[Frameworks] This Week in Avant Garde Cinema: August 21 - 29, 2021
This Week
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*This Week [August 21 - August 29, 2021] in Avant Garde Cinema*
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*DEADLINES APPROACHING*
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___________________________________________________________________________________
*sorted by submission deadline*
08.23.2021 Sundance Film Festival
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(Regular Deadline)
08.25.2021 International Film Festival Rotterdam (IFFR)
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08.26.2021 28th Chicago Underground Film Festival
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08.31.2021 Kinoscop – Analog Experimental Film Festival
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08.31.2021 Ann Arbor Film Festival
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(Regular Deadline)
09.01.2021 Swedenborg Film Festival
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09.04.2021 The 4th Annual Film and Video Poetry Symposium
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09.10.2021 Light Matter Experimental Film and Media Arts Festival
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09.13.2021 Slamdance
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(Late Deadline)
09.13.2021 Festival Prisme #4
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09.19.2021 Punto de Vista
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09.24.2021 Alchemy Film and Moving Image Festival
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(Early Deadline)
09.24.2021 18th accordi @ DISACCORDI - International Short Film Festival
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09.30.2021 Rencontres Internationales Sciences & Cinémas (RISC)
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10.01.2021 International Short Film Festival Oberhausen
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(Early Deadline)
10.15.2021 Thomas Edison Film Festival
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11.01.2021 Experiments in Cinema
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*EVENTS*
Enter your event announcements here
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*complicated sorting but a true attempt, enjoy!*
This week's programs (summary):
- Film Kitchen Presents A Tribute To Leo Vale
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[August
10-24, online]
- Process Experimental Film Festival
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[August
18-22, Riga, Latvia]
- EIFF Black Box Shorts: Interruptions
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[August
18-25, online, UK geolock]
- EIFF Black Box Shorts: Interconnections
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[August
18-25, online, UK geolock]
- Night Reels: Stacey Steers Exhibition
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[August
19-October 17, Montreal]
- Minutes, Hours, Days
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[August
21-23, LA]
- The Long Conversation
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[August 22, online]
- Good Skies Almost All the Time: Bruce Baillie Memorial Screening +
Publication Launch
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[August
23, SF]
- The 50Th Anniversary of Collectif Jeune CinéMa
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[August
27, Mains d'Œuvres (Saint-Ouen, near Paris)
- The 50Th Anniversary of Collectif Jeune CinéMa
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[August
28, Mains d'Œuvres (Saint-Ouen, near Paris)
- Gearwax: Old vinyl, Repurposed
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[August
29, online]
- The Long Conversation
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[August 29, online]
- Ecstatic Static Screenings
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[ongoing,
online]
*STARTING ON OR BEFORE AUGUST 21, 2021*
*August 10 - August 24*
Venue type: *Virtual, online event*
*Film Kitchen*
https://www.jumpcuttheater.org/film-kitchen
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7 PM EST August 10, recording avail until August 24, Event URL:
https://www.twitch.tv/jumpcuttheater
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*FILM KITCHEN PRESENTS A TRIBUTE TO LEO VALE*
Film Kitchen presents a very special tribute to Leo Vale, stalwart of the
1970s and 80s Pittsburgh film scene, who passed away in December of 2020.
Leo was a lifelong movie lover who started making 8mm films with his
brother Jim (J.T.) when they were kids. He attended CalArts in the 1970s
and was also a crucial figure in the early days of Pittsburgh Filmmakers,
where he developed a distinctive style of filmmaking reflecting a breadth
of cinematic and historical influences. His work can varyingly be described
as experimental, narrative, documentary, found footage, b-movie (and
sometimes all at once) but it is consistently visionary. Yet his films have
been almost entirely unseen for over 30 years, so we are honored to be able
to present every extant, complete Leo Vale movie. Of particular note is the
world premiere of a brand new 2K digital transfer of Leo’s most
well-remembered film, A Mighty Fortress Is Our God, a brilliantly edited,
shot-on-a-shoestring adventure spectacle that reimagines Pittsburgh’s South
Side as the site of holy fortress under attack from an airplane gunner.
