[Frameworks] FrameWorks Digest, Vol 82, Issue 21
Marcelle Pecot
marcellepecot at yahoo.com
Mon Mar 20 15:53:58 UTC 2017
film eulogies: Hollis GLORIA for his grandmother
On Mar 20, 2017, at 10:49 AM, frameworks-request at jonasmekasfilms.com wrote:
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Today's Topics:
1. film eulogies (Ethan Berry)
2. Re: film eulogies (mpiso2 at yahoo.com)
3. Re: Eulogy films (Sarah Bliss)
From: Ethan Berry <ethan.berry at montserrat.edu>
Subject: [Frameworks] film eulogies
Date: March 20, 2017 at 8:46:05 AM EDT
To: frameworks at jonasmekasfilms.com
I would consider a number of Saul Levine's films as eulogies. Pillow Filled With Tears, remembering Mark Lapore, Falling Notes Leaving, remembering Anne Charlotte Robertson. Several films remember Saul's father. I think of Whole Note. There are more.
Ethan Berry
On Mon, Mar 20, 2017 at 8:00 AM, <frameworks-request at jonasmekasfilms.com <mailto:frameworks-request at jonasmekasfilms.com>> wrote:
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When replying, please edit your Subject line so it is more specific
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Today's Topics:
1. Re: Eulogy Films (Adam Hyman)
2. Re: Eulogy Films (john warren)
3. Re: Eulogy Films (Kate Ewald)
4. 2017 Moviate Underground Film Festival (Josh Drake)
---------- Forwarded message ----------
From: Adam Hyman <adam at lafilmforum.org <mailto:adam at lafilmforum.org>>
To: "Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>" <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
Cc:
Bcc:
Date: Sun, 19 Mar 2017 11:48:08 -0700
Subject: Re: [Frameworks] Eulogy Films
I believe Phil Solomon has one for Mark LaPore, but I am blanking on the title.
From: Marilyn Brakhage <vams at SHAW.CA <mailto:vams at SHAW.CA>>
Reply-To: "Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>" <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
Date: Sat, 18 Mar 2017 15:43:44 -0700
To: "Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>" <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
Subject: Re: [Frameworks] Eulogy Films
Dear Margaret,
Some Stan Brakhage films in homage to specific individuals include "Water for Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. 18 sec. Also, the fifth and final section of his "b series," subtitled "Sorrowing" (and by extension the entire film) was dedicated to Gregory Markopoulos, 12 minutes.
... Homages to larger groups of people might include "The Dead" (10 min. 21 sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of Pompeii," 4 min. 35 sec.
... Someone else mentioned "Sirius Remembered" (in homage to a family dog). Along those lines would also be "Pasht" (in honor of a cat). "Sirius Remembered" was also thought of as part of a trilogy, with "The Dead" and "Burial Path" (in part, I believe, in consideration of a late illness of Stan's friend, the literary critic, Donald Sutherland).
Marilyn Brakhage
On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote:
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
---------- Forwarded message ----------
From: john warren <johnwarren at alum.calarts.edu <mailto:johnwarren at alum.calarts.edu>>
To: Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>>
Cc: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
Bcc:
Date: Sun, 19 Mar 2017 15:16:50 -0500
Subject: Re: [Frameworks] Eulogy Films
Hi Margaret,
I'd like to mention my own film Elegy: https://vimeo.com/6780356 <https://vimeo.com/6780356>
I don’t think anyone has yet mentioned Robert Todd, but several of his movies could fall under this heading, like his Passing trilogy.
peace, jw
----------------------------------------------
John Warren
Lecturer, Department of Art / Cinema & Media Arts
Vanderbilt University
cell: 213.458.1650 <tel:(213)%20458-1650>
http://johnwarrenfilms.com <http://johnwarrenfilms.com/>
On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
>
> -------------------------------------------
> http://margaretrorison.com/ <http://margaretrorison.com/>
> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>
---------- Forwarded message ----------
From: Kate Ewald <katherine.ewald at gmail.com <mailto:katherine.ewald at gmail.com>>
To: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
Cc:
Bcc:
Date: Sun, 19 Mar 2017 17:20:41 -0400
Subject: Re: [Frameworks] Eulogy Films
Hi Meg,
I'd second Eric Stewart's Wake. Eric and Taylor Dunne are actually in the process of creating a whole screening series specifically around this topic. They've programmed two shows already that were lovely. I'd definitely suggest reaching out to them - DM me for their emails if you don't already have them and feel like following up.
Other films in this vein that haven't been mentioned yet:
- Taylor Dunne's Corn Mother
- The many films made honoring Mark LaPore's death (I don't know the titles of all of them, but off the top of my head I can think of Phil Solomon's Still Raining, Still Dreaming, David Gatten's So Sure of Nowhere Buying Times to Come, and Saul Levine's Dreams and Apparitions of Mark Lapore. I think Julie Murray and Ericka Beckman also made films, but I haven't seen them). IFFRotterdam did a program of films honoring Mark around 2010, I think(???), which had even more artists/films.
- Bruce Baille's Mass for the Dakota Sioux
- Zoltán Huszárik's Elegy
- Jim Hubbard's Elegy in the Streets
- Sandra Davis's Crepuscule: Pond and Chair
- Marjorie Keller's The Fallen World
- Eve Heller's Behind This Soft Eclipse
- Your film, The Waiting Sands :)
Happy hunting!
Cheers,
Kate
---------- Forwarded message ----------
From: Josh Drake <joshmikedrake at gmail.com <mailto:joshmikedrake at gmail.com>>
To: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
Cc:
Bcc:
Date: Mon, 20 Mar 2017 00:25:16 +0000
Subject: [Frameworks] 2017 Moviate Underground Film Festival
Hi frameworkers,
Just a heads up that our call for submissionsis going to close at the end of this month. As we did last year, we're giving a discounted submission fee of just $5 for films shot on super 8 and 16mm. We'd love to see your work! Deadline is April 2nd
New this year!!! - To promote screening on film we'll be giving a free submission voucher for next year's festival to any filmmaker who exhibits accepted work on celluloid.
Moviate is a Harrisburg, PA based curatorial collective dedicated to bringing unique film and sound events to the area. Some past guests include Guy Maddin, Martha Colburn, John Waters, Bryan Lewis Saunders, Jem Cohen, Kit Carson, Richard Kern.
https://filmfreeway.com/festival/MyFilmFestival-363218 <https://filmfreeway.com/festival/MyFilmFestival-363218>
Thanks,
Moviate Underground
Harrisburg, PA
_______________________________________________
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From: mpiso2 at yahoo.com
Subject: Re: [Frameworks] film eulogies
Date: March 20, 2017 at 8:58:44 AM EDT
To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
Saul Levine's "Dreams and Apparitions of Mark Lapore" is on Vimeo. Has anyone mentioned "Time Being" by Gunver Nelson? If you were to expand eulogy Bruce Conner's "report."
Mike Piso
Sent from my iPhone
On Mar 20, 2017, at 8:46 AM, Ethan Berry <ethan.berry at montserrat.edu <mailto:ethan.berry at montserrat.edu>> wrote:
> I would consider a number of Saul Levine's films as eulogies. Pillow Filled With Tears, remembering Mark Lapore, Falling Notes Leaving, remembering Anne Charlotte Robertson. Several films remember Saul's father. I think of Whole Note. There are more.
>
> Ethan Berry
>
>
>
>
> On Mon, Mar 20, 2017 at 8:00 AM, <frameworks-request at jonasmekasfilms.com <mailto:frameworks-request at jonasmekasfilms.com>> wrote:
> Send FrameWorks mailing list submissions to
> frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
>
> To subscribe or unsubscribe via the World Wide Web, visit
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
> or, via email, send a message with subject or body 'help' to
> frameworks-request at jonasmekasfilms.com <mailto:frameworks-request at jonasmekasfilms.com>
>
> You can reach the person managing the list at
> frameworks-owner at jonasmekasfilms.com <mailto:frameworks-owner at jonasmekasfilms.com>
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
>
> Today's Topics:
>
> 1. Re: Eulogy Films (Adam Hyman)
> 2. Re: Eulogy Films (john warren)
> 3. Re: Eulogy Films (Kate Ewald)
> 4. 2017 Moviate Underground Film Festival (Josh Drake)
>
>
> ---------- Forwarded message ----------
> From: Adam Hyman <adam at lafilmforum.org <mailto:adam at lafilmforum.org>>
> To: "Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>" <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
> Cc:
> Bcc:
> Date: Sun, 19 Mar 2017 11:48:08 -0700
> Subject: Re: [Frameworks] Eulogy Films
> I believe Phil Solomon has one for Mark LaPore, but I am blanking on the title.
