[Frameworks] This week [June 16 - 24, 2018] in avant garde cinema

Sat Jun 16 16:44:50 UTC 2018

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This week [June 16 - 24, 2018] in avant garde cinema

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"Double Halves" Double Projections Works By Josh Guilford & andrew Ranville, Sarah Halpern, Bruce Mcclure, LíVia Sá, Audra Wolowiec [June 16, Brooklyn, New York] 

NEW CALLS FOR ENTRIES:
Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d84883c29a&e=f36020cad0> &readfile=1982.ann
Artifact Small Format Film Festival (Calgary; Deadline: November 01, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=00a2a9ad81&e=f36020cad0> &readfile=1983.ann
Main Street Landing Gallery (Burlington, Vermont, USA; Deadline: December 31, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f13f95afec&e=f36020cad0> &readfile=1984.ann

DEADLINES APPROACHING:
Edinburgh Short Film Festival 2018 (Musselburgh; Deadline: June 25, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f463cf80f1&e=f36020cad0> &readfile=1962.ann
Coney Island Film Festival (Brooklyn, NY, USA; Deadline: June 22, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=11e10000dd&e=f36020cad0> &readfile=1970.ann
Rencontres Internationales Sciences & Cinémas (RISC) (Marseille, France; Deadline: June 30, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=aaf7df6379&e=f36020cad0> &readfile=1978.ann

Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary): 

*	"Double Halves" Double Projections Works By Josh Guilford & andrew Ranville, Sarah Halpern, Bruce Mcclure, LíVia Sá, Audra Wolowiec [June 16, Brooklyn, New York] 
*	Risco Cinema - Program Post-Digital <>  [June 16, Rio de Janeiro - Brazil ] 
*	Cc35 - Light Terrors: New Expanded Cinema From Winnipeg <>  [June 17, Minneapolis, Minnesota] 
*	From the Vault: Intro To Archiving and Preservation For Film + video  <> [June 21, Brooklyn, New York] 

SATURDAY, JUNE 16, 2018

6/16
Brooklyn, New York: Microscope Gallery
http://www.microscopegallery.com <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6395fab11f&e=f36020cad0> 
7.30pm, 1329 Willoughby Avenue, #2B
"DOUBLE HALVES" DOUBLE PROJECTIONS WORKS BY JOSH GUILFORD & ANDREW RANVILLE, SARAH HALPERN, BRUCE MCCLURE, LíVIA Sá, AUDRA WOLOWIEC
An evening of new and recent double projection works for 16mm film and 35mm film slides. The varied works in “Double Halves” utilize two projections to form a whole – although not literally – with each side complementing the other or serving as a part of a single narrative, visual composition, or projection apparatus. Some of the works are projected with a prerecorded soundtrack, others include more performative elements and/or a live sound accompaniment. In contemplating the works by the five artists, we have tumbled deep into the rabbit hole where we are now asking ourselves whether double projection is the more logical presentation of a medium in which it could be argued that duality is ever present. The celluloid film itself has a head and a tail; the projection (usually) requires two reels, feed and take up; in theaters films are loaded on and projected from two projectors to avoid downtime for reel changes; etc. Is double projection two projections or one divided in half? Full program & artist bios at www.microscopegallery.com <http://www.microscopegallery.com> . tel:347.925.1433, info at microscopegallery.com <mailto:info at microscopegallery.com> . Admission $10, Student & Members $8. Nearest Subway: Jefferson St L (exit Starr Street). Please note our new temporary entrance, which is the first door before the construction if approaching from Wyckoff. 

6/16
Rio de Janeiro - Brazil : Risco Cinema
https://www.facebook.com/events/234184324033517/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=88ac855652&e=f36020cad0> 
17h, Av. Infante Dom Henrique, 85
RISCO CINEMA - PROGRAM POST-DIGITAL
Brazilian Post-Digital Movies: Retrato de uma árvore bonita (2012, 3’) - Rafael Fernandes; Siso (2017, 3’20”) — Randolpho Lamonier; Procura-se clímax através de um binóculo (2017, 1’00”) - Jeannie Helleny; Queros (2016, 2’13”) — Julia Baumfeld; É saudade (2017, 2’12”) — Francisco Pereira; De Frente para o Mar (2017, 4’04”) — Dayane Gomes; Todas as casas menos a minha (2017,20 min) - Julia Baumfeld; Um (2017, 4’00”) — Victor Galvão; I dreamed I was Jeannie (2017, 1’04”) — Jeannie Helleny; Eu, robô (2017, 10’54”) — Sara Não Tem Nome. 

SUNDAY, JUNE 17, 2018

6/17
Minneapolis, Minnesota: Cellular Cinema
7pm, 810 W Lake St
CC35 - LIGHT TERRORS: NEW EXPANDED CINEMA FROM WINNIPEG
Cellular Cinema is delighted to welcome back some of our expanded cinema artist friends from across the border to the North, including Doreen Girard, Marie-France Hollier, Leslie Supnet, and Colby Richardson. Works presented this evening will include: Doreen Girard + Marie-France Hollier TITLE / INFO: SPECTRAL REPAIR | 28 min | Experimental | Overhead Projector | Colour | Sound SYNOPSIS: Hand-animated assemblage of refracted light projections, performed with multiple projectors and lenses, with live sound accompaniment by Marie-France Hollier. 

THURSDAY, JUNE 21, 2018

6/21
Brooklyn, New York: co sponsored by the Women's Film Preservation Fund
https://uniondocs.org/event/2018-06-21-from-the-vault-intro-to-archiving-and-preservation-for-film-video/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bef9067a91&e=f36020cad0> 
7:30-10:00PM, UnionDocs, 322 UNION AVE, BROOKLYN, NY 11211
FROM THE VAULT: INTRO TO ARCHIVING AND PRESERVATION FOR FILM + VIDEO 
Now that you’ve finished your documentary feature and it’s a file on your hard drive, have you thought about how to make sure it will last? Do you have a movie, shot on film, that can no longer be shown because the print is in tatters and no one is screening 16mm anymore? Do you have a documentary master on an obsolescent videotape format? Have you ever wondered if storing your film, video or digital work in your home or studio is a good idea, and why placing it in an archive will insure its longevity? The Women’s Film Preservation Fund and UnionDocs are co-sponsoring a panel geared to film and video makers who want to learn more about preserving their work. Moving image archivists, preservationists, and filmmakers including Kelly Hayden, Bill Seery, Rufus de Rham, Pamela Cruz, and others will discuss these questions and more. Tickets: $10.00, free admission for UnionDocs members. Please join us! 

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