[Frameworks] This week [April 30 - May 8, 2016] in avant garde cinema

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** This week [April 30 - May 8, 2016] in avant garde cinema
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Video Operas: May 6 (#anchor8)

NEW FILM/VIDEO: NON-FEATURE:
"The Right Strain" by Mike Celona
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NEW CALLS FOR ENTRIES:
SELF IDENTITIES | Buenos Aires (Buenos Aires, Argentina; Deadline: May 15, 2016)
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DEADLINES APPROACHING:
25 FPS Festival (Zagreb; Deadline: May 31, 2016)
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WNDX Festival of Moving Image (Winnipeg, Manitoba, Canada; Deadline: June 01, 2016)
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X SHORTini Film Festival 2016 (Augusta, Italy; Deadline: May 15, 2016)
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SELF IDENTITIES | Buenos Aires (Buenos Aires, Argentina; Deadline: May 15, 2016)
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):
* Apr. 30: Nik Nerburn Retrospective (#anchor1) [April 30, San Francisco, California]
* RevoluciÓN O TraiciÓN : Film Performance (#anchor2) [May 1, Barcelona, Spain]
* Young Austrian Avant-Garde : the Films of Filmkoop Wien As Part of Connectivity Through Cinema (#anchor3) [May 2, Brooklyn, New York]
* Avant – Az!! Experimental Media From Tucson (#anchor4) [May 5, Tucson, AZ]
* Chick Strand, SeÑOra Con Flores (#anchor5) [May 6, Cambridge, Massachusetts]
*
* Contact: A Festival of New and Experimental video (#anchor7) [May 6, London, England]
* Video Operas (#anchor8) [May 6, New York, New York]
* Chick Strand, SeÑOra Con Flores (#anchor9) [May 7, Cambridge, Massachusetts]
* Unexposed Film Festival (#anchor10) [May 7, Durham, North Carolina]
* Visions 05|16 Alex Mackenzie (#anchor11) [May 7, Montréal]
* Essential Cinema: Conner/Conrad Program (#anchor12) [May 7, New York, New York]
* Video Operas (#anchor13) [May 7, New York, New York]
* Gatewood: the Toothpaste Is Out of the Tube + Weird Sf + (#anchor14) [May 7, San Francisco, California]
* Chick Strand, SeÑOra Con Flores (#anchor15) [May 8, Cambridge, Massachusetts]
* Essential Cinema: Eggeling/Cavalcanti Program (#anchor16) [May 8, New York, New York]
* Shapeshifters Cinema Presents Sarah Rosalena Brady (#anchor17) [May 8, Oakland]

SATURDAY, APRIL 30, 2016

4/30
San Francisco, California: Other Cinema
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8:30, ATA Gallery 992 Valencia Street
APR. 30: NIK NERBURN RETROSPECTIVE
Erstwhile OC miracle-worker, the now at-large Mr. Nerburn bounces back into our Mission District safe-house for a feature-length review of his “punk-documentarian” practice. In the Shadow of Paul Bunyan criss-crosses the outsized myth of the jolly logger with the hidden history of the US-Dakota Indian War, told from the perspective of a native Minnesotan. Today I Am Going to Kill Myself but First I Am Going to Dance is Nik’s other Midwestern historiography, in this case about an immense insane asylum in Fergus Falls, where he excavated the ghosts in the graveyard and the local community that keeps their memory alive. MANIUM is an abstract exploration of the folk knowledge surrounding the black houses of Olympia, Washington, while Officer-Involved Shooting surveys the landscapes where Trayvon Martin, Walter Scott, and Jordan Davis died at the hands of white policemen. $6.

SUNDAY, MAY 1, 2016

5/1
Barcelona, Spain: Crater Lab
7pm, Carrer San Guillem
REVOLUCIÓN O TRAICIÓN : FILM PERFORMANCE
Una inervención con proyectores de Súper 8, 8mm y retroproyector.

MONDAY, MAY 2, 2016

5/2
Brooklyn, New York: MONO NO AWARE
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7 PM, 361 Manhattan Avenue
YOUNG AUSTRIAN AVANT-GARDE : THE FILMS OF FILMKOOP WIEN AS PART OF CONNECTIVITY THROUGH CINEMA
In cooperation with MONO NO AWARE the filmkoop wien is very happy to present for the first time in New York City, a full program of films produced in this lab, by the hands of its members. The program shows films in Super8, 16mm and 35mm format and aims to present a glimpse of recent Austrian Avant-Garde films created by the young generation of makers : Stefanie Weberhofer, Viktoria Schmid, Magdalena Pfeifer, Josephine Ahnelt, Sílvia das Fadas, Antoinette Zwirchmayr, Rosa John, & Alina Tretinjak.

