[Frameworks] Experimental films on photography

Tue Jun 9 11:27:38 UTC 2020

Hello Albert,

You might be interested by
*Fotomatar* by Dominique Noguez
*Post-digital Flipbook* by Pablo-Martin Cordoba
*Le Speelberg Indien* & *Pas à Lille* by Eric Deneuville
*H.E.H.* by Stéphane Deluermoz
*24 clichés que j'ai occupé* & *Mur blanc Eau noire* by Daphné Le Sergent
*Near and far, now and then* by Ken Kobland
*Angel Beach* by Scott Stark (and many other of his works)
*Rodez* by Stefano Miraglia
*Polaroid versus Roman photo* by Yves-Marie Mahé

Hope this will help you

All best,

Théo Deliyannis

Administration & coordination générale
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FESTIVAL DES CINÉMAS DIFFÉRENTS
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22e édition (octobre 2020)
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Le mar. 9 juin 2020 à 12:48, <frameworks-request at jonasmekasfilms.com> a
écrit :

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> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> Today's Topics:
>
>    1. Experimental films on photography (Albert Alcoz)
>    2. Re: Experimental films on photography (Ingo Petzke)
>    3. Online class in experimental techniques starts in July!
>       (Nicole Baker)
>
>
>
> ---------- Forwarded message ----------
> From: Albert Alcoz <albertalcoz at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Tue, 9 Jun 2020 12:06:31 +0200
> Subject: [Frameworks] Experimental films on photography
> Hello all,
>
> I was making a list of experimental film practices on photography and I
> was wondering if you could suggest more titles.
>
> At first I wanted to focus just on movies where photographs are deleted
> (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis
> Frampton and the project *Found Monochromes* by David Batchelor (slides).
> Does anyone know other films where the main purpose is the destruction or
> the invisibility of photographs?
>
> On the other hand I have started a list of films made from photographs.
> There are dozens of films (some of them animations) where the object of
> analysis are still images, from filmed Polaroids to appropriation of
> advertising images from magazines or the accumulation of digital images
> found on the internet:
>
> *Transformation by Holding Time* by Paul de Nooijer
> *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler
> *Production Stills* by Morgan Fisher
> *Frank Film* by Frank Mouris
> *Boy Meets Girl* by Eugènia Balcells
> *Wall *by Takashi Ito
> *Photodiary *by Takashi Ito
> *Clandestine Porn Film* by Augustin Gimel
> *DIES IRAE* by Jean Gabriel Périot
> *The World as Will and Representation* de Roy Arden
>
> Do others come to mind?
>
> Thank you,
> Albert Alcoz
> --
> http://albertalcoz.com/
>
>
>
> ---------- Forwarded message ----------
> From: Ingo Petzke <ingo at petzke.biz>
> To: "'Experimental Film Discussion List'" <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Tue, 9 Jun 2020 12:22:46 +0200
> Subject: Re: [Frameworks] Experimental films on photography
>
> *Spacy* by Takashi Ito
>
>
>
> *** | Ingo Petzke | Alte Steige 17 | 97204 Höchberg | Germany | ph +49 931
> 4049949 |mob +49 176 83733444  |***
>
>
>
> *Von:* FrameWorks <frameworks-bounces at jonasmekasfilms.com> *Im Auftrag
> von *Albert Alcoz
> *Gesendet:* Dienstag, 9. Juni 2020 12:07
> *An:* Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> *Betreff:* [Frameworks] Experimental films on photography
>
>
>
> Hello all,
>
> I was making a list of experimental film practices on photography and I
> was wondering if you could suggest more titles.
>
> At first I wanted to focus just on movies where photographs are deleted
> (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis
> Frampton and the project *Found Monochromes* by David Batchelor (slides).
> Does anyone know other films where the main purpose is the destruction or
> the invisibility of photographs?
>
>
>
> On the other hand I have started a list of films made from photographs.
> There are dozens of films (some of them animations) where the object of
> analysis are still images, from filmed Polaroids to appropriation of
> advertising images from magazines or the accumulation of digital images
> found on the internet:
>
>
>
> *Transformation by Holding Time* by Paul de Nooijer
> *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler
> *Production Stills* by Morgan Fisher
>
> *Frank Film* by Frank Mouris
>
> *Boy Meets Girl* by Eugènia Balcells
>
> *Wall *by Takashi Ito
>
> *Photodiary *by Takashi Ito
>
> *Clandestine Porn Film* by Augustin Gimel
>
> *DIES IRAE* by Jean Gabriel Périot
> *The World as Will and Representation* de Roy Arden
>
>
> Do others come to mind?
>
> Thank you,
>
> Albert Alcoz
> --
> http://albertalcoz.com/
>
>
>
> ---------- Forwarded message ----------
> From: Nicole Baker <nebaker at pnca.edu>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Tue, 9 Jun 2020 16:47:57 +0600
> Subject: [Frameworks] Online class in experimental techniques starts in
> July!
> Hello everyone!
> This summer I am teaching an online course in Digital Media Glitching and
> Databending. The course covers multiple techniques to "glitch" video,
> audio, and image files, and has equally exceptional results on digital
> files of film transfers. The course will also cover some of the theory
> behind glitch work, much of which intersects with the concepts behind
> handmade film and associated "flawed" film techniques.
> It is a really interesting point of crossover between digital/video and
> film. So even if you're not really a "video person" this course could be
> appealing.
> I attached the flyer for the class, and am happy to give you additional
> information about the course if you are interested. (Please contact me
> *off-list*.)
> You can register here:  https://cereg.pnca.edu/p/adult/s/2007
>
> Thanks for reading!
> Nicole Elaine Baker Peterson
> Founder & Head Programmer, Media Monsters
> *twitch.tv/media_monsters <http://twitch.tv/media_monsters> | **magiklantern.com
> <http://www.magiklantern.com/>*
>
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