[Frameworks] This week [August 16 - 24, 2014] in avant garde cinema

Mon Aug 18 12:00:27 UTC 2014

This listing arrives as a massive block of text: single spaced lines with around thirty words per line, rendering it so difficult to read that I sometimes can't be bothered. Any chance of returning to something like the previous format?

Thanks,

Nicky.

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Sent: Sun, 17 Aug 2014 22:51
Subject: [Frameworks] This week [August 16 - 24, 2014] in avant garde cinema

This week [August 16 - 24, 2014] in avant garde cinemaTo subscribe/unsubscribe to the weekly listing, go tohttp://www.hi-beam.net/cgi-bin/mailto.pl?mailto=subscribeor send an email to weeklylisting at hi-beam.net.Enter your announcements (calls for entries, new work, screenings,jobs, items for sale, etc.) at:http://www.hi-beam.net/cgi-bin/ann.plNEW FILM/VIDEO: FEATURE:======================="What I Love About Concrete" by Katherine Dohan  http://www.hi-beam.net/cgi-bin/ann.pl?type=newworkf&readfile=141.annNEW CALLS FOR ENTRIES:=====================the8fest (Toronto, Canada; Deadline: September 30, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1718.ann22nd Chicago Underground Film Festival (Chicago, IL USA; Deadline: December 15, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1720.annBASEMENT Media Fest (NY, NY, USA; Deadline: December 31, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1721.annExperiments in Cinema (Albuquerque, New Mexico, USA; Deadline: November 01, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1722.annBig Muddy Film Festival (Carbondale, IL, USA; Deadline: September 15, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1723.annDEADLINES APPROACHING:=====================BELOIT INTERNATIONAL FILM FESTIVAL (Beloit, WI, USA; Deadline: August 31, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1691.annAlchemy Festival Touring Programme: Works from Scotland (Hawick, Scotland, UK; Deadline: September 01, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1708.annMADATAC (Madrid, SPAIN; Deadline: September 08, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1714.annAnchorage Museum of Art (Anchorage, AK United States; Deadline: September 01, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1717.ann2014 Transient Visions: Festival of the Moving Image (Johnson City, NY, USA; Deadline: August 24, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1719.annBig Muddy Film Festival (Carbondale, IL, USA; Deadline: September 15, 2014)  http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1723.annTHIS WEEK'S PROGRAMS (SUMMARY):==============================  *  New Works Salon: Brookbank, Marin, Sweeney, Toscano [August 16, Los Angeles, California]  *  A Minor Cinema [August 16, Washington, DC]  *  Art World Crossover [August 17, Washington, DC]  *  Steve Cossman's Rituals of Restoration  [August 18, Durham, NC]  *  George Kuchar's Secrets of the Shadow World [August 19, Brooklyn, NY]  *  Late Night With Carl Sagan By Shanna Maurizi [August 20, New York, New York]  *  Vinegar Syndrome! Selections From the Epfc Film Library [August 21, Los Angeles, California]  *  Essential Cinema: Jean Genet/Robert Frank & Alfred Leslie Program [August 21, New York, New York]  *  Soundwave ((6)) (Sub)Mersion [August 21, San Francisco, California]  *  Essential Cinema: Une Simple Histoire [August 22, New York, New York]  *  San Francisco Beat Films of the 50's [August 22, San Francisco, California]  *  Recent videos By Suzy Poling [August 23, Los Angeles, California]  *  Archival Finds [August 23, Washington, DC]  *  Russell Etchen Presents An Breakpoint [August 24, Austin, TX]  *  Essential Cinema: Crockwell/Grant/Jacobs & Fleischner Program  [August 24, New York, New York]  *  Sential Cinema: Jerome Hill Program  [August 24, New York, New York]Events are sorted by CITY within each DATE.-------------------------SATURDAY, AUGUST 16, 2014-------------------------8/16Los Angeles, California: Echo Park Film Centerhttp://www.echoparkfilmcenter.org/8 pm, 1200 N. Alvarado St.  