[Frameworks] FW: This week [March 10 - 18, 2018] in avant garde cinema

Sat Mar 10 16:42:53 UTC 2018

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This week [March 10 - 18, 2018] in avant garde cinema

Enter your event announcements by going to the Flicker Weekly Listing Form <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=46d2319403&e=f36020cad0> .

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Visions | 15.03.18 | Kelly Egan <>  [March 15, Montréal] 

NEW CALLS FOR ENTRIES:
TECH BREAK (Athens; Deadline: March 28, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=36f096350a&e=f36020cad0> &readfile=1973.ann
5th Annual Flamingo Film Festival (Fort Lauderdale, FL USA; Deadline: April 15, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=838f66da74&e=f36020cad0> &readfile=1974.ann

DEADLINES APPROACHING:
Laterale Film Festival (Cosenza; Deadline: March 31, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c9459753f2&e=f36020cad0> &readfile=1956.ann
Fracto (Berlin, Germany; Deadline: April 01, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7dfc2fb0c4&e=f36020cad0> &readfile=1961.ann
FAR OUT FILM FEST (Nashville, TN; Deadline: April 02, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9d6525a2ab&e=f36020cad0> &readfile=1965.ann
Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March 31, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=06fcf0a458&e=f36020cad0> &readfile=1966.ann
The 2018 West Virginia Mountaineer Short Film Festival (Morgantown, West Virginia, USA; Deadline: March 19, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=74d20a7088&e=f36020cad0> &readfile=1967.ann
NOFLASH Video Show (New Brunswick, NJ, USA; Deadline: March 11, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=23431ee487&e=f36020cad0> &readfile=1972.ann
TECH BREAK (Athens; Deadline: March 28, 2018)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=81d0f0e168&e=f36020cad0> &readfile=1973.ann

Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary): 

*        Prelinger/Amatuers+Johnson/Industrials+ <>  [March 10, San Francisco, California] 

*        Dyke Tv <>  [March 13, Brooklyn, NY] 

*        Visions | 15.03.18 | Kelly Egan <>  [March 15, Montréal] 

*        Cinekink Presentsâ€¦Cinekink: Nyc <>  [March 15, New York, NY] 

*        Through A Different Lens / Film Work By Joanna Margaret Paul <>  [March 16, London, England] 

*        12 Days - Raymond Depardon  <> &Amp; Claudine Nougaret In Person! [March 16, New York, NY] 

*        Drawing Hiroshima Mon Amour <>  [March 16, New York, New York] 

*        Psycho-Geo2:Memories: Skoller On Hiroshima + Fatal + Hopinka + <>  [March 17, San Francisco, California] 

SATURDAY, MARCH 10, 2018

3/10
San Francisco, California: Other Cinema
http://www.othercinema.com/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8da5d70392&e=f36020cad0> 
8 PM, 992 Valencia Street
PRELINGER/AMATUERS+JOHNSON/INDUSTRIALS+
The Bay’s best loved librarian christens our now-regular Archive Evening with Centers and Edges: Home Movie Revelations and Provocations. With these elliptical, vernacular histories of deviant behaviors, Rick finally unveils—and live narrates!—long-hidden footage that will surprise...even shock: Booze parties of failed St. Louis contractors, naïve surrealism from Detroit POV shooters, and the first part of his Greater Mexico project—the Southwest desert filmed in the 30s, but never publically screened until now. Opening: The SF-based Internet Archive, truly a godsend for human cultural history, scans and makes freely available both amateur and industrial films of practically every format. Insiders Tim Johnson and LX Rudis share some of the most anomalous entries in its motion picture collection, including Isaac Asimov’s Artificial Man, The Internet in 1998, Experiments in Motion Graphics, and four other fragments...some re-mixed!! Free Civil Defense crackers. 

TUESDAY, MARCH 13, 2018

3/13
Brooklyn, NY: Light Industry
http://www.lightindustry.org/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=66b2f7664e&e=f36020cad0> 
7:30, 155 Freeman Street
DYKE TV
Curated by Kelly Rakowski (IG: @h_e_r_s_t_o_r_y) and Ainara Tiefenthäler You’re watching Dyke TV, television to incite, subvert, organize, and provoke — the opening line of the first show from, by, and for lesbians. Founded by Ana Maria Simo, Linda Chapman, and Mary Patierno, and based out of New York City, Dyke TV first aired in 1993 and became a weekly staple on dozens of public TV stations across the country. Its topics ranged from the killing of Brandon Teena and the conviction of Aileen Wuornos, to the latest Madonna sex-gossip and the daily joys and grievances of gay cowgirls, immigrants, athletes, cops, artists, you name it. Regular segments of the magazine-style show included Street Squad’s ”dyke on the street” interviews, Lesbian Health, Workplace, and audience favorite I Was a Lesbian Child, in which grown-up lesbians narrated their own childhood photos. 

