[Frameworks] This week [July 9 - 17, 2016] in avant garde cinema

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** This week [July 9 - 17, 2016] in avant garde cinema
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Still from “Coffee Interviews” (Paul Bishow, 1984) (#anchor1) [July 9, Brooklyn, New York]

NEW CALLS FOR ENTRIES:
Grenada Afterglow Film Festival (Grenada, MS, USA; Deadline: July 15, 2016)
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Winter Film Awards (New York NY USA; Deadline: November 15, 2016)
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ENSEMBLE / PARALLAX (Providence, RI, USA; Deadline: July 30, 2016)
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HAXAN Festival (Bay Area, USA; Deadline: July 15, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a571c60e42&e=4e65756555
call for video art | OFF THE WALL (Madison, Wisconsin, USA; Deadline: July 31, 2016)
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Kumu Art Film Festival (Tallinn, Estonia; Deadline: August 12, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9ac615e032&e=4e65756555

DEADLINES APPROACHING:
Shriekfest Film Festival (Los Angeles, CA USA; Deadline: July 10, 2016)
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Punto y Raya Festival (Barcelona, Spain; Deadline: July 31, 2016)
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Auckland Underground Film Festival (Auckland, New Zealand; Deadline: August 01, 2016)
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Antimatter [Media Art] (Victoria, BC, Canada; Deadline: July 22, 2016)
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UNXFEST 1.2 (Durham; Deadline: August 01, 2016)
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Light Field (San Francisco, California USA; Deadline: August 01, 2016)
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ARTErra (Tondela; Deadline: July 31, 2016)
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2016 Transient Visions: Festival of the Moving Image (Johnson City, NY, USA; Deadline: July 31, 2016)
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Consumer Grade Film Fest (Carbondale, IL, USA; Deadline: August 01, 2016)
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Grenada Afterglow Film Festival (Grenada, MS, USA; Deadline: July 15, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a4043b706b&e=4e65756555
ENSEMBLE / PARALLAX (Providence, RI, USA; Deadline: July 30, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fcc8bc5530&e=4e65756555
HAXAN Festival (Bay Area, USA; Deadline: July 15, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e0c2294266&e=4e65756555
call for video art | OFF THE WALL (Madison, Wisconsin, USA; Deadline: July 31, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=edc19a056d&e=4e65756555
Kumu Art Film Festival (Tallinn, Estonia; Deadline: August 12, 2016)
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):
* I Am Eye Independent Film Forum (1982-1991): A Moment From the Temporary Autonomous Zone (#anchor1) [July 9, Brooklyn, New York]
* Essential Cinema: Tom, Tom, the Piper's Son (#anchor2) [July 10, New York, New York]
* Ken Jacobs Short Films Program 1 (#anchor3) [July 10, New York, New York]
* Tentatively A Convenience Program 1 (#anchor4) [July 10, New York, New York]
* Shapeshifters Cinema: Sweeping, Swept, Out of My Head (#anchor5) [July 10, Oakland, CA]
* Lightship 103: Films By Alex Cunningham and Anna Kipervaser (#anchor6) [July 10, San Francisco, California 94102]
* Tentatively A Convenience Program 2 (#anchor7) [July 11, New York, New York]
* The New Black (#anchor8) [July 14, Brooklyn, New York 11211]
* Edge of Frame Programme Two: With Special Guest Chris King (#anchor9) [July 14, London, England]
* Five Artists: Billbobbillbillbob (Gunvor Nelson and Dorothy Wiley, 1971, Usa) // Eye On A Director: Canyon Cinema (#anchor10) [July 14, New York, NY]
* Lightship 103: Works By Anna Kipervaser and Alex Cunningham (#anchor11) [July 15, Austin, Texas 78702]
* Romani iii. Participatory Representations (#anchor12) [July 15, Paris, France]
* Romani iv. Romani Creations (#anchor13) [July 15, Paris, France]
* Live Music and Film! Headboggle W/ Paul Clipson/Earth Jerks?Tender Buttons (#anchor14) [July 15, San Francisco, California]
* The Sinema of Nick Zedd (#anchor15) [July 16, Los Angeles, California]
* Visions 16.07.15 = Robert Todd | Shorts (#anchor16) [July 16, Montreal, Quebec h2x2v1]
* Icp: Barr/Gibbons/Auder Program (#anchor17) [July 16, New York, New York]
* Icp: Barr/Gibbons/Auder Program (#anchor18) [July 17, New York, New York]

