[Frameworks] Narratives of Copyright Play

[Francisco Torres]

there is this book-
Cutting Across Media
Appropriation Art, Interventionist Collage, and Copyright Law

https://www.dukeupress.edu/cutting-across-media

2019-05-03 5:14 GMT-07:00, Seth Pimlott <seth.pimlott at network.rca.ac.uk>:
> Hi Bernie,
>
> You must read this: Erika Balsom’s ‘After Uniqueness: A History of Film and
> Video Art in Circulation’
> <https://cup.columbia.edu/book/after-uniqueness/9780231176934>
>
> Extremely relevant to discussions of intellectual property/copying
> technologies/copyright connected to artist moving image, and extremely good
> too :)
>
> I wrote a review
> <http://sethpimlott.com/erika-balsom-after-uniqueness.html>
> for Art Monthly in the UK when it was released that might give a sense of
> it.
>
> All best,
>
> Seth
>
> On Fri, 3 May 2019 at 02:50, Bernard Roddy <roddybp0 at gmail.com> wrote:
>
>> Hey everyone:
>>
>> I'm teaching a course in a computer science program in which I devote a
>> week to intellectual property. The use of found footage became more
>> interesting as a result of looking for cases with which to raise ethical
>> debate and present new terms of analysis.
>>
>> In a slight departure from the expected narrative of the ethical dilemma
>> faced in employment circumstances by the computer programmer or data
>> analyst (security analysis seems to be the major to go wtih), I looking
>> at
>> a 2003 text from Artforum on the preservation of a film by Bruce Conner
>> (Crossroads, 1976). Has anyone seen this film?
>>
>> But also, are there other such sources that anyone can think of for this
>> kind of discussion? I am thinking of the whole matter of engaging a court
>> system but in terms that are sympathetic with moving image artistic
>> practice.
>>
>> Bernie
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>>
>