THURSDAY, MAY 5, 2016

5/5
Tucson, AZ: Exploded View
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7:30, 197 E Toole Ave
AVANT – AZ!! EXPERIMENTAL MEDIA FROM TUCSON
Our Third annual showcase of experimental media from Tucson! Come see a burgeoning blowout of homespun excellence ranging from experimental animation to music videos to poetic meditations to multi-screen video performance. Featuring several premieres and including the work of: Nika Kaiser, Eli Burke, Isamar Molina, Heather Gray, Adam Cooper-Terán, Cáit Ní Síomón, Andrew Shuta, Wylwyn Reyes, Hellen Gaudence, Andrew Brown, Dorota Zglobicka, Carolina Maki, Ringo Boomschlicka, Sam Angiulo, Bruce Caffrey, Gary Setzer, Jonathan Marquis, PsycMAP, James Gipe, Juan Carlos Barrera Romero, Bijoyini Chatterjee, Kat Hermanson, Tiny Invisibility & more!

FRIDAY, MAY 6, 2016

5/6
Cambridge, Massachusetts: Harvard Film Archive
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7PM, 24 Quincy Street
CHICK STRAND, SEÑORA CON FLORES
Chick Strand (1931-2009) was a trailblazing free spirit and West Coast filmmaking pioneer who lyrically combined elements of documentary, ethnographic and experimental techniques to create a distinctly unique body of work. Strand played a vital role in the 1960s Bay Area filmmaking community both through her work and her involvement in the cofounding of Canyon Cinema—which would become the San Francisco Cinematheque—with friend Bruce Baillie in 1961. Strand also taught film for twenty-five years at Occidental College in Los Angeles, influencing a generation of filmmakers. Meanwhile, she made frequent summer trips to Mexico, where she shot many of her films over a thirty-year career. The Harvard Film Archive is proud to present a near complete retrospective of Chick Strand’s groundbreaking filmography, which includes her first film—made with her son Eric Strand, Eric and the Monsters—to her masterpiece Soft Fiction, and up through to her last film (edited posthumously) Señora
con flores / Woman with Flowers. Underappreciated by critics and at times overshadowed by various male contemporary filmmakers, Strand’s work is now enjoying renewed interest and critical appreciation, due in no small part to recent film restorations by both the Academy and Pacific Film Archives. Waterfall US 1967, 16mm, b/w, 3 min. Restored by the Academy Film Archive and the Pacific Film Archive with support from the National Film Preservation Foundation. Angel Blue Sweet Wings US 1966, 16mm, color, 4 min. Restored by the Academy Film Archive and the Pacific Film Archive with support from the National Film Preservation Foundation. Mosori Monika US 1970, 16mm, color, 20 min Restored by the Academy Film Archive and the Pacific Film Archive with support from the National Film Preservation Foundation. Fever Dream US 1979, 16mm, b/w, 7 min. Restored by the Academy Film Archive and the Pacific Film Archive with support from the National Film Preservation Foundation. Cartoon le
Mousse US 1979, 16mm, b/w, 15 min. Restored by the Academy Film Archive and the Pacific Film Archive with support from the National Film Preservation Foundation. By the Lake US 1986, 16mm, color, 10 min Kristallnacht US 1979, 16mm, b/w, 7 min. Restored by the Academy Film Archive and the Pacific Film Archive with support from the National Film Preservation Foundation.