SATURDAY, JULY 9, 2016

7/9
Brooklyn, New York: Microscope Gallery
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7:30pm, 1329 Willoughby Ave., #2B
I AM EYE INDEPENDENT FILM FORUM (1982-1991): A MOMENT FROM THE TEMPORARY AUTONOMOUS ZONE
(Repeat program from 6/26.) Super 8 and 16mm films from the co-founders and main participants of former Washington DC underground screening series founded in 1982 by Pam Kray, Paul Bishow and Pierre Devaux. “I AM EYE” held its first screening in March of that same year at dc space, a bar and performance venue in downtown DC, where Kray worked at the time and which she had approached about presenting “screenings that would be noncommercial nor hierarchical in nature”. With a founding principle that no one bringing a movie to screen would be turned away, I AM EYE’s low-key and inclusive atmosphere allowed for a maverick programming that quickly expanded from locals to under-the-radar filmmakers from New York such as Nick Zedd and Richard Kern’s “Cinema of Transgression” movement, as well as from Baltimore, Boston, San Francisco, and even France and Germany. It was also there that Jeff Krulick and Joyn Heyn's "Heavy Metal Parking Lot" made its debut in 1986. Over the course of 9
years, two Mondays per month, I AM EYE provided a quintessential outlet for DC based and visiting filmmakers to show their freshly completed films to friends and a wider audience at a time when the city was an extremely prolific laboratory of music, film, and theater. I AM EYE came to an halt in 1991 upon the closing of dc space, despite an attempt at keeping the series alive at other DC venues. Full Program: www.microscopegallery.com. Admission $8, Students $6 w/ valid ID. tel:347.925.144, info at microscopegallery.com. Jefferson St L (exit Starr St)

SUNDAY, JULY 10, 2016

7/10
New York, New York: Anthology Film Archives
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2:45 pm, New York, NY.
ESSENTIAL CINEMA: TOM, TOM, THE PIPER'S SON
by Ken Jacobs 1969, 115 min, 16mm, b&w/color, silent An absolute masterpiece from one of the most inspiring innovators of modern cinema. “Original 1905 film shot and probably directed by G.W. ‘Billy’ Bitzer, rescued via a paper print filed for copyright purposes with the Library of Congress. It is most reverently examined here, absolutely loved, with a new movie, almost as a side effect, coming into being.” –K.J

7/10
New York, New York: Anthology Film Archives
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5:30 pm, New York, NY.
KEN JACOBS SHORT FILMS PROGRAM 1
PERFECT FILM (1986, 22 min, 16mm, b&w) THE DOCTOR’S DREAM (1977, 24 min, 16mm, b&w. Preserved by SUNY Binghamton through the Avant-Garde Masters program funded by The Film Foundation and administered by the National Film Preservation Foundation.) KEATON’S COPS (1991, 23 min, 16mm) GLOBE (1969, 22 min, 16mm. Preserved by Anthology Film Archives through the Avant-Garde Masters Program funded by The Film Foundation and administered by the National Film Preservation Foundation.) HIS FAVORITE WIFE IMPROVED (2008, 2 min, digital) Total running time: ca. 95 min.