Leo’s family and friends will join hosts Matthew R. Day and Steven Haines
for a remembrance. The live program will be broadcast free of charge to the
Jump Cut Theater Twitch stream starting at 7 PM on Tuesday, August 10th. A
recording of the event will remain viewable online until 8/24.
www.twitch.tv/jumpcuttheater
*___________________________________________________________________*
*August 18 - August 22*
Venue type: *Live, physical event*
Process Experimental Film Festival
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varies,
*Process Experimental Film Festival*
Experimental Film Festival Process will take place from 18th to 22nd of
August 2021 in Riga, Latvia. The festival is dedicated to analogue cinema,
celebrating the physical medium of film in all its personal, adventurous
and uncompromising forms. The first of a kind in Baltics, for the fourth
time Process will provide five days of film screenings, expanded cinema
performances, lectures, discussions as well as a two day expanded cinema
workshop on the weekend before the festival on August 14-15. This year the
overall theme of the festival is "End Of The World", reflecting both on
different kinds of loss and a possibility of something new. Along with
special focus programmes and events, the festival has three non-competitive
short film programmes for which everyone working with analogue film in any
kind of unconventional way is welcome to submit their work related to this
year's theme. Process is organised by Baltic Analog Lab which is an
artist-run film laboratory based in Riga, in collaboration with
guest-curators and artists differing each year. This year the programmes
will be selected by Erwin van't Hart from Rotterdam IFF and Tommaso
Isabella – a freelance curator of Filmmaker IFF (Milan), as well as Lāsma
Bērtule and Ieva Balode – members of Baltic Analog Lab. The festival is
organised by Baltic Analog Lab Main support comes from the State Culture
Capital Foundation.
*___________________________________________________________________*
*August 18 - August 25*
Venue type: *Virtual, online event, UK geolock*
Edinburgh International Film Festival
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streaming 24/7, Event URL:
https://www.filmhouseathome.com/tv/black-box-shorts-interruptions/1
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*Black Box Shorts: Interruptions*
Nine immersive works that engage with, reconfigure or subvert, the grammar
and processes of moving image making, applying the tools of repetition,
layering, circularity and physical contact, to strikingly inventive ends.
In considering cinematic space as a sensory landscape, the filmstrip is
explored as a vibrant site of tactile interactions and transformation;
reactivating archival ephemera, harnessing the artisanal processes of early
cinematic innovation, and powerfully entangling politics and aesthetics.
With works by Cherlyn Hsing-Hsin Liu, Michael Pisaro, Andrés Baron, Ann
Oren, Rhys Morgan, Kamila Kuc, Anna Kipervaser, Stefanie Weberhofer,
Stefano Canapa, Siegried A. Fruhauf.
Followed by a pre-recorded 30min Q&A
*___________________________________________________________________*
*August 18 - August 25*
Venue type: *Virtual, online event, UK geolock*
Edinburgh International Film Festival
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streaming 24/7, Event URL:
https://www.filmhouseathome.com/tv/black-box-shorts-interconnections/1
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*Black Box Shorts: Interconnections*
With their fluid approach to structure and close attention to rhythm, the
films in this programme demonstrate different ways of expressing connection
and interconnection – with oneself, with another, between humans and
non-humans, and with both the urban environment and natural surroundings.
They ask us to be attentive to the relationship between exterior and
interior worlds, transforming perception through new languages of
observation and contemplation.
With works by Lynne Sachs, Laida Lertxundi, Simon Liu, Caryn Cline, Linda
Fenstermaker, Reed O'Beirne, Julieta Maria, Peter Conrad Beyer, Charlotte
Pryce.