>
> From: Marilyn Brakhage <vams at SHAW.CA <mailto:vams at SHAW.CA>>
> Reply-To: "Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>" <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
> Date: Sat, 18 Mar 2017 15:43:44 -0700
> To: "Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>" <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
> Subject: Re: [Frameworks] Eulogy Films
>
> Dear Margaret,
> Some Stan Brakhage films in homage to specific individuals include "Water for Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. 18 sec. Also, the fifth and final section of his "b series," subtitled "Sorrowing" (and by extension the entire film) was dedicated to Gregory Markopoulos, 12 minutes.
> ... Homages to larger groups of people might include "The Dead" (10 min. 21 sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of Pompeii," 4 min. 35 sec.
> ... Someone else mentioned "Sirius Remembered" (in homage to a family dog). Along those lines would also be "Pasht" (in honor of a cat). "Sirius Remembered" was also thought of as part of a trilogy, with "The Dead" and "Burial Path" (in part, I believe, in consideration of a late illness of Stan's friend, the literary critic, Donald Sutherland).
>
> Marilyn Brakhage
>
> On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>
>
> ---------- Forwarded message ----------
> From: john warren <johnwarren at alum.calarts.edu <mailto:johnwarren at alum.calarts.edu>>
> To: Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>>
> Cc: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
> Bcc:
> Date: Sun, 19 Mar 2017 15:16:50 -0500
> Subject: Re: [Frameworks] Eulogy Films
> Hi Margaret,
>
> I'd like to mention my own film Elegy: https://vimeo.com/6780356 <https://vimeo.com/6780356>
>
> I don’t think anyone has yet mentioned Robert Todd, but several of his movies could fall under this heading, like his Passing trilogy.
>
> peace, jw
>
> ----------------------------------------------
> John Warren
> Lecturer, Department of Art / Cinema & Media Arts
> Vanderbilt University
> cell: 213.458.1650 <tel:(213)%20458-1650>
> http://johnwarrenfilms.com <http://johnwarrenfilms.com/>
>
> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>
>
> ---------- Forwarded message ----------
> From: Kate Ewald <katherine.ewald at gmail.com <mailto:katherine.ewald at gmail.com>>
> To: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sun, 19 Mar 2017 17:20:41 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Hi Meg,
>
> I'd second Eric Stewart's Wake. Eric and Taylor Dunne are actually in the process of creating a whole screening series specifically around this topic. They've programmed two shows already that were lovely. I'd definitely suggest reaching out to them - DM me for their emails if you don't already have them and feel like following up.
>
> Other films in this vein that haven't been mentioned yet:
> - Taylor Dunne's Corn Mother
> - The many films made honoring Mark LaPore's death (I don't know the titles of all of them, but off the top of my head I can think of Phil Solomon's Still Raining, Still Dreaming, David Gatten's So Sure of Nowhere Buying Times to Come, and Saul Levine's Dreams and Apparitions of Mark Lapore. I think Julie Murray and Ericka Beckman also made films, but I haven't seen them). IFFRotterdam did a program of films honoring Mark around 2010, I think(???), which had even more artists/films.
> - Bruce Baille's Mass for the Dakota Sioux
> - Zoltán Huszárik's Elegy
> - Jim Hubbard's Elegy in the Streets
> - Sandra Davis's Crepuscule: Pond and Chair
> - Marjorie Keller's The Fallen World
> - Eve Heller's Behind This Soft Eclipse
> - Your film, The Waiting Sands :)
>
> Happy hunting!
>
> Cheers,
> Kate
>
>
>
> ---------- Forwarded message ----------
> From: Josh Drake <joshmikedrake at gmail.com <mailto:joshmikedrake at gmail.com>>
> To: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Mon, 20 Mar 2017 00:25:16 +0000
> Subject: [Frameworks] 2017 Moviate Underground Film Festival
> Hi frameworkers,
>
> Just a heads up that our call for submissionsis going to close at the end of this month. As we did last year, we're giving a discounted submission fee of just $5 for films shot on super 8 and 16mm. We'd love to see your work! Deadline is April 2nd
>
> New this year!!! - To promote screening on film we'll be giving a free submission voucher for next year's festival to any filmmaker who exhibits accepted work on celluloid.
>
> Moviate is a Harrisburg, PA based curatorial collective dedicated to bringing unique film and sound events to the area. Some past guests include Guy Maddin, Martha Colburn, John Waters, Bryan Lewis Saunders, Jem Cohen, Kit Carson, Richard Kern.
>
> https://filmfreeway.com/festival/MyFilmFestival-363218 <https://filmfreeway.com/festival/MyFilmFestival-363218>
>
> Thanks,
> Moviate Underground
> Harrisburg, PA
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
From: Sarah Bliss <bliss at sarahblissart.com>
Subject: Re: [Frameworks] Eulogy films
Date: March 20, 2017 at 10:58:35 AM EDT
To: frameworks at jonasmekasfilms.com
Margaret,
Phil Hoffman’s “Aged”
Abraham Ravett’s “Lunch with Fela”
Sarah
http://www.SarahBlissArt.com <http://www.sarahblissart.com/>
> On Mar 19, 2017, at 8:00 AM, frameworks-request at jonasmekasfilms.com <mailto:frameworks-request at jonasmekasfilms.com> wrote:
>
> Send FrameWorks mailing list submissions to
> frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
>
> To subscribe or unsubscribe via the World Wide Web, visit
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
> or, via email, send a message with subject or body 'help' to
> frameworks-request at jonasmekasfilms.com <mailto:frameworks-request at jonasmekasfilms.com>
>
> You can reach the person managing the list at
> frameworks-owner at jonasmekasfilms.com <mailto:frameworks-owner at jonasmekasfilms.com>
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> Today's Topics:
>
> 1. Eulogy Films (Margaret Rorison)
> 2. Re: Eulogy Films (LJ Frezza)
> 3. Re: Eulogy Films (Ken Eisenstein)
> 4. Re: Eulogy Films (Carl E Bogner)
> 5. Re: Eulogy Films (robert harris)
> 6. Re: Eulogy Films (robert harris)
> 7. Re: Eulogy Films (Alex Lake)
> 8. Re: Eulogy Films (John Muse)
> 9. Re: Eulogy Films (Carl E Bogner)
> 10. Re: Eulogy Films (Ross)
> 11. Re: Eulogy Films (Pip Chodorov)
> 12. Re: Eulogy Films (Dominic Angerame)
> 13. This week [March 18 - 26, 2017] in avant garde cinema
> (Flicker weekly listing)
> 14. Re: Eulogy Films (marilyn brakhage)
> 15. Re: Eulogy Films (vanessa renwick)
> 16. 4th ANNUAL FLAMINGO FILM FESTIVAL (Shane Eason)
>
> From: Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>>
> Subject: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 11:43:59 AM EDT
> To: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
>
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
>
> -------------------------------------------
> http://margaretrorison.com/ <http://margaretrorison.com/>
> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>
>
>
>
> From: LJ Frezza <ljfrezza at gmail.com <mailto:ljfrezza at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 11:50:25 AM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What You'll Become. Defintely worth checking it out if you haven't seen it.
> -LJ
>
> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
> From: Ken Eisenstein <ken7eis at gmail.com <mailto:ken7eis at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 11:59:54 AM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Gloria!
> Sirius Remembered
>
> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfrezza at gmail.com <mailto:ljfrezza at gmail.com>> wrote:
> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What You'll Become. Defintely worth checking it out if you haven't seen it.
> -LJ
>
> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
>
>
> From: Carl E Bogner <crlelbog at uwm.edu <mailto:crlelbog at uwm.edu>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 12:05:50 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
>
>
> Michele Pearson Clarke’s “All That is Left Unsaid”
>
> (Er, but were you asking after film work in particular...)
>
> From: FrameWorks <frameworks-bounces at jonasmekasfilms.com <mailto:frameworks-bounces at jonasmekasfilms.com>> on behalf of Ken Eisenstein <ken7eis at gmail.com <mailto:ken7eis at gmail.com>>
> Sent: Saturday, March 18, 2017 10:59 AM
> To: Experimental Film Discussion List
> Subject: Re: [Frameworks] Eulogy Films
>
> Gloria!