7/10
New York, New York: Anthology Film Archives
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6:30 pm, New York, NY.
TENTATIVELY A CONVENIENCE PROGRAM 1
FILMMAKER IN PERSON! Coming to us from Pittsburgh, PA, tENTATIVELY, a cONVENIENCE is the greatest Sprocket Scientist alive according to absolutely no-one. That’s quite a rep to live up to. Don’t worry about it. Worry, instead, about the possibility of missing his 2 programs, he’s not planning to live forever no matter how many attractive offers he gets along those lines. He’s made 422 movies & that ain’t the half of it. Don’t expect ‘beautiful’ hi-def movies lacking content but abounding in budgets. Expect movies so packed with conceptual loudness that you’ll be hi-def-ened without having a single voice raised. tENTATIVELY, a cONVENIENCE is one stubborn cuss, too much to mishandle, & three’s a crowd. Making matters worse, he’ll present not 3 but SEVENTEEN shorts from a 37-year period starting with COMPUTER INTERVIEW (1977) & ending with I WOULDN’T MAKE A MOVIE LIKE THIS IF YOU FUCKING PAID ME. (2014). One could say that these are a bit off – as in he bit off more than he
could eschew. COMPUTER INTERVIEW (w/Steve Estes) (1977, 3.5 min, digital) 3 MILE ISLAND (w/B.O.M.B.) (1979, 4 min, digital) PAPER DOLLS IN DAVA’S CLASS (1981, 2.5 min, digital) A DOUBLE NEGATIVE AS NOT A POSITIVE (w/Hannah Aviva) (1982, 2 min, 8mm-to-digital) NEOIST GUIDE DOG (w/Litvinov) (1984, 2.5 min, Super 8mm-to-digital) BALLING TIM ORE IS BEST (w/Dick Hertz) (1985, 16 min, Super 8mm-to-digital) PHILOSOPHER’S UNION MEMBER’S MOUTHPIECE: RICHARD TRYZNO ELLSBERRY (1988, 6 min, digital) A CUE STICK GUITAR DUET (w/Neil Feather) (1992, 3.5 min, digital) NATIONAL CANCER INSTITUTE DOCUMENTARY (1993, 3.5 min, 16mm-to-digital) DISZEY SPOTS (1993-95, 11.5 min, digital) DEPARTMENT OF FAILURES (1995, 2.5 min, digital) HOW ORGONE CINEMA TREATS ITS VISITING FILMMAKERS (1995, 5.5 min, 16mm-to-digital) BACKGROUND MOVIE 2 (w/etta cetera & Dave Lahn) (1997, 1.5 min, digital) ANTI-NEOIST RALLY (w/etta cetera & Karen Eliot) (2000, 2 min, digital) HARPS & ANGLES (w/Michael Pestel) (2003, 28.5
min, digital) MULTIPLE PROJECTIONS (1978-2009, 10 min, digital) I WOULDN’T MAKE A MOVIE LIKE THIS IF YOU FUCKING PAID ME. (2014, 9 min, digital) Total running time: ca. 120 min.

7/10
Oakland, CA: Shapeshifters Cinema
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8pm, 511 48th Street
SHAPESHIFTERS CINEMA: SWEEPING, SWEPT, OUT OF MY HEAD
Expanded cinema performance of sound, vision, movement, and brooms == Suki O'Kane is presenting new, site-specific work for Shapeshifters at her familiar intersection of film, music and public art, this time with new inventions in microcinema, movement, and a powerful desire to banish imagery that exists in her subconscious == with improvised indoor and outdoor projection by Alfonso Alvarez, video processing by Ian Winters, live sound by musician-composers Wayne Grim and Adria Otte, and swept cinema by filmmaker Jeremy Rourke, poet and performance artist Sasha Hom and special guests.

7/10
San Francisco, California 94102: San Francisco Cinematheque
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7:30 PM , Center for New Music, 55 Taylor St
LIGHTSHIP 103: FILMS BY ALEX CUNNINGHAM AND ANNA KIPERVASER
Alex Cunningham and Anna Kipervaser In Person. The works of filmmakers Alex Cunningham and Anna Kipervaser embody a murmuring and agreeable poetic dialog in which portentous landscapes, introspective travelogue and whispers of narrative reflect contemplative luminous spirituality. As part of their West Coast tour, Cunningham and Kipervaser appear in person to present this interwoven screening of their works. SCREENING by Alex Cunningham: THEIA, a troubled love story of the moon and the her lost partner; RAINING RAGAS nos. 1–6, a series of in-camera 16mm celluloid ragas, filmed in Kerala and West Bengal, 2015; and ZENITHS AND NADIRS: THE OSCILLATIONS OF BEGINNING AND SO ALWAYS is “an attempted and failed documentary of the birth story of earth” which reaches from the celestial firmament to the unstable ground. SCREENING by Anna Kipervaser: THE ORDER OF REVELATION: 1-5 is a direct celluloid translation of the Quran, evoking the silent visual literature of David Gatten. HORTUS
CONCLUSUS —the enclosed garden—evokes The Song of Songs while exploring microcosmic worlds. SUHAIL AND THE ONE HAVING CROSSED OVER evokes a cosmology of transition, resurrection and tragic separation drawing from the artist’s travels in the Middle East.

