[Frameworks] Frameworks Digest, Vol 29, Issue 4

Doug Chaffin("Douglas Graves") dgtolstoy at yahoo.com
Sat Jul 24 18:45:25 CDT 2021


https://youtube.com/playlist?list=PLjxTNQB0ONtad7yoJhdXcPOBVqEaMfdPb

Enjoy! 
- Douglas Graves 

    On Saturday, July 24, 2021, 10:00:48 AM PDT, <frameworks-request at film-gallery.org> wrote:  
 
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Today's Topics:

  1. New digital work available here (jaime cleeland)
  2. This Week in Avant Garde Cinema: July 24 - August 1, 2021
      (This Week)
  3. Re: Transcription software. (Josh Drake)
Water in the machine : JC : Free Download, Borrow, and Streaming : Internet Archive 
  
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Water in the machine : JC : Free Download, Borrow, and Streaming : Internet Archive
 
Music: Ethnomite Pux Visuals: Jaime Cleeland
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Stay safe,
Jaime


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This Week
[July 24 - August 1, 2021]
in Avant Garde Cinema

 


 

To receive the weekly listing via email: Subscribe. To unsubscribe see the link at the bottom of this email.

DEADLINES APPROACHING
Enter upcoming calls for entry here
___________________________________________________________________________________
sorted by submission deadline

| 07.30.2021 | Media City Film Festival |
| 07.31.2021 | Ann Arbor Film Festival (Early Deadline) |
| 07.31.2021 | Ji.hlava IDFF |
| 07.31.2021 | Viennale |
| 07.31.2021 | Fisura, International Experimental Film and Video Festival (Regular Deadline) |
| 08.02.2021 | Punto y Raya Festival |
| 08.06.2021 | Sundance Film Festival (Early Deadline) |
| 08.15.2021 | Imagine Science Film Festival |
| 08.16.2021 | Slamdance (Regular Deadline) |
| 08.25.2021 | International Film Festival Rotterdam |
| 08.26.2021 | 28th Chicago Underground Film Festival |
| 09.01.2021 | Swedenborg Film Festival |
| 09.04.2021 | The 4th Annual Film and Video Poetry Symposium |
| 09.13.2021 | Festival Prisme #4 |
| 09.19.2021 | Punto de Vista |
| 09.24.2021 | 18th accordi @ DISACCORDI - International Short Film Festival |
| 09.30.2021 | Rencontres Internationales Sciences & Cinémas (RISC) |
| 10.15.2021 | Thomas Edison Film Festival |
|   |   |

 
EVENTS
Enter your event announcements here 
___________________________________________________________________________________
complicated sorting but a true attempt, enjoy!

This week's programs (summary):
   
   - The Salesforce Tower Midnight Artist Collaboration: the Roof Garden By Sarah Klein [July 1-July 31, SF]
   - A Film Is Not A Building [July 17-July 25, Los Angeles]
   - Comfort Behavior [July 22-July 25, Los Angeles]
   - First Look 20/21 [July 22-August 1, Astoria]
   - The Long Conversation [July 25, online]
   - What's Happening?: 60 Years of the New American Cinema Group, Inc. [July 26, New York]
   - The 50 Th Anniversary of Collectif Jeune CinéMa [July 30, Paris, France]
   - The Long Conversation [August 1, online]
   - Gearwax: Old vinyl, Repurposed [August 1, online]
   - Ephraim Asili's the Inheritance [ongoing, online]
   - Ecstatic Static Screenings [ongoing, online]   
  

| STARTING ON OR BEFORE JULY 24, 2021 |


July 1 - July 31
Venue type: Live, physical event
Salesforce Tower
http://https://sf-towertopart.com/
midnight-1:00am, 415 Mission StreetEvent URL: https://sf-towertopart.com/
THE SALESFORCE TOWER MIDNIGHT ARTIST COLLABORATION: THE ROOF GARDEN BY SARAH KLEIN
July’s Monthly Collaboration is with Sarah Klein who created a video titled “The Roof Garden”. The artwork “uses the venerable storytelling form of hand shadows, and features silhouettes of hands holding assorted flowers and plant cuttings. In the sequence of images, the silhouettes morph into kaleidoscopic patterns, turning the tower into one huge flower.” Her work will be on the Salesforce Tower every night in July from Midnight – 1am.
___________________________________________________________________

