[Frameworks] Sources for digital "prints" of avant garde classics

Elena Duque elenaduque at gmail.com
Thu Feb 15 11:53:03 UTC 2018


Thanks, Pip

I totally understand that, and I work for a festival that is very aware of
that ((S8) Mostra de Cinema Periférico in A Coruña). Ideally, I would
suggest them to project in 16mm, but this is a test screening in a small
Spanish town, happening in a month and a half thanks to a venue they just
got recently. So, there is no time and no money for this edition (besides
of getting a projector, it would be necessary to hire a projectionist and
pay for the shipping of the prints), but hopefully we will be able to that
properly next year. So, I'm trying to do my best with what's available, in
a place with no avant garde screenings tradition whatsoever. It is
important to be aware of the context, and as much as I think that the
analog screening is a totally different experience, I think this is better
than nothing. We go little by little, trying to create a new audience that
does not exist now!

Given that, thank you very much for your suggestion! I will look through
your catalogue and maybe I will make you some enquiries, trying to be
respectful to all the filmmakers involved.

Cheers!

2018-02-15 12:39 GMT+01:00 Pip Chodorov <frameworks at re-voir.com>:

> Dear Elena,
>
> Many filmmakers don't want their films shown digitally. A good example is
> Stan Brakhage. It really denatures the intended image. Other filmmakers are
> more tolerant, such as Jonas Mekas. It is a big debate.
>
> At Re:Voir in Paris we have digital files for our VOD platform and
> DVD/Blu-Ray publishing but these are meant only for home video, and though
> we do get requests for screenings we always encourage programmers to screen
> film prints from the coops. A 16mm projector is really quite affordable.
> But if the programmers insist and if the filmmakers agree, we can rent
> files.
>
> In any case it is important to write in your screening programs and to
> tell the audience that you are showing electronic reproductions. Just as if
> you go to a museum you expect to see original paintings, not photocopies,
> so reproductions would be indicated on the title card. It is important to
> educate your audience and show them films on film!
>
> Pip Chodorov
>
>
>
>
> At 12:28 +0100 15/02/18, Elena Duque wrote:
>
>> I am trying to put together a couple of programs as a sort of
>> introduction to experimental cinema for the audience of a small festival in
>> a small town. They don't have the possibility to project in 16mm or 35mm
>> (not this year at least), so I need to find digital files available to rent
>> and screen. I have been browsing through the catalogues of all the
>> cooperatives and distributors I could think of, but I am still missing some
>> things I consider important. For instance, Stan Brakhage and Marie Menken.
>> Do you know of any source, cooperative, distributor or individual, where I
>> can find digital "prints" to rent?
>>
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-- 
Elena Duque Viña
Telf: (+34) 605431072
http://cargocollective.com/elenaduque <elenaduque at gmail.com>
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