MONDAY, JULY 11, 2016

7/11
New York, New York: Anthology Film Archives
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9:00 pm, New York, NY.
TENTATIVELY A CONVENIENCE PROGRAM 2
THIS WILL EXPLAIN 2013, 84 min, digital

THURSDAY, JULY 14, 2016

7/14
Brooklyn, New York 11211: UnionDocs
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7:30 PM - 10 PM, 322 Union Ave
THE NEW BLACK
UnionDocs and BK at 24fps are thrilled to present Yoruba Richen's film The New Black this month! The New Black is a documentary that tells the story of how the African American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights. The film documents activists, families and clergy on both sides of the campaign to legalize gay marriage and examines homophobia in the black community's institutional pillar - the black church - and reveals the Christian right wing's strategy of exploiting this phenomenon in order to pursue an anti-gay political agenda. The New Black takes viewers into the pews and onto the streets and provides a seat at the kitchen table as it tells the story of the historic fight to win marriage equality in Maryland and charts the evolution of this divisive issue within the black community. This event is co-presented with Skylight Pictures and Witness. Director, Yoruba Richen along with
subject, Karess Taylor-Hughes and Michell Britto, an advocate for the Ali Forney Center, will all be in attendance for discussion following the film.

7/14
London, England: Edge of Frame
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20:00, DIY Space for London, 96-108 Ormside Street SE15 1TF
EDGE OF FRAME PROGRAMME TWO: WITH SPECIAL GUEST CHRIS KING
Edge of Frame presents a programme of films channeling patterns of interference and compression, electronic disruption and televisual overdose, with a live audio-visual performance from artist Chris King. The programme will include work by Karissa Hahn, Sabrina Ratté, Jodie Mack, Amy Lockhart, Peter Burr and others. Chris King uses electronic video and audio synthesis techniques to perform live visual music. His blog Video Circuits explores early abstract and synthetic image making practices. Edge of Frame seeks to provide a space for artists working at the intersection of experimental animation, artists’ moving image and experimental film. Visit www.edgeofframe.co.uk/events for more details. Entry £3.00 on the door DIY Space for London, 96-108 Ormside Street SE15 1TF Please note: DIY Space for London is a member's club, open to members and their guests only. Membership only costs £2 and takes 48 hours to take effect. Join and pay at diyspaceforlondon.org

7/14
New York, NY: MAD | Museum of Arts and Design
7 PM, 2 Columbus Circle
FIVE ARTISTS: BILLBOBBILLBILLBOB (GUNVOR NELSON AND DOROTHY WILEY, 1971, USA) // EYE ON A DIRECTOR: CANYON CINEMA
Five Artists: Billbobbillbillbob (Gunvor Nelson and Dorothy Wiley, 1971, USA) 70 min, 16mm Projection Five Artists is a loving portrait of quintessential California artists: The painters, sculptors and filmmakers William Allen, William Geis, Robert Hudson, Robert Nelson and William T. Wiley. A collaboration between two of Canyon Cinema’s founders, Gunvor Nelson and Dorothy Wiley, the film takes a personal look at the lives of these close friends: at home with their families, at work in the studio, teaching, fishing, drawing together, at parties, openings and elsewhere. Alternating between color and black-and-white footage, Nelson and Wiley use non-synchronous comments and music by the artists mixed with impressions by friends and acquaintances—creating a delicate collage of the complexities of everyday life, family relationships and the circle to which they all belonged. One of five works co-authored by Gunvor Nelson and Dorothy Wiley, Five Artists reflects the communal
spirit that has become synonymous with the early days of Canyon Cinema.