> Sirius Remembered
>
> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfrezza at gmail.com <mailto:ljfrezza at gmail.com>> wrote:
> I recently caught Sky Hopinka's I'll Remember You as You Were, not as What You'll Become. Defintely worth checking it out if you haven't seen it.
> -LJ
>
> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
>
>
> From: robert harris <lagonaboba at gmail.com <mailto:lagonaboba at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 12:35:58 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Margaret,
>
> You might consider Alexander Sokurov’s “Elegy” series, for example:
> Maria (Peasant Elegy)
> Elegy
>
> Shigeko Kubota’s “My Father”
>
> my own (Robert Harris)
> “Elegy”
> ELEGY 2009 Color silent 2:45
> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
> & Al Robbins. Super 8mm film recorded in 1975
> distributed by Filmmaker’s Coop
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
>
> From: robert harris <lagonaboba at gmail.com <mailto:lagonaboba at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 12:39:56 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> You can also consider:
>
> Patricio Guzmans’s "Nostalgia for the Light”
>
> and
>
> Peter Thompson’s “Universal Hotel”
>
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
>
> From: Alex Lake <alake.alex.alake at gmail.com <mailto:alake.alex.alake at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 12:40:58 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Eric Stewart's Wake is essential in this category.
>
> https://vimeo.com/108488448 <https://vimeo.com/108488448>
> On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonaboba at gmail.com <mailto:lagonaboba at gmail.com>> wrote:
> Margaret,
>
> You might consider Alexander Sokurov’s “Elegy” series, for example:
> Maria (Peasant Elegy)
> Elegy
>
> Shigeko Kubota’s “My Father”
>
> my own (Robert Harris)
> “Elegy”
> ELEGY 2009 Color silent 2:45
> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
> & Al Robbins. Super 8mm film recorded in 1975
> distributed by Filmmaker’s Coop
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
> From: John Muse <jmuse at sonic.net <mailto:jmuse at sonic.net>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 12:55:04 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Lynne Sachs’ The Last Happy Day: http://www.lynnesachs.com/2009/06/15/the-last-happy-day/ <http://www.lynnesachs.com/2009/06/15/the-last-happy-day/>
> Alan Berliner’s First Cousin Once Removed: http://alanberliner.com/first_cousin.php?pag_id=3 <http://alanberliner.com/first_cousin.php?pag_id=3>
>
>> On Mar 18, 2017, at 12:40 PM, Alex Lake <alake.alex.alake at gmail.com <mailto:alake.alex.alake at gmail.com>> wrote:
>>
>> Eric Stewart's Wake is essential in this category.
>>
>> https://vimeo.com/108488448 <https://vimeo.com/108488448>
>> On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonaboba at gmail.com <mailto:lagonaboba at gmail.com>> wrote:
>> Margaret,
>>
>> You might consider Alexander Sokurov’s “Elegy” series, for example:
>> Maria (Peasant Elegy)
>> Elegy
>>
>> Shigeko Kubota’s “My Father”
>>
>> my own (Robert Harris)
>> “Elegy”
>> ELEGY 2009 Color silent 2:45
>>
>> Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
>> & Al Robbins. Super 8mm film recorded in 1975
>> distributed by Filmmaker’s Coop
>>
>>
>>
>> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>> wrote:
>>
>>> Dear Film Friends,
>>>
>>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>>
>>> I am looking for short films in particular.
>>>
>>> Poetic gestures of goodbye, final notes, odes...
>>>
>>> thank you,
>>> Margaret Rorison
>>>
>>>
>>> -------------------------------------------
>>> http://margaretrorison.com/ <http://margaretrorison.com/>
>>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
> j/PrM
>
> *************************************************
>
> john muse
> visual media scholar
> haverford college
> he/him/his
> http://www.finleymuse.com <http://www.finleymuse.com/>
> http://www.haverford.edu/faculty/jmuse <http://www.haverford.edu/faculty/jmuse>
> http://haverford.academia.edu/JohnMuse <http://haverford.academia.edu/JohnMuse>
>
> *************************************************
>
>
>
>
>
>
>
> From: Carl E Bogner <crlelbog at uwm.edu <mailto:crlelbog at uwm.edu>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 1:30:18 PM EDT
> To: "frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>" <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
>
> Ahhh, more generalized/communal/generational that you may be interested in, but also:
> Michael Wallin’s Decodings (1988)
> Mike Hoolboom’s Letters from Home (1996)
>
>
> From: FrameWorks <frameworks-bounces at jonasmekasfilms.com <mailto:frameworks-bounces at jonasmekasfilms.com>> on behalf of Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>>
> Sent: Saturday, March 18, 2017 10:43 AM
> To: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
> Subject: [Frameworks] Eulogy Films
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
> -------------------------------------------
> http://margaretrorison.com/ <http://margaretrorison.com/>
> <http://margaretrorison.com/>
> Margaret Rorison <http://margaretrorison.com/>
> margaretrorison.com <http://margaretrorison.com/>
> One Document for Hope . Funes el memorioso. vindmøller
>
> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
> Sight Unseen <http://sightunseenbaltimore.com/>
> sightunseenbaltimore.com <http://sightunseenbaltimore.com/>
> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The Body Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival Tour
>
>
>
>
>
>
> From: Ross <rossmeckfessel at gmail.com <mailto:rossmeckfessel at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 1:56:22 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Mary Helena Clark's "The Dragon is the Frame" (2014)
> https://vimeo.com/115341715 <https://vimeo.com/115341715>
>
> Gunvor Nelson's "Time Being" (1991)
>
> On Mar 18, 2017, at 1:30 PM, Carl E Bogner <crlelbog at uwm.edu <mailto:crlelbog at uwm.edu>> wrote:
>
>>
>> Ahhh, more generalized/communal/generational that you may be interested in, but also:
>> Michael Wallin’s Decodings (1988)
>> Mike Hoolboom’s Letters from Home (1996)
>>
>>
>> From: FrameWorks <frameworks-bounces at jonasmekasfilms.com <mailto:frameworks-bounces at jonasmekasfilms.com>> on behalf of Margaret Rorison <margaret.b.rorison at gmail.com <mailto:margaret.b.rorison at gmail.com>>
>> Sent: Saturday, March 18, 2017 10:43 AM
>> To: frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>
>> Subject: [Frameworks] Eulogy Films
>>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> <http://margaretrorison.com/>
>> Margaret Rorison <http://margaretrorison.com/>
>> margaretrorison.com <http://margaretrorison.com/>
>> One Document for Hope . Funes el memorioso. vindmøller
>>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>> Sight Unseen <http://sightunseenbaltimore.com/>
>> sightunseenbaltimore.com <http://sightunseenbaltimore.com/>
>> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The Body Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival Tour
>>
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
> From: Pip Chodorov <frameworks at re-voir.com <mailto:frameworks at re-voir.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 2:09:14 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Jim Hubbard's "Memento Mori" (1995, 17 min)
>
> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min)
>
> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim)
>
>
>
>
> At 11:43 -0400 18/03/17, Margaret Rorison wrote:
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>
>
>
> From: Dominic Angerame <dominic.angerame at gmail.com <mailto:dominic.angerame at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 2:48:58 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Allan Ross, Chicago Filmmakers, Grandfather Trilogy
>
> On Sat, Mar 18, 2017 at 11:09 AM, Pip Chodorov <frameworks at re-voir.com <mailto:frameworks at re-voir.com>> wrote:
> Jim Hubbard's "Memento Mori" (1995, 17 min)
>
> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min)
>
> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim)
>
>
>
>
> At 11:43 -0400 18/03/17, Margaret Rorison wrote:
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
>
>
> From: Flicker weekly listing <thisweek at hi-beam.net <mailto:thisweek at hi-beam.net>>
> Subject: [Frameworks] This week [March 18 - 26, 2017] in avant garde cinema
> Date: March 18, 2017 at 3:29:42 PM EDT
> To: <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
> Reply-To: Flicker weekly listing <thisweek at hi-beam.net <mailto:thisweek at hi-beam.net>>
>
>
> <>
>
>
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=44e536adee&e=4e65756555>
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9c39fd8b80&e=4e65756555>
> This week [March 18 - 26, 2017] in avant garde cinema
>
> Enter your event announcements by going to the Flicker Weekly Listing Form <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=89645cbf7b&e=4e65756555>.