NEW WORKS SALON: BROOKBANK, MARIN, SWEENEY, TOSCANO   The New Works Salons series is a casual forum for the presentation and   discussion of new works in film and video, with local and visiting   artists in-person to introduce their work. Nora Sweeney will show her   new film Sweet Oranges (2014, 16mm, 18.5 minutes): ï¿½Heading west from   my house, I explore the back roads off of California State Route 126,   finding small, historic towns, farms, and railway tracks nestled between   mountains and orchards - a landscape that evokes a dream of   Californiaï¿½s past. Along the way, I meet Jaime, Blanca, and Hugo, a   group of orange pickers from Michoacan, Mexico, who share with me their   songs, dreams, aspirations, and thoughts about work.ï¿½ Ursula Brookbank   will show Crystallography and the She World Archive: The principals of   X-ray Crystallography used by biochemist Dorothy Hodgkin to study   molecular structures applied to film projection. Ms. Hodgkin was awarded   the Nobel Prize in chemistry in 1964 for confirming the molecular   structure of insulin using X-ray Crystallography where a crystal is   gradually rotated while being bombarded with X-rays producing refraction   patterns and molecular data for study. For this salon, recently acquired   16mm film from the SHE WORLD ARCHIVE similarly becomes a light beam   projected through gradually rotating crystals. Pablo Marï¿½n, in town   from Buenos Aires, will show his brand new Angelus novus, and we'll have   a selection of new items by Mark Toscano.8/16Washington, DC: National Gallery of Arthttp://www.nga.gov2:30pm, National Mall between 3rd and 9th Streets, West Building Lecture Hall  A MINOR CINEMA   In response to the inaugural International Experimental Film Congress   held in Toronto in 1989, film scholar Tom Gunning published the   influential essay "Towards A Minor Cinema: Fonoroff, Herwitz, Ahwesh,   Lapore, Klahr and Solomon." Focusing on the work of those young   experimental filmmakers, Gunning argued that theirs was a practice that   embraced the "outsider" status of personal cinema: "I believe that these   filmmakers profoundly understand their place in film history and in the   economic realities of film distribution and exhibition. These films   assert no vision of conquest, make no claims to hegemony." Including The   Secret Garden (Phil Solomon, 1988); The Sleepers (Mark Lapore, 1989);   Department of the Interior (Nina Fonoroff, 1986); and Nocturne (Peggy   Ahwesh, 1998), among other titles. (Total running time approximately 90   minutes)-----------------------SUNDAY, AUGUST 17, 2014-----------------------8/17Washington, DC: National Gallery of Arthttp://www.nga.gov4pm, National Mall between 3rd and 9th Streets, West Building Lecture Hall  ART WORLD CROSSOVER   The gallery space and the screen as exhibition sites are very often   synonymous, as evidenced by this program of experimental films by   artists lauded for their work in both the white cube and the black box.   Titles include Scotch Tape (Jack Smith, 1959  1962); Standard Time   (Michael Snow, 1967); Passage à l'acte (Martin Arnold, 1993); and . . .   Remote . . . Remote . . . (VALIE EXPORT, 1973), among others. (Total   running time approximately 95 minutes)-----------------------MONDAY, AUGUST 18, 2014-----------------------8/18Durham, NC: UNEXPOSEDwww.durhamunexposed.tumblr.com8pm, The Carrack Modern Art - 111 W Parrish St, Durham, NC  STEVE COSSMAN'S RITUALS OF RESTORATION   ++ FILMMAKER IN ATTENDANCE ++ Steve Cossman of Brooklyn's Mono No Aware   will be joining us in Durham for UNEXPOSED's August screening featuring   his program titled RITUALS OF RESTORATION. Steve will present six   works--five of them on 16mm--for a total of 47 minutes. After the   program, Steve will sit down with us for a 30 minute Q&A. Program info   and bio below! UNEXPOSED is a monthly screening series with the purpose   of establishing an ongoing presence of experimental film and video in   the Durham community. Filmmakers always in attendance. [Curated by   Brendan & Jeremy Smyth] PROGRAM: 'RITUALS OF RESTORATION' A program of   moving image work by Steve Cossman Running time : 47 minutes The world,   on both the micro and macro level, is constantly moving within a   framework of units this