[Frameworks] Long takes and still images/ photography in experimental films
info at mawhitman.com
info at mawhitman.com
Mon Mar 12 18:53:00 UTC 2018
I’m not sure if she was mentioned already (?) but I would also take a look at Chantal Akerman’s work - News From Home, Jeanne Dielman, La Chambre, Hotel Monterey all come to mind right away, among others
Matt Whitman
www.mawhitman.com
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> On Mar 12, 2018, at 10:19 AM, lagonaboba <lagonaboba at gmail.com> wrote:
>
> David Rimmer’s Surfacing on the Thames
> Ernie Gehr Still
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>
>> On Mar 12, 2018, at 10:01 AM, Sebastian Wiedemann <wiedemann.sebastian at gmail.com> wrote:
>>
>>
>> Thanks to all,
>> Great and so generous comments. And indeed sorry for being so imprecise when I asked to reference on "long takes". What I was wondering, was an intrinsic relationship between long takes and still images. Films that include both procedures. Like Weerasathakul in Uncle Boonme that include both or when Sukurov and Tarkovsky make long takes from paintings (If we consider painting also as still images) or even Hollis Frampton's Nostalgia and the classic Wavelength by Michael Snow.
>> Once again thanks and I will check all the stuff you share with me,
>> Best,
>> Sebastian
>>
>>
>>
>>
>> Sent with Mailtrack
>>
>> 2018-03-12 10:55 GMT-03:00 konstantinos goutos <videoflaneur at gmail.com>:
>>> ...since 2002 I am only working (or walking;) with long takes
>>> and very often the whole work consists of one long take...
>>>
>>> Time Is variable: from 2 minutes:
>>>
>>> https://vimeo.com/user2082822/les-mysteres-de-paris-i
>>>
>>> till 16 minutes or more..:
>>>
>>> https://vimeo.com/user2082822/thevideoflaneu-shoots-himself-suite-a-des-problemes
>>>
>>>
>>> konstantinos-antonios goutos / the[video]Flâneu®
>>> am ortenbergsteg 1,
>>> d-35039 marburg
>>>
>>> mobile:+49 1520 51 33 257
>>> mobile:+49 1763 48 77 173
>>> home: +49 6421 8405497
>>>
>>> videoflaneur at gmail.com
>>>
>>> https://konstantinosantoniosgoutos.wordpress.com
>>> http://videoflaneur.googlepages.com
>>>
>>>
>>> 🖼 next shows 📽
>>>
>>> -thewrongwater.org online show
>>> -space/time berlin (d), spring 2018
>>> -kunst in marburg, marburger kunstverein (d), june 29th-august 16th, 2018
>>> -distraction and propaganda, MART gallery dublin (irl), july 2018
>>> -a virtual memorial madrid 2018, november 8th-10th, 2018, museo la neomudejar, madrid (es)
>>>
>>>
>>> ✉️ next grants 🥇
>>>
>>> -goerlitz (d), fall 2018-summer 2019, artist-in-residence,
>>> university of applied sciences zittau - goerlitz
>>>
>>>
>>> 📚 next publications 📖
>>>
>>> -10 years artists-in-residence enschede (nl), anniversary book, may 2018
>>>
>>>
>>> 💡 next praxis workshops / conferences 🔖
>>>
>>> -urban walking – the Flâneur as an icon of metropolitan culture in literature and other media, jena (d), march 9-10, 2018
>>>
>>>
>>> 🚶next [video]strolling.workshops 📹
>>>
>>> -fbs giessen and city giessen (d) march 17th, 2018
>>> -volkshochschule (=folk high school) kreis giessen and city lich (d), april 14th-15th, 2018
>>> -volkshochschule (=folk high school) wetzlar and city wetzlar(d), april 21th-22th, 2018
>>> -volkshochschule (=folk high school) kreis marburg-biedenkopf and city biedenkopf (d), april 28th, 2018
>>> -volkshochschule (=folk high school) marburg and city marburg (d), may 5th, 2018
>>> -volkshochschule (=folk high school) kreis giessen and city frankfurt (d), june 9th-10th, 2018
>>> -academy burg fürsteneck, eiterfeld (d), june 22th-24th, 2018
>>> -bergische volkshochschule (=folk high school) wuppertal and city wuppertal (d), june 30th-july 1, 2018
>>> -volkshochschule (=folk high school) mettmann-wülfrath and city mettmann (d), july 7th-8th, 2018
>>> -hessische lernkräfteakademie, summer conference, august 31th, 2018, frankfurt am main (d)
>>>
>>> 12 Μαρ 2018, 2:38 μμ, ο χρήστης «konstantinos-antonios goutos <videoflaneur at gmail.com>» έγραψε:
>>>
>>>>
>>>>
>>>> Στις Κυρ, 11 Μαρ 2018 στις 8:10 μμ ο χρήστης lady snowblood <snowbloods.parasol at gmail.com> έγραψε:
>>>>> I know it’s “television” but ... Twin Peaks : The Return is, in its entirety, astonishingly slow. Certain scenes are given the padding of ‘not turning away’ from really uncomfortable moments (especially couples fighting). One episode ends with a 3.5 minute shot of a bartender sweeping up peanut shells from the bar.