> To receive the weekly listing via email: Subscribe <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f45da5f980&e=4e65756555>. To unsubscribe see the link at the bottom of this email.
>
> Journey Into Darkness Films & Performances De Kerry Laitala ii <x-msg://10/#anchor1> [March 18, Barcelona, Spain]
> NEW FILM/VIDEO: NON-FEATURE:
> "Demonstration" by Mary Billyou
> http://hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=577.ann <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9de0d219d9&e=4e65756555>
> NEW CALLS FOR ENTRIES:
> Fracto (Berlin; Deadline: April 20, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bcf4af82f3&e=4e65756555>
> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline: April 15, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f0f27e8659&e=4e65756555>
>
> DEADLINES APPROACHING:
> Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March 31, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1915.ann <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b430b981f2&e=4e65756555>
> Fracto (Berlin; Deadline: April 20, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=425cac9e0b&e=4e65756555>
> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline: April 15, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b1dcf59acc&e=4e65756555>
> Events are sorted alphabetically BY CITY within each DATE.
> This week's programs (summary):
> Journey Into Darkness Films & Performances De Kerry Laitala ii <x-msg://10/#anchor1> [March 18, Barcelona, Spain]
> José Val Del Omar Program 3 <x-msg://10/#anchor2> [March 18, New York, New York]
> José Val Del Omar Program 2 <x-msg://10/#anchor3> [March 18, New York, New York]
> Mar18: Cox/Baldwin + A. Coppola + Tabar + Rourke <x-msg://10/#anchor4> [March 18, San Francisco, California]
> Light Industry At Bridget Donahue: Carbon Life <x-msg://10/#anchor5> [March 19, New York, New York 10002]
> José Val Del Omar Program 3 <x-msg://10/#anchor6> [March 19, New York, New York]
> José Val Del Omar Program 1 <x-msg://10/#anchor7> [March 19, New York, New York]
> Fracto <x-msg://10/#anchor8> [March 20, Berlin, Germany]
> Fracto <x-msg://10/#anchor9> [March 20, Berlin, Germany]
> Essential Cinema: Warhol/Watson/Weber/Whitney Program <x-msg://10/#anchor10> [March 20, New York, New York]
> Iris Film Collective Responds To the Image Before Us <x-msg://10/#anchor11> [March 20, Vancouver, British Columbia]
> Transparent Things, Landscape Dissolves: Screening and Talk With Filmmaker Paul Clipson <x-msg://10/#anchor12> [March 22, London, England]
> Essential Cinema: John and ivy & Salvador Dali <x-msg://10/#anchor13> [March 22, New York, New York]
> Doris Wishman's Double Agent 73 <x-msg://10/#anchor14> [March 22, Tucson, AZ]
> Paul Clipson With Shinya Sugimoto & Jeremy Young: Total Fiction <x-msg://10/#anchor15> [March 23, London, England]
> Roger Beebe: Films For One To Eight Projectors <x-msg://10/#anchor16> [March 24, Knoxville, TN]
> The 2017 West virginia Mountaineer Short Film Festival <x-msg://10/#anchor17> [March 24, Morgantown]
> Paul Clipson W/ Shinya Sugimoto & Jeremy Young Presents Total Fiction + Nathaniel Robin Mann <x-msg://10/#anchor18> [March 24, Salford]
> When I Stop Looking:
> Short Films and Small Prints By Todd Edward Herman <x-msg://10/#anchor19> [March 25, Boulder, Colorado]
> Paul Clipson, Shinya Sugimoto & Jeremy Young: Total Fiction / + Nathaniel Mann <x-msg://10/#anchor20> [March 25, Bradford]
> Flicker & Wow: Kids! <x-msg://10/#anchor21> [March 25, Knoxville, TN]
> Kevin Jerome Everson: the Surface Below <x-msg://10/#anchor22> [March 25, Knoxville, TN]
> Janie Geiser: Double vision <x-msg://10/#anchor23> [March 25, Knoxville, TN]
> Jem Cohen: World Without End (No Reported Incidents) <x-msg://10/#anchor24> [March 25, Knoxville, TN]
> New Works Salon Xxxviii <x-msg://10/#anchor25> [March 25, Los Angeles, California]
> Mar25: Gendreau + Waxy Tomb + Harper + Pad's 3-D <x-msg://10/#anchor26> [March 25, San Francisco, California]
> Paul Clipson With Shinya Sugimoto & Jeremy Young Present Total Fiction + Nathaniel Mann <x-msg://10/#anchor27> [March 26, Colchester]
> Flicker and Wow 1 <x-msg://10/#anchor28>[March 26, Knoxville, TN]
> Meredith Monk: Book of Days <x-msg://10/#anchor29> [March 26, Knoxville, TN]
> Jem Cohen: Lost Book Found <x-msg://10/#anchor30> [March 26, Knoxville, TN]
> Flicker & Wow 2 <x-msg://10/#anchor31> [March 26, Knoxville, TN]
> <> <>
> SATURDAY, MARCH 18, 2017
> 3/18
> Barcelona, Spain: Crater Lab
> 8:30pm, Carrer Sant Guillem 17
> JOURNEY INTO DARKNESS FILMS & PERFORMANCES DE KERRY LAITALA II
> JOURNEY INTO DARKNESS Films & performances de KERRY LAITALA IICrater Lab, en colaboración con Xcentric, presenta un doble programa de pelÃculas y performances de cine expandido de la artista de San Francisco Kerry Laitala. La cineasta impartirà un workshop de cinegramas en 16mm - LIGHSTRUCK - los dÃas 17,18 y 19 en Crater-Lab.
> <>3/18
> New York, New York: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d5089ad0b5&e=4e65756555>
> 6:00 pm, 32 2nd Ave.
> JOSé VAL DEL OMAR PROGRAM 3
> March 18: Presented by Mónica Savirón WATER-MIRROR OF GRANADA and FIRE IN CASTILLE feature a characteristic end title that illustrates Val del Omar’s continuous research and inexhaustible creativity: instead of “The End,” we read “Never Ending.” Indeed, he never stopped creating. In the late 1970s he set up a laboratory named PLAT (Picto – Luminic – Audio – Tactile) in Madrid, and continued experimenting with video and multimedia equipment. VARIATIONS ON A POMEGRANATE is the only preserved piece from this period. Val del Omar’s “Never Ending” film philosophy found a relevant continuity in the many contemporary artists, musicians, and filmmakers who produced works under his creative influence. For example Eugeni Bonet, an important visual artist, theorist, and curator, met Val del Omar in 1980 and years later made the film THROW YOUR WATCH TO THE WATER (2004), a creative reinterpretation of Val del Omar’s filmic materials. He would also organize the first retrospective of his work at the Pompidou Museum (Paris) in 1982, as well as the first exhibition entirely devoted to his trajectory in the Reina Sofia Museum (Madrid) in 2010. José Val del Omar VARIATIONS ON A POMEGRANATE / VARIACIONES SOBRE UNA GRANADA (1975, 3 min, 35mm-to-digital) & Eugeni Bonet THROW YOUR WATCH INTO THE WATER / TIRA TU RELOJ AL AGUA (2004, 88 min, digital)
> <>3/18
> New York, New York: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0cfa01c03a&e=4e65756555>
> 8:30 pm, 32 2nd Ave.
> JOSé VAL DEL OMAR PROGRAM 2
> See notes for March 17, 7:30 pm.
> <>3/18
> San Francisco, California: Other Cinema
> http://www.othercinema.com/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3b6a8349d2&e=4e65756555>
> 8:30 PM, 992 Valencia St.