irrepressible flux of time is the nexus of human   experience and perception. Investigating the quantification of this   motion through a reordering of various elements, I employ universally   recognizable imagery within a patterned visual language. Often using   time as a structure, the 'natural' rhythm of life is altered to create a   resonating interval. This visual discord allows the viewer to reconsider   established perceptual relationships. Materials for these works have   been sourced from refuse and re-organized to speak to their own   degradation. TUSSLEMUSCLE 5 min / 16mm color / optical sound / 2007-2009   Sound element by Earthen Sea (Jacob Long, Imminent Frequencies/Lover's   Rock) CRUSHER 12 min / 16mm color / optical sound / 2010 Sound element   by Daniel Caldas (ex. Black Eyes, Dischord Records) RELAY 12 min / Super   8mm color negative to DV / digital field recording sound / 2013 Sound   performance element by Ei Wada, (Sony Music, Japan) CLIMBER 5 min / 16mm   color / digital sound / 2013 Sound element by Ryan Marino (Remnants,   Imminent Frequencies) RED CABBAGES 3 min / 16mm color / silent / 2013   WHITE ROUGHAGE 10 min / 16mm color / digital sound / 2013 Sound element   by Jahiliyya fields (Matthew Morandi, L.I.E.S.) BIO: Steve Cossman is   founder and director of Mono No Aware; a nonprofit cinema arts   organization whose annual event exhibits the work of contemporary   artists who incorporate live film projections and altered light as part   of a performance, sculpture or installation. In 2010 the organization   established a series of analog filmmaking workshops, and has grown to   include in their activities an equipment rentals program and an   in-person screening series entitled Connectivity Through Cinema. Steve's   first major work on film, TUSSLEMUSCLE, earned him Kodak's Continued   Excellence in Filmmaking award and has screened at many festivals and   institutions internationally. In 2013, he completed residencies at MoMA   PS1's Expo 1 and the Liaison of Independent Filmmakers of Toronto. He   has been a visiting artist at Dartmouth, the New York Academy of Art,   Yale, SAIC, and UPenn. Steve's newest work on film, W H I T E C A B B A   G E (2011-2014), a collaboration with Jahiliyya Fields of L.I.E.S., had   its U.S. premiere at Anthology Film Archives. He currently lives and   works in Brooklyn as a director, curator, visual artist and member of   the collective DecayNY, creating time-based works on film, video, and   paper.------------------------TUESDAY, AUGUST 19, 2014------------------------8/19Brooklyn, NY: Light Industryhttp://www.lightindustry.org/7:30pm, 155 Freeman St.  GEORGE KUCHAR'S SECRETS OF THE SHADOW WORLD   Presented with Primary Information - Secrets of the Shadow World, George   Kuchar, 1998-99, video, 135 mins - "Kuchar's magnum opus" - Amy Taubin -   "With a new millennium almost upon us, images of space aliens   invading the marketplace and sleeping habits of consumers worldwide,   this miniseries abducts the viewers into the universe of John A. Keel   (via a video time-warp supplied by me with Rockefeller Foundation   funding). It's a leisurely expedition through a maze of kitchens and   cerebral convolutions in search of the mysteries behind the mundane (or   vice versa!). Mr. Keel, an author and stage magician, has made a   profound impact on the pop-culture we swim in. His research and books on   the UFO enigma have ignited an explosive wild-fire of imaginative   invocations such as the X-Files TV show and the Men in Black blockbuster   movie. Yet you never hear about him and he never hears from the movie   and television companies. In this video you see and hear him. You also   see and hear a whole lot of other people and some animals. The whole   show runs almost 2 hours and 20 minutes, but be sure to stay for part 3   as the UFO/Horror author, Whitley Strieber, teams up with my old star   Donna Kerness to reveal exclusive revelations on the 'visitor'   experience. See this video... then read their books  and pray it's   not true!" - GK - In conjunction with the publication of The George   Kuchar Reader, edited by Andrew Lampert, Light Industry hosts