[Frameworks] Jazz in films thread

Tue Nov 21 18:15:08 UTC 2017

Not to forget, two exquisite films by D.A. Pennebaker, a jazz aficionado:
Daybreak Express (1953), a short featuring the NY City Third Avenue Elevated Train, cut to the music of Duke Ellington.
Lambert & Co. (1964) Documentary short featuring Dave Lambert (of Lambert, Hendricks, and Ross) auditions a new group at RCA studios. Lovely music and interactions between the 4 singers. 

In the profuse ecology of short films, some beautiful work gets lost or forgotten. Hope these don't.

Robert Withers
robert at withersworks.com

On Nov 21, 2017, at 7:00 AM, frameworks-request at jonasmekasfilms.com wrote:

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> Today's Topics:
> 
>   1. Jazz thread (Noe Kidder)
>   2. Parallel Editing (Kelsey Velez)
>   3. Call for entries: TR*MP TH*S! 2018 (Scott Stark)
>   4. Call for Lecturer in Screenwriting at Georgia State
>      University in Atlanta (Robbie Land)
>   5. Re: Parallel Editing (Dominic Angerame)
>   6. Re: Parallel Editing (Warren Cockerham)
>   7. Re: Parallel Editing (owen at thenowcorporation.com)
>   8. Re: Parallel Editing (Warren Cockerham)
>   9. Re: Parallel Editing (Amanda Christie)
> 
> From: Noe Kidder <noekidder at gmail.com>
> Subject: [Frameworks] Jazz thread
> Date: November 20, 2017 11:47:04 AM EST
> To: "frameworks at jonasmekasfilms.com" <frameworks at jonasmekasfilms.com>
> 
> 
> I think of Cassavetes
> This article may be of interest:  http://www.corpusfluxus.org/Pages/works_events/lectureMingus.html
> 
> On Mon, Nov 20, 2017 at 8:25 AM, <frameworks-request at jonasmekasfilms.com> wrote:
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> Today's Topics:
> 
>    1. Re: Jazz Music and Avant-Garde Film (Jorge Lorenzo Flores Garza)
>    2. Farewell Party for Taka & Akiko Iimura TONIGHT 6-9pm,
>       Microscope Gallery in Brooklyn (LBurchill)
>    3. Re: Jack Stauffacher (Stephen Anker)
> 
> 
> ---------- Forwarded message ----------
> From: Jorge Lorenzo Flores Garza <jorgelorenzo at hotmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc: 
> Bcc: 
> Date: Sun, 19 Nov 2017 15:58:54 +0000
> Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
> Also, Adam Rosen and John Creson do very interesting live visuals for Micheal Snow's and John Oswald's CCMC concerts up in Toronto nowadays.
> 
> 
> De: FrameWorks <frameworks-bounces at jonasmekasfilms.com> en nombre de Beebe, Roger W. <beebe.77 at osu.edu>
> Enviado: jueves, 9 de noviembre de 2017 04:34 p. m.
> Para: Experimental Film Discussion List
> Asunto: Re: [Frameworks] Jazz Music and Avant-Garde Film
>  
> I think I saw Michael Snow’s name invoked somewhere in this thread, but I don’t think anyone mentioned that he is himself a jazz musician.  I saw a show at Hallwall’s in Buffalo years ago where Snow where they included a piece called REVERBERLIN made of footage of a performance of his ensemble CCMC:
> 
> http://www.hallwalls.org/media-arts/4675.html
> 
> Michael Snow - Beyond/In Western New York: Michael Snow - Film and Video - 10/13/07
> www.hallwalls.org
> Beyond/In Western New York artist Michael Snow presents an evening of films and videos featuring: THE LIVING ROOM (2002); TRIAGE (2004, with Carl Brown and soundtrack by John Kamevaar); REVERBERLIN (2006, featuring CCMC -- an improv ensemble founded by Snow in 1974).
> 
> 
> FYI,
> Roger
> 
>> On Nov 9, 2017, at 11:21 AM, Esperanza Collado <esperanzacollado1 at gmail.com> wrote:
>> 
>> Hey Albert,
>> 
>> What a great thread! Did anyone mention Shirley Clark? Can't remember the title. 
>> 
>> Also, some of the animated films of Suzan Pitt use jazz music. Asparagus for sure.
>> 
>> You may want to check Christopher McLain's works too... i could be wrong.
>> 
>> Will keep thinking...
>> 
>> 
>> 
>> El El jue, 9 nov 2017 a las 16:42, tanya g <goldeoos at gmail.com> escribió:
>> Albert,
>> 
>> Thank you for initiating this thread. I apologize if this was already mentioned but in my research I came across two others: Surprise Boogie (1956) direted by Albert Pierru and sponsored film Skyscraper by Clarke and Van Dyke from 1959, if memory serves.