July 17 - July 25
Venue type: Virtual, online event
Filmforum
All Day, Event URL: https://watch.eventive.org/afilmisnotabuilding/play/60e7e1a1a748f1008d80a296
A Film Is Not a Building
Film screening and book viewing: July 17–25, 2021 Conversation: July 25, 2021 at 10am PDT / 7pm (19:00) CEST online “A Film is Not a Building” surveys three films on four buildings, each one a modernist house. The subjects are: Irving Gill’s 1916 Dodge House, in Los Angeles; the 1929 Warsaw residence designed by Bohdan Lachert and Józef Szanajca; and the Migishi Atelier and the Bunzo Yamaguchi House, in Tokyo, designed by Iwao Yamawaki and Bunzo Yamaguchi, respectively, in the 1930s and ‘40s. The filmmakers are: writer, Esther McCoy; artist, Susanne Bürner; and architect and professor at the Bauhaus-Universität, Weimar, Verena von Beckerath, in collaboration with colleagues Niklas Fanelsa, Momoko Yasaka, Maximilian von Zepelin, and Jens Franke—themselves artists, architects, designers, and filmmakers. The program looks at the way these building films are used to understand, record, and transmit an experience of architectural space.

___________________________________________________________________

July 22 - July 25
Venue type: Virtual, online event
Filmforum
1:00 PDT, Event URL: https://watch.eventive.org/comfortbehavior/play/60e77ed5a748f1008d8084cc
Comfort Behavior
Films Screening July 22-25, 2021 Live Discussion with Filmmakers and Programmers on July 22, 1 pm PDT, 4 pm EDT https://www.lafilmforum.org/schedule/summer-2021/comfort-behavior/ A sunburn across the bridge of your nose. A warm belly on a cold rock. Do you remember what it was like to run so fast that you can hear your heart beating in your head? An examination of texture, the internal, and the floating bits on the tops of your eyes. These films showcase the idea of play, pain, and the memory of an outside world materially experienced, not unlike dairy cows experiencing grass for the first time in a year. Sunning is considered a comfort behavior in many animals. A tactile experience of facing the sun to warm oneself raises body temperature and reduces heart rate. After a prolonged period of languid gestures, we need to bask to remember. This program showcases films that warm up our bodies, hearts, and minds slowly re-acclimatizing to the world from outside. Using light, animation, and emotional memories, these filmmakers explore the tangible possibilities of a world best experienced through touch. This program presents the work of filmmakers and artists Anouk De Clercq and Tom Callemin, Elena Duque, Anu-Laura Tuttelberg, Timoteo Guillem, Josh Cloud, and Nazlı Dinçel. Programmed by Jordan Wong & Sam Gurry. Ticketing for Comfort Behavior: Sliding Scale, requested $12 for general admission, $8 students/seniors, $0 for Filmforum members, at https://watch.eventive.org/comfortbehavior/play/60e77ed5a748f1008d8084cc

