"problems... But who doesn't have technical
>problems! I always had them. But I never gave
>up.Subtitles? Problems with subtitles? OK,
>screen films without subtitles! But screen them
>as films!
>
>Sorry to say no to your proposition as it stands now.
>
>Jonas Mekas
At 12:55 -0700 27/04/14, David Tetzlaff wrote:
>That's the safest route. The projection of
>digital transfers never looks the same as 16mm
>projection, but on a good video projector (e.g.
>3 chip DLP) it will look good. And digital scans
>of film always look "like film" - as opposed to
>looking like they were shot with any kind of
>video camera - regardless of the resolution of
>codec.
>
>I would guess a good scan of the film is
>something you'll want to get anyway, as some
>venues just don't do 16mm projection anymore,
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