FRIDAY, JULY 15, 2016

7/15
Austin, Texas 78702: Experimental Response Cinema
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8 PM - 10 PM, grayDUCK Gallery, 2213 E Cesar Chavez St
LIGHTSHIP 103: WORKS BY ANNA KIPERVASER AND ALEX CUNNINGHAM
Experimental Response Cinema is pleased to present Lightship 103, an in-person screening of experimental videos and 16mm films by Anna Kipervaser and Alex Cunningham. The program includes Kipervaser's The Order of Revelation: 1-5, a 16mm silent film "translating the Quran from Arabic to Visual, in the order in which it was revealed rather than the order in which it was canonized." Kipervaser and Cunningham each explore intersections between abstraction and translation, structure and poetry, internal and external realities, between what is and what is understood. Anna Kipervaser is a Ukrainian-born multimedia artist. Her work spans multiple disciplines including experimental and documentary moving image works in both 16mm film and HD video, the focus of which is grounded in mythology, translation. Alex Cunningham is an experimental and documentary filmmaker currently based in North Carolina. Program: The Order of Revelation: 1-5 Anna Kipervaser (16mm, 14min) Zeniths and
Nadirs: the oscillations of beginning, and so always. Alex Cunningham (16mm, 8min) Theia Alex Cunningham (Digital, 9min) Hortus Conclusus Anna Kipervaser (Digital, 6min) Raining Ragas nos. 1-6 Alex Cunningham (16mm, 18min) Suhail and The One Having Crossed Over Anna Kipervaser (Digital, 6min) He Begins, She Returns Anna Kipervaser (Digital, 2min) Borderlove Alex Cunningham (16mm, 18min)

7/15
Paris, France: La Cinémathèque fran&ccedilaise
7:30 PM - 9:30 PM, 51 rue de Bercy
ROMANI III. PARTICIPATORY REPRESENTATIONS
To the visual regime of the majority of images - that, since the end of the 19th century, have pulled back the comprehension of Romani families into social and moral miserabilism - are opposed the way that documentary filmmakers such as Pilar Arcila & Jean-Marc Lamoure (El Patio de Robella, 2007 ; The Cock and the Swallow, 2008) look at, listen and pay attention to these families. With them, the encounter becomes a common enterprise: Le Pendule de Costel (Costel's Pendulum, 2013) establishes an editing method that is neither alternating nor parallel, but that we could qualify as auxiliary, between her own Super 8 images and the digital ones of a gypsy family. The result is a high density visual experience that is at the same time ethical and aesthetic.

7/15
Paris, France: La Cinémathèque fran&ccedilaise
9:30 PM - 11:30 PM, 51 rue de Bercy
ROMANI IV. ROMANI CREATIONS
The Romani Cinema presented here claims on the contrary plurality, complexity and creative initiatives from the Romani families. To begin with, films have affirmed a culture of contact between Romani families and avant-gardes. This contact culture, which appeared with literary bohemianism in the 19th century, lasts into the 21st century, as films by Daniel Gontz, TomáÅ¡ DoruÅ¡ka or Mona Vătămanu and Florin Tudor show it. Their films oppose ostracism and discrimination based on the show that is expulsion and the overpowering longevity of silver halide photography. As of the end of the 1970s, a properly Romani contemporary art form is developed. It is represented by the works of Katelan Foisy, Delaine Le Bas, Damian James Le Bas, Phillip Osborne, as well as the female authors of the collective film "Sárral kevert vér" (2014), produced by Romedia Foundation. Their work features the way Romani communities experience time - as a collective memory, highly poetic, searching for
remnants and signs of the English-Romani culture at the heart of the modern, urban space. These works are also the traces of a memory and culture that were lost following the genocide and the migratory movements it induced.

7/15
San Francisco, California: Adobe Books
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7pm, 3130 24th Street
LIVE MUSIC AND FILM! HEADBOGGLE W/ PAUL CLIPSON/EARTH JERKS?TENDER BUTTONS
This evening features electronic instrument maestros in the form of three Bay Area acts who are known to charm with their strangeness & and textures... Plus an added visual treat! Tender Buttons is a trio of Tania Chen, Tom Djll & Gino Robair utilizing a range of electronic devices. Who knows what Earth Jerks, neighborly Chris Dixon, has in his suitcase, whatever it is, it's atomic. Throbbing tones and beating frequencies create a glacial wall of sonic color. In Stereo! The night will wind down (or wind up?) with Derek “Headboggle” Gedalecia pairing with abstract filmmaker Paul Clipson's 16mm films. Free/suggested donation.

