[Frameworks] Paul Sharits and Woody Vasulka?
Gregory Zinman
gzinman at mac.com
Tue Aug 10 13:18:32 UTC 2021
Many thanks for this, Sarah. Greatly appreciated!
Greg
> On Aug 10, 2021, at 3:10 AM, Kolberg, Sarah <skolberg at buffalo.edu> wrote:
>
> Hi Greg:
>
> Always excited to see people working on Paul’s work – he was a dear friend. Despite a significant difference in age, in the final years of his life he dated one of my dearest friends so we hung out together quite a lot. Somewhere in my storage I have a burned dress he made for a “fashion show”.
>
> In any event, I know Woody has passed, but Steina should still be able to be reached at
> 505-424-8786
> vasulka at vasulka.org <mailto:vasulka at vasulka.org>
>
> she may have some recollections that would help you.
>
> all best,
>
> ~ sarah
>
>
> From: Frameworks <frameworks-bounces at film-gallery.org> On Behalf Of Gregory Zinman
> Sent: Friday, August 6, 2021 8:03 PM
> To: Experimental Film Discussion List <frameworks at film-gallery.org>
> Subject: Re: [Frameworks] Paul Sharits and Woody Vasulka?
>
> Many thanks for this, Laura—totally new to me, and fascinating stuff, too.
>
> Greatly appreciated, and all best,
>
> Greg
>
>
>
>
> On Aug 6, 2021, at 5:53 PM, Laura McGough <lmcgough at buffalo.edu <mailto:lmcgough at buffalo.edu>> wrote:
>
> Greg -
>
> Are you talking about the Color Printing System meant to be built at the Center for Media Study at UB? If so, the answer is no, but there is a dense document created by Tony Conrad in the Vasulka Archive in which he worked out the specs for the system. I believe Tony and Woody we’re going to collaborate on the construction of this system.
>
> http://www.vasulka.org/archive/Artists1/Conrad,Tony/ColorPrintingSystem.pdf <http://www.vasulka.org/archive/Artists1/Conrad,Tony/ColorPrintingSystem.pdf>
>
> Best,
>
> Laura McGough
>
>
> On Aug 6, 2021, at 3:17 PM, Christine Downing <downing.christine at gmail.com <mailto:downing.christine at gmail.com>> wrote:
>
>
> I know he used a Color-Aid packet for color frames in some of his work. I saw it at his house once and asked him about it. I don't remember seeing the set up, but it could have been shot with an animation stand or taped to a wall. This doesn't address the question about a device Woody made for Paul.
> https://www.dickblick.com/items/color-aid-paper-packet-4-12-x-6-assorted-pkg-of-220/ <https://www.dickblick.com/items/color-aid-paper-packet-4-12-x-6-assorted-pkg-of-220/>
>
>
>
> On Fri, Aug 6, 2021 at 2:55 PM Eric Theise <erictheise at gmail.com <mailto:erictheise at gmail.com>> wrote:
> I hope Greg doesn't mind me horning in on his question but I hope any answers/discussion will cc: frameworks as I'm always interested in learning more about Sharits' ways of working with color.
>
> Thanks, Eric
>
> P.S. Anyone been to/going to Anthology's Razor Blades restoration screenings?http://anthologyfilmarchives.org/film_screenings/calendar?view=list&month=8&year=2021#showing-53606 <http://anthologyfilmarchives.org/film_screenings/calendar?view=list&month=8&year=2021#showing-53606>
>
>
> On Fri, Aug 6, 2021 at 11:36 AM Zinman, Gregory A <gzinman3 at gatech.edu <mailto:gzinman3 at gatech.edu>> wrote:
> Hi Frameworkers,
>
> I am researching Paul Sharits’ working methods for an essay I am writing. Does anyone know anything about a light/color device that Woody Vasulka might have made for Sharits to photograph color images? If anyone has any information, or has a reference, it would be greatly appreciated.
>
> Thanks, and all best,
>
> Greg
> --
> Gregory Zinman, Ph.D.
> Associate Chair and Associate Professor
> School of Literature, Media, and Communication
> Georgia Institute of Technology
>
> Curator, 725 Ponce
>
> pronouns: he/him
>
> Making Images Move: Handmade Cinema and the Other Arts <https://www.ucpress.edu/book/9780520302730/making-images-move> (University of California Press, 2020)
>
> Handmade Cinema <http://www.handmadecinema.com/> website
>
> We Are in Open Circuits: Writings by Nam June Paik <https://mitpress.mit.edu/books/we-are-open-circuits> (The MIT Press, 2019)
>
>
>
>
>
>
>
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