[Frameworks] Derivés and City Symphonies

[Dominic Angerame]

Check out my City Symphony Series that includes: Continuum; Deconstruction
Sight; Premonition; In the Course of Human Events; Line of Fire and The
Soul of Things. You can find descriptions on my website www.cinemod.net
also view some of the work on Fandor or Mubi or contact me off the list at
dominic at cinemod.net

On Sun, Mar 1, 2015 at 4:48 PM, Eric Theise <erictheise at gmail.com> wrote:

> James Benning’s 9/1/75?
>
> P.S. Having made this mistake myself, the correct spelling is dérive, not
> derivé, see: http://en.wikipedia.org/wiki/D%C3%A9rive
>
> On Sun, Mar 1, 2015 at 4:08 PM, Carl E Bogner <crlelbog at uwm.edu> wrote:
>
>>  ​
>>
>> Matt McCormick’s _Subconscious Art of Graffitt Removal_, perhaps?
>>
>>
>>
>>  ------------------------------
>> *From:* FrameWorks <frameworks-bounces at jonasmekasfilms.com> on behalf of
>> Eli Horwatt <ehorwatt at gmail.com>
>> *Sent:* Sunday, March 1, 2015 5:44 PM
>> *To:* Experimental Film Discussion List
>> *Subject:* Re: [Frameworks] Derivés and City Symphonies
>>
>>  Hollis Frampton's Surface Tension
>>
>>  Wolf Vostell's Notstandbordstein sort of flips the derive - it turns
>> the streets themselves into a screen - but the images are projected outside
>> of a car, so it may not be appropriate. Youngblood talks about it in
>> Expanded Cinema and there's a copy I believe at Filmmaker's Co-op.
>>
>>
>>
>>
>> On Sun, Mar 1, 2015 at 6:25 PM, Jason Halprin <jihalprin at gmail.com>
>> wrote:
>>
>>>  Off the top of my head, here are two that might fit:
>>>
>>>  Bruce Biaille - Castro Street
>>> Richard Myers - Zocalo
>>>
>>>
>>>   Jason Halprin
>>> jihalprin at gmail.com
>>>
>>>  On Sat, Feb 28, 2015 at 10:47 PM, Kelsey Velez <kelsvelez at hotmail.com>
>>> wrote:
>>>
>>>>   Framworkers,
>>>>
>>>> I'm seeking suggestions for film based derivés, shot on 16mm or 8/s8mm.
>>>> If you have an outstanding example of a video derivé to share, please feel
>>>> welcome to do so. Anything in the vein of Tomonari Nishikawa's *Market
>>>> Street* is ideal, but if you are particularly keen on a
>>>> representational piece that does something interesting viz. the derivé,
>>>> don't hold back.
>>>>
>>>>  kv
>>>>
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>>>>
>>>>
>>>
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>>
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>
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