SATURDAY, JULY 16, 2016

7/16
Los Angeles, California: Lethal Amounts
8 PM til closing, 1226 West 7th
THE SINEMA OF NICK ZEDD
The Bogus Man starring Grier Lankton, David McDermott, Rafik; Thrust In Me starring Nick Zedd, Margot Damien, Don Houston; Police State starring Nick Zedd, Willoughby Sharp, Rockets Redglare, Flip Crowley; War Is Menstrual Envy excerpt starring Annie Sprinkle, Kembra Pfahler, Ray; Ecstasy In Entropy starring Annie Sprinkle, Brenda Bergman, Nick Bohn, Daryl Free, World Famous BOB; Why Do You Exist starring Mike Diana, World Famous BOB, Kembra Pfahler, Little Annie, Solange Monnier, Daryl Free, Dr. Ducky Doolittle; Tom Thumb starring Steen Jorgensen, Gritt Uldall Jessen, Kajtek Zedd; Thus Spake Zarathustra starring Nick Zedd, Rev Pat Moonblood, Saint Rev Jen; Paintings 2009-11, No Plague Like Home starring Saint Rev Jen, Vox; Demonic Sweaters starring Gio Guzman, Diriak Romay, Jose Luis Cruz, Ivania, Odiosa Athena, Zerak Zedd; Admission $10

7/16
Montreal, Quebec h2x2v1: Cinema Excentris
9 PM, 3536 St-Laurent
VISIONS 16.07.15 = ROBERT TODD | SHORTS
VISIONS en collaboration avec Double Negative Collective présente LA POETIQUE DE L'ESPACE : LES FILMS DE ROBERT TODD (16mm, 70mins) 16.07.15 | 21h | Cinema Excentris | En présence du cinéaste | Filmmaker present copies 16mm | 16mm prints sans dialogues | no dialogue "A specialist in lyrical 16mm filmmaking as well as a sound and visual artist, Robert Todd continually produces short works that resist categorization." « Spécialiste de la réalisation de films lyriques tournés en 16mm et artiste en arts sonores et visuels, Robert Todd réalise incessamment de courts films qui résistent à toute catégorisation. »

7/16
New York, New York: Anthology Film Archives
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6:15 pm, New York, NY.
ICP: BARR/GIBBONS/AUDER PROGRAM
Given the blatant parallels between voyeurism and the cinema, it is no surprise that artists have used it as a point of departure for works that can be in turn hilarious and sobering. Burt Bar’s THE WOMAN NEXT DOOR utilizes refined shots, minimal dialogue, and an ambient soundtrack to create a stripped-down examination of isolation and voyeurism as we follow a man’s evolution from curious neighbor to a full-fledged voyeur. Barr explains, “The man’s life is so restrictive, that every sound she makes, every glimpse of her becomes a monumental event.” The title reveals the basic premise for Joe Gibbons’s SPYING, a brilliant and perverse work described by J. Hoberman as, “An exercise in applied voyeurism – a hilariously perverse MAN WITH A MOVIE CAMERA.” Michel Auder’s THE CONVERSATION, BROOKLYN finds him eavesdropping on two women as they talk about their lives, sex, drugs, motherhood, and more. Auder has said, “That really might be the most transgressive video I ever made
because you really see those two young women talking…. They are about to be women, and they are talking right there on my stoop and I can hear them from my studio and I just put my camera out and it just happened.” Burt Barr THE WOMAN NEXT DOOR (1984, 19 min, video) Joe Gibbons SPYING (1977-78, 31.5 min, Super 8mm-to-16mm. Preserved by Bard College with support from the National Film Preservation Foundation.) Michel Auder THE CONVERSATION, BROOKLYN (2003, 4 min, digital) Total running time: ca. 60 min.

SUNDAY, JULY 17, 2016

7/17
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1baeb8728d&e=4e65756555
8:00 pm, New York, NY.
ICP: BARR/GIBBONS/AUDER PROGRAM
See notes for July 16, 6:15 pm.
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