[Frameworks] °*-*° Directors Lounge Screening - Clint Enns - Embodying the Intention - Wed 17 June °*-*°
Klaus W. Eisenlohr
klaus at richfilm.de
Wed Jun 17 13:12:12 UTC 2015
Directors Lounge Screening:
Clint Enns
Embodying the Intention
Wednesday, 17 June 2015
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte
Embodying the Intention: The Selected Works of Clint Enns
Born in Winnipeg, Manitoba, Clint Enns is a video
artist currently living in Toronto, Ontario. He
originally studied mathematics before changing
his focus to the study of cinema and media
studies. His work is multifaceted and eclectic,
and therefore resists easy classification. Mostly
using found material, he manipulates analogue
film, screen captures video chats and computer
games, transforms videos into ASCI code, uses
lo-fi toy cameras, close-circuit feedback and
found footage. He has presented his works in
festivals and alternative cinema spaces and
writes about cinema.
Although his work is primarily short in length,
it is intended for theatrical presentation, and
not as installation work, single or
multi-channel, as most other media artists do.
His being in favour for the screening format, and
the playful anarchy of his films, reflect also
the vibrant micro-cinema culture that exists in
both Toronto and Winnipeg: communities that
create and discuss films and that are open to a
new generation of filmmakers and video artists
working in unconventional and non-academic ways
(though many established and academic elders
contribute to the community such as Guy Maddin,
Mike Hoolboom, Phil Hoffman and John Porter, all
from Canada) These are the kind of communities
that echo the old days of Cinema 16 where Amos
Vogel and his peers showed a mixture of
avant-garde films, splash films, instructional
and science movies together with subversive
political films.
In Enns' work you may find traces of the joyful,
deconstructing practice of Nam June Paik, who
used magnets and other tools to bend the beam of
the cathode in order to distort the television
image. Enns nowadays also uses scripting and
electronic errors in order to create or alter his
images. Still, it seems as if the artist is
using a quote of Paik for his work: "When too
perfect, lieber Gott böse" (When too perfect,
dear God turns angry). With this show at Z-Bar,
Clint Enns invites us to a microcosm of
electronic and analogue images, which can only be
seen as the antithesis to the over-real, sharp,
High Definition images, and as an ironic response
to some overly serious avant-garde heroes,
emblematic of the Cult of the Bolex.
His mathematical studies have not only provided
Enns with the knowledge to use algorithms for the
creation of his images, but have also liberated
some diabolic and playful humor (all out of
love), which sometimes requires a savvy viewer to
fully read the irony embedded in the image.
The artist will be available for Q&A. Curated be Klaus W. Eisenlohr
Artist Link:
http://clintenns.tumblr.com/
Links:
Directors Lounge
http://www.directorslounge.net
Details:
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de
°*-*°
--
Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany
email: klaus at richfilm.de
and film production: http://www.richfilm.de
phone: int.- 49 - 30 - 3409 5343 (BERLIN)
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