Followed by a pre-recorded 30min Q&A
*___________________________________________________________________*
*August 19 - October 17*
Venue type: *Live, physical event*
Cinémathèque québécoise
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M-F 12-9pm, SaSu 2-9pm ET, 335, boul. De Maisonneuve Est
*Night Reels: Stacey Steers Exhibition*
In a mystical and dreamlike atmosphere, the observation of the moon and the
stars joins the magic of the pre-cinema. This fall, the world of Stacey
Steers will enchant the two exhibition rooms of the Cinémathèque. The
exhibition "focuses on three series that the American artist created around
her latest films: PHANTOM CANYON (2006), NIGHT HUNTER (2011), and EDGE OF
ALCHEMY (2017). In this triptych exhibition bringing together animated
films, collages, astronomy instruments, and sculptures, Stacey Steers
explores the world of cinema, its technological history, its imaginary, its
icons. She pays tribute to emblematic female figures of early cinema, such
as Lillian Gish or Janet Gaynor, whom she reintroduces into vegetal or
surreal settings inspired by 19th century engravings." In conjunction with
the exhibition, a retrospective of Steers' films will screen on Thursday
9/9.
*___________________________________________________________________*
*August 21 - August 23*
Venue type: *Virtual, online event*
Filmforum
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5:00 pm, Event URL:
https://watch.eventive.org/minuteshoursdays/play/6114b102e4667500b600190c
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*minutes, hours, days*
This month marks one year since the Beirut port explosion. On August 4th,
2021, people took to the streets to mourn, remember and grieve
collectively; only to be met with tear gas and unsolicited violence. Events
repeat themselves and the cycle of corruption and neglect continues without
a trace of accountability. Past, present and future are in constant
collision—in Lebanon as in the films—as a result of consistently unresolved
needs. This program lingers on the repetition of events and celebrates
Lebanese filmmakers who poetically engage with the weighty task of
remembrance. Their work counters violence with images of power, desire and
unfolded memories. A Film Noir-like investigation, recollections of a city
increasingly estranged to its own people and children’s drawings that
complicate the relationship between reality and fiction ultimately point at
Rania Stephan’s question: “What remains of war, death and love with the
passing of time?” —Zaina Bseiso
August 22, 2021 at 8pm PDT In person via Zoom:
Filmmaker Rania Stephan in conversation with Guest Programmer Zaina Bseiso,
viewable on Eventive or Zoom.
*SUNDAY, AUGUST 22, 2021*
Venue type: *Virtual, online event*
*Riverwest Radio*
riverwestradio.com
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8pm ET,
*THE LONG CONVERSATION*
THE LONG CONVERSATION...new episodes live every Sunday night! 8 pm eastern
standard time & 7 by Xav Leplae and Stephanie Barber for Riverwest Radio,
104.1 or at riverwestradio.com ***& a new song by stephanie & xav for every
episode***
*MONDAY, AUGUST 23, 2021*
Venue type: *Live, physical event*
Canyon Cinema + SF Cinematheque /// Canyon at the Roxie
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6:30pm PT, 3117 16th Street
*Good Skies Almost All the Time: Bruce Baillie Memorial Screening +
Publication Launch*
August 21 is sold out
Second screening on August 23
Event tickets here
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.
San Francisco Cinematheque returns to public screenings, joining forces
with sister org Canyon Cinema as they inaugurate Canyon at the Roxie, a
monthly series of monographic screenings featuring Bay Area filmmakers past
and present! This inaugural edition of Canyon at the Roxie is dedicated to
Cinematheque’s and Canyon’s founding filmmaker, Bruce Baillie (1931-2020),
who brought to life exceptional works of film art and a thriving cinema
counterculture. Beginning in the late 1950s, Baillie created a vagabond,
romantic, first-person filmmaking style that continues to enchant and
influence new generations drawn to the artistic possibilities of the 16mm
film medium. Beginning with a visit to the filmmaker’s editing bench and a
few words from Dr. Bish himself, this memorial screening focuses attention
on some of Baillie’s lesser-known lyrical films (Little Girl, Still Life)
and Canyon Newsreels (Termination), culminating with two of his distinctly
different masterpieces: the expansive, densely-layered Quixote and the
compact, elegant All My Life.
A wandering poet, Bruce Baillie was also an inveterate community builder.
