[Frameworks] FW: New book: Experimental Film and Photochemical Practices

[Bernard Roddy]

I read the first four pages. One can hear in this the debates associated
with higher education and the resources available to would-be students,
hiring patterns and decisions about what programs to cut or what
technologies to teach. It feels like some kind of report to a dean or to a
chief executive officer who would otherwise be reading the Wall Street
Journal about the new iPhone and investment strategy. One can surmise that
this discourse also turns on questions concerned with the liberal arts and
the value of course work in which "currency" is not respected. Could this
survive more fruitfully in the context of studio art programs and course
work that include creative writing? We're looking at a student body that
enrolls for reasons that are difficult to translate into other cultures or
economies.

Bernie

On Tue, Nov 3, 2020 at 9:10 AM Kim Knowles <kim.knowles at edfilmfest.org.uk>
wrote:

> OOOPS!, well it seems I attached the whole book rather than the flyer
> (mid-semester fatigue!!), so enjoy! But if you do want to buy the physical
> copy here’s the flyer.
>
> Happy reading!
>
> Kim
>
>
>
> *From: *Kim Knowles <kim.knowles at edfilmfest.org.uk>
> *Date: *Tuesday, 3 November 2020 at 13:57
> *To: *Experimental Film Discussion List <frameworks at film-gallery.org>
> *Subject: *New book: Experimental Film and Photochemical Practices
>
>
>
> Dear Frameworkers,
>
>
>
> I’m delighted to announce the publication of my book *Experimental Film
> and Photochemical Practices*, part of the Palgrave Macmillan series in
> Experimental Film and Artists’ Moving Image:
> https://www.palgrave.com/gp/book/9783030443085. This has been an epic
> project, shaped by many people on this list. Thank you so much to everyone
> who contributed, both directly and indirectly.
>
>
>
> I attach a flyer, which entitles you to 20% off the original price.
>
>
>
> Description:
>
> This book assesses the contemporary status of photochemical film practice
> against a backdrop of technological transition and obsolescence. It argues
> for the continued relevance of material engagement for opening up
> alternative ways of seeing and sensing the world. Questioning narratives of
> replacement and notions of fetishism and nostalgia, the book sketches out
> the contours of a photochemical renaissance driven by collective passion,
> creative resistance and artistic reinvention. Celluloid processes continue
> to play a key role in the evolution of experimental film aesthetics and
> this book takes a personal journey into the work of several key
> contemporary film artists. It provides fresh insight into the communities
> and infrastructures that sustain this vibrant field and mobilises a wide
> range of theoretical perspectives drawn from media archaeology, new
> materialism, ecocriticism and social ecology.
>
>
>
> Book launch details to follow.
>
>
>
> All the best,
>
> Kim
>
>
>
>
>
> Kim Knowles
>
> Experimental Film Programmer
>
> EIFF is an accredited Real Living Wage employer.
>
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