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July 22 - August 1
Venue type: Both physical and online
Museum of the Moving Image
various, 36-01 35 Avenue Astoria, NY 11106Event URL: http://www.movingimage.us/programs/2021/07/22/detail/first-look-2021/
First Look 20/21
First Look, the Museum's acclaimed festival of innovative new international cinema, introduces New York audiences to formally inventive works that seek to redefine the art form while engaging in a wide range of subjects and styles. The festival’s tenth edition—shifting to mid-summer and extended to two weekends—First Look 20/21 presents still unseen works from the 2020 iteration of the festival alongside over a dozen additional programs, making it the biggest and most wide-ranging edition to date. All First Look 20/21 programs will be presented in the Museum’s two theaters, with filmmakers appearing either in person or via live video. A selection of films will also be available for online viewing after their on-site premiere, details forthcoming. Opening Night, on Thursday, July 22, features the New York premieres of Claire Simon’s The Grocer’s Son, the Mayor, the Village, and the World…, and Yaara Sumeruk’s short film If We Say That We Are Friends, with Simon joining virtually and Sumeruk attending in person. Closing Night, on August 1, features the New York premiere of Dash Shaw and Jane Samborski’s sui generis animated adventure Cryptozoo, which debuted at the 2021 Sundance Film Festival, with Shaw in attendance. First Look 20/21 was programmed by Eric Hynes, Curator of Film, and Edo Choi, Assistant Curator of Film; Becca Keating, Director of Development and curator of Persistent Visions program; Sonia Epstein, Associate Curator of Science and Film; and guest curator David Schwartz, Manager of Theatrical Programming, Netflix. Tickets & Passes: Unless otherwise noted, tickets for individual screening programs are $15 ($11 seniors and students / $9 youth / free for MoMI members starting at the Senior & Student levels ($7 Classic members). Tickets for Opening and Closing Night are $20 ($15 for MoMI Members): $100 All-Access Pass (including opening and closing night, in-person and virtual cinema screenings, and Working on It) $65 In-Person Pass (including all on-site screenings and “Working On It” days; value can be applied to a year-round Museum membership) Sponsors: The Museum is grateful of the support from The BFA Film Department, School of Visual Arts; The Jonathan B. Murray Center for Documentary Journalism at the Missouri School of Journalism; The Harriman Institute at Columbia University; The Polish Cultural Institute New York; Cultural Services of the French Embassy; Sundance Institute Documentary Film Program; Captain Lawrence Brewery; Bridge Lane Wine; The Collective Paper Factory Hotel, and Rooftop Films. Additional support was provided by the New York State Council on the Arts and the New York City Department of Cultural Affairs.
 

| SUNDAY, JULY 25, 2021 |


Venue type: Virtual, online event
Riverwest Radio
riverwestradio.com
8pm ET,
THE LONG CONVERSATION
THE LONG CONVERSATION...new episodes live every Sunday night! 8 pm eastern standard time & 7 by Xav Leplae and Stephanie Barber for Riverwest Radio, 104.1 or at riverwestradio.com ***& a new song by stephanie & xav for every episode***
 

| MONDAY, JULY 26, 2021 |


Venue type: Live, physical event
Microscope Gallery
07:30 ET, 525 West 29th Street, 2nd FloorEvent URL: https://tinyurl.com/bs8ran3s
What’s Happening?: 60 Years of The New American Cinema Group, INC.
Microscope presents an in-person only screening of 16mm films to celebrate 60 years of The New American Cinema Group, which was founded on July 14th 1961 in New York, organized in collaboration with the Filmmakers’ Co-op and Devon Narine-Singh. The screening features rare or overlooked films by Luis Ernesto Arocha, Satya Dev Dubey, Amy Greenfield, Jonas Mekas, Marie Menken, José Rodríguez-Soltero, and Bud Wirtschafter dealing with themes of love and sex, the story of Narcissus, abstraction, violence, the policing of drugs, and a weekend of happenings in 1963 including performances by Yvonne Rainer, Hannah Wilke, La Monte Young, and others. All works will be screened in their original 16mm format. Doors will open for entry at 7pm and the screening will start promptly at 7:30pm EST. Please note: The event has a limited capacity of 30 audience members. Proof of vaccination for Covid-19 and masks required. Advanced tickets are recommended at the link above. General Admission $12, Members $10.
 