> MAR18: COX/BALDWIN + A. COPPOLA + TABAR + ROURKE
> The first of OC’s three OPTRONICA events! In Crossroads of the Other, Alex Coppola concocts a score--with turntables and sampler--for a jaw-dropping artifact of amateur ethnography (Trinidad ’49). David Cox and Craig Baldwin re-animate a 35mm filmstrip of Jules Verne’s 20,000 Leagues under the Sea, with text-to-vox FX and ChromaDepth stereoscopy. Baldwin doubles back to double-project his Crazed Crystals over Cyrus Tabar’s cracked~abstrakt track. ALSO: Jeremy Rourke’s smashing live-performance Kitchen Tintinnabulation, Bruce Haack oscillating Mr. Rogers, and Vicki (PLU) Bennett’s Citation City. PLUS DJ Spooky’s Memory Palace (with Michael Niemeyer for the Internet Archive), Quintron’s Drum Buddy, and free series-launch champagne!*$8.88
> <> <>
> SUNDAY, MARCH 19, 2017
> 3/19
> New York, New York 10002: Light Industry
> http://www.lightindustry.org/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=edc5b6beba&e=4e65756555>
> 7pm, 99 Bowery
> LIGHT INDUSTRY AT BRIDGET DONAHUE: CARBON LIFE
> Curated by Mary Helena Clark. Likeness (Prologue: Remnant Branch), Michael Guidetti, 2017, digital projection, 6 mins. JACKSHOES, Dana Michel, 2011, digital projection, 6 mins. Elegy, Joe Gibbons, 1991, digital projection, 11 mins. Portrait of Evan Parker (Silver/Gold), Neil Henderson, 2010, digital projection, 11 mins. Mobile Men, Apichatpong Weerasethakul, 2008, digital projection, 4 mins. When I Was a Monster, Anne McGuire, 1996, digital projection, 6 mins. Delphi Falls (excerpt), Mary Helena Clark, 2017, digital projection, 9 mins. Lightning, Paul and Marlene Kos, 1975, digital projection, 2 mins.
> <>3/19
> New York, New York: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bcce2455a9&e=4e65756555>
> 6:00 pm, 32 2nd Ave.
> JOSé VAL DEL OMAR PROGRAM 3
> See notes for March 18th, 6:00 pm.
> <>3/19
> New York, New York: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bd60a0301a&e=4e65756555>
> 8:30 pm, 32 2nd Ave.
> JOSé VAL DEL OMAR PROGRAM 1
> See notes for March 16th, 7:30 pm.
> <> <>
> MONDAY, MARCH 20, 2017
> 3/20
> Berlin, Germany: Fracto
> http://fractofilm.com/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=37104b20f7&e=4e65756555>
> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler Platz
> FRACTO
> Fracto is a 2 day encounter inviting filmmakers to present their work and discuss contemporary means of audiovisual experimentation, on May 20th/21st at ACUD macht neu, Berlin. In times of ever-present cameras and a constant stream of seemingly self-propagating moving images we have become accustomed to a mediatized experience of reality, where time and space lose their coordinates. Exceeding an entirely negative conception of today’s perceptual landscape, how can the reconfiguration of audiovisual media and technologies therein be a productive foundation for new means of ever-changing and heterogeneous narratives? How can this landscape be reflected, dissolved or disrupted in film itself? What are the appropriate means of sorting and resetting these influences, and what – if any – other modes of representation emerge between mere categories of newness and obsolescence, documentary, fictional, poetic, latent or evident imagery?
> <>3/20
> Berlin, Germany: Fracto
> http://fractofilm.com/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=af2180b000&e=4e65756555>
> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler Platz
> FRACTO
> Fracto is a 2 day encounter inviting filmmakers to present their work and discuss contemporary means of audiovisual experimentation, on May 20th/21st at ACUD macht neu, Berlin. In times of ever-present cameras and a constant stream of seemingly self-propagating moving images we have become accustomed to a mediatized experience of reality, where time and space lose their coordinates. Exceeding an entirely negative conception of today’s perceptual landscape, how can the reconfiguration of audiovisual media and technologies therein be a productive foundation for new means of ever-changing and heterogeneous narratives? How can this landscape be reflected, dissolved or disrupted in film itself? What are the appropriate means of sorting and resetting these influences, and what – if any – other modes of representation emerge between mere categories of newness and obsolescence, documentary, fictional, poetic, latent or evident imagery?
> <>3/20
> New York, New York: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a79e4e735f&e=4e65756555>
> 7:30 pm, 32 2nd Ave.
> ESSENTIAL CINEMA: WARHOL/WATSON/WEBER/WHITNEY PROGRAM
> Andy Warhol EAT (1963, 35 min, 16mm, b&w, silent) James Sibley Watson & Melville Webber FALL OF THE HOUSE OF USHER (1928, 13 min, 16mm, b&w, silent) John & James Whitney FILM EXERCISES 1-5 (1943-45, 18 min, 16mm) James Whitney LAPIS (1963-66, 10 min, 16mm) Total running time: ca. 80 min.
> <>3/20
> Vancouver, British Columbia: Iris Film Collective
> http://thecinematheque.ca/the-image-before-us-take-three/the-iris-film-collective-responds-to-the-image-before-us <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f96460dc65&e=4e65756555>
> 7pm, 1131 Howe St
> IRIS FILM COLLECTIVE RESPONDS TO THE IMAGE BEFORE US
> This program of work by Iris Film Collective includes sixteen short films screening in a number of formats, including super 8 and dual-channel 16mm. Made in and around B.C., this collection constitutes a multiform experience of place: recreational life in Opening Day; an alternate tour of abandoned monuments and plazas that Expo left behind in Legacies; a fence impenetrable but revealing in 86 SE Marine Drive. Colin Browne’s 1986 essay film The Image Before Us, which inspired The Cinematheque’s “Image Before Us” series, asks what aren’t we seeing in the movies about Vancouver. This program also hints at something beyond the frame that cannot be filmed or heard, something inexpressible in words, images, or sounds alone.
> <> <>
> WEDNESDAY, MARCH 22, 2017
> 3/22
> London, England: no.w.here
> http://www.no-w-here.org.uk/index.php?cat=1&subCat=docdetail&&id=484 <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5a615a3e9f&e=4e65756555>
> 7-10pm, no.w.here project space, First Floor, 316 - 318 Bethnal Green Road, London, E2 0AG.
> TRANSPARENT THINGS, LANDSCAPE DISSOLVES: SCREENING AND TALK WITH FILMMAKER PAUL CLIPSON
> Paul Clipson is a San Francisco-based filmmaker who often collaborates with sound artists and musicians on films, live performances, and installations. His Super 8 and 16mm films aim to bring to light visual preoccupations that reveal themselves while working in a stream of consciousness manner, combining densely layered, in-camera edited studies of figurative and abstract environments, in a process that encourages unplanned-for results, responding to and conversing with the temporal qualities of musical composition and live performance. His work has screened around the world in festivals and at sound and film events such as the International Film Festival Rotterdam, The New York Film Festival, and the Cinémathèque Française. http://www.withinmirrors.org/ <http://www.withinmirrors.org/> Program: SPHINX ON THE SEINE (2009) 16mm (* shot on Super 8mm), color/B&W, 7.5 minutes, music by Jefre Cantu-Ledesma, CHORUS (2010) 16mm (*shot on Super 8mm), color, 7 minutes, music by Gregg Kowalsky, UNION (2011) 16mm (*shot on Super 8mm), color/B&W, 14.5 minutes, music by Jefre Cantu-Ledesma, ANOTHER VOID (2012) 16mm (*shot on Super 8mm), color, 11 minutes, music by Jefre Cantu-Ledesma LIGHT YEAR (2013) 16mm, color, 10 minutes, music by Tashi Wada, DISPORTING WITH A SHADOW (2015) 16mm, color/B&W, 4 minutes, music by Alex Cobb, THE LIQUID CASKET / WILDERNESS OF MIRRORS (2014) 16mm, color/B&W, 7.5 minutes, music by Lawrence English, MADE OF AIR (2014) 16mm, color/B&W, 11 minutes, music by Grouper, LIGHTHOUSE (2015) 16mm, color/B&W, 5 minutes, music by King Midas Sound/Fennesz. All films screened on 16mm by the filmmaker.
> <>3/22
> New York, New York: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=85cb604e4b&e=4e65756555>
> 7:30 pm, 32 2nd Ave.
