[Frameworks] looking for films, works of expanded cinema, web-based projects, and installations

[John Muse]

Thanks, Jesse.  The Smith!  Of course.

> On May 22, 2017, at 11:14 PM, Jesse Pires <jessepires68 at gmail.com> wrote:
> 
> The first few that come to mind: 
> 
> H.M. by Kerry Tribe
> Girl Chewing Gum by John Smith
> Candle by Neil Henderson 
> 
> On Mon, May 22, 2017 at 9:13 PM, John Muse <jmuse at sonic.net> wrote:
> Hive mind!  I’m beginning research on moving image media works that couple and complicate the relations between the following events, with an emphasis on the time they take: the time-of-the-profilmic-event, the time-of-the-recording-apparatus, the time-of-the-assembly-protocols, the time-of-the-display-apparatus, and the time-of-the-viewing-experience.
> 
> A mouthful, I know!  But these events are relatively autonomous, as we know, and ubiquitously so.  Time lapse, slow motion, closed-circuit works and delay systems, and even the simplest continuity edit, which purports to build a single event for the viewer out of disparate events before the camera, partake of this trouble.  But I’m looking for works that critically investigate and exploit these relations.  Man with the Movie Camera, of course and as usual, made all of these features explicit through undercranking, overcranking, animation, jumpcuts, cross-cutting times and spaces, superimpositions, split-screens, and the use of the movie house itself.
> 
> So many other works from the tradition of experimental film to consider.  Things I already love: Ernie Gehr’s Serene Velocity, Nancy Holt’s Boomerang, and Ken Jacob’s Tom Tom and his Nervous Magic Lantern performances.  From the conceptual media side of the aisle: Bruce Nauman’s Live-Taped Video Corridor, Dan Graham’s tape delay works, Douglas Gordon’s 24 Hour Psycho, and many of David Claerbout’s works.
> 
> Help please!  I’m looking for other canonical materials, especially expanded cinema works, and more contemporary efforts, ones that split these relations even further: between image capture and image playback, there is processing, whether optical and analog or digital: compression schemes, datamoshing, and spline morphing, i.e., "bullet time" and other interpolation protocols.
> 
> Comments and clarifying questions appreciated.
> 
> j/PrM
> 
> *************************************************
> 
> john muse
> visual media scholar
> haverford college
> he/him/his
> http://www.finleymuse.com
> http://www.haverford.edu/faculty/jmuse
> http://haverford.academia.edu/JohnMuse
> 
> *************************************************
> 
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks

j/PrM

*************************************************

john muse
visual media scholar
haverford college
he/him/his
http://www.finleymuse.com
http://www.haverford.edu/faculty/jmuse
http://haverford.academia.edu/JohnMuse

*************************************************