[Frameworks] Exemplary Sound Design in AG Film
Robert Withers
withersr at earthlink.net
Mon May 16 17:12:40 UTC 2016
You'll find extremely complex layered sound editing in many of the works of Abigail Child,
eg,
Is This What You Were Born For? (1981–89) 7 parts
Mercy (1989) Is This What You Were Born For? Part 7
Mayhem (1987) Is This What You Were Born For? Part 6
Covert Action (1984) Is This What You Were Born For? Part 4
Mutiny (1982–83) Is This What You Were Born For? Part 2
Prefaces (1981) Is This What You Were Born For? Part 1
Robert Withers
(What's AG Film?)
On May 16, 2016, at 8:00 AM, frameworks-request at jonasmekasfilms.com wrote:
> From: lagonaboba <lagonaboba at gmail.com>
> Subject: [Frameworks] Exemplary Sound Design in AG Film
> Date: May 15, 2016 3:36:20 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
>
>
> For a class I’m preparing, I’m interested in suggestions as to Experimental Films with exemplary, excellent sound design and sound editing.
> By excellent I mean, complex, layered, inventive, of rich and nuanced timbre….excellent for it’s sonic qualities (as opposed to strictly intellectual qualities).
> As I plan to rent prints, it would be helpful if the works were available from FMC, Canyon, MOMA or some USA domestic distributor.
> I would include:
>
> Baillie’s Castro Street & Quick Billy,
> Kubelka’s Unsere Afrikareise,
> Hindle’s Watersmith
> Jack Chambers’ Hart of London
>
> Thanks.
>
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