| FRIDAY, JULY 30, 2021 |


Venue type: Live, physical event
Collectif Jeune Cinema
19 PM., Mains d'Oeuvres, Paris Suburb.Event URL: http://www.cjcinema.org/?langue=en
The 50 th Anniversary of Collectif Jeune Cinéma
Program: 30 of July at 19 h. Program : • "American Capitalism, a self portrait" (2013), by Thibault Le Texier, • "Drops" (2013) by Smith, • "Nothing like Ivanhoe" (2012) by Bug Davidson, • "Gate" (2013) by Alice Colomer Kang, • "Jo" (2012)by Justine Pluvinage, • "Fragments untitled #1" (2012) by Collectif Doplgenger, • "Sabotage" (2012) by Marc Plas. In 2021, the Collectif Jeune Cinéma celebrates its half-century of existence. To celebrate, we started a residency at Mains d'Œuvres (Saint-Ouen, near Paris) in order to set up the Collectif Jeune Cinéma's Temporary Cinematheque. More than a third of our catalog will be screened there, with one screening every Friday, and one full Saturday per month. "Cinéma différent" for a pay-what-you-want fee With the CJC's Temporary Cinematheque, we want to set up a place where every week, at any cost, different and experimental films will be screened, and thus create a regular program, where the importance is given as much to the conviviality of the place as to the quality of the programming. We want to make the Temporary Film Library a place where filmmakers, cinephiles, curious people, students and film professionals can meet. If everyone can leave a screening with the desire to make a film, to be interested in marginal forms of cinema, and thus contribute to alternative histories of cinema, we would be very happy. The members of the CJC, all filmmakers, will welcome you to this space, which we hope will be as accessible as possible: that's why the entrance fee is pay-what-you-want. At the end of each session, there will be a discussion in the room or at the Mains d'Œuvres bar. Programming The CJC's Temporary Film Library will offer nearly 80 screenings between now and May 2022. The programs are all made from our distribution catalog and have been programmed in reverse chronological order, according to the production date of each film. The screenings, in continuity, invite you to go back in time through more than a third of our distributed films, from 2020 to 1943. Thus, the programming is taken care of by our catalog itself without going through a thematic or historical proposal of a programmer. Films made by children, structural films, abstract films, dance films, filmed diaries, amateur films, experimental documentaries... The CJC's Temporary Film Library gives us the opportunity to discover the richness and heterogeneity of our catalog, which has been in existence for 50 years and is constantly being renewed, and which will hopefully continue for the next 50 years! **** This year, we celebrate Collectif Jeune Cinéma's 50th anniversary. Many events are and will be organized ; we will update our website in the next weeks. If you want to set up a screening with us in 2021, please contact us!
 

| SUNDAY, AUGUST 1, 2021 |


Venue type: Virtual, online event
GearWax
https://gutsyradio.org/
6pm-8pm PT,
GEARWAX: OLD VINYL, REPURPOSED
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm records. Hosted by Kathleen and Scott from San Francisco. Every other Sunday 6-8pm Pacific time on Gutsy Radio @ https://gutsyradio.org/

___________________________________________________________________

Venue type: Virtual, online event
Riverwest Radio
riverwestradio.com
8pm ET,
THE LONG CONVERSATION
THE LONG CONVERSATION...new episodes live every Sunday night! 8 pm eastern standard time & 7 by Xav Leplae and Stephanie Barber for Riverwest Radio, 104.1 or at riverwestradio.com ***& a new song by stephanie & xav for every episode***

