[Frameworks] Electric Circus-Barbara Rubin Archives
owen at thenowcorporation.com
owen at thenowcorporation.com
Fri Feb 19 22:42:56 UTC 2016
Check with Anthology Film Archive and Filmmakers Coop.
You might be thinking of the footage Jonas Mekas shot with Barbara and Andy Warhol
in his film Walden. http://jonasmekas.com/40/film.php?film=5
owen plotkin
> On Feb 19, 2016, at 4:23 PM, Oddball Films <info at oddballfilm.com> wrote:
>
> We’re researching a doc about the Electric Circus, a nightclub that existed on the lower east side of NYC from 67-71. I’ve been told long since deceased filmmaker Barbara Rubin shot some footage there
> Might anyone have a contact with her estate? If you can help at all please contact me directly.
> We’re also searching for footage of the lower east side from that period as well as the following performers and celebrities either performing at the club or during that time period:
>
>
>
> Circus Maximus
> The Paupers
> Elephants Memory
> The United States of America
> Dave Van Ronk
> The Stone Ponies
> Auto Salvage
> Reunion with John Cage
> Pauline Oliveros
> Mel Powell
> Michael Sahl (Theater)
> David Behrman (Theater)
> Salvatore Martirano (Theater Lincolns Gettys burg address performed with a gas mask on)
> William Russo with Irma Routen (Theater “The Civil War” in memory of Martin Luther King)
> Alvin Lucier with Takahiko Iimura “Shelter 999999”
> Lejaren Hiller “Machine Music”
> Morton Subotnick (Live Electronic Music) (Started the San Francisco Tape Center)
> Sirocco (Electronic Street Music)
> Terry Riley
> Cecil Taylor and Don Cherry
> Christopher Tree
> Pulsa (Electronic Music environments performed by Yale students)
> Children of God
> Cyrus Erie
> Izhak Perlman
> Stephens Kate
> Michael Frager
> David Rosenboom (Electronic Music)
> Lowell Fulsom
> The Velvet Underground with Lou Reed
>
> Here is a partial list of celebrities who went there. Many of these people were there on opening night.
>
> The Monkees
> The Rolling Stones
> Allen Ginsburg
> Truman Capote
> Warren Beatty
> Douglas Fairbanks Jr.
> Liza Minelli
> Peter Allen
> Vincente Minelli (Film Director)
> Leonard Bernstein (Conductor/ Composer)
> Bette Davis
> Jon Voight
> Michaelangelo Antonioni
> Tuli Kuferberg "The Fugs"
> David Blue "Folk Singer"
> George Plimpton
> Tom Wolfe
> Steve Smith (Kennedy In Law)
> Mary McCarthy (Novelist)
> Joe Shaw (Fighter)
> etc.
>
>
> If you can suggest any sources for the above it would be greatly appreciated.
>
>
>
> Best regards,
>
> Stephen Parr
> Director
>
> Oddball Films
> www.oddballfilm.com
> www.oddballfilms.blogspot.com
>
> 275 Capp Street
> San Francisco, CA 94110
> Phone 415.558.8112
>
>
> For a link to our latest projects:
> http://letterboxd.com/oddballfilm/lists/
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> http://www.facebook.com/oddballfilm
> http://twitter.com/Oddballfilms
>
> On Feb 19, 2016, at 8:11 AM, frameworks-request at jonasmekasfilms.com wrote:
>
> Send FrameWorks mailing list submissions to
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> Today's Topics:
>
> 1. 360º films (david at lake ivan)
> 2. Bi-packing acetate in a Bolex (Chris G)
> 3. Re: 360º films (Gene Youngblood)
> 4. Call for Submissions (Natalie Kohlhepp Cody Huff)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 19 Feb 2016 07:12:51 -0500
> From: david at lake ivan <david at lakeivan.org>
> To: frameworks at jonasmekasfilms.com
> Subject: [Frameworks] 360º films
> Message-ID: <31B0C75F-9F4F-4592-ADDB-DAED8CA40D74 at lakeivan.org>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Gene,
>
> There is a great 360º sequence in Pete Rose's The Man Who Could Not See Far Enough (interestingly enough, the same film just cited as also having a great eclipse sequence).