a   screening of Kuchar's tripartite Fortean epic Secrets of the Shadow   World. The culmination of the artist's life-long fascination with   paranormal phenomena, Secrets features spooky tales of the chupacabra,   Sasquatch, flying saucers, and the death of film via a maelstrom of   wipes, swirls, chromakey, and other instruments of lo-fi videographic   excess, all set to an anachronistic soundtrack of syrupy mood music. And   though the work's ostensible subject is extraterrestrial, its true focus   is on the ultra-ordinary, the everyday interactions that Kuchar renders   with incredible tenderness and withis ersatz stars shine brightest   while eating a sandwich. Indeed, Keel offers a remark at one point about   his own work that doubles as an apposite description of Kuchar's   project: "The book is not about people from outer space. It's about   people right here on earth." - Tickets - $7, available at door.--------------------------WEDNESDAY, AUGUST 20, 2014--------------------------8/20New York, New York: Anthology Film Archiveshttp://www.anthologyfilmarchives.org/6:30, 32 Second Ave, New York, NY 10003  LATE NIGHT WITH CARL SAGAN BY SHANNA MAURIZI   TRT: 11m. Shot entirely on an iPhone with homemade props and   frame-by-frame animation, Late Night with Carl Sagan is a restaging, a   reimagining, and an insomniac response to Sagan's iconic 1980 series,   Cosmos. Poetic, existential, hopeful, his series is a timeless prophecy   on humanity's place in the universe. Sagan talks to the subject with an   attitude best described as wonder, in a manner that is wholly different   than the position taken towards science by contemporary entertainment.   Viewed late at night on Netflix, it becomes a participatory   conversation, drifting into tangent, hyperbole, speculation, and   intervention.-------------------------THURSDAY, AUGUST 21, 2014-------------------------8/21Los Angeles, California: Echo Park Film Centerhttp://www.echoparkfilmcenter.org/8 pm, 1200 N. Alvarado St.  VINEGAR SYNDROME! SELECTIONS FROM THE EPFC FILM LIBRARY   A monthly grab bag of short educational and ephemeral films, plumbing   the depths of EPFC's impressive 16mm library. For enthusiasts of found   footage and collage films, it's a great way to learn what kinds of films   are available at the Film Center--the weird, the cool, the good, the   bad, the ugly. All films are selected purely by title around a specific   theme, and we won't be previewing any films, so we'll be just as   surprised as you guys... This month's theme: ANIMALSa compendium of   odd-ball nature films about all things furry, feathered, scaly, and   slimy. We'll be bringing an animal cracker icebox cake for your snacking   pleasure. Casual viewing environmentfeel free to laugh, talk, and   comment on the movies as we screen them. And we'll watch as many films   as we can cram into a 90 minute screening session. Curated by Gina   Napolitan and Beaux Mingus.8/21New York, New York: Anthology Film Archiveshttp://www.anthologyfilmarchives.org/7:30 pm, 32 2nd Avenue  ESSENTIAL CINEMA: JEAN GENET/ROBERT FRANK & ALFRED LESLIE PROGRAM   Jean Genet UN CHANT D'AMOUR 1950, 26 minutes, 35mm, b&w, silent. Jean   Genet's poetic expression of male eroticism pitted against the confines   of prison cells and a homophobic state a powerfully resonant work that   explores individual freedom and the laws of desire. Robert Frank &   Alfred Leslie PULL MY DAISY 1959, 28 minutes, 35mm, b&w. A largely   spontaneous experiment, arranged in 1959 by Robert Frank along with   Alfred Leslie. They enlisted the participation of Jack Kerouac, who   offered in place of an original screenplay a stage play he'd never   finished writing, "The Beat Generation." The plot is based on an   incident in the life of Neal Cassady and his wife Carolyn. They're   raising a family and trying to fit in with their suburban neighbors, and   one night they invite a respectable neighborhood bishop over for dinner.   