[Frameworks] This Week in Avant Garde Cinema: June 12 - 20, 2021

[This Week in Avant Garde Cinema]

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** This Week
[June 12 - June 20, 2021]
in Avant Garde Cinema
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**
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Like all good things, This Week in Avant Garde Cinema has found its way back out of lockdown!!! Our operations have shifted slightly, so if we have hiccups for the first few weeks, please be patient as we learn how to continue to continue! Happy to be back with you all!


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DEADLINES APPROACHING
Enter upcoming calls for entry here (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=93e68f6146&e=44be27850a)
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sorted by submission deadline
06.14.2021 BFI LFF Expanded 2021 (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8d991423fb&e=44be27850a)
06.15.2021 VSW Project Space Residency (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4cb90031df&e=44be27850a)
06.17.2021 BFI London Film Festival (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=aeba4bdc7a&e=44be27850a)
06.21.2021 Edinburgh Short Film Festival 2021 (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=89f663a39a&e=44be27850a)
06.25.2021 Coney Island Film Festival (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=779ce42f74&e=44be27850a)
06.30.2021 Antimatter [media art] (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=691d4b16b0&e=44be27850a)
06.30.2021 WNDX Festival of Moving Image (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e6ddd2fdc2&e=44be27850a)
07.01.2021 Engauge Experimental Film Festival (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e40bb80587&e=44be27850a)
07.01.2021 Kassel Documentary Film and Video Festival (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d4d152354c&e=44be27850a)
07.30.2021 Media City Film Festival (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0a68b8f5de&e=44be27850a)
07.31.2021 Viennale (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=de1e1e771a&e=44be27850a)
09.04.2021 The 4th Annual Film and Video Poetry Symposium (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=06855a0ef5&e=44be27850a)

JOBS AVAILABLE
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sorted by application deadline
06.18.2021                          Media City Film Festival (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fd4a744c62&e=44be27850a)

EVENTS
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sorted alphabetically by city within each date

This week's programs (summary):
* Baltic Modernist Cinema: Between Imaginary and Real (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3c8725dd38&e=44be27850a)  [Through June 15, online]
* Cousins and Kin (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ecd68196d4&e=44be27850a)  [Through July 15, online]
* Dog Star Orchestra (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f46add3827&e=44be27850a)  [June 12-20, online]
* Frame & Frequency VII (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f6c2b2a109&e=44be27850a)  [Through June 25, Rockville, MD]
* Luxando (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c5bc0224d7&e=44be27850a)  [Through June 13, online]
* Onion City Film Festival (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=abf112cadd&e=44be27850a)  [Through June 13, online and in Chicago, IL]
* The Inheritance (Asili) + La Chinoise (Godard) (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4c7b8f8d58&e=44be27850a)  [June 13, Rochester, NY]
* The Long Conversation (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b5f63293d3&e=44be27850a)  [June 13, online]
* Internationales Frauen* Film Fest Dortmund+KöLn (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7bbd27c292&e=44be27850a)  [June 15-20, online]
* 3 X Holly Fisher: Out of the Blue + Deafening Silence + Softshoe For Bartok (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8661cfdc75&e=44be27850a)  [June 16-29, online]
* Gearwax: Old vinyl, Repurposed (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d7f8ba41a8&e=44be27850a)  [June 20, online]
* Sonic Biogenesis: Genomics and Mutant Jungles (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a8e798cf74&e=44be27850a)  [June 20, online]
* Ecstatic Static Screenings (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=05085b51a0&e=44be27850a)  [ongoing, online]
* Ephraim Asili's the Inheritance (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=dde4801762&e=44be27850a)  [ongoing, online]