> ESSENTIAL CINEMA: JOHN AND IVY & SALVADOR DALI
> JOHN AND IVY (1965, 33 min, 16mm, b&w) “One of Warhol’s early experiments in sound filmmaking, JOHN AND IVY is a one-reel ‘documentary’ film showing Ivy Nicolson, John Palmer, and their children at home during a major snowstorm in January 1965. The film is shot with a stationary camera which points through a doorway into their squalid tenement kitchen. The stars wander around the kitchen, talking, cooking, and occasionally embracing while a live radio plays both classical and rock music; the sound quality is very poor.” –Callie Angell & SALVADOR DALI (1966, 22 min, 16mm, b&w, silent) “A silent ‘EPI Background’ reel, intended for projection behind the Velvet Underground during performances of the Exploding Plastic Inevitable. SALVADOR DALI contains original SCREEN TESTS of the mustachioed Dali, followed by Nico, Sterling Morrison, and Lou Reed. The film ends with two WHIP DANCE rolls, in which Gerard Malanga and Mary Woronov perform their S&M dance routine from the EPI for Warhol’s camera.” –Callie Angell
> <>3/22
> Tucson, AZ: Exploded View Microcinema
> http://explodedviewgallery.org <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=377281776c&e=4e65756555>
> 7:30, 197 E Toole Ave
> DORIS WISHMAN’S DOUBLE AGENT 73
> (GIRL CRUSH SERIES) A beautiful American spy (played by the fabulous Chesty Morgan) can murder men by smothering them with her enormous breasts. This trashy 70s sexploitation film, directed by the legendary Doris Wishman, is a feminist cult classic. Enjoy Wishman’s bizarre experimental cinematography, far-out plot twists and wild 1970’s camp! With special opening performance by local queer trans* lesbian woman of color stripperformance artist Rambo Reza!
> <> <>
> THURSDAY, MARCH 23, 2017
> 3/23
> London, England: no.w.here and Thirty Three Thirty Three
> https://www.eventbrite.co.uk/e/paul-clipson-with-shinya-sugimoto-jeremy-young-total-fiction-2017-tickets-32119858361 <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7de7c0a47d&e=4e65756555>
> 19:30-22:00, The Old Church Stoke Newington London N16 9ES United Kingdom
> PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION
> Taking its name from Shinya Sugimoto & Jeremy Young's forthcoming LP featuring cellist Julia Kent, Total Fiction is live score performance to a 16mm film projection by Paul Clipson. Like all of Clipson's film collage works, this will be frenetic, it will span movements both in stark black and white and bright analog color, and the score will be disbursed in a series of chapters. Improvisation, for Sugimoto and Young, is like fiction, and they will work to bring out auditory characters, narratives, themes and transitional arcs from the celluloid, while at times challenging the pictures to provide new meaning in new sonic contexts from space to space. Shinya Sugimoto performs on piano and Max MSP triggered processing, while Young will be utilizing his analog electronics such as reel-to-reel tape loops, oscillators, AM radio and contact mic'd objects and surfaces to build textural and tonal colour palettes throughout the evening.
> <> <>
> FRIDAY, MARCH 24, 2017
> 3/24
> Knoxville, TN: The Public Cinema
> www.publiccinema.org <x-msg://10/www.publiccinema.org>
> 1:15pm, Knoxville Museum of Art
> ROGER BEEBE: FILMS FOR ONE TO EIGHT PROJECTORS
> Films for One to Eight Projectors is an immersive audio/visual experience that Creative Loafing called “both erudite and punk, lo-fi yet high-brow shorts that wrestle with a disfigured, contemporary American landscape.” Works to be screened: SOUNDFILM Overture (2015, 1:00, 16mm), TB TX Dance (2006/2007, 3:00, 16mm x 2), AAAAA Motion Picture (2010, 11min, 16mm x 2), Tiger Tiger (2016, 4:00, 16mm/HD) SOUNDFILM Coda (2015/2017, 7:00, 16mm x 6), Beginnings (2010/2011, 5:00, Digital Audio) Last Light of a Dying Star (2008/2011, 26:00, 16mm x 6 and super 8mm x 1).
> <>3/24
> Morgantown: West Virginia Mountaineer Short Film Festival
> www.mountaineershortfilmfest.org <x-msg://10/www.mountaineershortfilmfest.org>
> 6:00 pm, Metropolitan Theatre
> THE 2017 WEST VIRGINIA MOUNTAINEER SHORT FILM FESTIVAL
> Call for entries: 2017 West Virginia Mountaineer Short Film Festival, March 23 – March 26, 2017. We seek independent, unique and compelling work in film, video, animation and virtual reality. Entry Fee: $10. Student: $5. Under 18: Free. Categories of Competition: Documentary Short, Narrative Short, Animation, Experimental, Student, Political Division Thematic Entry (works that broadly explore the notion of Health, especially in a contemporary, natural, cultural or political context. Deadline for Entries: March 1, 2017. Visit the Festival website: www.mountaineershortfilmfest.org <http://www.mountaineershortfilmfest.org/> for additional information and entry form. Contact: wvmsff at gmail.com <mailto:wvmsff at gmail.com> for further information. Maximum running time of 20 minutes; Works must have been completed after 1/1/2015. Maximum of 2 entries per person. A separate entry form is required for each entry. Filmmakers and artists accepted to the festival permit the use of stills and/or clips from accepted works in promotional and public relations materials. Submit your work through: FilmFreeway, or by filling out the online entry form available at our website. Mailed-in entries are not accepted this year. If submitting using the online form, all works must be available for download (Vimeo, WeTransfer or Dropbox etc.) at screening quality and full resolution. Please insure that the link to the online version of your film or project is active until the date of the festival.
> <>3/24
> Salford: Islington Mill
> http://www.islingtonmill.com/events/paul-clipson-w-shinya-sugimoto-jeremy-young-presents-total-fiction-2017/ <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3e63ead548&e=4e65756555>
> 7-11pm, James Street Salford M3 5HW, UK
> PAUL CLIPSON W/ SHINYA SUGIMOTO & JEREMY YOUNG PRESENTS TOTAL FICTION + NATHANIEL ROBIN MANN
> A 16mm film projection event with live improvised sound performance.
> <> <>
> SATURDAY, MARCH 25, 2017
> 3/25
> Boulder, Colorado: Month of Photography / Seidel City Gallery
> http://www.mopdenver.com/mop-2017-programs-2/#/seidel-city-boulder/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d014aa5a2c&e=4e65756555>
> 7pm - 10pm, 3205 Longhorn Road, Boulder, CO 80302
> WHEN I STOP LOOKING:
> SHORT FILMS AND SMALL PRINTS BY TODD EDWARD HERMAN
> Todd Edward Herman's haunting imagery suggests mysteriously entwined narratives, drawing no clear lines between fiction and fact. Herman utilizes photography, videography and painting as departure points for thirty exquisitely printed limited edition prints. Dealing with themes of the body and transience, representational taboos, spectatorship and complicity, his work looks to a rare beauty, making no claims to journalistic inquiry. Among the selected films screening at Seidel City will be Herman's award winning short film Cabinet, a visceral and poetic documentary on death, mourning and life beginning anew. Also screening will be Herman's When I Stop Looking, a film that looks beyond the imprint of appearances, invoking the intensely private worlds of those portrayed, each of whom lives with significant facial and cranial conditions; a vivid affirmation of existence comes forward, before anything else. Todd Edward Herman has been the recipient of many awards for his work including the San Francisco International Film Festival's New Vision Award, the Art Council of Northern Ireland's Artist in Residence Award, Grants from the San Francisco Film Arts Foundation, a Western States Regional Media Arts Fellowship, Taipei Artist Village Residency, and the San Francisco Art Commission's Emerging Curator Award. He has presented his work at such venues as the International Film Festival Rotterdam, San Francisco International Film Festival, Southbank Centre, Anthology Film Archives, San Francisco Cinematheque, and Pacific Film Archives.
> <>3/25
> Bradford: Fuse Art Space
> http://www.wearefuse.co/project/165/paul-clipson-shinya-sugimoto-jeremy-young-total-fiction-2017/ <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f0f13f353f&e=4e65756555>
> 20:00, 5-7 Rawson Place, Bradford BD1 3QQ
> PAUL CLIPSON, SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION / + NATHANIEL MANN
> A 16mm film projection event with live improvised sound/music performance.
> <>3/25
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 10:30am, Knoxville Museum of Art
> FLICKER & WOW: KIDS!
> A selection of short works of experimental animation curated for kids. Screening as part of Big Ears. Works to be screened: Mothlight (Stan Brakhage, 1963, 16mm), Duck Amuck (Chuck Jones, 1953, digital), Blue Movement (Haruka Mitani and Michael Lyons, 2016, digital), Begone Dull Care (Evelyn Lambart and Norman McLaren, 1949, 16mm), Glistening Thrills (Jodie Mack, 2013, digital).