>> 
>> Two non-avant garde that may be nonetheless of interest are:
>> 
>> Cry of Jazz (Ed Bland, 1959)
>> https://en.wikipedia.org/wiki/Cry_of_Jazz
>> 
>> Jammin' The Blues (1944)
>> https://www.youtube.com/watch?v=BIFJ81RIyVk
>> 
>> 
>> 
>> <Screen Shot 2017-11-09 at 10.40.43 AM.png>
>> 
>> On Wed, Nov 8, 2017 at 3:13 AM, Albert Alcoz <albertalcoz at gmail.com> wrote:
>> Hello,
>> 
>> I was wondering about the connections between jazz music and avant-garde film after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack version created by Teo Macero.
>> 
>> There should be plenty of avant-garde and experimental films where the soundtrack is instrumental jazz music. Maybe the field of Visual Music should be the most represented but i'm sure there are other films like the one by Michael Snow that uses, in this case, free jazz music or improvisation.
>> 
>> Does anyone remember some other avant-garde films with jazz soundtracks? 
>> 
>> Right my list is as follows:
>> 
>> Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
>> 
>> Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
>> 
>> Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
>> 
>> Catalog (1961) by John Whitney. Music by Ornette Coleman
>> 
>> New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don Cherry, etc.
>> 
>> Thanks in advance,
>> 
>> Albert Alcoz
>> 
>> 
>> -- 
>> http://visionaryfilm.net/
>> http://albertalcoz.com/
>> 
>> _______________________________________________
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>> 
>> _______________________________________________
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>> -- 
>> Esperanza Collado
>> 
>> 
>> 
>> www.esperanzacollado.net
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> 
> 
> 
> ---------- Forwarded message ----------
> From: LBurchill <elle.burchill at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc: 
> Bcc: 
> Date: Sun, 19 Nov 2017 15:20:49 -0500
> Subject: [Frameworks] Farewell Party for Taka & Akiko Iimura TONIGHT 6-9pm, Microscope Gallery in Brooklyn
> Hi,
> 
> If you are in New York please stop by the gallery between 6 & 9pm for a goodbye party for Takahiko & Akiko Iimura before they return to Tokyo after more than 50 years in New York.
> 
> There will be also projections of 16mm films and videos at various times throughout the evening.
> 
> More info is here: https://goo.gl/ugKKTz
> 
> Microscope Gallery
> 1329 Willoughby Ave, 2B
> Brooklyn, NY 11237
> www.microscopegallery.com
> 
> 
> ---------- Forwarded message ----------
> From: Stephen Anker <sanker at calarts.edu>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc: 
> Bcc: 
> Date: Sun, 19 Nov 2017 20:51:47 -0800
> Subject: Re: [Frameworks] Jack Stauffacher
> Sorry to hear this, Dominic, but thanks for letting us know.
> It's amazing that Jack lived until 97, and that he was vital until his last years.
> What a great inspiration for these anti-humane, greedy times.
> Steve
> 
> On Fri, Nov 17, 2017 at 5:51 PM, Dominic Angerame <dominic.angerame at gmail.com> wrote:
> Noted San Francisco printer, Jack Stauffacher passed away at the age of 97 at his home in Tiburon, California. Jack was well known amongst the art and experimental cinema scene in San Francisco since the 1940s.
> 
> His brother Frank Stauffacher started the film experimental cinematheque series "Art in Cinema" in 1947 at the San Francisco Museum of Modern Art.
> 
> 
> 
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> 
> 
> 
> 
> From: Kelsey Velez <kelsvelez at hotmail.com>
> Subject: [Frameworks] Parallel Editing
> Date: November 20, 2017 1:15:26 PM EST
> To: "frameworks at jonasmekasfilms.com" <frameworks at jonasmekasfilms.com>
> 
> 
> I'm looking for instances of parallel editing in narrative cinema, if you please!
> 
> Thanks,
> Kelsey
> 
> 
> 
> From: "Scott Stark" <sstark at hi-beam.net>
> Subject: [Frameworks] Call for entries: TR*MP TH*S! 2018
> Date: November 20, 2017 3:10:32 PM EST
> To: "'Experimental Film Discussion List'" <frameworks at jonasmekasfilms.com>
> 
> 
> Hi friends, I am posting this here as a call for entries, but also looking for suggestions – works should be relevant but not necessarily new.
>  
> Also posted here: http://www.ercatx.org/trmp-ths-call-for-entries/
>  
> Thanks, Scott
>  
> Scott Stark
> scottstark.com
> Experimental Response Cinema
> Flicker
>  
> TR*MP TH*S! 
> Call for Entries
> 
> NO SUBMISSION FEE!