STARTING ON OR BEFORE JUNE 12, 2021

Through June 15
Venue type: Virtual, online event
Anthology Film Archives
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ab8dde2adb&e=44be27850a
streaming 24/7,
BALTIC MODERNIST CINEMA: BETWEEN IMAGINARY AND REAL
One of the programs we planned to present theatrically in that faraway era that was the Spring of 2020 was the first substantial NYC showcase devoted to the Baltic cinema of the 1960s-70s. After a year-long postponement, we’ve reconceived the series as an online program, which will encompass all nine of the films – three each from Latvia, Lithuania, and Estonia – that were originally selected by guest-curator Lukas Brasiskis. Traditional accounts of world cinema of this era invariably emphasize filmmakers’ newfound experimentation with the conventions of their medium, and their increasing exploration of subjectivity, self-referentiality, abstraction, and radical new approaches to storytelling. This type of cinema found its place in the Baltics too, where a group of directors broke with the dominant conventions of filmmaking that had previously held sway. During the second half of the 20th century, Lithuanian, Latvian, and Estonian filmmakers, many of whom graduated from the Gerasimov
Institute of Cinematography, aka VGIK, left their mark on the history of modernist European cinema, echoing the uncompromising film style of the various global “New Waves” and, at the same time, implicitly reflecting the cultural specificity of the Baltic states incorporated into the Soviet Union. Due to the Iron Curtain, however, Baltic films would rarely reach Western screens. Surprisingly, that has not changed even following the collapse of the Soviet Union. While certain Soviet film auteurs have been much celebrated in the U.S. and around the world, the Baltic filmmakers of the era have remained virtually unknown. This series aims to remedy that situation, by showcasing nine feature films – ranging from allegorical fictions to realist visions of the everyday – by the most renowned Baltic film directors of the period. The program introduces formal innovations and implicitly expressed political topics characteristic to the Lithuanian, Latvian, and Estonian modernist cinema. “Baltic
Modernist Cinema” is guest-programmed by Lukas Brasiskis, and presented in collaboration with Gražina Michnevičiūtė, the Lithuanian Cultural Attaché in USA; the Lithuanian Cultural Institute; the Lithuanian Film Center; the National Film Centre of Latvia; and the Estonian Film Institute.

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Through July 15
Venue type: Live, physical event
San Francisco Cinematheque
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d8d7de029f&e=44be27850a (https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=df6d63f28a&e=44be27850a)
streaming 24/7,
COUSINS AND KIN
series curated by the Cousin Collective The Cousin Collective was formed in 2018 by Adam Piron, Alex Lazarowich, Sky Hopinka and Adam Khalil. The question of how to find other Indigenous filmmakers who are making work that is experimental and exciting was where we began. How to support and share their films is where we’re at now. The programs in the Cousins and Kin series are a culmination and a survey of the moving images we’ve curated individually and collectively over the years. We’re thankful to Steve Polta and San Francisco Cinematheque for this opportunity and this platform.We’re very proud to share these works, the artists and the conversations and communion they foster, between each other as well as across nations and time. (Cousin Collective)

program three Shelley Niro’s Honey Moccasin program online May 16–June 15, 2021
SPECIAL LIVE EVENT Monday, June 14 at 6pm (Pacific) A Conversation with Shelley Niro interviewed by Adam Piron and Fox Maxy www.sfcinematheque.org/video/livestream-cousins/ JOIN US! Whether it’s jumping from performance art sequences to a mock-cable access show to a tongue-in-cheek crime mystery, Shelley Niro’s rarely-screened Honey Moccasin (1998) melds irreverent cinematic language from elements of pop culture and a distinct brand of Native humor. Niro finds both an inviting exuberance and a playfulness in its experimental approach to questions of identity. Taking no no authoritative stance on delivering any kind of thesis on Indigeneity, the film seamlessly weaves its way through a multitude of approaches to present a surreal spectrum of subjective meaning. In its own open-endedness and the resulting nuance of this approach, Niro’s film has cemented its reputation as an underground classic of ‘90s Indigenous Cinema. (Adam Piron)

program four Anti-Ethnography program curated by Adam Khalil and Zack Khalil program online June 16–July 15, 2021
For Indigenous peoples, the camera is a weapon that has been wielded against them since the device’s inception. Anthropology’s obsession with preserving images of so-called vanishing cultures, through ethnographic films or, relatedly, archives filled with boxes of ancestral remains, has long been a tool used to colonize and oppress Indigenous peoples. The ethnographer’s encapsulating gaze ignores the fact that, for Indigenous communities, tradition is not an immutable set of truths handed down by revelation, but a set of ever-evolving social practices whose continuity cannot be repaired by preservation, only elaborated through struggle and, finally, achieved under conditions of genuine self-determination. In the works assembled for this screening, the power of Indigenous people claiming the camera for themselves is explored. Screening includes work by Guillermo Gómez-Peña; Tonia Jo Hall; Shelley Niro; Diane Burns; Sky Hopinka; Kent Monkman; Axel Gerdau, Erik Olsen & John Woo; Adam Khalil,
Zack Khalil & Jackson Polys; Olivia Camfield & Woodrow Hunt; Thirza Cuthand and others.