THURSDAY, MARCH 15, 2018

3/15
Montréal: VISIONS
http://www.visionsmtl.com/kelly-egan.html <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1e0eb9ba51&e=f36020cad0> 
20H00, la lumière collective [7080, rue Alexandra, #506, Montréal, QC, H2S 3J5]
VISIONS | 15.03.18
Kelly Egan [+ Oskar Fischinger + Barry Spinello + Lis Rhodes + Guy Sherwin + Richard Reeves + Scott Stark + Jodie Mack + Scott Fitzpatrick + Rhayne Vermette] //// 16mm 

3/15
New York, NY: Anthology Film Archives
http://www.anthologyfilmarchives.org/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3b94ba0173&e=f36020cad0> 
7:00 PM, 32 Second Avenue
CINEKINK PRESENTSâ€¦CINEKINK: NYC
The 15th annual CINEKINK: NYC - "the kinky film festival!" - will feature a program of films and videos that cut across orientations to celebrate and explore a wide diversity of sexuality. Presented by CineKink, an organization that encourages and promotes sex-positive and kink-friendly depictions in film and television, the festival showcases works ranging from documentary to drama, camp comedy to artsy experimental, mildy spicy to quite explicit - and everything in between. For the full schedule, advance tickets, and information on the festival's kick-off party (March 14) and concluding awards ceremony/party (March 18), both of which take place at other venues, visit: www.cinekink.com. 

FRIDAY, MARCH 16, 2018

3/16
London, England: Cinema Museum
http://www.cinemamuseum.org.uk/2018/through-a-different-lens-film-work-by-joanna-margaret-paul/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0adf13184d&e=f36020cad0> 
19.30, 2 Dugard Way (off Renfrew Road) London SE11 4TH
THROUGH A DIFFERENT LENS / FILM WORK BY JOANNA MARGARET PAUL
“All my films poems paintings play more or less between inner and outer events.” – Joanna Margaret Paul. Filmmaker and curator Peter Todd presents this, the first, programme of 12 films, dedicated to New Zealand poet, painter, and filmmaker Joanna Margaret Paul. Often shot and edited in camera, her films chronicle motherhood and domestic life, the worn traces of urban settlement and the persistent presence of the natural world. Todd’s accompanying essay places Joanna Margaret Paul work in the lineage of filmmaker Margaret Tait and painter Frances Hodgkins. This screening follows the programmes presentation at the Glasgow Film Festival 2018 and last year’s sold out screening at London’s Close-Up cinema. All films have been transferred from 8mm and 16mm film to HD video. Total duration 68 min. Through a Different Lens / Film Work by Joanna Margret Paul was commissioned by CIRCUIT Artist Film and Video Aotearoa New Zealand with the support of Creative New Zealand. With thanks to the estate of Joanna Margaret Paul and the Paul family. Presented in association with Aerial. 

