[Frameworks] Eulogy Films
Adam Hyman
adam at lafilmforum.org
Sun Mar 19 18:46:06 UTC 2017
This is a great example of how people need to erase earlier posts in the
thread when posting…
From: Margaret Rorison <margaret.b.rorison at gmail.com>
Reply-To: "Experimental Film Discussion List
<frameworks at jonasmekasfilms.com>" <frameworks at jonasmekasfilms.com>
Date: Sun, 19 Mar 2017 08:14:24 -0400
To: "Experimental Film Discussion List <frameworks at jonasmekasfilms.com>"
<frameworks at jonasmekasfilms.com>
Subject: Re: [Frameworks] Eulogy Films
Thanks, everyone. Keep the recs coming.
I am not necessarily looking for celluloid works, but always welcomed.
Thank you!
MR
-------------------------------------------
http://margaretrorison.com/ <http://margaretrorison.com/>
http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
On Sun, Mar 19, 2017 at 8:00 AM, <frameworks-request at jonasmekasfilms.com>
wrote:
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> Today's Topics:
>
> 1. Eulogy Films (Margaret Rorison)
> 2. Re: Eulogy Films (LJ Frezza)
> 3. Re: Eulogy Films (Ken Eisenstein)
> 4. Re: Eulogy Films (Carl E Bogner)
> 5. Re: Eulogy Films (robert harris)
> 6. Re: Eulogy Films (robert harris)
> 7. Re: Eulogy Films (Alex Lake)
> 8. Re: Eulogy Films (John Muse)
> 9. Re: Eulogy Films (Carl E Bogner)
> 10. Re: Eulogy Films (Ross)
> 11. Re: Eulogy Films (Pip Chodorov)
> 12. Re: Eulogy Films (Dominic Angerame)
> 13. This week [March 18 - 26, 2017] in avant garde cinema
> (Flicker weekly listing)
> 14. Re: Eulogy Films (marilyn brakhage)
> 15. Re: Eulogy Films (vanessa renwick)
> 16. 4th ANNUAL FLAMINGO FILM FESTIVAL (Shane Eason)
>
>
> ---------- Forwarded message ----------
> From: Margaret Rorison <margaret.b.rorison at gmail.com>
> To: frameworks at jonasmekasfilms.com
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 11:43:59 -0400
> Subject: [Frameworks] Eulogy Films
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that have
> been made to honor someone. For example, Nathaniel Dorsky's August and After
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
>
> -------------------------------------------
> http://margaretrorison.com/ <http://margaretrorison.com/>
> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>
>
>
> ---------- Forwarded message ----------
> From: LJ Frezza <ljfrezza at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 10:50:25 -0500
> Subject: Re: [Frameworks] Eulogy Films
> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What
> You'll Become. Defintely worth checking it out if you haven't seen it.
> -LJ
>
> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com>
> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have
>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> ---------- Forwarded message ----------
> From: Ken Eisenstein <ken7eis at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 11:59:54 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Gloria!
> Sirius Remembered
>
> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfrezza at gmail.com> wrote:
>> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What
>> You'll Become. Defintely worth checking it out if you haven't seen it.
>> -LJ
>>
>> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com>
>> wrote:
>>
>>> Dear Film Friends,
>>>
>>> I am curious about film eulogies and would love to know more films that have
>>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>>
>>> I am looking for short films in particular.
>>>
>>> Poetic gestures of goodbye, final notes, odes...
>>>
>>> thank you,
>>> Margaret Rorison
>>>
>>>
>>> -------------------------------------------
>>> http://margaretrorison.com/ <http://margaretrorison.com/>
>>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
>
> ---------- Forwarded message ----------
> From: Carl E Bogner <crlelbog at uwm.edu>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 16:05:50 +0000
> Subject: Re: [Frameworks] Eulogy Films
>
>
>
>
> Michele Pearson Clarke’s “All That is Left Unsaid”
>
>
>
> (Er, but were you asking after film work in particular...)
>
>
> From: FrameWorks <frameworks-bounces at jonasmekasfilms.com> on behalf of Ken
> Eisenstein <ken7eis at gmail.com>
> Sent: Saturday, March 18, 2017 10:59 AM
> To: Experimental Film Discussion List
> Subject: Re: [Frameworks] Eulogy Films
>
> Gloria!
> Sirius Remembered
>
> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfrezza at gmail.com> wrote:
>> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What
>> You'll Become. Defintely worth checking it out if you haven't seen it.
>> -LJ
>>
>> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com>
>> wrote:
>>
>>> Dear Film Friends,
>>>
>>> I am curious about film eulogies and would love to know more films that have
>>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>>
>>> I am looking for short films in particular.
>>>
>>> Poetic gestures of goodbye, final notes, odes...
>>>
>>> thank you,
>>> Margaret Rorison
>>>
>>> -------------------------------------------
>>> http://margaretrorison.com/ <http://margaretrorison.com/>
>>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
>
> ---------- Forwarded message ----------
> From: robert harris <lagonaboba at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 12:35:58 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Margaret,
>
> You might consider Alexander Sokurov’s “Elegy” series, for example:
> Maria (Peasant Elegy)
> Elegy
>
> Shigeko Kubota’s “My Father”
>
> my own (Robert Harris)
> “Elegy”
> ELEGY 2009 Color silent 2:45
> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
> & Al Robbins. Super 8mm film recorded in 1975
> distributed by Filmmaker’s Coop
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com>
> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have
>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ---------- Forwarded message ----------
> From: robert harris <lagonaboba at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 12:39:56 -0400
> Subject: Re: [Frameworks] Eulogy Films
> You can also consider:
>
> Patricio Guzmans’s "Nostalgia for the Light”
>
> and
>
> Peter Thompson’s “Universal Hotel”
>
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com>
> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have
>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ---------- Forwarded message ----------
> From: Alex Lake <alake.alex.alake at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 16:40:58 +0000
> Subject: Re: [Frameworks] Eulogy Films
> Eric Stewart's Wake is essential in this category.
>
> https://vimeo.com/108488448
> On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonaboba at gmail.com> wrote:
>> Margaret,
>>
>> You might consider Alexander Sokurov’s “Elegy” series, for example:
>> Maria (Peasant Elegy)
>> Elegy
>>
>> Shigeko Kubota’s “My Father”
>>
>> my own (Robert Harris)
>> “Elegy”
>> ELEGY 2009 Color silent 2:45
>> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
>> & Al Robbins. Super 8mm film recorded in 1975
>> distributed by Filmmaker’s Coop
>>
>>
>>
>> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com>
>> wrote:
>>
>>> Dear Film Friends,
>>>
>>> I am curious about film eulogies and would love to know more films that have
>>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>>
>>> I am looking for short films in particular.
>>>
>>> Poetic gestures of goodbye, final notes, odes...