But Neal's Beat friends crash the party, and that Marx Brothers-like   scenario is the closest thing the film has to a storyline. Total running   time: ca. 60 minutes.8/21San Francisco, California: San Francisco Exploratoriumhttp://www.exploratorium.edu/visit/calendar/soundwave-6-sub-mersion-august-21-20147:00pm, Pier 15/Kanbar Forum in the Exploratorium (Embarcadero at Green St) San Francisco, CA 94111  SOUNDWAVE ((6)) (SUB)MERSION   Sound & image performances by Pamela Z, Duo IN/S (John Davis and Collin   McKelvey), and Ashley Bellouin & Paul Clipson, as part of the Soundwave   Festival.-----------------------FRIDAY, AUGUST 22, 2014-----------------------8/22New York, New York: Anthology Film Archiveshttp://www.anthologyfilmarchives.org/7:30 pm, 32 2nd Avenue  ESSENTIAL CINEMA: UNE SIMPLE HISTOIRE   by Marcel Hanoun In French with projected English subtitles, 1958, 68   min, 16mm, b&w "Based on a true incident, the film chronicles the   wanderings of a woman and child looking for work and lodging in Paris.   This is the only plot, and Hanoun has little interest in embellishing it   with background and motivation: he never even makes it clear, for   example, whether the woman is the child's mother, guardian or companion.   UNE SIMPLE HISTOIRE is, more than a narrative, a formal stylistic   exercise so rigorously disciplined and understated that it makes the   visual asceticism of Robert Bresson seem almost Fellini-esque by   comparison." TIME8/22San Francisco, California: Art in Cinema (as known as North Beach Film Society)7 pm, 946 A Greenwich Street (Between Taylor and Jones)  SAN FRANCISCO BEAT FILMS OF THE 50'S   Select films by Kenneth Anger, Harry Smith, Chris MacClaine, Jane Conger   Belson and others. Special screening of David Sherman's to Re-Edit the   World documenting North Beach Beat Filmmakers and material from Dione   Vigne.-------------------------SATURDAY, AUGUST 23, 2014-------------------------8/23Los Angeles, California: Echo Park Film Centerhttp://www.echoparkfilmcenter.org/8 pm, 1200 N. Alvarado St.  RECENT VIDEOS BY SUZY POLING   A screening of recent video work by Los Angeles-based artists and   musician Suzy Poling. These new short pieces incorporate sonic   resonances, technological interferences, transcendental procedures,   natural phenomenon, ecological uniformity, regeneration and   degeneration. Poling has had solos shows at Cal Poly University, Queen's   Nails Projects, Disjecta, Krowswork, ZG Gallery and DNJ Gallery. Along   with making art for exhibition, Poling is a freelance fashion   photographer and makes abstract silkscreened clothing.8/23Washington, DC: National Gallery of Arthttp://www.nga.gov2:30pm, National Mall between 3rd and 9th Streets, West Building Lecture Hall  ARCHIVAL FINDS   This program presents only the unique or unusual  archival findings of   very rarely screened 16 mm prints. Titles include In Marin County (Peter   Hutton, 1970) and Five Artists: BillBobBillBillBob (Gunvor Nelson and   Dorothy Wiley, 1971), among others. (Total running time approximately 95   minutes)-----------------------SUNDAY, AUGUST 24, 2014-----------------------8/24Austin, TX: Experimental Response Cinemahttp://ercatx.org7:30pm, The Museum of Human Achievement  RUSSELL ETCHEN PRESENTS AN BREAKPOINT   AN BREAKPOINT - An evening of experimental, found and transgressive film   - An event curated by Russell Etchen - An opportunity 1. MEMORIAL DAY   2000 - found footage edited by Carly Ptak, 22 min. (2000) - 2. THE   URGENCY - video by Jacob Ciocci with music by Extreme Animals, 35 min.   (2013) - 3. AIR CONDITIONING - by Giuseppe Andrews, 84 min. (2005)- 1.   Found Memorial Day weekend home movie footage. - 2. "These files   have been burning a hole on my hard drive for too   longâI have been working/adding to/deleting parts of   these videos for different formats, versions and contexts for almost 3   years! These videos can be considered video essays, music videos, works   of abstract animation, or YouTube junk, depending on your perspective.   From my perspective the entire 35-minute compilation is my most recent   attempt at grappling with life in contemporary USA. I hope you will   download and share. Thanks!" - http://www.jacobciocci.org/ - 3.   "Latuga is a desperate woman living a desperate life. Divorced from   fancy suit store owner Classe, she is forced to live in a small studio   apartment and care for the couple's ex-heroin addict son Puzo. The boy,   obsessed with a toy barbecue pit, is always on the verge of some   horrific act. In order to earn money, Latuga services her ex-husband's   needs. Most of the time, that means picking up a rifle and killing the   homeless bums that hang out in front of his shop. At other instances,   it's something far more perverted. Meanwhile, Frisco and his deformed   brother Defetto avoid Latuga's gunfire while coming up with a plan to   get off the street. The solution? Marry someone of means and get a free   pass to a place with the ultimate in live-in   luxuryâ¦air conditioning. Naturally, Frisco winds up   wooing Latuga, and they are quickly wed. When Classe finds out about the   situation, he's livid. Such anger sparks Puzo into an act of violence.   Fate, however, has a different plan for all of them."8/24New York, New York: Anthology Film Archiveshttp://www.anthologyfilmarchives.org/6:00 pm, 32 2nd Avenue  ESSENTIAL CINEMA: CROCKWELL/GRANT/JACOBS & FLEISCHNER PROGRAM   Douglass Crockwell THE LONG BODIES (1949, 6 min, 16mm) GLEN FALLS   SEQUENCE (1964, 8 min, 16mm) "The basic idea was to paint continuing   pictures on various layers with plastic paint, adding at times and   removing at times, and to a certain extent these early attempts were   successful." D.C. Dwinell Grant COMPOSITION #2 CONTRATHEMIS (1941, 5   min, 16mm, silent) "An attempt to develop visual abstract themes and to   counterpoint them in a planned, formal composition." D.G. STOP MOTION   TESTS (1942, 3 min, 16mm, silent) A self-portrait. COLOR SEQUENCE (1943,   3 min, 16mm, silent) "Pure solid-color frames which fade, mutate and   flicker. A research into color rhythms and perceptual phenomena."   William Moritz Ken Jacobs LITTLE STABS AT HAPPINESS (1959-63, 18 min,   16mm. With Jack Smith.) "Material was cut in as it came out of the   camera, embarrassing moments intact. 100' rolls timed well with music on   old 78s. I was interested in immediacy, a sense of ease, and an art   where suffering was acknowledged but not trivialized with dramatics.   Whimsy was our achievement, as well as breaking out of step." K.J. Ken   Jacobs & Bob Fleischner BLONDE COBRA 1959-63, 35 min, 16-to-35mm   blow-up, b&w/color. With Jack Smith. Preserved by Anthology, with the   generous support of The Film Foundation. "BLONDE COBRA is an erratic   narrative  no, not really a narrative, it's only stretched out in time   for convenience of delivery. It's a look in on an exploding life, on a   man of imagination suffering pre-fashionable Lower East Side deprivation   and consumed with American 1950s, 40s, 30s disgust. Silly, self-pitying,   guilt-strictured and yet triumphing  on one level  over the situation   with style - enticing us into an absurd moral posture the better to   dismiss us with a regal 'screw off.'" K.J. Total running time: ca. 85   min.8/24New York, New York: Anthology Film Archiveshttp://www.anthologyfilmarchives.org/8:00 pm, 32 2nd AvenueESSENTIAL CINEMA: JEROME HILL PROGRAM   These 35mm prints are the result of a recent preservation project   undertaken by the Museum of Modern Art. DEATH IN THE FORENOON (1934/66,   2 minutes, 35mm, color) CANARIES (1969, 4 minutes, 35mm, color) & FILM   PORTRAIT 1971, 81 minutes, 35mm, color. A pioneering work in   autobiographical cinema; masterfully combines actual and staged footage   and painting over images. Filmmaker, painter, and composer Jerome Hill   was descended from the famous railroad-building family and lived on the   same street with F. Scott Fitzgerald. Here he re-creates wonderfully   with old family footage  the period and milieu of the American upper   class at the beginning of this century. Total running time: ca. 90   minutes.Enter your event announcements by going to the Flicker Weekly Listing Form at http://www.hi-beam.net/cgi-bin/thisweek.plThe weekly listing is also available online at Flicker: http://www.hi-beam.net _______________________________________________FrameWorks mailing listFrameWorks at jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks

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