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Through June 20
Venue type: Virtual, online event
Dog Star Orchestra
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1760ecf75f&e=44be27850a
DOG STAR ORCHESTRA
The Dog Star Film Screening showcases works that experiment with reforming the language of sound and moving image. The filmmakers include Christina C Nguyen, Dicky Bahto, Mike Stoltz, Ziyao Susan Xie, Kevin Corcoran, Qianyi Ma, Sam Gurry, Anna Kipervaser and Rhys Morgan. The program was co-curated by Michael Pisaro-Liu and Cherlyn Hsing-Hsin.

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Through June 25
Venue type: Live, physical event
Vis Arts
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8a311fd928&e=44be27850a
M-F 9am-730pm ET, Sa 10am-4pm, Su 12pm-4pm, 155 Gibbs Street
FRAME & FREQUENCY VII
Frame & Frequency is an ongoing International New Media, Film, and Video Art screening program curated by Frank McCauley and presented by VisArts. It highlights the work of nine artists from across the Americas and Europe. These new media, experimental film, and video works explore contemporary visual culture, and present an intimate panorama of the variety and breadth of video art in artistic practice today – including various themes such as appropriation, blending personal narratives with pop cultural experiences, simulation vs representation, repetition, identity and gender politics, as well as formal investigations of film and video as mediums. Frame & Frequency aims to present a diverse group of artists representing multi-generational and cultural backgrounds, nationalities and personal histories, while demonstrating the artists’ impressive command of video and new media technologies. This edition includes artists: Roland Lauth with Bates Belk, Leslie Condon, Alexander Fingrutd, Carlos
Franco, Mayte Gómez Molina, Sabine Gruffat, Sarah Lasley, Marin Martinie, and Leyla Rodriguez.

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Through June 13
Venue type: Virtual, online event
CFMDC
streaming 24/7,
LUXANDO
Curated by Alexandra Gelis & Jorge Lozano LUXANDO. The first thoughts that came to mind when we were planning this program were how in these troubled times, living with the feeling that the future is what life used to be, and at the same time, being compelled to think about new horizons of hope, imagining what has not happened but should. And, combined with Audre Lorde’s quote “Poetry is the way we help give name to the nameless so it can be thought”, became point of entry and exit. How to give up control to allow encounters to produce unexpected or unthought results? From the archives of CFMDC in Toronto, we selected six experimental films made in celluloid 35mm, 16mm, and Super 8mm, which share the poetics of embodiment, discontinuity, the indeterminate, analog glitch, perturbations, gaps, scratches, repetitions, chaos, noise. And, to provoke an encounter, we invited six South American artists who share these poetic frictions, in their sound practice and asked them to respond to the
impact on their terms, to bring forth new possibilities. “LUXANDO” means to dislocate, to get out of the frame, to get out of the structure, to get out of oneself, out of juncture. —Alexandra Gelis and Jorge Lozano Including work by Joyce Wieland, Malena Szalm, Madi Piller, Francisca Duran, Lindsay McIntyre, Kelly Egan.

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Through June 13
Venue type: Both physical and online
Onion City Film Festival
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0be5b7836f&e=44be27850a
varies, Chicago, IL
ONION CITY FILM FESTIVAL
Welcome to the 31st edition of Onion City, featuring online and in-person events! Most virtual programs will stream for the entire duration of the festival with live Q&As throughout. Check out the full program at website!

SUNDAY, JUNE 13, 2021

Venue type: Live, physical event
Visual Studies Workshop
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=08b7384e32&e=44be27850a
7pm ET, 31 Prince Street, Rochester, NY
THE INHERITANCE (ASILI) + LA CHINOISE (GODARD)
Visual Studies Workshop is pleased to welcome film artist, photographer and deejay Ephraim Asili back to Rochester to present his award-winning debut feature film The Inheritance (2020) and to celebrate the publication of his artist book Measuring Time (VSW Press, 2021). On June 12th, Asili will be in person in VSW’s new microcinema space to discuss his film and book live and online with independent curator/writer Greg de Cuir Jr, and to debut the 7” vinyl record produced by Asili and included with the book in an intimate “listening party”. The Inheritance will be presented double feature with Jean-Luc Godard’s La Chinoise (1967), a film that inspired Asili and that he references in his work. *This in-person event is limited to 30 people per day. We will strictly follow CDC guidelines for indoor events of this size. About the films: The Inheritance (Ephraim Asili, 2020) An astonishing ensemble work set almost entirely within a West Philadelphia house where a community of young, Black
artists and activists form a collective. La Chinoise (Jean-Luc Godard, 1967) A group of middle-class Parisian students attempt to inspire a revolution by forming a Moaist cell to take over the world. About the book: Part of a new film artist book imprint for VSW Press, Measuring Time by Ephraim Asili represents a transitional period between touring and screenings on the festival circuit for The Diaspora Suite, a series of experimental short works, and the completion of The Inheritance. Included with the book is a 7-inch vinyl record Addendum of the artist's hiphop-inspired audio journal recordings. Limited edition/available for presale at the event, or visit bookstore.vsw.org.