5/6
London, England: Contact
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6pm, Apiary Studios
CONTACT: A FESTIVAL OF NEW AND EXPERIMENTAL VIDEO
A festival of experimental film and video showing the work of over 70 UK based artists/filmmakers, featuring single-screen films, multi-screen/performance-related works and site-specific installations. Artists: Maria Anastassiou, Luke Aspell, Jenny Baines, Steven Ball and Martin Blažíček, Kerry Baldry, Oliver Bancroft, George Barber, Dan Brackenbury and Joe Gilmore, Ian Bourn, Savinder Bual, Marek Budzynski, Nick Collins, David Cunningham, Amy Dickson, Karel Doing, Malgorzata Drohomirecka, Louisa Fairclough, Patti Gaal-Holmes, Sally Golding and Spatial, Nicky Hamlyn, Bea Haut, Laura Hindmarsh, James Holcombe and Secluded Bronte, Riccardo Iacono, Jamie Jenkinson, Deniz Johns, Conor Kelly, Hilary Koob-Sassen, Adam Kossoff, Malcolm Le Grice, David Leister, Steve Littman, Lynn Loo, Juile Marsh, Karen Mirza and Brad Butler, Jennifer Nightingale, Matthew Noel-Tod, Jayne Parker and Joan Key, Simon Payne, Heather Phillipson, Gareth Polmeer, Greg Pope and Kostis Kilymis, William
Raban, Karolina Raczynski and Anita Konarska, Samantha Rebello, Duncan Reekie, Lis Rhodes, Emily Richardson, Ben Rivers, Cathy Rogers, Guy Sherwin, John Smith, Vicky Smith and Bouche Bée , Mary Stark, Francesco Tacchini and Oliver Smith, Anna Thew, Jennet Thomas, Andrew Vallance, Mark Watson, Ian Wiblin, Laura Wilson and Andrea Luka Zimmerman.

5/6
New York, New York: Anthology Film Archives
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7:30 pm, 32 2nd Ave.
VIDEO OPERAS
Building on the pioneering work of composer Robert Ashley, who believed that the America of his time was a culture of TV, Experiments in Opera presents a collection of five original operas created specifically for the screen. These works, commissioned from a wide range of composers/artists, were conceived of as a unique way to tell compelling stories through music in a format that is most relevant to our multi-screen culture. The videos, ranging from 10-20 minutes, will be screened as one continuous program. The commissioned artists are Jason Cady, Emily Manzo, Anna Mikhailova, Aaron Siegel, and Dorian Wallace/David Kulma. These artists come from diverse musical backgrounds, bringing to their video operas experiences with chamber and electronic music, improvisation, indie rock, and various approaches to vocal production. Their works demonstrate a wide range of storytelling interests, encompassing time-travel, hallucinogenic therapy, personal histories, and contemporary takes
on monsters of lore. These video operas reveal personal visions of the anxieties of life and triumphs of the imagination in the twenty-first century. For more info about Experiments in Opera, visit http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=068e4ffc48&e=4e65756555 Emily Manzo PUBLIC PUBLIC is an operatic experimental film centered around the stories of Sonny Singh’s and Mawia Khogali’s experiences with Islamophobia. Featuring performances by dancers Gus Solomons, Jr. and Shalya-Vie Jenkins; music performed by DJ Rupture, Shayna Dunkelman and Arooj Aftab; recorded by Jeff Cook; directed by Christine Edwards; created and composed by Emily Manzo. Anna Mikhailova in the distance go on forever/ the story of contemporary frankenstein An unnamed heroine discovers herself through interactions with everyday materials (plastic, slime, meat, branches), and experiences a profound transformation. Featuring Sid Ahmat and Stephanie Pan; music performed by Rodrigo Parejo, Loek Vellekoop and Pim Piet; costumes by Isabell Schulz
and Ko de Kok; photography by Jesse Bom; directed and composed by Anna Mikhailova. Aaron Siegel TEA BEFORE YOU GO Rich, a terminally ill 60-year old, agrees to an experimental hallucinogenic treatment with his psychologist. Reluctant at first, Rich eventually embraces the opportunity to explore the sounds and visions of his subconscious mind. Featuring actor John Hagan and singer Nathanial Adams; music performed by Aaron Siegel and Jessica Pavone; photography and editing by Antonia Colodro; composed and directed by Aaron Siegel. Jason Cady I SCREWED UP THE FUTURE In 2016 the world still suffers from the after-effects of massive power outages, food shortages, and nuclear explosions caused by Y2K. Cassandra, a computer programmer, builds a time machine and travels back to 1996 to prevent it. But will she succeed? And would things be better if Y2K had not happened? Featuring Katie Eastburn, Sasha Zamler-Carhart, and Daniel Neer; videography by Malik Isasis; music and screenplay
by Jason Cady. Dorian Wallace/David Kulma THE REST IS SH**: STORIES FROM THE MICROCHASM In a world not unlike our own, we experience moments in many lives. A man joins street protests and considers his sister’s problems with family and friends. A man has thoughts when he is pushed onto the subway tracks. Given the recent events here… The rest is shit. Featuring David Kulma; music performed by Dorian Wallace, Michael Eaton, Lathan Hardy, Carl Limbacher, Max Maplesand, and Hajnal Pivnick; dance by Diane Skerbec; directed and filmed by John Sanborn; story and music by Dorian Wallace/David Kulma.