>>>
>>> thank you,
>>> Margaret Rorison
>>>
>>>
>>> -------------------------------------------
>>> http://margaretrorison.com/ <http://margaretrorison.com/>
>>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> ---------- Forwarded message ----------
> From: John Muse <jmuse at sonic.net>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 12:55:04 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Lynne Sachs’ The Last Happy Day:
> http://www.lynnesachs.com/2009/06/15/the-last-happy-day/
> Alan Berliner’s First Cousin Once Removed:
> http://alanberliner.com/first_cousin.php?pag_id=3
>
>> > On Mar 18, 2017, at 12:40 PM, Alex Lake <alake.alex.alake at gmail.com> wrote:
>> >
>> > Eric Stewart's Wake is essential in this category.
>> >
>> > https://vimeo.com/108488448
>> > On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonaboba at gmail.com>
>> wrote:
>> > Margaret,
>> >
>> > You might consider Alexander Sokurov’s “Elegy” series, for example:
>> > Maria (Peasant Elegy)
>> > Elegy
>> >
>> > Shigeko Kubota’s “My Father”
>> >
>> > my own (Robert Harris)
>> > “Elegy”
>> > ELEGY 2009 Color silent 2:45
>> >
>> > Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
>> > & Al Robbins. Super 8mm film recorded in 1975
>> > distributed by Filmmaker’s Coop
>> >
>> >
>> >
>> > On Mar 18, 2017, at 11:43 AM, Margaret Rorison
>> <margaret.b.rorison at gmail.com> wrote:
>> >
>>> >> Dear Film Friends,
>>> >>
>>> >> I am curious about film eulogies and would love to know more films that
>>> have been made to honor someone. For example, Nathaniel Dorsky's August and
>>> After
>>> >>
>>> >> I am looking for short films in particular.
>>> >>
>>> >> Poetic gestures of goodbye, final notes, odes...
>>> >>
>>> >> thank you,
>>> >> Margaret Rorison
>>> >>
>>> >>
>>> >> -------------------------------------------
>>> >> http://margaretrorison.com/
>>> >> http://sightunseenbaltimore.com/
>>> >>
>>> >> _______________________________________________
>>> >> FrameWorks mailing list
>>> >> FrameWorks at jonasmekasfilms.com
>>> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> >
>> > _______________________________________________
>> > FrameWorks mailing list
>> > FrameWorks at jonasmekasfilms.com
>> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>> > _______________________________________________
>> > FrameWorks mailing list
>> > FrameWorks at jonasmekasfilms.com
>> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
> j/PrM
>
> *************************************************
>
> john muse
> visual media scholar
> haverford college
> he/him/his
> http://www.finleymuse.com
> http://www.haverford.edu/faculty/jmuse
> http://haverford.academia.edu/JohnMuse
>
> *************************************************
>
>
>
>
>
>
> ---------- Forwarded message ----------
> From: Carl E Bogner <crlelbog at uwm.edu>
> To: "frameworks at jonasmekasfilms.com" <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 17:30:18 +0000
> Subject: Re: [Frameworks] Eulogy Films
>
>
> Ahhh, more generalized/communal/generational that you may be interested in,
> but also:
>
> Michael Wallin’s Decodings (1988)
>
> Mike Hoolboom’s Letters from Home (1996)
>
>
>
> From: FrameWorks <frameworks-bounces at jonasmekasfilms.com> on behalf of
> Margaret Rorison <margaret.b.rorison at gmail.com>
> Sent: Saturday, March 18, 2017 10:43 AM
> To: frameworks at jonasmekasfilms.com
> Subject: [Frameworks] Eulogy Films
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that have
> been made to honor someone. For example, Nathaniel Dorsky's August and After
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
> -------------------------------------------
> http://margaretrorison.com/ <http://margaretrorison.com/>
> <http://margaretrorison.com/>
> Margaret Rorison <http://margaretrorison.com/>
> margaretrorison.com <http://margaretrorison.com>
> One Document for Hope . Funes el memorioso. vindmøller
>
> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
> Sight Unseen <http://sightunseenbaltimore.com/>
> sightunseenbaltimore.com <http://sightunseenbaltimore.com>
> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The Body
> Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival Tour
>
>
>
>
>
> ---------- Forwarded message ----------
> From: Ross <rossmeckfessel at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 13:56:22 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Mary Helena Clark's "The Dragon is the Frame" (2014)
> https://vimeo.com/115341715
>
> Gunvor Nelson's "Time Being" (1991)
>
> On Mar 18, 2017, at 1:30 PM, Carl E Bogner <crlelbog at uwm.edu> wrote:
>
>>
>>
>> Ahhh, more generalized/communal/generational that you may be interested in,
>> but also:
>>
>> Michael Wallin’s Decodings (1988)
>>
>> Mike Hoolboom’s Letters from Home (1996)
>>
>>
>>
>> From: FrameWorks <frameworks-bounces at jonasmekasfilms.com> on behalf of
>> Margaret Rorison <margaret.b.rorison at gmail.com>
>> Sent: Saturday, March 18, 2017 10:43 AM
>> To: frameworks at jonasmekasfilms.com
>> Subject: [Frameworks] Eulogy Films
>>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have
>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> <http://margaretrorison.com/>
>> Margaret Rorison <http://margaretrorison.com/>
>> margaretrorison.com <http://margaretrorison.com>
>> One Document for Hope . Funes el memorioso. vindmøller
>>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>> Sight Unseen <http://sightunseenbaltimore.com/>
>> sightunseenbaltimore.com <http://sightunseenbaltimore.com>
>> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The Body
>> Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival Tour
>>
>>
>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>> ---------- Forwarded message ----------
>> From: Pip Chodorov <frameworks at re-voir.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
>> Cc:
>> Bcc:
>> Date: Sun, 19 Mar 2017 03:09:14 +0900
>> Subject: Re: [Frameworks] Eulogy Films
>> Jim Hubbard's "Memento Mori" (1995, 17 min)
>>
>> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min)
>>
>> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim)
>>
>>
>>
>>
>> At 11:43 -0400 18/03/17, Margaret Rorison wrote:
>>> I am curious about film eulogies and would love to know more films that have
>>> been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>>
>> ---------- Forwarded message ----------
>> From: Dominic Angerame <dominic.angerame at gmail.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
>> Cc:
>> Bcc:
>> Date: Sat, 18 Mar 2017 11:48:58 -0700
>> Subject: Re: [Frameworks] Eulogy Films
>> Allan Ross, Chicago Filmmakers, Grandfather Trilogy
>>
>> On Sat, Mar 18, 2017 at 11:09 AM, Pip Chodorov <frameworks at re-voir.com>
>> wrote:
>>> Jim Hubbard's "Memento Mori" (1995, 17 min)
>>>
>>> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min)
>>>
>>> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim)
>>>
>>>
>>>
>>>
>>> At 11:43 -0400 18/03/17, Margaret Rorison wrote:
>>>> I am curious about film eulogies and would love to know more films that
>>>> have been made to honor someone. For example, Nathaniel Dorsky's August and
>>>> After
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>
>>
>>
>> ---------- Forwarded message ----------
>> From: Flicker weekly listing <thisweek at hi-beam.net>
>> To: <frameworks at jonasmekasfilms.com>
>> Cc:
>> Bcc:
>> Date: Sat, 18 Mar 2017 19:29:42 +0000
>> Subject: [Frameworks] This week [March 18 - 26, 2017] in avant garde cinema
>>
>>
>>
>>
>> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&
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>> d=9c39fd8b80&e=4e65756555>
>>
>> This week [March 18 - 26, 2017] in avant garde cinema
>> Enter your event announcements by going to the Flicker Weekly Listing Form
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
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>>
>> To receive the weekly listing via email: Subscribe
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>> this email.