> <>3/25
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 12:15pm, Knoxville Museum of Art
> KEVIN JEROME EVERSON: THE SURFACE BELOW
> This program, curated for Big Ears from Everson’s large body of work (more than 100 shorts and features), reveals Kevin Jerome Everson’s interest in digging beneath the surface, in every sense of the word. Works to be screened: Ring (2008, 1:30), Tygers (2014, 2:00), Auditioning for Nathaniel (2016, 13:30), R-15 (2017, 5:10), Smooth Surface (2015, 2:50), Production Material Handler (2015, 2:31), Fe26 (2014, 7:21), Ears, Nose and Throat (2016, 10:30). ARTIST IN ATTENDANCE
> <>3/25
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 2pm, Knoxville Museum of Art
> JANIE GEISER: DOUBLE VISION
> Named one of the world’s top avant-garde filmmakers on Film Comment’s “Best of the Decade” list, Janie Geiser will join Big Ears for a program of recent short films, Double Vision. Works to be screened: Kriminalistik (2014, 4:00), Ghost Algebra (2009, 7:30), Kindless Villain (2010, 5:00), The Floor of the World (2010, 9:10), Arbor (2012, 7:05), The Hummingbird Wars (2015, 11:15), Cathode Garden (2015, 7:45), Flowers of the Sky (2016, 9:15)
> <>3/25
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 6:15pm, Regal Riviera 8
> JEM COHEN: WORLD WITHOUT END (NO REPORTED INCIDENTS)
> Quite close to London, but for many, a million miles away, Southend-on-Sea is a town along the Thames estuary. World Without End (No Reported Incidents), the new documentary from Jem Cohen, is a portrait of this place–everyday streets, everyday birds, unflagging tides, mud, and sky. But it is also about humanity and history, about prize-winning Indian curries, an encyclopedic universe of hats, and a nearly lost world of proto-punk music. ARTIST IN ATTENDANCE.
> <>3/25
> Los Angeles, California: Echo Park Film Center
> http://www.echoparkfilmcenter.org/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b777daa6e4&e=4e65756555>
> 8 pm , 1200 N Alvarado St
> NEW WORKS SALON XXXVIII
> The New Works Salons series is a casual forum for the presentation and discussion of new works in film, video, sound, and performance, with local and visiting artists often in-person to introduce their work. This program will include works by Christina Battle, Gelare Koshkgozaran, Azadeh Navai, Julie Sadowski, Penelope Uribe-Abee, and Walter Vargas. Christina Battle’s Notes to Self is an ongoing series of videos documenting a simple, repetitive act as a way to mimic our fleeting engagement with social media status updates. Fragments of text, in the form of notes to myself, are set on fire with varying degrees of success. Unlike social media updates, the fate of these updates are controlled and finite, existing only for a few seconds before being completely destroyed. The notes, which range from humourous reminders and revelations to recollections about larger societal events, are simple in both form and execution, allowing for a critical and considered viewing response. Gelare Khoshgozaran will show her work An Analog Poem for Super 8 and voice, which was commissioned by Echo Park Film Center. Azadeh Navai will show her 16mm film Remembering the Pentagons, a slow, rhythmic, and contemplative journey into her earliest childhood memories. With an old 16mm Bolex and a hand-made pinhole camera, Navai returns to Tehran and Esfahan, Iran, where the perceptions and recollections of places, emotions, and scents serve as vehicles through which she exposes a deeply personal landscape. She asks — what is the texture of memory? In what ways does time — the light, wind, and air of history — wear upon the monuments and the images of the past? Born in Tehran during the Iran-Iraq war, Navai seeks to access a time of personal turmoil both for her family and for her birth country in this poetic capturing of place, history and memory. Penelope Uribe-Abee will show her new work Practice: a video, video sketch, and/or exercise mainly crafted out of personal heartbreak and coping. This video was made as an effort to make more personal, insular work while still preserving the idea of emotional accessibility in an audience. This is one part in a series of depicted analogies that explore how basic actions and gestures like playing the drums can serve as representations for actions with larger emotional implications: like falling in love. Walter Vargas will show Kru steez all no , a Super 8 double projection with coordinated memes high on the current meme economy @ time of showing #bulb #democracy #doesitreallywork #inheat. Julie Sadowski is a Polish-American artist living in Los Angeles. She is simultaneously excited and severely overwhelmed with the excess of images in the world, including those she created herself. She attempts to create order out of the chaos of the visible world by employing her own subjective systems of logic.
> <>3/25
> San Francisco, California: Other Cinema
> http://www.othercinema.com/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=60a38762d7&e=4e65756555>
> 8:30 PM, 992 Valencia St.
> MAR25: GENDREAU + WAXY TOMB + HARPER + PAD'S 3-D
> Michael Gendreau premieres his triple-turntable piece LOUPS, pairing his wicked vinyl locked-grooves with the parataxical triple projections of Craig Baldwin’s16mm loops! ALSO: Afterbirth:The Shape of Light--Julz LC’s live-molded clay plays with optical parameters to render a phantasmagoria of projected light, in a tribute to Joey Casio’s immersive dream. In BUG.TV at OC:Live from the Achives, Joshua Harper conducts a live inter-dimensional interview with an alien observer in an underground operating theater of the mind. AND anchoring this second OPTRONICA show is stereoscopic superstar Pad McGlaughlin, whose 4eyes and Strata use polarized light to conjure up an extra dimension. Whoa! AND additional works by Jordan Belson, Winston Hacking, and Mary Ellen Bute; of course the Dream Machine is in full effect!*$8.88
> <> <>
> SUNDAY, MARCH 26, 2017
> 3/26
> Colchester: Colchester Arts Centre
> http://www.colchesterartscentre.com/events/gigs/paul-clipson-with-shinya-sugimoto-jeremy-young-present-total-fiction-2017-nathaniel-mann/ <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0295f6846c&e=4e65756555>
> Doors at 7pm, Colchester Arts Centre Church Street Colchester Essex CO1 1NF
> PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG PRESENT TOTAL FICTION + NATHANIEL MANN
> A 16mm film projection event with live improvised sound/music performance. Nathaniel Mann is a composer, sound artist and performer. He was the Embedded Composer in Residence at Oxford University’s Pitt Rivers Museum and Oxford Contemporary Music for 20 months. During this time he garnered a reputation for creating diverse and engaging responses to the museum and its collections. Described as “a fluid unfolding of the museum experience” (ATTN: Magazine) his wide reaching works incorporate site specific performances, interventions and installations. He is best known for his work with avant-folk ensemble Dead Rat Orchestra, who specialize in site specific performances and concept driven tours of unorthodox locations, challenging traditional concert settings. He has written for Tate, BBC Scotland & London Contemporary Orchestra. His Donkey Symphony (with Lara Baladi) won the Gran Nile Award at the Cairo Biennale 2008 and was performed by Ukraine’s State Camera Orchestra “Kievskaya Kamerata”.
> <>3/26
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 1:30 pm, Tennessee Theatre
> FLICKER AND WOW 1
> One of two programs of recent avant-garde short films curated for Big Ears. Empyrean by Kalpana Subramanian (6:20, Digital) An abstract, meditative piece, Empyrean was “filmed” at the altar of celluloid cinema. Using a mobile phone camera, Subramanian intercepted mediated light from the projector during screenings of various 16mm prints of films by Stan Brakhage (1933-2003). The film is part of her larger, art-based research project, Light Mediated: Eyes on Brakhage, which explores the poetics of the moving image. Them Apples by Adam R. Levine (2:40, 16mm) Using the parallel temporal forms of the three-minute pop song and the 16mm camera roll, Them Apples runs The Beatles’ “Back In The U.S.S.R.” through iTunes Visualizer to create an optical sound experiment in which synaesthesia and pop cultural memory are turned back on themselves. 1_ _ _ _1 by Karissa Hahn (3:00, Digital) One roll of super 8. A ‘collaboration’ or rather, a collusion of sorts. As for my volition . . . I fall, you falter. Thinking about “A Young Girl Defending Herself against Eros” by William Adolphe Bouguereau, 1880. Thinking about . . . suspense/tension, taking us down with me. Deux Champs (Two Fields) by Kevin Obsatz (7:50, Digital) In 1953, a young photographer named Victor Obsatz created a double-exposed portrait of Marcel Duchamp by mistake. 55 years later that photo appeared in the pages of Smithsonian Magazine and was featured at a Duchamp retrospective. Deux Champs (Two Fields) is a hand-processed reflection on the distant memory of that day and everything that has happened since. As Without So Within by Manuela De Laborde (24:20, 16mm) De Laborde has usefully described the making of As Without So Within as “returning to Montessori.” Built from closeup images of handmade “props” (her preferred term), the film reveals, reworks, and illuminates several fundamental components of experimental filmmaking: abstraction, sculpture, and the material of celluloid itself. Koropokkuru by Akiko Maruyama and Philippe Roy (4:10, Digital) A moving portrayal of an ineffable force that can be humanlike or embody itself within displayed objects. Inspired by concepts from the Koropokkuru folktale within Japanese Ainu culture, as well as The Invisible Man.