SATURDAY, MAY 7, 2016

5/7
Cambridge, Massachusetts: Harvard Film Archive
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7PM, 24 Quincy Street
CHICK STRAND, SEÑORA CON FLORES
An exquisite culmination of Strand’s filmmaking techniques, Soft Fiction is an innovative collaboration among five women, blending their intimate stories into an intricate personal documentary. Strand’s only film shot with a tripod and her longest completed work, Soft Fiction attempts to depict how memory changes over time and “becomes soft around the edges.” With its open reference to softcore erotic fiction, Soft Fiction recounts the women’s personal stories of sexuality in a direct manner fairly uncommon at the time. Strand’s sensuous, unique and poetic work has been recently restored and is finally receiving the critical acclaim it deserves. Elasticity US 1976, 16mm, color & b/w, 25 min Soft Fiction US 1979, 16mm, black & white, 54 min Soft Fiction was restored in 2015 by the Academy Film Archive, with restoration funding provided by the Los Angeles County Museum of Art (LACMA) and The Film Foundation.

5/7
Durham, North Carolina: UNEXPOSED Microcinema
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12pm-12am, 105 Hood St. Suite #5
UNEXPOSED FILM FESTIVAL
UNXFEST in Durham, North Carolina The UNEXPOSED Film Festival will take off on May 7, 2016 with a day-long event featuring three bands, two film screenings, one 16mm film workshop, food catered by The Pit Authentic BBQ, and beer provided by Bull City Burger and Brewery. Hosted at UNEXPOSED Microcinema in downtown Durham. Brendan and Jeremy Smyth of UNEXPOSED Microcinema have put together what they call the UNX Collective, a team of individuals from around Durham to pre-screen films from an open call for submissions and select two hours worth of short movies to premiere at UNXFEST. The UNX Collective met every Saturday for the past two months to watch, choose, and finalize two film programs that feature 11 official selections from filmmakers around the world. After these movies premiere at UNEXPOSED Microcinema on May 7th, they will then be transferred to a DVD and sent to other microcinemas across the world, libraries, and also to professors around the United States to be
incorporated in their curriculum of experimental film. The Smyth brothers have also done something a bit different with the structure of this particular fest; a traditional film festival will run its course in a weekend, a three day long film extravaganza. They have taken these three days and spread them throughout the year, labeling each installment UNXFEST 1.1 (May 7th), UNXFEST 1.2 (September 17th), and finishing with UNXFEST 1.3 (December 3rd). EVENTS LIST Tickets are $15. Pre-order HERE. They include beer from Bull City Burger & Brewery and food from The Pit Authentic BBQ. 12-2pm: 16mm Workshop (hand processing film) with Erica Titkemeyer. Sign up HERE. 3-4pm: Competitive Screening #1 (featuring 5 films/videos) 4:30-5:30pm: Curtis Eller and The American Circus (free food when band plays with ticket, catered by The Pit Authentic BBQ) 6-7pm: "Words + Projectors" by Bill Brown 7:30-8:30pm: Tescon Pol (live scoring several short experimental films) 9-10pm: Competitive
Screening #2 (featuring 6 films/videos) 10:30-11:30pm: Matt Northrup (live scoring several short experimental films) FEATURED FILMMAKERS Sky Hopinka (Milwaukee, WI) Pirouz Nemati (Montreal, QB) Nazli Dincel (Milwaukee, WI) LJ Frezza (Chicago, IL) Lisa McCarthy (Durham, NC) Ignacio Tamarit (Argentina) Peter Freund (Moraga, CA) Ben Balcom (Milwaukee, WI) Monteith McCollum (Binghamton, NY) Matt Whitman (Brooklyn, NY) Kimberly Arnias (Boston, MA)