>>
>>
>> Journey Into Darkness Films & Performances De Kerry Laitala ii
>> <#m_-1131861096527883028_anchor1> [March 18, Barcelona, Spain]
>> NEW FILM/VIDEO: NON-FEATURE:
>> "Demonstration" by Mary Billyou
>> http://hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=577.ann
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
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>>
>> NEW CALLS FOR ENTRIES:
>> Fracto (Berlin; Deadline: April 20, 2017)
>> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=bcf4af82f3&e=4e65756555>
>> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline:
>> April 15, 2017)
>> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=f0f27e8659&e=4e65756555>
>>
>> DEADLINES APPROACHING:
>> Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March
>> 31, 2017)
>> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1915.ann
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=b430b981f2&e=4e65756555>
>> Fracto (Berlin; Deadline: April 20, 2017)
>> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=425cac9e0b&e=4e65756555>
>> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline:
>> April 15, 2017)
>> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=b1dcf59acc&e=4e65756555>
>>
>>
>>
>> Events are sorted alphabetically BY CITY within each DATE.
>>
>> This week's programs (summary):
>> * Journey Into Darkness Films & Performances De Kerry Laitala ii
>> <#m_-1131861096527883028_anchor1> [March 18, Barcelona, Spain]
>> * José Val Del Omar Program 3 <#m_-1131861096527883028_anchor2> [March 18,
>> New York, New York]
>> * José Val Del Omar Program 2 <#m_-1131861096527883028_anchor3> [March 18,
>> New York, New York]
>> * Mar18: Cox/Baldwin + A. Coppola + Tabar + Rourke
>> <#m_-1131861096527883028_anchor4> [March 18, San Francisco, California]
>> * Light Industry At Bridget Donahue: Carbon Life
>> <#m_-1131861096527883028_anchor5> [March 19, New York, New York 10002]
>> * José Val Del Omar Program 3 <#m_-1131861096527883028_anchor6> [March 19,
>> New York, New York]
>> * José Val Del Omar Program 1 <#m_-1131861096527883028_anchor7> [March 19,
>> New York, New York]
>> * Fracto <#m_-1131861096527883028_anchor8> [March 20, Berlin, Germany]
>> * Fracto <#m_-1131861096527883028_anchor9> [March 20, Berlin, Germany]
>> * Essential Cinema: Warhol/Watson/Weber/Whitney Program
>> <#m_-1131861096527883028_anchor10> [March 20, New York, New York]
>> * Iris Film Collective Responds To the Image Before Us
>> <#m_-1131861096527883028_anchor11> [March 20, Vancouver, British Columbia]
>> * Transparent Things, Landscape Dissolves: Screening and Talk With Filmmaker
>> Paul Clipson <#m_-1131861096527883028_anchor12> [March 22, London, England]
>> * Essential Cinema: John and ivy & Salvador Dali
>> <#m_-1131861096527883028_anchor13> [March 22, New York, New York]
>> * Doris Wishman's Double Agent 73 <#m_-1131861096527883028_anchor14> [March
>> 22, Tucson, AZ]
>> * Paul Clipson With Shinya Sugimoto & Jeremy Young: Total Fiction
>> <#m_-1131861096527883028_anchor15> [March 23, London, England]
>> * Roger Beebe: Films For One To Eight Projectors
>> <#m_-1131861096527883028_anchor16> [March 24, Knoxville, TN]
>> * The 2017 West virginia Mountaineer Short Film Festival
>> <#m_-1131861096527883028_anchor17> [March 24, Morgantown]
>> * Paul Clipson W/ Shinya Sugimoto & Jeremy Young Presents Total Fiction +
>> Nathaniel Robin Mann <#m_-1131861096527883028_anchor18> [March 24, Salford]
>> * When I Stop Looking:
Short Films and Small Prints By Todd Edward Herman
>> <#m_-1131861096527883028_anchor19> [March 25, Boulder, Colorado]
>> * Paul Clipson, Shinya Sugimoto & Jeremy Young: Total Fiction / + Nathaniel
>> Mann <#m_-1131861096527883028_anchor20> [March 25, Bradford]
>> * Flicker & Wow: Kids! <#m_-1131861096527883028_anchor21> [March 25,
>> Knoxville, TN]
>> * Kevin Jerome Everson: the Surface Below <#m_-1131861096527883028_anchor22>
>> [March 25, Knoxville, TN]
>> * Janie Geiser: Double vision <#m_-1131861096527883028_anchor23> [March 25,
>> Knoxville, TN]
>> * Jem Cohen: World Without End (No Reported Incidents)
>> <#m_-1131861096527883028_anchor24> [March 25, Knoxville, TN]
>> * New Works Salon Xxxviii <#m_-1131861096527883028_anchor25> [March 25, Los
>> Angeles, California]
>> * Mar25: Gendreau + Waxy Tomb + Harper + Pad's 3-D
>> <#m_-1131861096527883028_anchor26> [March 25, San Francisco, California]
>> * Paul Clipson With Shinya Sugimoto & Jeremy Young Present Total Fiction +
>> Nathaniel Mann <#m_-1131861096527883028_anchor27> [March 26, Colchester]
>> * Flicker and Wow 1 <#m_-1131861096527883028_anchor28> [March 26,
>> Knoxville, TN]
>> * Meredith Monk: Book of Days <#m_-1131861096527883028_anchor29> [March 26,
>> Knoxville, TN]
>> * Jem Cohen: Lost Book Found <#m_-1131861096527883028_anchor30> [March 26,
>> Knoxville, TN]
>> * Flicker & Wow 2 <#m_-1131861096527883028_anchor31> [March 26, Knoxville,
>> TN]
>> SATURDAY, MARCH 18, 2017
>>
>> 3/18
>> Barcelona, Spain: Crater Lab
>> 8:30pm, Carrer Sant Guillem 17
>> JOURNEY INTO DARKNESS FILMS & PERFORMANCES DE KERRY LAITALA II
>> JOURNEY INTO DARKNESS Films & performances de KERRY LAITALA IICrater Lab, en
>> colaboración con Xcentric, presenta un doble programa de pelÃculas y
>> performances de cine expandido de la artista de San Francisco Kerry Laitala.
>> La cineasta impartirà un workshop de cinegramas en 16mm - LIGHSTRUCK - los
>> dÃas 17,18 y 19 en Crater-Lab.