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Venue type: Virtual, online event
Riverwest Radio
8pm ET,
THE LONG CONVERSATION
THE LONG CONVERSATION...new episodes live every Sunday night! 8 pm eastern standard time & 7 by Xav Leplae and Stephanie Barber for Riverwest Radio, 104.1 or at riverwestradio.com ***& a new song by stephanie & xav for every episode***

TUESDAY, JUNE 15, 2021

Venue type: Virtual, online event
Internationales Frauen* Film Fest Dortmund+Köln
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ec4e5eaeda&e=44be27850a
INTERNATIONALES FRAUEN* FILM FEST DORTMUND+KöLN
Internationales Frauen* Film Fest Dortmund+Köln is Germany’s largest forum for women in the film industry and presents outstanding films by women spanning all genres and styles. For more than 30 years the festival has played an active role in ensuring that films by women directors are seen, appreciated and celebrated. We promote the influence of women in all fields of the cinema industry, mainly as directors, but also cinematographers, producers, scriptwriters, composers, songwriters and, actors to name but a few.

WEDNESDAY, JUNE 16-29, 2021

Venue type: Virtual, online event
Anthology Film Archives
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8f42c8e1c6&e=44be27850a
streaming 24/7,
3 X HOLLY FISHER: OUT OF THE BLUE + DEAFENING SILENCE + SOFTSHOE FOR BARTOK
In November 2019, Anthology presented the most comprehensive retrospective to date devoted to the work of Holly Fisher, whose films range freely between the realms of documentary, essay film, personal meditations, and intricate juxtapositions of imagery and text. As a kind of sequel to the earlier retrospective, we’ll be focusing on Fisher’s work again this summer and fall, beginning with an online presentation pairing two brand-new films, OUT OF THE BLUE and SOFTSHOE FOR BARTOK, with an earlier film that has gained new relevance in the context of current events, DEAFENING SILENCE. OUT OF THE BLUE is a typically thought-provoking and contemplative work constructed from seemingly disparate elements: imagery recorded from the window of a plane during her trans-Atlantic travels, diary-like footage, found imagery and sound, and onscreen texts. The result is a highly personal, open-ended meditation on the passage of time, historical trauma, and liminal physical and emotional spaces that embodies
Fisher’s radically multilayered approach: she juxtaposes multiple layers of visual and aural materials not only to create a rich visual experience, but to bring into play a dizzying and cross-pollinating array of ideas. The soundtrack features composer Lois V Vierk’s long-form piece, “Words Fail Me,” a work inspired by Vierk’s experience as an eyewitness to the fall of the World Trade Center, twenty years ago. DEAFENING SILENCE partakes of some of the same techniques to explore – firsthand as well as through the lens of the media – the sociopolitical situation in Myanmar/Burma in the early 2000s, and the oppression of the ethnic Karen population. The film features appearances from some of the same figures – such as Maung Zarni – who have been prominent commentators and witnesses during the more recent upheaval in Burma. As a special bonus we’ll also present the brand-new short film, SOFTSHOE FOR BARTOK, a digital reimagining of Fisher’s 16mm film “s o f t s h o e” (1987). In Septemb
er we plan to host Holly Fisher in person for theatrical screenings of OUT OF THE BLUE, as well as her 2019 film, A QUESTION OF SUNLIGHT, which was made in response to the events of 9/11. Both films feature music by Lois V Vierk. Stay tuned for more info!

SUNDAY, JUNE 20, 2021

Venue type: Virtual, online event
GearWax
6pm-8pm PT,
GEARWAX: OLD VINYL, REPURPOSED
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm records. Hosted by Kathleen and Scott Stark from San Francisco. Every other Sunday 6-8pm Pacific time on Gutsy Radio @ https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=402f800420&e=44be27850a