5/7
Montréal: VISIONS
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21:00, Cinémathèque québécoise
VISIONS 05|16 ALEX MACKENZIE
In collaboration with the Cinémathèque québécoise and the Double Negative Collective, VISIONS presents APPARITIONS, a live cinematic performance by Alex MacKenzie. \\\\ “Alex MacKenzie is the unequivocal master of contemporary Canadian expanded cinema: using rare and outdated technology with the deft touch of a visual alchemist, MacKenzie spins his stunning and mesmerizing anti-narratives using the detritus of cinematic history to create a completely unforgettable, and undeniably powerful, alternate vision.” -Antimatter Film Festival //// APPARITIONS [Performance] | 07.05.16 | 21h00 | Cinémathèque québécoise //// + EXPANDED CINEMA : APPARATUS AND METHODOLOGY, a workshop with Alex MacKenzie. | 10.05.16 | 18h00 | $25 [Limited space available! Register Now!] \\\\ + IRIS FILM COLLECTIVE : WORKS 2011 - 2015 | [Digital Programme | Alex MacKenzie present] | 11.05.16 | 19h00 | Microcinéma être [6029a, Av du Parc] //// More info : www.visionsmtl.com / www.facebook.com/visionsmtl

5/7
New York, New York: Anthology Film Archives
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5:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: CONNER/CONRAD PROGRAM
Bruce Conner A MOVIE (1958, 12 min, 16mm) COSMIC RAY (1961, 4 min, 16mm) REPORT (1965, 13 min, 16mm) Three films by the master and poet of the collage film. COSMIC RAY and REPORT have been preserved by Anthology through the National Film Preservation Foundation’s Avant-Garde Masters Grant program funded by The Film Foundation. Tony Conrad THE FLICKER 1966, 30 min, 16mm. Preserved by Anthology with funding provided by the National Film Preservation Foundation. Mathematical and rhythmical orchestration of white and black frames. Total running time: ca. 65 min.

5/7
New York, New York: Anthology Film Archives
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7:30 pm, 32 2nd Ave.
VIDEO OPERAS
See notes for May 6, 7:30 pm.

5/7
San Francisco, California: Other Cinema
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8:30, ATA Gallery 992 Valencia Street
GATEWOOD: THE TOOTHPASTE IS OUT OF THE TUBE + WEIRD SF +
American photographer Charles Gatewood (in person!) started out in the ‘60s as a young man with dreams of showing the world the radical cultural developments in his country. He met the iconic instigators of change and documented them for posterity. Over time, Gatewood drifted more and more into the personal expression of sexual subcultures, both in the US and abroad, his powerful photos of the tattooing and piercing scenes paving the way for “Modern Primitives”. Carl Abrahamsson’s debut doc is introduced by Gatewood himself, following a passel of excerpts shedding more well-deserved light on this gentle Bernal Heights visionary--clips from his Weird San Francisco, scenes from Mark & Dan Jury’s Dances Sacred and Profane, and highlights from Anthony Buchanan’s recent video visit.

SUNDAY, MAY 8, 2016

5/8
Cambridge, Massachusetts: Harvard Film Archive
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7PM, 24 Quincy Street
CHICK STRAND, SEÑORA CON FLORES
Anselmo US/Mexico 1967, 16mm, color, 4 min Guacamole US/Mexico 1976, 16mm, color, 10 min Fake Fruit Factory US/Mexico 1986, 16mm, color, 22 min Artificial Paradise US/Mexico 1986, 16mm, color, 12 min. Restored by the Academy Film Archive and the Pacific Film Archive with support from the National Film Preservation Foundation

5/8
New York, New York: Anthology Film Archives
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5:00 pm, 32 2nd Ave.
ESSENTIAL CINEMA: EGGELING/CAVALCANTI PROGRAM
Viking Eggeling SYMPHONIE DIAGONALE (1924, 8 minutes, 35mm, b&w) Alberto Cavalcanti RIEN QUE LES HEURES / NOTHING BUT THE HOURS (1928, 52 minutes, 35mm, b&w) A “city symphony” interweaving documentary, experimental, and narrative elements that provide vivid images of Paris in the mid-1920s. Total running time: ca. 65 minutes.

5/8
Oakland: Shapeshifters Cinema
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7:30-9:30PM, Temescal Art Center, 511 48th St.
SHAPESHIFTERS CINEMA PRESENTS SARAH ROSALENA BRADY
Sarah Rosalena Brady is an Oakland based media artist and filmmaker that uses concepts of shamanism through art and technology. Her works offer activation through elements, light, motion, sound, programming and generative algorithms. Her goal is to transform Western ideological systems through audio/visual stimulation to produce new paradigms. She will be performing new works with generative software to drive multi-image projection in real time using sound and light data. She will also be showing her interactive piece "Seer" and previous experimental films. Her work has been presented at Gray Area Art and Technology, SOMArts Cultural Center, San Francisco Cinematheque, Fylkingen (SE), and the de Young Museum.
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