>>
>>
>> 3/18
>> New York, New York: Anthology Film Archives
>> http://www.anthologyfilmarchives.org/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=d5089ad0b5&e=4e65756555>
>> 6:00 pm, 32 2nd Ave.
>> JOSé VAL DEL OMAR PROGRAM 3
>> March 18: Presented by Mónica Savirón WATER-MIRROR OF GRANADA and FIRE IN
>> CASTILLE feature a characteristic end title that illustrates Val del Omar’s
>> continuous research and inexhaustible creativity: instead of “The End,” we
>> read “Never Ending.” Indeed, he never stopped creating. In the late 1970s he
>> set up a laboratory named PLAT (Picto – Luminic – Audio – Tactile) in Madrid,
>> and continued experimenting with video and multimedia equipment. VARIATIONS
>> ON A POMEGRANATE is the only preserved piece from this period. Val del Omar’s
>> “Never Ending” film philosophy found a relevant continuity in the many
>> contemporary artists, musicians, and filmmakers who produced works under his
>> creative influence. For example Eugeni Bonet, an important visual artist,
>> theorist, and curator, met Val del Omar in 1980 and years later made the film
>> THROW YOUR WATCH TO THE WATER (2004), a creative reinterpretation of Val del
>> Omar’s filmic materials. He would also organize the first retrospective of
>> his work at the Pompidou Museum (Paris) in 1982, as well as the first
>> exhibition entirely devoted to his trajectory in the Reina Sofia Museum
>> (Madrid) in 2010. José Val del Omar VARIATIONS ON A POMEGRANATE / VARIACIONES
>> SOBRE UNA GRANADA (1975, 3 min, 35mm-to-digital) & Eugeni Bonet THROW YOUR
>> WATCH INTO THE WATER / TIRA TU RELOJ AL AGUA (2004, 88 min, digital)
>>
>>
>> 3/18
>> New York, New York: Anthology Film Archives
>> http://www.anthologyfilmarchives.org/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=0cfa01c03a&e=4e65756555>
>> 8:30 pm, 32 2nd Ave.
>> JOSé VAL DEL OMAR PROGRAM 2
>> See notes for March 17, 7:30 pm.
>>
>>
>> 3/18
>> San Francisco, California: Other Cinema
>> http://www.othercinema.com/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=3b6a8349d2&e=4e65756555>
>> 8:30 PM, 992 Valencia St.
>> MAR18: COX/BALDWIN + A. COPPOLA + TABAR + ROURKE
>> The first of OC’s three OPTRONICA events! In Crossroads of the Other, Alex
>> Coppola concocts a score--with turntables and sampler--for a jaw-dropping
>> artifact of amateur ethnography (Trinidad ’49). David Cox and Craig Baldwin
>> re-animate a 35mm filmstrip of Jules Verne’s 20,000 Leagues under the Sea,
>> with text-to-vox FX and ChromaDepth stereoscopy. Baldwin doubles back to
>> double-project his Crazed Crystals over Cyrus Tabar’s cracked~abstrakt track.
>> ALSO: Jeremy Rourke’s smashing live-performance Kitchen Tintinnabulation,
>> Bruce Haack oscillating Mr. Rogers, and Vicki (PLU) Bennett’s Citation City.
>> PLUS DJ Spooky’s Memory Palace (with Michael Niemeyer for the Internet
>> Archive), Quintron’s Drum Buddy, and free series-launch champagne!*$8.88
>>
>> SUNDAY, MARCH 19, 2017
>>
>> 3/19
>> New York, New York 10002: Light Industry
>> http://www.lightindustry.org/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=edc5b6beba&e=4e65756555>
>> 7pm, 99 Bowery
>> LIGHT INDUSTRY AT BRIDGET DONAHUE: CARBON LIFE
>> Curated by Mary Helena Clark. Likeness (Prologue: Remnant Branch), Michael
>> Guidetti, 2017, digital projection, 6 mins. JACKSHOES, Dana Michel, 2011,
>> digital projection, 6 mins. Elegy, Joe Gibbons, 1991, digital projection, 11
>> mins. Portrait of Evan Parker (Silver/Gold), Neil Henderson, 2010, digital
>> projection, 11 mins. Mobile Men, Apichatpong Weerasethakul, 2008, digital
>> projection, 4 mins. When I Was a Monster, Anne McGuire, 1996, digital
>> projection, 6 mins. Delphi Falls (excerpt), Mary Helena Clark, 2017, digital
>> projection, 9 mins. Lightning, Paul and Marlene Kos, 1975, digital
>> projection, 2 mins.
>>
>>
>> 3/19
>> New York, New York: Anthology Film Archives
>> http://www.anthologyfilmarchives.org/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=bcce2455a9&e=4e65756555>
>> 6:00 pm, 32 2nd Ave.
>> JOSé VAL DEL OMAR PROGRAM 3
>> See notes for March 18th, 6:00 pm.
>>
>>
>> 3/19
>> New York, New York: Anthology Film Archives
>> http://www.anthologyfilmarchives.org/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=bd60a0301a&e=4e65756555>
>> 8:30 pm, 32 2nd Ave.
>> JOSé VAL DEL OMAR PROGRAM 1
>> See notes for March 16th, 7:30 pm.
>>
>> MONDAY, MARCH 20, 2017
>>
>> 3/20
>> Berlin, Germany: Fracto
>> http://fractofilm.com/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=37104b20f7&e=4e65756555>
>> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler
>> Platz
>> FRACTO
>> Fracto is a 2 day encounter inviting filmmakers to present their work and
>> discuss contemporary means of audiovisual experimentation, on May 20th/21st
>> at ACUD macht neu, Berlin. In times of ever-present cameras and a constant
>> stream of seemingly self-propagating moving images we have become accustomed
>> to a mediatized experience of reality, where time and space lose their
>> coordinates. Exceeding an entirely negative conception of today’s perceptual
>> landscape, how can the reconfiguration of audiovisual media and technologies
>> therein be a productive foundation for new means of ever-changing and
>> heterogeneous narratives? How can this landscape be reflected, dissolved or
>> disrupted in film itself? What are the appropriate means of sorting and
>> resetting these influences, and what – if any – other modes of representation
>> emerge between mere categories of newness and obsolescence, documentary,
>> fictional, poetic, latent or evident imagery?
>>
>>
>> 3/20
>> Berlin, Germany: Fracto
>> http://fractofilm.com/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=af2180b000&e=4e65756555>
>> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler
>> Platz
>> FRACTO
>> Fracto is a 2 day encounter inviting filmmakers to present their work and
>> discuss contemporary means of audiovisual experimentation, on May 20th/21st
>> at ACUD macht neu, Berlin. In times of ever-present cameras and a constant
>> stream of seemingly self-propagating moving images we have become accustomed
>> to a mediatized experience of reality, where time and space lose their
>> coordinates. Exceeding an entirely negative conception of today’s perceptual
>> landscape, how can the reconfiguration of audiovisual media and technologies
>> therein be a productive foundation for new means of ever-changing and
>> heterogeneous narratives? How can this landscape be reflected, dissolved or
>> disrupted in film itself? What are the appropriate means of sorting and
>> resetting these influences, and what – if any – other modes of representation
>> emerge between mere categories of newness and obsolescence, documentary,
>> fictional, poetic, latent or evident imagery?