>>>>>
>>>>> The whole series lasts 18 hours; Lynch exhausts the viewer’s expectation of ‘plot movement’ early on by shifting the pacing. Pacing and sound design really put this in an ‘experimental’ space.
>>>>>
>>>>> I know it’s not film, and I know it’s pretty easy to tag the whole thing ‘Brechtian’ and move on, but it’s remarkable that this ended up on Showtime last year ... Every time an email comes through answering this question I think about the remarkable slowness and prevalence of single camera long shots; I need to say it :)
>>>>>
>>>>> Jessica
>>>>>
>>>>> * * * * *
>>>>>
>>>>> Jessica Fenlon
>>>>>
>>>>> artist : poet : experimental : http://sixth-station.com
>>>>>
>>>>> flickr : vimeo : instagram
>>>>>
>>>>>> On Mar 11, 2018, at 10:28 AM, Gashouse Films <gashousefilms at gmail.com> wrote:
>>>>>>
>>>>>> Add in Filipino filmmaker Lav Diaz whose films average length around 4-6 hrs
>>>>>>
>>>>>>> On Fri, Mar 9, 2018 at 10:53 AM, Jorge Lorenzo Flores Garza <jorgelorenzo at hotmail.com> wrote:
>>>>>>> Larry Gottheim's work.
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> De: FrameWorks <frameworks-bounces at jonasmekasfilms.com> en nombre de graemehogg at irational.org <graemehogg at irational.org>
>>>>>>> Enviado: viernes, 9 de marzo de 2018 09:58 a. m.
>>>>>>> Para: Experimental Film Discussion List
>>>>>>> Asunto: Re: [Frameworks] Long takes and still images/ photography in experimental films
>>>>>>>
>>>>>>>
>>>>>>> Whats long? ASL for industrial cinema ranges from 3 - 6 seconds, so a shot
>>>>>>> of even 10 seconds would be double the average. The shot length possible
>>>>>>> on a clockwork Bolex of about 20 seconds is common throughout the field you
>>>>>>> are researching so are they normal or long? Does experimental cinema
>>>>>>> materialogically deal with longer takes, so is there 'long' for exp'
>>>>>>> cinema and long for 'narrative' cinema? The two being different. Does a
>>>>>>> still frame copied thousands of times on a printer constitute a 'take'?
>>>>>>> Does animation count as 'take based', ie Rhythmus 21 is a continuous flow
>>>>>>> that is unified in the end as a take?
>>>>>>>
>>>>>>> Sorry for all the questions.....
>>>>>>>
>>>>>>> I guess check out 'Motion(less) Pictures: The Cinema of Stasis (Film and
>>>>>>> Culture Series)' by Justin Remes amongst probably loads of other good
>>>>>>> books.
>>>>>>>
>>>>>>>
>>>>>>> ||||||||||||||||||||||||||||||||||||||
>>>>>>> NACHLEBEN FILM LAB AND ARCHIVE
>>>>>>> http://www.nachleben.org.uk
>>>>>>> n a c h l e b e n – Experimental film lab and archive
>>>>>>> www.nachleben.org.uk
>>>>>>> I have finally, after what feels like 10 years (prob 10 years since acquiring this machine) but is […]
>>>>>>>
>>>>>>>
>>>>>>> CUBE CINEMA. BRISTOL
>>>>>>> http://www.cubecinema.com/
>>>>>>> ||||||||||||||||||||||||||||||||||||||
>>>>>>>
>>>>>>> On Thu, 8 Mar 2018, Sebastian Wiedemann wrote:
>>>>>>>
>>>>>>> > [7dd061b1eb7afcde9b6c43cda741479e5ff7e486.png?u=95490]
>>>>>>> > Dear Frameworkers,
>>>>>>> > I'm beginning a research about the presence of long takes and still images/photography as expressive resources in the production of experimental films.
>>>>>>> > If anyone has in mind films that work with these procedures and can share with me some titles, I will appreciate a lot.
>>>>>>> > Best,
>>>>>>> > Sebastian
>>>>>>> >
>>>>>>> > --
>>>>>>> > Sebastian Wiedemann
>>>>>>> > http://swiedemann.tumblr.com/
>>>>>>> > http://wavesproject.tumblr.com/
>>>>>>> > http://hambrecine.com/
>>>>>>> >
>>>>>>> >
>>>>>>> >
>>>>>>> >
>>>>>>> > [icon-signature.png] Sent with Mailtrack
>>>>>>> >
>>>>>>> >
>>>>>>>
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>>>>>>
>>>>>>
>>>>>>
>>>>>> --
>>>>>> Daniel Maldonado
>>>>>>
>>>>>> "H.O.M.E."
>>>>>>
>>>>>> www.homeacronymfilm.com
>>>>>>
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>>
>>
>> --
>> Sebastian Wiedemann
>> http://swiedemann.tumblr.com/
>> http://wavesproject.tumblr.com/
>> http://hambrecine.com/
>>
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