>From the ambitious yet unassuming 1961 screenings presented by Baillie and
friends in the rural East Bay community of Canyon, California emerged two
essential institutions of American independent filmmaking: San Francisco
Cinematheque and the Canyon Cinema Co-op. In addition to marking the 60th
anniversary of these sister organizations, this program coincides with the
release of Canyon’s newest publication. Dear Folks: Notes and Letters from
Bruce Baillie collects some of Baillie’s many dispatches to and about
Canyon Cinema, ranging from a 1962 announcement co-signed with Chick Strand
to voicemail messages left on Canyon’s office answering machine in the last
years of his life. The bulk of this material derives from the Canyon
Cinemanews, which began in 1962 as a newsletter to solicit and circulate
“fugitive information” related to a fledgling independent film movement.
Years before Canyon was formally organized as a distribution cooperative,
the lively pages of the Cinemanews demonstrated that there was such a
community of filmmakers to be incorporated. (Canyon Cinema)
*Introduction to the Holy Scrolls* (1998)
video, color, sound, 10 minutes, exhibition file from Canyon Cinema
Bruce Baillie edits film and talks to the audience. This video work was
often used by the filmmaker to introduce, in his absence, film programs
scheduled in distant venues. Created also as an formal introduction to an
11-hour archival collection of unfinished films. (Canyon Cinema)
*Show Leader* (1966)
16mm, b&w, sound, 1 minute, print from Canyon Cinema
A repeated shot of me in a stream talking to the audience, used as an
introduction to Baillie film programs. (Bruce Baillie)
*Little Girl *(1966)
16mm, color, sound, 9 minutes, print from Canyon Cinema
This film by Bruce Baillie, completed in 1966 but unreleased until 2014, is
contemporaneous with *Castro Street*, but is much more formally connected
to *All My Life* or *Still Life*, also from the same year. In three
sections with three different formal strategies, Baillie shares distilled
moments of found natural beauty as he encountered them in the North Bay
outside San Francisco. The first section features a study of plum blossoms,
rendered in rich, multiple superimpositions that allow the white flowers to
explode into a blizzard of visual complexity, framed by a panning shot of
purple mountains. In the second section, Baillie allows us a furtive
glimpse of the titular little girl, waving to cars with her dog on the side
of the road, lost in her world and thoughts. Bruce’s framing remains
unadorned, feeling no need to add to or take away from a beautiful piece of
simple portraiture. The third section, of waterbugs on the surface of a
pond, remind us how remarkable and sensitive Baillie’s camerawork can be,
as he observes their graceful dances, and the subtle light and water
effects they produce by their movements. (Mark Toscano)
*Termination* (1966)
16mm, b&w, sound, 5 minutes, print from Canyon Cinema
[Paul] Tulley and I made this film for some people up at the Laytonville
Rancheria. They were being “terminated” under a new Bureau of Indian
Affairs program. (Bruce Baillie)
*Still Life* (1966)
16mm, color, sound, 2 minutes, print from Canyon Cinema
>From the commune life at Morning Star, where I made Castro Street. (Bruce
Baillie)
*Quixote* (1965)
16mm, color, sound, 45 minutes, print from Canyon Cinema
One-year journey through the land of incessant progress, researching those
sources which have given rise twenty years later to the essential question
of survival. (Bruce Baillie)
*All My Life* (1966)
16mm, color, sound, 3 minutes, print from Canyon Cinema
“Singing fence,” Caspar, California. One continuous moving shot. Ella
Fitzgerald singing “All My Life” on the soundtrack. (Bruce Baillie)
TRT: 75 minutes
*FRIDAY, AUGUST 27, 2021*
Venue type: *Live, physical event*
Collectif Jeune Cinema
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CJC Temporary Cinematheque, Mains d'Œuvres (Saint-Ouen, near Paris)
7 PM,
*The 50th Anniversary of Collectif Jeune Cinéma - FRIDAY*
2021, THE COLLECTIF JEUNE CINÉMA CELEBRATES ITS HALF-CENTURY OF EXISTENCE.