 

| ONGOING |


Venue type: Virtual, online event
Film at Lincoln Center Virtual Cinema
https://virtual.filmlinc.org/film/the-inheritance/
streaming 24/7
EPHRAIM ASILI'S THE INHERITANCE
Pennsylvania-born filmmaker Ephraim Asili has been exploring different facets of the African diaspora—and his own place within it—for nearly a decade. His feature-length debut, The Inheritance, is a vibrant, engaging ensemble work that takes place almost entirely within the walls of a West Philadelphia house where a community of young people have come together to form a collective of Black artists and activists. Based partly on Asili’s own experiences in a Black liberationist group, the film interweaves a scripted drama of characters attempting to work towards political consensus with a documentary recollection of the Philadelphia liberation group MOVE, which was the victim of a notorious police bombing in 1985. Asili’s film is an endlessly generative work of politics, humor, and philosophy, referencing the legacies of the Black Arts Movement and featuring Black authors and radicals, members of MOVE, as well as poets Ursula Rucker and Sonia Sanchez. An NYFF58 selection. A Grasshopper Film release. Note: Films are available in the U.S. and U.S. territories only. Users may have up to two registered devices. Learn more in our FAQ.

___________________________________________________________________

Venue type: Virtual, online event
Ecstatic Static
https://www.ecstaticstatic.com/screenings/
streaming 24/7
ECSTATIC STATIC SCREENINGS
We host regular online screenings of artists’ films and videos on the landing page, as a way to share work both new and rare, that may otherwise have a limited release. For more information on each artist and ways on how to support their work, please see the links below. 

Screening No. 3: W,O,R,D,S
Erica Sheu, first draft. 2017, 3 min
Anna Thew, Lost for Words. 1980, 25 min
Abigail Child, Mutiny. 1983, 11 min
Yann Beauvais, SID A IDS. 1992, 5 min, 30 sec
Rhea Storr, Junkanoo Talk. 2017, 11 min, 36 sec
John Smith , Steve Hates Fish. 2015, 5 min
Jenny Brady , Wow and Flutter. 2013, 13 min, 3 sec
Eva Giolo, A Tongue Called Mother. 2019, 18 min

Screening No. 2: Five Films by Jodie Mack 
Jodie Mack, Wasteland #1: Ardent, Verdant. 2017, 4min, 30 sec
Jodie Mack, Something Between Us. 2015, 9 min, 30 sec
Jodie Mack, Razzle Dazzle. 2014, 5 min
Jodie Mack, Undertone Overture. 2013, 10 min, 30 sec
Jodie Mack, Blanket Statement #1: Home is Where the Heart is. 2012, 3 min 

Screening No. 1: The Ecstatic Static 
Luca Werner, Schöngeising. 2020, 1 min, 10 sec
Kersti Jan Werdal, Slow Shapes. 2017, 12 min, 54 sec
Taiyo Onorato & Nico Krebs, Wrestlers. 2015, 7 min
Beatriz Santiago Muñoz, Black Beach/Horse/Camp/The Dead/Forces. 2016, 8 min
Simon Liu, Signal 8. 2019, 14 min
Anna Marziano, La Veglia. 2010, 2 min
Andrea Franco, East Los Angeles Punk. 2012, 7 min
Jeano Edwards, Familiar Strangers. 2020, 2 min, 22 sec.
Melanie Smith with Rafael Ortega, Parres Trilogy. 2004, 12 min, 56 sec
Gillian Garcia, YDS. 2021, 3 min, 49 sec
 

Let us know about your alternative film/video event!

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| This Week in Avant Garde Cinema · everywhere · Durham, NC 27701 · USA |

I’ve had good results with Otter.ai as well.
On Thu, Jul 22, 2021 at 2:10 PM Kolberg, Sarah <skolberg at buffalo.edu> wrote:

I've used Take1 several times - very accurate, and different prices based on how quickly you need the transcripts back.

     ~ sarah 

-----Original Message-----
From: Frameworks <frameworks-bounces at film-gallery.org> On Behalf Of FrameWorks Admin
Sent: Thursday, July 22, 2021 1:02 PM
To: Experimental Film Discussion List <frameworks at film-gallery.org>
Subject: Re: [Frameworks] Transcription software.

https://www.happyscribe.com/


> On Jul 21, 2021, at 11:58 PM, Ethan Berry <ethan.berry at montserrat.edu> wrote:
> 
> Needing to get audio and video tapes transcribed. Is there a commonly used and  affordable piece of software for this?


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