> <>3/26
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 10am, Tennessee Theatre
> MEREDITH MONK: BOOK OF DAYS
> A rare 35mm public screening of Meredith Monk's 1989 feature film BOOK OF DAYS. “Meredith Monk has been an anomaly for much of her 27-year career as a composer and choreographer, creating dances that were operas, operas that were dances and mythic theater pieces that were operas and dances. To complicate matters, Ms. Monk is also a filmmaker. In Book of Days, she has created a film that is essentially a moving picture." -- Jennifer Dunning, The New York Times
> <>3/26
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 3pm, Regal Riviera 8
> JEM COHEN: LOST BOOK FOUND
> The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation on city life. The piece revolves around a mysterious notebook filled with obsessive listings of places, objects, and incidents. These listings serve as the key to a hidden city: a city of unconsidered geographies and layered artifacts—the relics of low-level capitalism and the debris of countless forgotten narratives.
> <>3/26
> Knoxville, TN: The Public Cinema / Big Ears Festival
> www.publiccinema.org/bigears <x-msg://10/www.publiccinema.org/bigears>
> 4pm, Knoxville Museum of Art
> FLICKER & WOW 2
> The second of two programs of recent avant-garde short films curated for Big Ears. Parallel Inquiries by Christina C Nguyen (9:25, 16mm) sound from image / image from color // inquiries into the analog film system Nova Remnants by Stefan Grabowski (10:30, Digital) A nova remnant consists of matter left behind by a cataclysmic nuclear explosion, causing the intense and sudden brightening of a star. Due to the relatively short time-span over which they occur, nova remnants generally no longer exist by the time their light reaches us on Earth. Ghost Comb. by Ryland Walker Knight (7:15, Digital) A meditation on life as text, and how we may outlive our finite selves in the realm of the imaginary. Spotlight on a Brick Wall by Alee Peoples and Mike Stoltz (8:00, 16mm) A performance film that navigates expectations of both the audience and the makers. A series of false starts. Dub treatment on the laugh track. Little Orphant Annie by Bill Morrison (7:00, Digital) Little Orphant Annie is a re-edit of a silent film of the same title from 1918, directed by Colin Campbell. Two reels from an original nitrate print were scanned and re-edited to make the new film, which follows the structure of the poem written by James Whitcomb Riley in 1885. Riley is heard reciting his poem in a recording made in 1912. The poem is also heard read by Kelli Shay Hix in 2016, who additionally wrote and performs the song, “The Swimmer.” One Roll in the Blackness by Chris Kennedy (3:10, 16mm) Keiji Haino, live in Toronto, June 22, 2011. A single roll of film, shot one frame at a time. Special thanks to Keiji Haino and Adam Rosen.
> Let us know about your alternative film/video event!
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>
> From: marilyn brakhage <vams at shaw.ca <mailto:vams at shaw.ca>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 6:43:44 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Dear Margaret,
> Some Stan Brakhage films in homage to specific individuals include "Water for Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. 18 sec. Also, the fifth and final section of his "b series," subtitled "Sorrowing" (and by extension the entire film) was dedicated to Gregory Markopoulos, 12 minutes.
> ... Homages to larger groups of people might include "The Dead" (10 min. 21 sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of Pompeii," 4 min. 35 sec.
> ... Someone else mentioned "Sirius Remembered" (in homage to a family dog). Along those lines would also be "Pasht" (in honor of a cat). "Sirius Remembered" was also thought of as part of a trilogy, with "The Dead" and "Burial Path" (in part, I believe, in consideration of a late illness of Stan's friend, the literary critic, Donald Sutherland).
>
> Marilyn Brakhage
>
> On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
>
> From: vanessa renwick <qualitypie at gmail.com <mailto:qualitypie at gmail.com>>
> Subject: Re: [Frameworks] Eulogy Films
> Date: March 18, 2017 at 7:22:01 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Portrait #2: Trojan and Portrait #3: The House of Sound by Vanessa Renwick
>
> Vanessa Renwick
> Oregon Department of Kick Ass <http://www.odoka.org/>
>
>
>
> On Sat, Mar 18, 2017 at 3:43 PM, marilyn brakhage <vams at shaw.ca <mailto:vams at shaw.ca>> wrote:
> Dear Margaret,
> Some Stan Brakhage films in homage to specific individuals include "Water for Maya" [i.e. Maya Deren], 2 min, 25 sec.; "Visions in Meditation #4: D.H. Lawrence," 17 min. 41 sec; and "Last Hymn to the Night - Novalis," 17 min. 18 sec. Also, the fifth and final section of his "b series," subtitled "Sorrowing" (and by extension the entire film) was dedicated to Gregory Markopoulos, 12 minutes.
> ... Homages to larger groups of people might include "The Dead" (10 min. 21 sec., filmed in Paris/Père Lachaise cemetery), and "In Consideration of Pompeii," 4 min. 35 sec.
> ... Someone else mentioned "Sirius Remembered" (in homage to a family dog). Along those lines would also be "Pasht" (in honor of a cat). "Sirius Remembered" was also thought of as part of a trilogy, with "The Dead" and "Burial Path" (in part, I believe, in consideration of a late illness of Stan's friend, the literary critic, Donald Sutherland).
>
> Marilyn Brakhage
>
> On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote:
>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that have been made to honor someone. For example, Nathaniel Dorsky's August and After
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/ <http://margaretrorison.com/>
>> http://sightunseenbaltimore.com/ <http://sightunseenbaltimore.com/>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
>
>
> From: Shane Eason <shaneeason at yahoo.ca <mailto:shaneeason at yahoo.ca>>
> Subject: [Frameworks] 4th ANNUAL FLAMINGO FILM FESTIVAL
> Date: March 18, 2017 at 7:29:22 PM EDT
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com <mailto:frameworks at jonasmekasfilms.com>>
>
>
> Greetings everyone!
>
> Please announce and/or forward to interested students, faculty, colleagues, and/or staff at your respected institution of Higher Ed and/or non-profit.
>
> 4th ANNUAL FLAMINGO FILM FESTIVAL
>
> <16806746_1256985334337522_4966266964354539485_n.jpeg>
>
> OPEN CALL
> The call for submissions to the 4th Annual Flamingo Film Festival is now open. Submissions started March 1st and will continue to be accepted thru April 1st, 2017.
> Students may submit ($10/entry) through: FILMFREEWAY.COM <http://filmfreeway.com/>
>
> MISSION
> The Flamingo Film Festival is dedicated to exhibiting the short films and videos produced by post-secondary student filmmakers from around the world. This professionally
> juried event will be held in South Florida and will honor outstanding narrative fiction, documentary, experimental and animated projects created by students.
>
> Organized and run by Florida Atlantic University's School of Communication and Multimedia Studies students under supervision from faculty, it is the goal of the FFF to continue
> to encourage student creativity while recognizing achievement in the film and video medium.
>
> The FFF will offer a number of free public screenings, panels, and workshops. This year’s event will be held April 29th, 2017 at Fort Lauderdale’s ArtServe <http://www.artserve.org/>. Times/programing, TBD.
>
> SOCIAL MEDIA/WEB
> Facebook <https://www.facebook.com/Flamingofilmfest/> | Instagram <https://www.instagram.com/flamingofilmfest/> | Twitter <http://www.twitter.com/FlamingoFF> | Website <http://www.flamingofilmfest.com/>
>
> Shane Christian Eason, BFA; MFA
> Asst. Prof. of Experimental and Documentary Film | Multimedia Production Coordinator | MFA MTEN GTA Coordinator
> School of Communication and Multimedia Studies
> Dorothy F. Schmidt College of Arts & Letters, Florida Atlantic University
> 954.236.1371 | eason at fau.edu <mailto:eason at fau.edu>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com <mailto:FrameWorks at jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks <https://mailman-mail5.webfaction.com/listinfo/frameworks>
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