This year, we celebrate Collectif Jeune Cinéma's 50th anniversary At that
purpose, the new issue of Webzine « Senses of Cinema », is out, and it
features a long interview between three members of Collectif Jeune Cinéma
(Viviane Vagh, Raphaël Bassan, Théo Deliyannis):
https://www.sensesofcinema.com/2021/feature-articles/collectif-jeune-cinema-at-50-a-subjective-conversation/
To celebrate, we Started a Residency at Mains d'Œuvres (Saint-Ouen, near
Paris) in order to set up the Collectif Jeune Cinéma's Temporary
Cinematheque. More than a third of our catalog will be screened there, with
one screening every Friday, and one full Saturday per month. With the CJC's
Temporary Cinematheque, we want to set up a place where every week, at any
cost, different and experimental films will be screened, and thus create a
regular program, where the importance is given as much to the conviviality
of the place as to the quality of the programming. We want to make the
Temporary Film Library a place where filmmakers, cinephiles, curious
people, students and film professionals can meet. If everyone can leave a
screening with the desire to make a film, to be interested in marginal
forms of cinema, and thus contribute to alternative histories of cinema, we
would be very happy. The members of the CJC, all filmmakers, will welcome
you to this space, which we hope will be as accessible as possible: that's
why the entrance fee is pay-what-you-want. At the end of each session,
there will be a discussion in the room or at the Mains d'Œuvres bar.
Programming The CJC's Temporary Film Library will offer nearly 80
screenings between now and May 2022.
The programs are all made from our distribution catalog and have been
programmed in reverse chronological order, according to the production date
of each film. The screenings, in continuity, invite you to go back in time
through more than a third of our distributed films, from 2020 to 1943.
Thus, the programming is taken care of by our catalog itself without going
through a thematic or historical proposal of a programmer. Films made by
children, structural films, abstract films, dance films, filmed diaries,
amateur films, experimental documentaries... The CJC's Temporary Film
Library gives us the opportunity to discover the richness and heterogeneity
of our catalog, which has been in existence for 50 years and is constantly
being renewed, and which will hopefully continue for the next 50 years! In
2021, the Collectif Jeune Cinéma celebrates its half-century of existence.
* PROGRAMME at 7 PM *
*The Invisible World* (2012) by Jesse McLean
*21 Chitrakoot* (2012) by Shambhavi Kaul
*La nuit remue* by Alice Heit
*Voyez ce que nous sommes beaux* (2013) by Sabyl Ghoussoub
*Pornation* (2012) by Bruce
*In nessun luogo resta* (2012) by Maria Giovanna Cicciari
*Revisions* (2012) by Chris Oakley
*SATURDAY, AUGUST 28, 2021*
Venue type: *Live, physical event*
Collectif Jeune Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a63292efbd&e=857b71a9cb>
CJC Temporary Cinematheque, Mains d'Œuvres (Saint-Ouen, near Paris)
2 PM + 4PM + 6PM screenings,
*The 50th Anniversary of Collectif Jeune Cinéma - SATURDAY*
* 2PM PROGRAMME *
*Momentum* (2012) by Naïme Perrette
*l’ Echo des îles* (2012) by Sonya Stefan
*The Action* (2012) by David Matarasso
*Ici, là-bas et Lisboa* (2012) by João Vieira Torres
*Suite* (2011) by filmmakersgroup Zapruder
*The Sound Of Breathing* (2012) by Erin Celeste Weisgerber
*WEST: What I know about her *(2012) by Kathryn Ramey
* 4PM PROGRAMME *
*FALL II* (2011) by Salomé Lamas
*Lombair (Lumbar)* (2011) by Sarita Beraha
*La Naissance* (2011) by Adrien Marquez-Velasco
*Tant que le diable existera* (2012) by Aliénor Vallet