>>
>>
>> 3/20
>> New York, New York: Anthology Film Archives
>> http://www.anthologyfilmarchives.org/
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=a79e4e735f&e=4e65756555>
>> 7:30 pm, 32 2nd Ave.
>> ESSENTIAL CINEMA: WARHOL/WATSON/WEBER/WHITNEY PROGRAM
>> Andy Warhol EAT (1963, 35 min, 16mm, b&w, silent) James Sibley Watson &
>> Melville Webber FALL OF THE HOUSE OF USHER (1928, 13 min, 16mm, b&w, silent)
>> John & James Whitney FILM EXERCISES 1-5 (1943-45, 18 min, 16mm) James Whitney
>> LAPIS (1963-66, 10 min, 16mm) Total running time: ca. 80 min.
>>
>>
>> 3/20
>> Vancouver, British Columbia: Iris Film Collective
>> http://thecinematheque.ca/the-image-before-us-take-three/the-iris-film-collec
>> tive-responds-to-the-image-before-us
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=f96460dc65&e=4e65756555>
>> 7pm, 1131 Howe St
>> IRIS FILM COLLECTIVE RESPONDS TO THE IMAGE BEFORE US
>> This program of work by Iris Film Collective includes sixteen short films
>> screening in a number of formats, including super 8 and dual-channel 16mm.
>> Made in and around B.C., this collection constitutes a multiform experience
>> of place: recreational life in Opening Day; an alternate tour of abandoned
>> monuments and plazas that Expo left behind in Legacies; a fence impenetrable
>> but revealing in 86 SE Marine Drive. Colin Browne’s 1986 essay film The Image
>> Before Us, which inspired The Cinematheque’s “Image Before Us” series, asks
>> what aren’t we seeing in the movies about Vancouver. This program also hints
>> at something beyond the frame that cannot be filmed or heard, something
>> inexpressible in words, images, or sounds alone.
>>
>> WEDNESDAY, MARCH 22, 2017
>>
>> 3/22
>> London, England: no.w.here
>> http://www.no-w-here.org.uk/index.php?cat=1&subCat=docdetail&&id=484
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=5a615a3e9f&e=4e65756555>
>> 7-10pm, no.w.here project space, First Floor, 316 - 318 Bethnal Green Road,
>> London, E2 0AG.
>> TRANSPARENT THINGS, LANDSCAPE DISSOLVES: SCREENING AND TALK WITH FILMMAKER
>> PAUL CLIPSON
>> Paul Clipson is a San Francisco-based filmmaker who often collaborates with
>> sound artists and musicians on films, live performances, and installations.
>> His Super 8 and 16mm films aim to bring to light visual preoccupations that
>> reveal themselves while working in a stream of consciousness manner,
>> combining densely layered, in-camera edited studies of figurative and
>> abstract environments, in a process that encourages unplanned-for results,
>> responding to and conversing with the temporal qualities of musical
>> composition and live performance. His work has screened around the world in
>> festivals and at sound and film events such as the International Film
>> Festival Rotterdam, The New York Film Festival, and the Cinémathèque
>> Française. http://www.withinmirrors.org/ Program: SPHINX ON THE SEINE (2009)
>> 16mm (* shot on Super 8mm), color/B&W, 7.5 minutes, music by Jefre
>> Cantu-Ledesma, CHORUS (2010) 16mm (*shot on Super 8mm), color, 7 minutes,
>> music by Gregg Kowalsky, UNION (2011) 16mm (*shot on Super 8mm), color/B&W,
>> 14.5 minutes, music by Jefre Cantu-Ledesma, ANOTHER VOID (2012) 16mm (*shot
>> on Super 8mm), color, 11 minutes, music by Jefre Cantu-Ledesma LIGHT YEAR
>> (2013) 16mm, color, 10 minutes, music by Tashi Wada, DISPORTING WITH A SHADOW
>> (2015) 16mm, color/B&W, 4 minutes, music by Alex Cobb, THE LIQUID CASKET /
>> WILDERNESS OF MIRRORS (2014) 16mm, color/B&W, 7.5 minutes, music by Lawrence
>> English, MADE OF AIR (2014) 16mm, color/B&W, 11 minutes, music by Grouper,
>> LIGHTHOUSE (2015) 16mm, color/B&W, 5 minutes, music by King Midas
>> Sound/Fennesz. All films screened on 16mm by the filmmaker.
>>
>>
>> 3/22
>> New York, New York: Anthology Film Archives
>> http://www.anthologyfilmarchives.org/
>> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=85cb604e4b&e=4e65756555>
>> 7:30 pm, 32 2nd Ave.
>> ESSENTIAL CINEMA: JOHN AND IVY & SALVADOR DALI
>> JOHN AND IVY (1965, 33 min, 16mm, b&w) “One of Warhol’s early experiments in
>> sound filmmaking, JOHN AND IVY is a one-reel ‘documentary’ film showing Ivy
>> Nicolson, John Palmer, and their children at home during a major snowstorm in
>> January 1965. The film is shot with a stationary camera which points through
>> a doorway into their squalid tenement kitchen. The stars wander around the
>> kitchen, talking, cooking, and occasionally embracing while a live radio
>> plays both classical and rock music; the sound quality is very poor.” –Callie
>> Angell & SALVADOR DALI (1966, 22 min, 16mm, b&w, silent) “A silent ‘EPI
>> Background’ reel, intended for projection behind the Velvet Underground
>> during performances of the Exploding Plastic Inevitable. SALVADOR DALI
>> contains original SCREEN TESTS of the mustachioed Dali, followed by Nico,
>> Sterling Morrison, and Lou Reed. The film ends with two WHIP DANCE rolls, in
>> which Gerard Malanga and Mary Woronov perform their S&M dance routine from
>> the EPI for Warhol’s camera.” –Callie Angell
>>
>>
>> 3/22
>> Tucson, AZ: Exploded View Microcinema
>> http://explodedviewgallery.org
>> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=377281776c&e=4e65756555>
>> 7:30, 197 E Toole Ave
>> DORIS WISHMAN’S DOUBLE AGENT 73
>> (GIRL CRUSH SERIES) A beautiful American spy (played by the fabulous Chesty
>> Morgan) can murder men by smothering them with her enormous breasts. This
>> trashy 70s sexploitation film, directed by the legendary Doris Wishman, is a
>> feminist cult classic. Enjoy Wishman’s bizarre experimental cinematography,
>> far-out plot twists and wild 1970’s camp! With special opening performance by
>> local queer trans* lesbian woman of color stripperformance artist Rambo Reza!
