[Frameworks] Experiments in Cinema - new DVD compilation and book publication!

Tue Apr 7 15:33:24 UTC 2015

Hi everyone - to celebrate our 10th anniversary Experiments in Cinema
festival (April 15-19), we have just published a brand-spanking-new 8 disc
DVD compilation and a 130 page book titled Undependently Yours: Imagining a
World Beyond The Red Carpet!!!  Both items are available at our website -
www.experimentsincinema.org.

*Here is what is included on the 8 disc DVD collection and below this list
is a description of our book.*

Thanks everyone for supporting us for 10 amazing years!!

*DISC 1*

*Rito de Passagem (Rite of Passage)* by Juliette Yu-Ming, 11 minutes,

                  Brazil/Japan/China, 2014

*Nude Photography* by Jeff Hudson, 2.75 minutes, USA, 2013

*Outer Darkness: The Rite *by Hannah Piper Burns, 4.25 minutes, USA, 2014

*The Empty Chair Dialogues* by Karoline Soete, 5.75 minutes, Belgium, 2014

*vindmøller* by Margaret Rorison, 3 minutes, USA, 2014

*Thorns vs. Roses* by Edward Rankus, 15.5minutes, USA, 2014

*Hiljaisuudesta Toiseen (From One's Silence to Other's),* Panu Johansson,

                  8.5 minutes, Finland, 2014

*Autoselbstreparatur (Auto Repair)* by Michael Lyons, 6 minutes, Japan, 2014

*Tight Fight* by Ján Adamove, 1 minute, Slovakia, 2014

*In the Wolf's Belly* by Yiorgos Nalpantidis, 19 minutes, Greece, 2013

*DISC 2*

*Staring at the Ceiling* by Carla Forte, 5 minutes, USA, 2014

*Song For The Lemons* by Tommy Becker, 5.5 minutes, USA, 2014,

*Time-Space Compression* by Blanca Rego, 2.5 minutes, Spain, 2014

*Void X* by Alexander Isaenko, 9.75 minutes, Ukraine, 2014

*Device & Devices* by Kimberly Burleigh, 4 minutes, USA, 2002

*Flower Girl* by Catherine For*e*ster, 6 minutes, USA, 2013

*Minispectacles 10-18/100: Solo, Duo, Trio, Quartet* by Maarit
Suomi-Väänänen,

                  9 minutes, Finland/France, 2014

*Push Pull* by Edward Ramsay-Morin, 3 minutes, USA, 2014

*Lovesong* by Robert Todd, 6 minutes, *16mm* (sound), 2014

 *Exhibit A* by Desiree Moore, 1.25 minutes, USA, 2014

*Scoop 6pm ...All Is Well* by Dustin Zemel, 45 seconds, USA, 2014

*Play and Repeat* by Lana Caplan, 3.5 minutes, USA, 2014

*Traveling Shots: NYC* by Diane Nerwen, 16 minutes, USA, 2014

*DISC 3*

*Rio-me Porque és da Aldeia e Vieste de Burro ao Baile* by Sandra Araújo,

                  3 minutes, Portugal, 2014

*Parallax* by Grant Petrey, 4 minutes, UK, 2014

*Historia Calamitatum (The Story of My Misfortunes), Part II: The Crying
Game *

                  by Roger Beebe, 21 minutes, USA, 2014

*Let Me ASMR You (Autonomous Sensory Meridian Response) *by Clint Enns,

                  2.75 minutes, Canada, 2014

*Pecas* by Edward deBuvitz, 2.5 minutes, USA, 2014

*Acthédrale* by Roberto D'Alessandro, 4 minutes, France/Italy, 2014

*Excavation 3045/2013* by Avi Dabach, 6 minutes, Israel, 2013

*Gazing Into Space* by Julieta Anaut, 6.75 minutes, Argentina, 2014

*Model Fifty-One Fifty-Six* by Josh Weissbach, 11 minutes, *16mm* (sound),

                  USA, 2014

*Trailer Study #16: A Square and a Circle Talking* by Brandon Doherty,

                  1.5 minutes, USA, 2014

*French Words* by Heather Brown, 2.75 minutes, USA, 2013

*A Day's Plead* by Linda Fenstermaker, 7 minutes, USA, 2014

*DISC 4*

*Dog Island* by Shehrezad Maher, 26.5 minutes, Pakistan, 2014

*Broken Tongue* by Mónica Savirón <http://vimeo.com/monicasaviron> , 3
minutes, USA, 2013

*Without A Soul* by Gio Linao, 3 minutes, Philippines, 2014

*Loop* by Jennifer Noland, 3 minutes, USA, 2003

*Hanna* by Peter Klausz, 7.5min, Hungary, 2013

*One Night In Florida* by Tess Martin, 1 minute, The Netherlands, 2014

*Stalls* by Elizabeth Sher, 3 minutes, USA, 2004

*Natto* by Joel Schlemowitz, 8.5 minutes, USA, 2014

*2nd & 3rd Hermenutic* by Mike Morris, live expanded cinema *16mm*
performance,

                  18 minutes, USA, 2014

*DISC 5*

*Porkchop & Donut & the 28th St. North Carolina Watermelons* by Raissa
Contreras,