3/16
New York, NY: Anthology Film Archives
http://www.anthologyfilmarchives.org/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1b983993f4&e=f36020cad0> 
7:00 PM,, 32 Second Avenue
12 DAYS - RAYMOND DEPARDON & CLAUDINE NOUGARET IN PERSON!
by Raymond Depardon. Raymond Depardon & Claudine Nougaret will be here in person on Friday, March 16! They will appear for a Q&A following the 7:00 show and will introduce the 9:00 screening. (12 JOURS) U.S. THEATRICAL PREMIERE RUN! Distributed by DistribFilms US; special thanks to Clemence Taillandier. Despite - or rather because of - the simplicity and directness of its formal structure, this extraordinary new film by renowned photographer and documentary filmmaker Raymond Depardon is a work of overwhelming emotional power and penetrating social incisiveness. Depardon's frequent focus on social institutions - and the men and women whose lives are impacted by them - has (justifiably) inspired comparisons to the work of Frederick Wiseman. But in films such as DÃ‰LITS FLAGRANTS (1994), 10TH JUDICIAL COURT (2004), and now 12 DAYS, Depardon eschews Wiseman's generally panoramic view in favor of a more concentrated engagement with very specific institutional mechanisms, recording the experiences of a succession of individuals as they submit to police interrogations, judicial hearings, or, now, psychiatric interviews. 12 DAYS focuses on those who have been involuntarily remanded to a mental hospital, and more specifically documents the hearings that, according to a 2013 law, are required to take place 12 days after each patient has been committed. At these hearings, the patients are given an opportunity to argue for their freedom, before a judge who ultimately decides whether they will go free or return for further treatment. Encompassing questions of mental health, power, class, agency, and the dynamics of societal institutions, 12 DAYS is consummately controlled yet suffused with empathy and compassion. For this U.S. theatrical premiere run, we'll be showing 12 DAYS alongside two earlier Depardon documentaries exploring mental health institutions, as well as his two previous films, JOURNAL DE FRANCE (2012) and FRANCE (LES HABITANTS) (2016), neither of which have been released in the U.S. "Rarely, if only in URGENCES or classics like Frederick Wiseman's TITICUT FOLLIES or John Huston's LET THERE BE LIGHT, has a filmmaker been able to document madness in such a direct wayâ€¦. These people may be deeply disturbed, but they come across as highly empathetic and even quite funny despite the very dark lives they lead." -Jordan Mintzer, HOLLYWOOD REPORTER 

3/16
New York, New York: Filmmakers Coop
http://www.film-makerscoop.com <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5101b67a13&e=f36020cad0> 
7pm, 475 Park Ave. S. 6th Floor 
DRAWING HIROSHIMA MON AMOUR
Artist Ellen Sullivan Sylvarnes present her series "Drawing Hiroshima Mon Amour" alongside excerpts from the iconic film. RSVP REQUIRED: FILMMAKERSCOOP at GMAIL.COM Sugested Donation: $10 475 Park Ave S. 6th Floor Ellen Sullivan Sylvarnes is an artist mostly known for her exquisite abstract paintings and conceptual approach to figuration. In the series Drawing Hiroshima Mon Amour, which consists of 26 works on mylar paper completed in the 1990’s, she re-contextualizes the visual language of Alain Resnais’ monumental film HIROSHIMA MON AMOUR. A selection of these works were first featured in the “Personally Political: Contemporary Sensation” exhibition at the Kunsthaus Tacheles in Berlin. At tonight’s lecture she will present these works which expand upon the film’s poetic use of space and explore the boundaries between image, language and abstraction. This pictorial use of space dwells in the interstice between immediacy and reflection. What does it mean to work from a pre-existing work as a model to challenge the assumption that a work of art is finished by the artist themselves; or as a continuous and endless line punctuated by others. Although the drawings employ the visual language of the film itself they stand outside the film as a conceptual reflection. Ellen will speak of her own techniques as an artist and to her creative response to the film. Including simulation and the process of mining imagery and present day sampling. The film released in 1961 is a love story within the context of a personal tragedy in the shadow of a monumental tragedy. The drawings are a vehicle to create an extended and expansive meaning to the original work. The evening will include projected clips from the film with a Q&A after the talk. Refreshments will be served after the event. 

SATURDAY, MARCH 17, 2018

3/17
San Francisco, California: Other Cinema
http://www.othercinema.com/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=312c139c0c&e=f36020cad0> 
8 PM, 992 Valencia Street
PSYCHO-GEO2:MEMORIES: SKOLLER ON HIROSHIMA + FATAL + HOPINKA +
World premiering is Jeffrey Skoller’s The Unimagined Lives of Our Neighbors, a first-person remembrance from one of the first US sailors on the ground in post-atomic Hiroshima and Nagasaki. From the very mouth of Skoller’s 92-year-old Berkeley neighbor, Joe Fischer, the tale-telling comes across in a riveting minimal mode, foregrounding the witnessing, the fragile personal narration of History and Place. In its Bay Area debut, Rob Fatal’s (in person) autobiographical Order Class Family Tribe is also a masterful accounting--of the racial complexity of his Native/Latinx family–told through sub-titles! Sky Hopinka’s Dislocation Blues also re-frames memory in the bittersweet recounting of last year’s Native stand-off at Standing Rock. ALSO: A good portion of Anton Bielecki’s own family chronicle–-a poly-vocal archival collage about his grandmother’s escape from a Nazi work camp. 

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