>>
>> THURSDAY, MARCH 23, 2017
>>
>> 3/23
>> London, England: no.w.here and Thirty Three Thirty Three
>> https://www.eventbrite.co.uk/e/paul-clipson-with-shinya-sugimoto-jeremy-young
>> -total-fiction-2017-tickets-32119858361
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=7de7c0a47d&e=4e65756555>
>> 19:30-22:00, The Old Church Stoke Newington London N16 9ES United Kingdom
>> PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION
>> Taking its name from Shinya Sugimoto & Jeremy Young's forthcoming LP
>> featuring cellist Julia Kent, Total Fiction is live score performance to a
>> 16mm film projection by Paul Clipson. Like all of Clipson's film collage
>> works, this will be frenetic, it will span movements both in stark black and
>> white and bright analog color, and the score will be disbursed in a series of
>> chapters. Improvisation, for Sugimoto and Young, is like fiction, and they
>> will work to bring out auditory characters, narratives, themes and
>> transitional arcs from the celluloid, while at times challenging the pictures
>> to provide new meaning in new sonic contexts from space to space. Shinya
>> Sugimoto performs on piano and Max MSP triggered processing, while Young will
>> be utilizing his analog electronics such as reel-to-reel tape loops,
>> oscillators, AM radio and contact mic'd objects and surfaces to build
>> textural and tonal colour palettes throughout the evening.
>>
>> FRIDAY, MARCH 24, 2017
>>
>> 3/24
>> Knoxville, TN: The Public Cinema
>> www.publiccinema.org <http://www.publiccinema.org>
>> 1:15pm, Knoxville Museum of Art
>> ROGER BEEBE: FILMS FOR ONE TO EIGHT PROJECTORS
>> Films for One to Eight Projectors is an immersive audio/visual experience
>> that Creative Loafing called “both erudite and punk, lo-fi yet high-brow
>> shorts that wrestle with a disfigured, contemporary American landscape.”
>> Works to be screened: SOUNDFILM Overture (2015, 1:00, 16mm), TB TX Dance
>> (2006/2007, 3:00, 16mm x 2), AAAAA Motion Picture (2010, 11min, 16mm x 2),
>> Tiger Tiger (2016, 4:00, 16mm/HD) SOUNDFILM Coda (2015/2017, 7:00, 16mm x 6),
>> Beginnings (2010/2011, 5:00, Digital Audio) Last Light of a Dying Star
>> (2008/2011, 26:00, 16mm x 6 and super 8mm x 1).
>>
>>
>> 3/24
>> Morgantown: West Virginia Mountaineer Short Film Festival
>> www.mountaineershortfilmfest.org <http://www.mountaineershortfilmfest.org>
>> 6:00 pm, Metropolitan Theatre
>> THE 2017 WEST VIRGINIA MOUNTAINEER SHORT FILM FESTIVAL
>> Call for entries: 2017 West Virginia Mountaineer Short Film Festival, March
>> 23 – March 26, 2017. We seek independent, unique and compelling work in film,
>> video, animation and virtual reality. Entry Fee: $10. Student: $5. Under 18:
>> Free. Categories of Competition: Documentary Short, Narrative Short,
>> Animation, Experimental, Student, Political Division Thematic Entry (works
>> that broadly explore the notion of Health, especially in a contemporary,
>> natural, cultural or political context. Deadline for Entries: March 1, 2017.
>> Visit the Festival website: www.mountaineershortfilmfest.org
>> <http://www.mountaineershortfilmfest.org> for additional information and
>> entry form. Contact: wvmsff at gmail.com for further information. Maximum
>> running time of 20 minutes; Works must have been completed after 1/1/2015.
>> Maximum of 2 entries per person. A separate entry form is required for each
>> entry. Filmmakers and artists accepted to the festival permit the use of
>> stills and/or clips from accepted works in promotional and public relations
>> materials. Submit your work through: FilmFreeway, or by filling out the
>> online entry form available at our website. Mailed-in entries are not
>> accepted this year. If submitting using the online form, all works must be
>> available for download (Vimeo, WeTransfer or Dropbox etc.) at screening
>> quality and full resolution. Please insure that the link to the online
>> version of your film or project is active until the date of the festival.
>>
>>
>> 3/24
>> Salford: Islington Mill
>> http://www.islingtonmill.com/events/paul-clipson-w-shinya-sugimoto-jeremy-you
>> ng-presents-total-fiction-2017/
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=3e63ead548&e=4e65756555>
>> 7-11pm, James Street Salford M3 5HW, UK
>> PAUL CLIPSON W/ SHINYA SUGIMOTO & JEREMY YOUNG PRESENTS TOTAL FICTION +
>> NATHANIEL ROBIN MANN
>> A 16mm film projection event with live improvised sound performance.
>>
>> SATURDAY, MARCH 25, 2017
>>
>> 3/25
>> Boulder, Colorado: Month of Photography / Seidel City Gallery
>> http://www.mopdenver.com/mop-2017-programs-2/#/seidel-city-boulder/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=d014aa5a2c&e=4e65756555>
>> 7pm - 10pm, 3205 Longhorn Road, Boulder, CO 80302
>> WHEN I STOP LOOKING:
SHORT FILMS AND SMALL PRINTS BY TODD EDWARD HERMAN
>> Todd Edward Herman's haunting imagery suggests mysteriously entwined
>> narratives, drawing no clear lines between fiction and fact. Herman utilizes
>> photography, videography and painting as departure points for thirty
>> exquisitely printed limited edition prints. Dealing with themes of the body
>> and transience, representational taboos, spectatorship and complicity, his
>> work looks to a rare beauty, making no claims to journalistic inquiry. Among
>> the selected films screening at Seidel City will be Herman's award winning
>> short film Cabinet, a visceral and poetic documentary on death, mourning and
>> life beginning anew. Also screening will be Herman's When I Stop Looking, a
>> film that looks beyond the imprint of appearances, invoking the intensely
>> private worlds of those portrayed, each of whom lives with significant facial
>> and cranial conditions; a vivid affirmation of existence comes forward,
>> before anything else. Todd Edward Herman has been the recipient of many
>> awards for his work including the San Francisco International Film Festival's
>> New Vision Award, the Art Council of Northern Ireland's Artist in Residence
>> Award, Grants from the San Francisco Film Arts Foundation, a Western States
>> Regional Media Arts Fellowship, Taipei Artist Village Residency, and the San
>> Francisco Art Commission's Emerging Curator Award. He has presented his work
>> at such venues as the International Film Festival Rotterdam, San Francisco
>> International Film Festival, Southbank Centre, Anthology Film Archives, San
>> Francisco Cinematheque, and Pacific Film Archives.
>>
>>
>> 3/25
>> Bradford: Fuse Art Space
>> http://www.wearefuse.co/project/165/paul-clipson-shinya-sugimoto-jeremy-young
>> -total-fiction-2017/
>> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&
>> id=f0f13f353f&e=4e65756555>
>> 20:00, 5-7 Rawson Place, Bradford BD1 3QQ
>> PAUL CLIPSON, SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION / + NATHANIEL
>> MANN
>> A 16mm film projection event with live improvised sound/music performance.
