[Frameworks] artists films/experimental films about cinemas

[Chris Lange]

Its, haha.

> On Apr 26, 2021, at 1:46 PM, Chris Lange <cinepaint at gmail.com> wrote:
> 
> https://vimeo.com/241251449 <https://vimeo.com/241251449>
> 
> The Last Reel shows a second-run movie theater and it’s last run of 35mm film.
> 
> -Chris
> 
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>> On Apr 26, 2021, at 1:40 PM, Julian Antos <julian at chicagofilmsociety.org <mailto:julian at chicagofilmsociety.org>> wrote:
>> 
>> I really love Scott Norwood's two films "Cinema Time Capsule" and "The Exhibitor"
>> 
>> https://www.cinematimecapsule.com/ <https://www.cinematimecapsule.com/>
>> https://www.exhibitorfilm.com/ <https://www.exhibitorfilm.com/>
>> 
>> Both are really lovely films. He has both 16mm and 35mm prints available for both. 
>> 
>> On Mon, Apr 26, 2021 at 12:31 PM Albert Alcoz <albertalcoz at gmail.com <mailto:albertalcoz at gmail.com>> wrote:
>> Hello Bryan,
>> 
>> Three Spanish films that come to mind regarding "films about cinemas".
>> I have just read the MoMA bought the second one:
>> 
>> La sortie (2008) de Chus Domínguez. 10’
>> https://vimeo.com/52296364 <https://vimeo.com/52296364>
>> 
>> Cinema Mundial 1957-2007 (2007) de Carles Asensio. 18’
>> https://vimeo.com/237120871 <https://vimeo.com/237120871>
>> 
>> 25 CINES/seg (2017) de Luis Macías. 39'
>> http://luismacias.es/25-cines-seg/ <http://luismacias.es/25-cines-seg/>
>> 
>> Best,
>> Albert
>> 
>> On Mon, Apr 26, 2021 at 7:18 PM jjmartinod <jjmartinod at protonmail.com <mailto:jjmartinod at protonmail.com>> wrote:
>> damn, sent to ALL!
>> 
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>> -
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>> Sent with ProtonMail <https://protonmail.com/> Secure Email.
>> 
>> ‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐
>> On Monday, April 26, 2021 11:16 AM, jjmartinod <jjmartinod at protonmail.com <mailto:jjmartinod at protonmail.com>> wrote:
>> 
>>> Hey Bryan,
>>> How's it all? 
>>> Here from an apple orchard|vineyard officially homeless, though never better. 
>>> Wanted to day I'd be happy to schedule a talk about Youngblood(would be willing in person, socially distanced etc etc etc, as I'm fully vaccinated) but am leaving for the east for a recording gig on May 8, & also will be in ABQ Friday 7th. Maybe that works? Zoom works too. I'd also encourage to talk to Martín Baus(mabausru at gmail.com <mailto:mabausru at gmail.com>), the person who translated Secession from the Broadcast, who might have been in touch with him up until his most lucid last moments. 
>>> Also, here goes a film about cinemas:
>>> https://vimeo.com/122070258 <https://vimeo.com/122070258>
>>> password: monopolio
>>> 
>>> salud!
>>> j-j
>>> 
>>> 
>>> ps:
>>> i have a small curated program I am working on but haven't found a home for it. Doc/experiments on "liminal spaces". A handful of filmmakers who feel natura-in-the-camera. Any suggestions would help!
>>> 
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>>> Sent with ProtonMail <https://protonmail.com/> Secure Email.
>>> 
>>> ‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐
>>> On Monday, April 26, 2021 10:36 AM, Bryan Konefsky <bkonefsky at gmail.com <mailto:bkonefsky at gmail.com>> wrote:
>>> 
>>>> Hi all, I am in the early moments of curating a program of films (artists'/experimental/personal) that think about cinemas. I would prefer short films and these can be pre-COVID/COVID/post-COVID works. Please send along suggestions.
>>>> thanks
>>>> Bryan Konefsky
>>>> president, Basement Films
>>>> founder/director, Experiments in Cinema
>>>> 
>>>> Great art has always gone to the masses, to their hopes and dreams, for that spark that kindled their souls. The rest, "the many, all too many" as Nietzsche called mediocrity, have been mere commodities that can be bought with money, cheap glory, or social position.
>>>> - Emma Goldman
>>> 
>> 
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>> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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>> 
>> -- 
>> Julian Antos
>> Chicago Film Society
>> Now in our tenth year!
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