                  6 minutes, *16mm* (silent), USA, 2014

*In The Same Room* by Kamila Kuc, 5 minutes, UK, 2014

*Catalogue* by Dana Duff, 7 minutes (silent), USA, 2014

*Waxing and Milking* by Alee Peoples, 9 minutes, *Super 8mm *(sound), USA,
2014

*A Thauma-Tale* by Ben Popp, 2.5 minutes, USA, 2014

*Back Down* by Tiff Graham, 1 minute, USA, 2014

*Oracle* by Douglas Urbank, 6.75 minutes, *16mm*, USA, 2014

*Binary Pitch* by Vladislav Knezevic, 6.75 minutes, Croatia, 2013

*WZ59_Mont2* by Ralph Klewitz, 6.75 minutes, Switzerland, 2013

*Half-Cut* by Nikolai Nekh, 7 minutes, Portugal, 2014

*Ugkat* by Alyssa Suico, 8 minutes, Philippines, 2014

*I Like Going to Pet Stores* by Alina Vasilchenko, 7 minutes, Russia, 2014

*DISC 6*

*Real West* by Kevin Allen, 29.5 minutes, USA, 2014

*Under The Heat Lamp An Opening* by Zachary Epcar, 10 minutes, USA, 2014

*Entrée des Ecuyères et des Tigres* by Christophe Bisson, 10.5 minutes,
France, 2014

*Not Just Black and White* by Lisa Nielsen, 6.5 minutes, Canada, 2013

*Her Long Nails* by Nausheen Javed, 4.5 minutes, India, 2014

*Inkjet 3056A* by Karissa Hahn, 5 minutes, *16mm* (silent), USA, 2014

*Garden of Stone* by Sasha Waters Freyer, 4.25 minutes,USA/Italy, 2015

*Eve* by Angel Rueda Rodriguez, 1.75 minutes, Spain, 2014

*Jump* by Mauri Lehtonen, 1 minute, Czech Republic, 2014

*Viewing Blind: Sniper's Burial* by Caroline Koebel, 10 minutes, USA, 2014

*Super Moon Sand Photograms* by Ruth Hayes, 5 minutes, dual *16mm*
projection,

                  USA, 2014

*Commute* by Lou Watson, 4.75 minutes, USA, 2014

*Picture Particles* by Thorsten Fleisch, 5.75 minutes, Germany, 2014

*Fall 1 & 2* by Aaron Zeghers, 1 minute, *16mm *(silent), Canada, 2014

*DISC 7*

*Etienne's Hand* by Richard Tuohy, 13 minutes, *16mm* (silent), Australia,
2011

*In The Shadow of Paul Bunyan* by Nik Nerburn, 38min, USA, 2014

*Mountain Trip* by Kate Lain, 5.25min, USA, 2014

*The Physics and Metaphysics in Modern Photography* by Christine Lucy
Latimer,

                  6.75 minutes, *16mm* (silent), Canada, 2014

*Roll Out Save Tail* by John Woods, 2.75 minutes, *16mm *(sound), Canada,
2014

*Tsunami Ebb* by John Wenger, 2.5 minutes USA, 2014

*White Curtain* by Marcin Gizycki, 3 minutes, Poland, 2014

*Somewhere between Now and Then *by Paul Caster, 3.5 minutes, USA 2014

*DISC 8*

*Be Fekret Hastam (On The Road)* by Naz Shahrokh, 6.75 minutes, Abu Dhabi,
2013

*That Dizzying Crest* by Jeremy Moss, 11 minutes, USA, 2013

*I Have To Close My Eyes* by Brenda L. Burmeister, 1.75 minutes, USA, 2014

*Mind Echo* by Anna Nazzari, 2.5 minutes, (3-D glasses required),
Australia, 2014

*Notebook* by Patricia McInroy, 1 minute, USA, 2014

*Pearl Pistols* by Kelly Gallagher, 3 minutes, USA, 2014

*Mr. Blackburn* by Julia Murakami/Stephen Hilpert, 40 seconds, Germany,
2014

*My Name is Franco and I Like Dark Chocolate* by Silvia De Gennaro, 7
minutes, Italy, 2014

*This is Me* by Marcus Romero, 4 minutes, USA, 2014

*Lucky* by Salise Hughes, 5.25 minutes, USA, 2014

*The Queen of Material* by Rajee Samarasinghe, 2.25 minutes, Sri Lanka/USA,
2014

*Dear Grandpa* by Luca Ferri, 20 minutes, Italy, 2014

*Imaginarium* by Jeymer Gamboa, 7.5 minutes, Argentina, 2013

*Undependently Yours: Imagining a World Beyond the Red Carpet*

Film festivals have had varied and complex histories starting with Benito
Mussolini's invention of the form in Venice in 1932.  Since then (and too
often) festivals are thought of in terms of Hollywood's film industry.  This
text is a celebration of all things un-dependently cinematic. The essays
contained in this volume explore the cultural value of alternative film
festivals from a wide range of perspectives and experiences. Contributors
to this book include Gene Youngblood, Sasha Waters Freyer, Roger Beebe,
Michael Betancourt, Charles Lum, Caryn Cline, Alexie Dmitriev, Clint Enns,
Leslie Supnet, Chip Lord, Ben Popp, Kristen Lauth Shaeffer, Tina Wasserman,
Gerry Fialka, Kamila Kuc, Steve Polta, Bryan Konefsky, Caroline Koebel, and
Bart Weiss.

-- 
Bryan Konefsky
founder/director, Experiments in Cinema

Great art has always gone to the masses, to their hopes and dreams, for
that spark that kindled their souls. The rest, "the many, all too many" as
Nietzsche called mediocrity, have been mere commodities that can be bought
with money, cheap glory, or social position.
- Emma Goldman
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