> DEADLINE: Dec. 20, 2017
> Experimental Response Cinema seeks experimental film and video works for a program entitled TR*MP TH*S!, in commemoration of the one year anniversary of the presidency of Donald J. Trump. We are looking for works that respond to the first year of Trump presidency, or that touch on issues of racism, sexism, homophobia, religious intolerance, environmental degradation, corporate greed, Wall Street malfeasance, gun violence, corruption, voter suppression, foreign intervention in elections, defunding health care, human rights, income inequality, BLM…  well it’s an endless list, not to mention buffoonery, narcissism, pathology, lies, obsessive twittery…
> Works need not be new.
> TR*MP TH*S, a follow up to our successful F*CK TR*MP program the night before the 2017 inauguration, will be screened in Austin, Texas on the administration’s one-year anniversary.
> Cathartic as well as a call to action, this screening of short films will address the current political landscape in ways both playful and incisive, affirming creativity as a vital and necessary response in the face of lies, corporate greed, bigotry and willful ignorance.
> To submit, send an email to admin at ercatx.org with a link to a preview of your work, with a password if necessary. There is no submission fee.
> The screening will be admission by donation, and a small honorarium will be paid for all included entries.
> RESIST! TR*MP TH*S!
>  
>  
> 
> 
> 
> From: Robbie Land <scoutfee7 at gmail.com>
> Subject: [Frameworks] Call for Lecturer in Screenwriting at Georgia State University in Atlanta
> Date: November 20, 2017 6:22:27 PM EST
> To: frameworks <frameworks at jonasmekasfilms.com>
> 
> 
> Lecturer in Screenwriting 
> Be part of the School of Film, Media & Theatre’s growing faculty at Georgia State University, an enterprising Research I university in Atlanta. Our next Lecturer in Screenwriting will play a central role in the school’s contributions to Georgia State’s strategic goals of highlighting the arts and media as vital to the quality of all major cities and demonstrating that students from all backgrounds can achieve academic and career success at high rates. Opportunities for growth and support in this position include university-level teaching fellowships and grants through the Center for Excellence in Teaching and Learning, leadership in instructional innovation through our active learning classroom program, and successive promotion to the ranks of Senior Lecturer and Principal Senior Lecturer. 
> The Film and Media faculty and the Theatre faculty at Georgia State University merged in July 2017 to form the School of Film, Media & Theatre. The new school has over 900 majors and houses a Ph.D. program in Moving Image Studies, master’s programs in film/media production and studies, and undergraduate programs in film/media and theatre. We are located in the heart of the third largest media-producing capital in America. The School of Film, Media & Theatre is dedicated to broadening the range of voices heard in American culture (including perspectives that are often marginalized because of race, gender, age, class, rural status, gender identity, ethnicity, body image, disability, sexual orientation, military status, religion, or political orientation) and to critically examining the functions of mainstream visual storytelling in our culture. The School of Film, Media & Theatre is part of the College of the Arts, which was established in 2016 and also includes the Ernest G. Welch School of Art & Design, the School of Music, the Center for Collaborative & International Arts (CENCIA), and the Center for Educational Partnerships in Music. In addition to offering some of the university’s most popular majors, the college connects faculty and students with Atlanta’s thriving arts scene and booming film and music industries. Georgia State University is a national leader in using innovation to drive student success. Enrolling and graduating one of the nation’s most diverse student bodies, Georgia State provides its world-class faculty and more than 50,000 students unsurpassed research, teaching, and learning opportunities in one of the 21st century’s great global cities. In 2017, U.S. News & World Report ranked Georgia State as #4 in Most Innovative Schools, #8 in Best Undergraduate Teaching, and #11 in Campus Ethnic Diversity among national universities. 
> Responsibilities 
> The selected candidate can anticipate teaching screenwriting courses at the graduate and undergraduate level; potentially supervising master’s level screenwriting theses; and participating in service at the department, college, and/or university levels. 
> Qualifications 
> Essential Qualifications 
> · 18 hours of graduate study in screenwriting or a related field; 
> · An emerging record of achievement in screenwriting (feature films; broadcast/cable/web television; film festivals; screenwriting competitions; development/distribution contracts); 
> · An ability to teach screenwriting for episodic/serial television, feature films, and/or short films 
> 
> Preferred Qualifications 
> · A significant record of achievement in screenwriting; 
> · M.F.A. or Ph.D. degree in screenwriting or a closely related field; 
> · Experience in teaching screenwriting for episodic/serial television, feature films, and/or short films; 
> · A demonstrated commitment to diversity 
> 
> Application Procedure 
> Submit: 1) a letter of application addressing the essential and preferred qualifications as well as your teaching philosophy and your past and/or potential contributions to diversity and inclusion through teaching; 2) curriculum vitae; 3) a writing sample; and 4) at least two letters of recommendation. Applicants should send their materials to randerson23 at gsu.edu or to the following address: 
> Attn: Regina Anderson 
> College of the Arts-Film, Media & Theatre 
> Georgia State University 
> P.O. Box 5060 
> Atlanta, GA 30303 
> 
> Review of applications will begin immediately and continue until the position is filled. Questions about the position should be addressed to Prof. Ly Bolia, lybolia at gsu.edu. To ensure consideration, please submit all materials by December 1, 2017. Should you be recommended for a position, an offer of employment will be conditional on background verification. 
