[Frameworks] Big Shadows

[Gene Youngblood]

Thanks everyone!

> On Feb 25, 2016, at 1:19 PM, Francisco Torres <fjtorrespr at gmail.com> wrote:
> 
> http://www.tasteofcinema.com/2015/20-great-movies-that-had-major-influences-on-film-noir/ <http://www.tasteofcinema.com/2015/20-great-movies-that-had-major-influences-on-film-noir/>
> 
> 2016-02-25 16:10 GMT-04:00 Francisco Torres <fjtorrespr at gmail.com <mailto:fjtorrespr at gmail.com>>:
> https://www.google.com.pr/search?q=noir+shadows&biw=1226&bih=877&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjm9Zuw3JPLAhVDGB4KHfjIARMQ_AUIBigB <https://www.google.com.pr/search?q=noir+shadows&biw=1226&bih=877&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjm9Zuw3JPLAhVDGB4KHfjIARMQ_AUIBigB>
> 
> 2016-02-25 12:12 GMT-04:00 Elena Duque <elenaduque at gmail.com <mailto:elenaduque at gmail.com>>:
> Vampyr, by Dreyer, is the first thing that comes to my mind when talking about shadows in cinema, followed by M., by Fritz Lang.
> 
> 2016-02-25 16:41 GMT+01:00 sarah jm kolberg <skolberg at buffalo.edu <mailto:skolberg at buffalo.edu>>:
> many iconic examples in night of the hunter
> 
> 
> 
> On 2/25/2016 10:24 AM, Gene Youngblood wrote:
> Friends, following the success of my 360-degree query, here’s one more: films with Expressionist-style large shadows, such as the sewer in the Third Man or Noirs like The Big Combo. I need shadows of whole human figures as well as hands (as in Nosferatu).
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> -- 
> Elena Duque Viña
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