*Dobermann, histoire et caractéristiques* (2012) by Fabien Rennet
*My Split Eye* (2011) by Daphné Le Sergent
*La terre* (2012) by Vincent Le Port
*Nous *(2011) byMaïa Cybelle Carpenter
* 6PM PROGRAMME *
*Prelude* (2011) by Roger Deutsch
*Or anything at all except the dark pavement* (2011) by Théodora Barat
*Bradley Manning had secrets* (2011) by Adam Butcher
*Drogues et bien-être, témoignages d’une impulsion de survie vers la
dynamique de soi* (2011) by Fabien Rennet
*Subway* (2011) by Angela Ferraiolo
*Poor People Must Die* (2011) de Slawomir Milewski
*Motif 1* (2011) by Patricia Godal
*Afrikka* (2011) by Matti Harju
*Une Passion* (2011) de Thomas Jenkoe
*SUNDAY, AUGUST 29, 2021*
Venue type: *Virtual, online event*
*GearWax*
https://gutsyradio.org/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a18e3c4d7f&e=857b71a9cb>
6pm-8pm PT,
*GEARWAX: OLD VINYL, REPURPOSED*
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
records. Hosted by Kathleen and Scott from San Francisco. Every other
Sunday 6-8pm Pacific time on Gutsy Radio @ https://gutsyradio.org/
*___________________________________________________________________*
Venue type: *Virtual, online event*
*Riverwest Radio*
riverwestradio.com
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=101ac521b6&e=857b71a9cb>
8pm ET,
*THE LONG CONVERSATION*
THE LONG CONVERSATION...new episodes live every Sunday night! 8 pm eastern
standard time & 7 by Xav Leplae and Stephanie Barber for Riverwest Radio,
104.1 or at riverwestradio.com ***& a new song by stephanie & xav for every
episode***
*ONGOING*
Venue type: *Virtual, online event*
*Ecstatic Static*
https://www.ecstaticstatic.com/screenings/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d4f4b2427f&e=857b71a9cb>
streaming 24/7
*ECSTATIC STATIC SCREENINGS*
We host regular online screenings of artists’ films and videos on the
landing page, as a way to share work both new and rare, that may otherwise
have a limited release. For more information on each artist and ways on how
to support their work, please see the links below.
*Screening No. 4: I Remember*
Bani Abidi, Funland (Karachi Series II). 2014, 12 min, 48 sec
Luis Arnías, Punky Eye / Ojo Malcriado. 2018, 15 min
Tinne Zenner, Sleeping District. 2014, 12 min
Miko Revereza, Distancing. 2019, 10 min
Catarina Vasconcelos, Metaphor or Sadness Inside Out. 2013, 31 min
Leonardo Mouramateus, A Festa e os cães. 2015, 25 min
*Screening No. 3: W,O,R,D,S*
Erica Sheu, first draft. 2017, 3 min
Anna Thew, Lost for Words. 1980, 25 min
Abigail Child, Mutiny. 1983, 11 min
Yann Beauvais, SID A IDS. 1992, 5 min, 30 sec
Rhea Storr, Junkanoo Talk. 2017, 11 min, 36 sec
John Smith , Steve Hates Fish. 2015, 5 min
Jenny Brady , Wow and Flutter. 2013, 13 min, 3 sec
Eva Giolo, A Tongue Called Mother. 2019, 18 min
*Screening No. 2: Five Films by Jodie Mack*
Jodie Mack, Wasteland #1: Ardent, Verdant. 2017, 4min, 30 sec
Jodie Mack, Something Between Us. 2015, 9 min, 30 sec
Jodie Mack, Razzle Dazzle. 2014, 5 min
Jodie Mack, Undertone Overture. 2013, 10 min, 30 sec
Jodie Mack, Blanket Statement #1: Home is Where the Heart is. 2012, 3 min
*Screening No. 1: The Ecstatic Static*
Luca Werner, Schöngeising. 2020, 1 min, 10 sec
Kersti Jan Werdal, Slow Shapes. 2017, 12 min, 54 sec
Taiyo Onorato & Nico Krebs, Wrestlers. 2015, 7 min
Beatriz Santiago Muñoz, Black Beach/Horse/Camp/The Dead/Forces. 2016, 8 min
Simon Liu, Signal 8. 2019, 14 min
Anna Marziano, La Veglia. 2010, 2 min
Andrea Franco, East Los Angeles Punk. 2012, 7 min
Jeano Edwards, Familiar Strangers. 2020, 2 min, 22 sec.
Melanie Smith with Rafael Ortega, Parres Trilogy. 2004, 12 min, 56 sec
Gillian Garcia, YDS. 2021, 3 min, 49 sec
------------------------------
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