> Georgia State University is an Equal Opportunity Employer and does not discriminate against applicants due to race, ethnicity, gender, veteran status, or on the basis of disability or any other federal, state, or local protected class. As a campus with a diverse student body, we encourage applications from women, minorities, and individuals with a history of mentoring under-represented minorities in Screenwriting.
> 
> 
> 
> From: Dominic Angerame <dominic.angerame at gmail.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 7:38:33 PM EST
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> 
> 
> look no further than DW Griffith who developed this fully.
> 
> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsvelez at hotmail.com> wrote:
> I'm looking for instances of parallel editing in narrative cinema, if you please!
> 
> Thanks,
> Kelsey
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> 
> From: Warren Cockerham <warrencockerham at gmail.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 8:29:28 PM EST
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> 
> 
> And Oscar Micheaux who appropriated the form to critique its white supremacist roots. See WITHIN OUR GATES and Lois Weber’s SUSPENSE as early examples of crosscutting/parallel editing that doesn’t propagate male/white supremacy. It’s high time we stopped giving DWG all the credit. It’s not that deserved. 
> 
> - Warren
> Tampa, FL
> 
> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.angerame at gmail.com> wrote:
> 
>> look no further than DW Griffith who developed this fully.
>> 
>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsvelez at hotmail.com> wrote:
>> I'm looking for instances of parallel editing in narrative cinema, if you please!
>> 
>> Thanks,
>> Kelsey
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> From: "owen at thenowcorporation.com" <owen at thenowcorporation.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 8:45:26 PM EST
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> 
> 
> yes. and the Baptism scene in The Godfather.
> 
> owen
> 
> 
>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.angerame at gmail.com> wrote:
>> 
>> look no further than DW Griffith who developed this fully.
>> 
>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsvelez at hotmail.com> wrote:
>> I'm looking for instances of parallel editing in narrative cinema, if you please!
>> 
>> 
>> Thanks,
>> 
>> Kelsey
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> 
> From: Warren Cockerham <warrencockerham at gmail.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 8:53:34 PM EST
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> 
> 
> The problem with Kelsey’s inquiry is it’s much too broad. There are literally millions of narrative examples in film and television. Every popular tv show is parallel edited.  Instead of listing millions of examples, is there something more nuanced that you’re after here, Kelsey? 
> 
>> On Nov 20, 2017, at 8:45 PM, "owen at thenowcorporation.com" <owen at thenowcorporation.com> wrote:
>> 
>> yes. and the Baptism scene in The Godfather.
>> 
>> owen
>> 
>> 
>>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.angerame at gmail.com> wrote:
>>> 
>>> look no further than DW Griffith who developed this fully.
>>> 
>>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsvelez at hotmail.com> wrote:
>>> I'm looking for instances of parallel editing in narrative cinema, if you please!
>>> 
>>> 
>>> Thanks,
>>> 
>>> Kelsey
>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> From: Amanda Christie <amanda at amandadawnchristie.ca>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 9:42:20 PM EST
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> 
> 
> thank you warren…
> 
> on both counts… 
> of
> 
> A) steering things away from the DWG
> ..&..
> B) pointing out how uselessly broad the initial question was.
> 
> please narrow it down kelsey… what are you really after?
> 
> adc
> 
> 
> 
>> On Nov 20, 2017, at 8:53 PM, Warren Cockerham <warrencockerham at gmail.com> wrote:
>> 
>> The problem with Kelsey’s inquiry is it’s much too broad. There are literally millions of narrative examples in film and television. Every popular tv show is parallel edited.  Instead of listing millions of examples, is there something more nuanced that you’re after here, Kelsey? 
>> 
>>> On Nov 20, 2017, at 8:45 PM, "owen at thenowcorporation.com" <owen at thenowcorporation.com> wrote:
>>> 
>>> yes. and the Baptism scene in The Godfather.
>>> 
>>> owen
>>> 
>>> 
>>>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.angerame at gmail.com> wrote:
>>>> 
>>>> look no further than DW Griffith who developed this fully.
>>>> 
>>>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsvelez at hotmail.com> wrote:
>>>> I'm looking for instances of parallel editing in narrative cinema, if you please!
>>>> 
>>>> 
>>>> Thanks,
>>>> 
>>>> Kelsey
>>>> 
>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks at jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>> 
>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks at jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
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