[Frameworks] Motion graphics title using slit-scan....
Aaron F. Ross
aaron at digitalartsguild.com
Mon Oct 31 19:31:01 UTC 2016
If anyone really wants to geek out on slit-scan
madness, of course the apex of the art came quite
early with Doug Trumbull's stargate corridor
sequence for 2001. This was an extremely baroque
studio setup with multiple moving planes of
room-sized artwork, front and back lighting,
motion control, and, of course, slit scan photography.
In 2002, someone extracted the original
production artwork by unwrapping the edited film footage:
http://seriss.com/people/erco/2001/
Nowadays live-action style slit scan is super
easy to accomplish with After Effects and other
2D applications. And of course, many of the
slit-scan classics (such as the Dr. Who main
title) are much more easily accomplished with 3D software.
Aaron
At 10/31/2016, you wrote:
>John Whitney developed motion picture slit-scan
>photography, and though he didn't really use it
>in his own films, he did in his commercial
>work. But it pretty quickly became a standard
>tool for effects houses, showing up in
>commercials, logos, special effects movies,
>etc., so there are probably lots of examples out
>there from a lot of effects people. Robert
>Abel & Associates specialized in it.
>
>Like here's one example from Abel:
><https://www.youtube.com/watch?v=XsYFjITWXSo>https://www.youtube.com/watch?v=XsYFjITWXSo
>
>
>Mark Toscano
>
>On Mon, Oct 31, 2016 at 10:07 AM, George,
>Sherman <<mailto:sgeorge at ucsd.edu>sgeorge at ucsd.edu> wrote:
>Every time the Enterprise goes into warp drive
>and the narrative scroll in 2001.
>Here is a link that is a pretty good explanation:
><https://vimeo.com/71702374>https://vimeo.com/71702374
>Hard work on film but there must be an easier way digitally.
>Sherman
>
> > On Oct 31, 2016, at 6:22 AM, Kasper Lauritzen
> <<mailto:byldorf.films at gmail.com>byldorf.films at gmail.com> wrote:
> >
> > Dear Frameworkers,
> >
> > I remember reading about slit scan
> photography being used to make title sequences
> where the static title is turned into a rolling
> wave, by moving the printed title up and down.
> I thought it was John Whitney who did it (I
> could be wrong), but now I can't find it again,
> and I forgot the original source.
> > So does anyone have a clue which film, TV
> series or advertisement that used this
> technique specifically to make the "wavy title"?
> >
> > Thank you very much
> > Kasper
> > _______________________________________________
> > FrameWorks mailing list
> > <mailto:FrameWorks at jonasmekasfilms.com>FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>Sherman George
><mailto:sgeorge at ucsd.edu>sgeorge at ucsd.edu
><tel:858-229-4368>858-229-4368
>
>
>
>_______________________________________________
>FrameWorks mailing list
><mailto:FrameWorks at jonasmekasfilms.com>FrameWorks at jonasmekasfilms.com
>https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>_______________________________________________
>FrameWorks mailing list
>FrameWorks at jonasmekasfilms.com
>https://mailman-mail5.webfaction.com/listinfo/frameworks
--------------------------------------------------------------
Aaron F. Ross, artist and educator
http://dr-yo.com
http://digitalartsguild.com
More information about the FrameWorks
mailing list