[Frameworks] NY 10/29 and 11/1: FRENKEL DEFECTS III - traveling 16mm programs

[Eli Horwatt]

I saw this in Toronto and it was exceptional--not to be missed!

On Wed, Oct 28, 2015 at 10:09 AM, Mariya Nikiforova <mariya at radonlake.com>
wrote:

> ​NY-based Frameworkers,
>
> ​​
> ​The ​
> Colorado-based
> ​ collective ​
> ​Process Reversal presents the third installment of its unique traveling
> film series -- Frenkel Defects
> ​ -- showing two different all-16mm programs at the following NY locations:
>
> - - -
>
> Thursday Oct 29, 8:45pm (preceded by a concert)
> at the Firehouse Space, 246 Frost Street, Brooklyn (L Train to Graham Ave)
> http://thefirehousespace.org/
>
> Program:
>
> Schleusenroth, Volga (LaborBerlin), 2014
> Flow, Lichun Tseng (WORM.filwerkplaats, Rotterdam), 2014
> Fractions, Guillaume Mazloum (L'Abominable, Paris), 2015
>
> - - - - - -
>
> Sunday, Nov 1,
> ​6pm
> at the IDIO Gallery, 976 Grand St
> ​reet​
> , Studio D, Brooklyn
> ​ ​
> (L Train to Grand Street)
> http://www.idiogallery.com/
>
> Program:
>
> Konrad & Kurfurst
> ​, Esther Urlus (WORM.filwerkplaats), 2014
> WAKE
> ​, Eric Stewart (Process Reversal, Boulder), 2014
> In the Traveler’s Heart
> ​, DISTRUKTUR (LaborBerlin), 2013
> Aula Magna
> ​, Andrés Denegri (Buenos Aires), 2013
> Split Film 100110
> ​, Dražen Zanchi (L'Abominable), 2010
>
> - - -
>
> ​Curated by Kevin Rice, this recurring series aims to explore what it
> means to work in -- and exhibit on -- photochemical film today by examining
> works from artists operating specifically in this practice. Often, this
> involves getting their hands dirty at every stage of the process: from
> optical effects to photo-processing, editing and contact printing, optical
> sound recording, and even the creation of the photosensitive emulsion
> itself... As a result (and as suggested by the series' title), creative
> aberrations make their way into the standard photochemical process, giving
> birth to a new, textural aesthetic that plays out on the surface of the
> film strip. More than ever before, film reminds us of its physicality,
> giving a new sense to Andrei Tarkovsky’s idea of “sculpting in time.”
>
>
>
> _______________________________________________
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> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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