>
>
> David Finkelstein
> david at lakeivan.org
> www.lakeivan.org
>
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>
> Message: 2
> Date: Fri, 19 Feb 2016 15:24:10 +0100
> From: Chris G <spydir at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Subject: [Frameworks] Bi-packing acetate in a Bolex
> Message-ID:
> <CA+uJH1yXmW=o5BbRVdT2xO56fvbv23tT1hZKRv=ssFc4Vn5+=Q at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Again, I had decent success doing this with two acetate films. To bring
> this topic back up, I was wondering if anyone had done this with tape
> splices on the source film? Again, I'm using a JK animation motor on 50hz,
> so it's pretty darn slow (my shutter speed is appx 1/2) and I would say
> gentle. I have a Neutaper and fresh tape, I'm thinking that only taping one
> side will suffice. None of the splices will be on the actual material I
> need as I'm doing short traveling mattes with a bit of space between each.
>
> Thanks,
> Chris
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> ------------------------------
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> Message: 3
> Date: Fri, 19 Feb 2016 08:46:45 -0700
> From: Gene Youngblood <atopia at comcast.net>
> To: Frameworks Listserv <frameworks at jonasmekasfilms.com>
> Subject: Re: [Frameworks] 360º films
> Message-ID: <BCD46C27-DFBA-4754-A4CB-20D44A64CF5F at comcast.net>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Thanks David,
> I showed that film every year for decades and forgot the 360 you mention.
>
>> On Feb 19, 2016, at 5:12 AM, david at lake ivan <david at lakeivan.org> wrote:
>>
>> Gene,
>>
>> There is a great 360º sequence in Pete Rose's The Man Who Could Not See Far Enough (interestingly enough, the same film just cited as also having a great eclipse sequence).
>>
>>
>> David Finkelstein
>> david at lakeivan.org <mailto:david at lakeivan.org>
>> www.lakeivan.org
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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> ------------------------------
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> Message: 4
> Date: Fri, 19 Feb 2016 11:10:53 -0500
> From: Natalie Kohlhepp Cody Huff <blacklightfilmseries at gmail.com>
> To: frameworks at jonasmekasfilms.com
> Subject: [Frameworks] Call for Submissions
> Message-ID:
> <CAK1cD=ES14JuzFVj4-H9J=4CR9v9KQ168-w2v8FTG6Lz5=VNEw at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> CALL FOR SUBMISSIONS
>
>
> *Black Light Film and Video Series* is currently seeking submissions for
> the upcoming *Anywhere but here* film screening on March 28th, 2016.
>
>
> We are looking for short films/videos (under 20 mins) that explore a
> specific space. This space can be explored directly or indirectly,
> traditionally or experimentally, within the film or video. The space (or
> spaces) must be central to the theme (or themes) of the work. Fiction and
> non-fiction work will be considered. We can accommodate 16mm, Super 8mm,
> 8mm, VHS, and digital files.
>
>
> The screening will be hosted at Sediment Art Gallery in Richmond, VA
>
> - - http://www.sedimentarts.org
>
> - https://www.facebook.com/sedimentarts/
>
>
> DEADLINE FOR SUBMISSIONS: *March 21st, 2016*
>
>
> We ask that applicants include in their submissions:
>
>
> -title of the piece
>
> -run time
>
> -year the work was completed
>
> -a data DVD or online link to view the piece (preferred)
>
>
> Please include in your submission a $5 US submission fee (please attach
> screenshot of paypal
>
> receipt to the submission). Guidelines for submissions and more info on *Black
> Light Film and Video Series* can be found at
> http://www.blacklightfilmseries.com/p/submissions.html
>
>
> Inquires and Email submissions may be sent to:
>
> Natalie and Cody - blacklightfilmseries at gmail.com
>
>
> If your film is selected we will require a downloadable HD copy of the film
> (preferred) or a data DVD.
>
> Film prints can be mailed to:
>
>
> Sediment Arts
>
> 208 E Grace St #1
>
> Richmond, VA 23219
>
>
> If mailing physical copies please include a pre-paid return envelope
> (prints, dvds, and tapes will be
>
> returned immediately following the screening).
>
>
> Thank you,
>
> Natalie Kohlhepp and Cody Huff
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> ------------------------------
>
> Subject: Digest Footer
>
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> End of FrameWorks Digest, Vol 69, Issue 21
> ******************************************
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