>>
>>
>> 3/25
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 10:30am, Knoxville Museum of Art
>> FLICKER & WOW: KIDS!
>> A selection of short works of experimental animation curated for kids.
>> Screening as part of Big Ears. Works to be screened: Mothlight (Stan
>> Brakhage, 1963, 16mm), Duck Amuck (Chuck Jones, 1953, digital), Blue Movement
>> (Haruka Mitani and Michael Lyons, 2016, digital), Begone Dull Care (Evelyn
>> Lambart and Norman McLaren, 1949, 16mm), Glistening Thrills (Jodie Mack,
>> 2013, digital).
>>
>>
>> 3/25
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 12:15pm, Knoxville Museum of Art
>> KEVIN JEROME EVERSON: THE SURFACE BELOW
>> This program, curated for Big Ears from Everson’s large body of work (more
>> than 100 shorts and features), reveals Kevin Jerome Everson’s interest in
>> digging beneath the surface, in every sense of the word. Works to be
>> screened: Ring (2008, 1:30), Tygers (2014, 2:00), Auditioning for Nathaniel
>> (2016, 13:30), R-15 (2017, 5:10), Smooth Surface (2015, 2:50), Production
>> Material Handler (2015, 2:31), Fe26 (2014, 7:21), Ears, Nose and Throat
>> (2016, 10:30). ARTIST IN ATTENDANCE
>>
>>
>> 3/25
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 2pm, Knoxville Museum of Art
>> JANIE GEISER: DOUBLE VISION
>> Named one of the world’s top avant-garde filmmakers on Film Comment’s “Best
>> of the Decade” list, Janie Geiser will join Big Ears for a program of recent
>> short films, Double Vision. Works to be screened: Kriminalistik (2014,
>> 4:00), Ghost Algebra (2009, 7:30), Kindless Villain (2010, 5:00), The Floor
>> of the World (2010, 9:10), Arbor (2012, 7:05), The Hummingbird Wars (2015,
>> 11:15), Cathode Garden (2015, 7:45), Flowers of the Sky (2016, 9:15)
>>
>>
>> 3/25
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 6:15pm, Regal Riviera 8
>> JEM COHEN: WORLD WITHOUT END (NO REPORTED INCIDENTS)
>> Quite close to London, but for many, a million miles away, Southend-on-Sea
>> is a town along the Thames estuary. World Without End (No Reported
>> Incidents), the new documentary from Jem Cohen, is a portrait of this
>> place–everyday streets, everyday birds, unflagging tides, mud, and sky. But
>> it is also about humanity and history, about prize-winning Indian curries, an
>> encyclopedic universe of hats, and a nearly lost world of proto-punk music.
>> ARTIST IN ATTENDANCE.
>>
>>
>> 3/25
>> Los Angeles, California: Echo Park Film Center
>> http://www.echoparkfilmcenter.org/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=b777daa6e4&e=4e65756555>
>> 8 pm , 1200 N Alvarado St
>> NEW WORKS SALON XXXVIII
>> The New Works Salons series is a casual forum for the presentation and
>> discussion of new works in film, video, sound, and performance, with local
>> and visiting artists often in-person to introduce their work. This program
>> will include works by Christina Battle, Gelare Koshkgozaran, Azadeh Navai,
>> Julie Sadowski, Penelope Uribe-Abee, and Walter Vargas. Christina Battle’s
>> Notes to Self is an ongoing series of videos documenting a simple, repetitive
>> act as a way to mimic our fleeting engagement with social media status
>> updates. Fragments of text, in the form of notes to myself, are set on fire
>> with varying degrees of success. Unlike social media updates, the fate of
>> these updates are controlled and finite, existing only for a few seconds
>> before being completely destroyed. The notes, which range from humourous
>> reminders and revelations to recollections about larger societal events, are
>> simple in both form and execution, allowing for a critical and considered
>> viewing response. Gelare Khoshgozaran will show her work An Analog Poem for
>> Super 8 and voice, which was commissioned by Echo Park Film Center. Azadeh
>> Navai will show her 16mm film Remembering the Pentagons, a slow, rhythmic,
>> and contemplative journey into her earliest childhood memories. With an old
>> 16mm Bolex and a hand-made pinhole camera, Navai returns to Tehran and
>> Esfahan, Iran, where the perceptions and recollections of places, emotions,
>> and scents serve as vehicles through which she exposes a deeply personal
>> landscape. She asks — what is the texture of memory? In what ways does time —
>> the light, wind, and air of history — wear upon the monuments and the images
>> of the past? Born in Tehran during the Iran-Iraq war, Navai seeks to access a
>> time of personal turmoil both for her family and for her birth country in
>> this poetic capturing of place, history and memory. Penelope Uribe-Abee will
>> show her new work Practice: a video, video sketch, and/or exercise mainly
>> crafted out of personal heartbreak and coping. This video was made as an
>> effort to make more personal, insular work while still preserving the idea of
>> emotional accessibility in an audience. This is one part in a series of
>> depicted analogies that explore how basic actions and gestures like playing
>> the drums can serve as representations for actions with larger emotional
>> implications: like falling in love. Walter Vargas will show Kru steez all no
>> , a Super 8 double projection with coordinated memes high on the current meme
>> economy @ time of showing #bulb #democracy #doesitreallywork #inheat. Julie
>> Sadowski is a Polish-American artist living in Los Angeles. She is
>> simultaneously excited and severely overwhelmed with the excess of images in
>> the world, including those she created herself. She attempts to create order
>> out of the chaos of the visible world by employing her own subjective systems
>> of logic.
>>
>>
>> 3/25
>> San Francisco, California: Other Cinema
>> http://www.othercinema.com/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=60a38762d7&e=4e65756555>
>> 8:30 PM, 992 Valencia St.
>> MAR25: GENDREAU + WAXY TOMB + HARPER + PAD'S 3-D
>> Michael Gendreau premieres his triple-turntable piece LOUPS, pairing his
>> wicked vinyl locked-grooves with the parataxical triple projections of Craig
>> Baldwin’s16mm loops! ALSO: Afterbirth:The Shape of Light--Julz LC’s
>> live-molded clay plays with optical parameters to render a phantasmagoria of
>> projected light, in a tribute to Joey Casio’s immersive dream. In
>> BUG.TV at OC:Live from the Achives, Joshua Harper conducts a live
>> inter-dimensional interview with an alien observer in an underground
>> operating theater of the mind. AND anchoring this second OPTRONICA show is
>> stereoscopic superstar Pad McGlaughlin, whose 4eyes and Strata use polarized
>> light to conjure up an extra dimension. Whoa! AND additional works by Jordan
>> Belson, Winston Hacking, and Mary Ellen Bute; of course the Dream Machine is
>> in full effect!*$8.88
>>
>> SUNDAY, MARCH 26, 2017
>>
>> 3/26
>> Colchester: Colchester Arts Centre
>> http://www.colchesterartscentre.com/events/gigs/paul-clipson-with-shinya-sugi
>> moto-jeremy-young-present-total-fiction-2017-nathaniel-mann/
>> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&i
>> d=0295f6846c&e=4e65756555>
>> Doors at 7pm, Colchester Arts Centre Church Street Colchester Essex CO1 1NF
>> PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG PRESENT TOTAL FICTION +
>> NATHANIEL MANN
>> A 16mm film projection event with live improvised sound/music performance.