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Venue type: Virtual, online event
Shapeshifters Cinema
https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=72f23a7920&e=44be27850a
7pm-8pm PT,
SONIC BIOGENESIS: GENOMICS AND MUTANT JUNGLES
Featuring Guillermo Galindo and The Living Earth Show Sunday, June 20, 2021, 7:00 - 8:00 PM Pacific Broadcast via livestream Followed by a live conversation with the artists Presented in partnership with Kala Art Institute Sonic Biogenesis: Genomics and Mutant Jungles features Guillermo Galindo’s “genome scores” which consist of graphic representations of his musical compositions and artwork merging textures of plants, animals, and microbes. These pieces illustrate, in Galindo’s unique symbolic language, how research and data have historically expressed and sustained systems of power, particularly relating to colonialism. As a follow up to Galindo’s exhibition Dissonant Matter at Kala Art Institute which closed early this year, Shapeshifters Cinema and Kala will co-present a new iteration of Sonic Biogenesis, a performance by Guillermo Galindo with The Living Earth Show—the new-music chamber ensemble consisting of guitarist Travis Andrews and percussionist Andy Meyerson. Andrews and
Meyerson will play experimental sonic devices designed by Galindo. Animation by Christoph Steger bringing Galindo’s “mutants” to life will weave through the video. The online exhibition catalog Dissonant Matter is available for download on Kala's website. The intention of this performance is to demonstrate how science, while often considered to be neutral and objective, played – and continues to play – a role in colonization and conquest. For instance, naturalists were often motivated by the desire for new remedies to treat European ailments (economic or medical) to continue their exploitation of the “New World.” Similarly, biotech corporations today push the boundaries of ethics and possibility as they seek to modify the environment and creatures to best suit the needs of humans. The first iteration of Sonic Biogenesis, Sonic Botany was a commission for the Getty’s Pacific Standard Time biennale. It was a response to the exhibit “Visual Voyages: Images of Latin American Nature from
Columbus to Darwin,” which contained a collection of European codices that visually cataloged the flora and fauna of the Americas. Galindo calls this body of work an ethno-futurist “window to mutant environments” as he sees a direct link to his artwork and the human-made environmental modifications that are ushering societies around the world towards dystopian futures (events such as Chernobyl, Fukushima, the patterns of Global Warming evident worldwide, as well as the use of the gene-editing tool CRISPR).

ONGOING

Venue type: Virtual, online event
Film at Lincoln Center Virtual Cinema
EPHRAIM ASILI'S THE INHERITANCE
Pennsylvania-born filmmaker Ephraim Asili has been exploring different facets of the African diaspora—and his own place within it—for nearly a decade. His feature-length debut, The Inheritance, is a vibrant, engaging ensemble work that takes place almost entirely within the walls of a West Philadelphia house where a community of young people have come together to form a collective of Black artists and activists. Based partly on Asili’s own experiences in a Black liberationist group, the film interweaves a scripted drama of characters attempting to work towards political consensus with a documentary recollection of the Philadelphia liberation group MOVE, which was the victim of a notorious police bombing in 1985. Asili’s film is an endlessly generative work of politics, humor, and philosophy, referencing the legacies of the Black Arts Movement and featuring Black authors and radicals, members of MOVE, as well as poets Ursula Rucker and Sonia Sanchez. An NYFF58 selection. A Grasshopper Film
release. Note: Films are available in the U.S. and U.S. territories only. Users may have up to two registered devices. Learn more in our FAQ.

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Venue type: Virtual, online event
Ecstatic Static
ECSTATIC STATIC SCREENINGS
We host regular online screenings of artists’ films and videos on the landing page, as a way to share work both new and rare, that may otherwise have a limited release. For more information on each artist and ways on how to support their work, please see the links below.

Screening No. 2: Five Films by Jodie Mack
Jodie Mack, Wasteland #1: Ardent, Verdant. 2017, 4min, 30 sec
Jodie Mack, Something Between Us. 2015, 9 min, 30 sec
Jodie Mack, Razzle Dazzle. 2014, 5 min
Jodie Mack, Undertone Overture. 2013, 10 min, 30 sec
Jodie Mack, Blanket Statement #1: Home is Where the Heart is. 2012, 3 min

Screening No. 1: The Ecstatic Static
Luca Werner, Schöngeising. 2020, 1 min, 10 sec
Kersti Jan Werdal, Slow Shapes. 2017, 12 min, 54 sec
Taiyo Onorato & Nico Krebs, Wrestlers. 2015, 7 min
Beatriz Santiago Muñoz, Black Beach/Horse/Camp/The Dead/Forces. 2016, 8 min
Simon Liu, Signal 8. 2019, 14 min
Anna Marziano, La Veglia. 2010, 2 min
Andrea Franco, East Los Angeles Punk. 2012, 7 min
Jeano Edwards, Familiar Strangers. 2020, 2 min, 22 sec.
Melanie Smith with Rafael Ortega, Parres Trilogy. 2004, 12 min, 56 sec
Gillian Garcia, YDS. 2021, 3 min, 49 sec

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