[Frameworks] Filmmakers who use(d) visual scores or other forms of notation

[Tara]

Rose Lowder does not score her films before shooting. Her notebooks are transcriptions of the films made after they are shot. 
Tara Merenda Nelson

> On Oct 3, 2019, at 4:12 AM, Albert Alcoz <albertalcoz at gmail.com> wrote:
> 
> Dear Alix,
> 
> Concerning this field the major recommendation would be the PhD dissertation written by Michelle Adrianna Puetz.
> "Variable Area: Hearing and Seeing Sound in Structural Cinema, 1966–1978" is the title of an awesome study you can find online as a pdf.
> 
> In 2018 the (S8) film festival organized an exhibition curated by Gloria Vilches and Elena Duque named El cine en papel about this same idea.
> There were drawing pieces and filmstrips by Lis Rhodes, Peter Kubelka, Rose Lowder, etc.. 
> 
> Other names that comes to mind: Bill Brand, Ladislav Galeta, Heinz Emigholz.
> I'm not sure about it but maybe some of the filmmakers behind the Workshop of Film Form were working with visual scores too.
> 
> Albert 
> 
>> On Thu, Oct 3, 2019 at 3:56 AM FrameWorks Admin <frameworks at re-voir.com> wrote:
>> Dear Alix,
>> I think there are many. Of course Paul Sharits, as can be seen in the documentary on him by François Miron.
>> I have images from scores by Peter Kubelka, Peter Rose, Martin Arnold, Joost Rekveld and even myself.
>> There are also scores made a posteriori for example, by Huckleberry Lain of Arnulf Rainer.
>> - Pip Chodorov
>> 
>> 
>> > On Oct 3, 2019, at 7:48 AM, Alix Blevins <alixblev at gmail.com> wrote:
>> > I'm working on a project and looking for references of filmmakers whose works employ visual scores and/or other graphic notation in making films (e.g. Kurt Kren, Rose Lowder). 
>> > 
>> 
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> 
> 
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