>> Nathaniel Mann is a composer, sound artist and performer. He was the Embedded
>> Composer in Residence at Oxford University’s Pitt Rivers Museum and Oxford
>> Contemporary Music for 20 months. During this time he garnered a reputation
>> for creating diverse and engaging responses to the museum and its
>> collections. Described as “a fluid unfolding of the museum experience” (ATTN:
>> Magazine) his wide reaching works incorporate site specific performances,
>> interventions and installations. He is best known for his work with
>> avant-folk ensemble Dead Rat Orchestra, who specialize in site specific
>> performances and concept driven tours of unorthodox locations, challenging
>> traditional concert settings. He has written for Tate, BBC Scotland & London
>> Contemporary Orchestra. His Donkey Symphony (with Lara Baladi) won the Gran
>> Nile Award at the Cairo Biennale 2008 and was performed by Ukraine’s State
>> Camera Orchestra “Kievskaya Kamerata”.
>>
>>
>> 3/26
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 1:30 pm, Tennessee Theatre
>> FLICKER AND WOW 1
>> One of two programs of recent avant-garde short films curated for Big Ears.
>> Empyrean by Kalpana Subramanian (6:20, Digital) An abstract, meditative
>> piece, Empyrean was “filmed” at the altar of celluloid cinema. Using a mobile
>> phone camera, Subramanian intercepted mediated light from the projector
>> during screenings of various 16mm prints of films by Stan Brakhage
>> (1933-2003). The film is part of her larger, art-based research project,
>> Light Mediated: Eyes on Brakhage, which explores the poetics of the moving
>> image. Them Apples by Adam R. Levine (2:40, 16mm) Using the parallel temporal
>> forms of the three-minute pop song and the 16mm camera roll, Them Apples runs
>> The Beatles’ “Back In The U.S.S.R.” through iTunes Visualizer to create an
>> optical sound experiment in which synaesthesia and pop cultural memory are
>> turned back on themselves. 1_ _ _ _1 by Karissa Hahn (3:00, Digital) One
>> roll of super 8. A ‘collaboration’ or rather, a collusion of sorts. As for my
>> volition . . . I fall, you falter. Thinking about “A Young Girl Defending
>> Herself against Eros” by William Adolphe Bouguereau, 1880. Thinking about . .
>> . suspense/tension, taking us down with me. Deux Champs (Two Fields) by Kevin
>> Obsatz (7:50, Digital) In 1953, a young photographer named Victor Obsatz
>> created a double-exposed portrait of Marcel Duchamp by mistake. 55 years
>> later that photo appeared in the pages of Smithsonian Magazine and was
>> featured at a Duchamp retrospective. Deux Champs (Two Fields) is a
>> hand-processed reflection on the distant memory of that day and everything
>> that has happened since. As Without So Within by Manuela De Laborde (24:20,
>> 16mm) De Laborde has usefully described the making of As Without So Within as
>> “returning to Montessori.” Built from closeup images of handmade “props” (her
>> preferred term), the film reveals, reworks, and illuminates several
>> fundamental components of experimental filmmaking: abstraction, sculpture,
>> and the material of celluloid itself. Koropokkuru by Akiko Maruyama and
>> Philippe Roy (4:10, Digital) A moving portrayal of an ineffable force that
>> can be humanlike or embody itself within displayed objects. Inspired by
>> concepts from the Koropokkuru folktale within Japanese Ainu culture, as well
>> as The Invisible Man.
>>
>>
>> 3/26
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 10am, Tennessee Theatre
>> MEREDITH MONK: BOOK OF DAYS
>> A rare 35mm public screening of Meredith Monk's 1989 feature film BOOK OF
>> DAYS. “Meredith Monk has been an anomaly for much of her 27-year career as a
>> composer and choreographer, creating dances that were operas, operas that
>> were dances and mythic theater pieces that were operas and dances. To
>> complicate matters, Ms. Monk is also a filmmaker. In Book of Days, she has
>> created a film that is essentially a moving picture." -- Jennifer Dunning,
>> The New York Times
>>
>>
>> 3/26
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 3pm, Regal Riviera 8
>> JEM COHEN: LOST BOOK FOUND
>> The result of over five years of Super-8 and 16mm filming on New York City
>> streets, Lost Book Found melds documentary and narrative into a complex
>> meditation on city life. The piece revolves around a mysterious notebook
>> filled with obsessive listings of places, objects, and incidents. These
>> listings serve as the key to a hidden city: a city of unconsidered
>> geographies and layered artifacts—the relics of low-level capitalism and the
>> debris of countless forgotten narratives.
>>
>>
>> 3/26
>> Knoxville, TN: The Public Cinema / Big Ears Festival
>> www.publiccinema.org/bigears <http://www.publiccinema.org/bigears>
>> 4pm, Knoxville Museum of Art
>> FLICKER & WOW 2
>> The second of two programs of recent avant-garde short films curated for Big
>> Ears. Parallel Inquiries by Christina C Nguyen (9:25, 16mm) sound from image
>> / image from color // inquiries into the analog film system Nova Remnants by
>> Stefan Grabowski (10:30, Digital) A nova remnant consists of matter left
>> behind by a cataclysmic nuclear explosion, causing the intense and sudden
>> brightening of a star. Due to the relatively short time-span over which they
>> occur, nova remnants generally no longer exist by the time their light
>> reaches us on Earth. Ghost Comb. by Ryland Walker Knight (7:15, Digital) A
>> meditation on life as text, and how we may outlive our finite selves in the
>> realm of the imaginary. Spotlight on a Brick Wall by Alee Peoples and Mike
>> Stoltz (8:00, 16mm) A performance film that navigates expectations of both
>> the audience and the makers. A series of false starts. Dub treatment on the
>> laugh track. Little Orphant Annie by Bill Morrison (7:00, Digital) Little
>> Orphant Annie is a re-edit of a silent film of the same title from 1918,
>> directed by Colin Campbell. Two reels from an original nitrate print were
>> scanned and re-edited to make the new film, which follows the structure of
>> the poem written by James Whitcomb Riley in 1885. Riley is heard reciting his
>> poem in a recording made in 1912. The poem is also heard read by Kelli Shay
>> Hix in 2016, who additionally wrote and performs the song, “The Swimmer.” One
>> Roll in the Blackness by Chris Kennedy (3:10, 16mm) Keiji Haino, live in
>> Toronto, June 22, 2011. A single roll of film, shot one frame at a time.
>> Special thanks to Keiji Haino and Adam Rosen.
>>
>>
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