[Frameworks] Experimental films on photography

[Dominic Angerame]

La jette

On Tue, Jun 9, 2020 at 5:51 AM jimmyschaus1 . <jimmyschaus at gmail.com> wrote:

> &
>
> James Kienitz Wilkins' *Indefinite Pitch*
> Raul Ruiz's *Colloque de Chiens <https://vimeo.com/74492851>*
>
> On Tue, Jun 9, 2020 at 8:38 AM Michael Betancourt <
> hinterland.movies at gmail.com> wrote:
>
>> my movie, Postcard Film
>>
>>
>> Michael
>>
>> michael at michaelbetancourt.com
>> Sent from my phone
>>
>> On Jun 9, 2020, at 6:06 AM, Albert Alcoz <albertalcoz at gmail.com> wrote:
>>
>> 
>> Hello all,
>>
>> I was making a list of experimental film practices on photography and I
>> was wondering if you could suggest more titles.
>>
>> At first I wanted to focus just on movies where photographs are deleted
>> (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis
>> Frampton and the project *Found Monochromes* by David Batchelor (slides).
>> Does anyone know other films where the main purpose is the destruction
>> or the invisibility of photographs?
>>
>> On the other hand I have started a list of films made from photographs.
>> There are dozens of films (some of them animations) where the object of
>> analysis are still images, from filmed Polaroids to appropriation of
>> advertising images from magazines or the accumulation of digital images
>> found on the internet:
>>
>> *Transformation by Holding Time* by Paul de Nooijer
>> *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler
>> *Production Stills* by Morgan Fisher
>> *Frank Film* by Frank Mouris
>> *Boy Meets Girl* by Eugènia Balcells
>> *Wall *by Takashi Ito
>> *Photodiary *by Takashi Ito
>> *Clandestine Porn Film* by Augustin Gimel
>> *DIES IRAE* by Jean Gabriel Périot
>> *The World as Will and Representation* de Roy Arden
>>
>> Do others come to mind?
>>
>> Thank you,
>> Albert Alcoz
>> --
>> http://albertalcoz.com/
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