[Frameworks] New Book: "Migrant Thoughts: Cinematographic Intersections" by Hambre | espacio cine experimental

[Sebastian Wiedemann]

Hi,

We are happy to announce that the English version of our last book "Migrant
Thoughts. Cinematographic Intersections" is finally ready!
All of our editorial projects are available free of charge and this brand
new addition is very easy to find... just a few clicks on our website and
you can get the pdf.

https://hambrecine.com/2021/03/18/migrantthoughts/

We are very lucky to have amazing contributors such as Nicole Brenez,
Andrés Bedoya Ortiz, Jens Andermann, Carolina Villada Castro, Cloe Masotta,
Carlos Videla, Tess Lea & Elizabeth A. Povinelli, Tessa Laird and Yann
Beauvais.
Enjoy your reading!!!

“Migrant Thoughts. Cinematographic Intersections” (2020)
_______________
As a publishing act, Migrant Thoughts argues that the image is inevitably
nomadic and inexorably migrant and, as Henri Bergson reminds us, is
everywhere. Everything is image. We are images among images, and in this
respect film is no more than one of the media through which images move.
Images become a gesture of resistance, as by being just an image and not a
just image, as Jean-Luc Godard said, they are worthy and can never be
subdued by power, despotism or an all-too human will corrupted by the idea
of ownership. They are pure potential for resistance, as they are not a
luxury, or a privilege, and much less a possession. On the contrary, they
are the permeable condition of passage so that a living thing does not
become stationary or stagnant. The image can of course move on the screen,
but at the same time, the image makes a whole screen, a whole surface where
it can continue. It continues in bodies, in writing, on these pages, as in
politics, archives, memory, literature, and philosophy. The image migrates,
and in its wake it provides and proposes intersections, intervals. That is,
it advances through life affirming what is living as a cinematographic
gesture and, in turn, it exceeds and goes beyond film itself. Or, to put it
another way, where cinema itself has to open up to metamorphosis, it
becomes a gesture of editing between blocks of text. As editors we have
proposed a montage in three parts, with two intervals (opening and closing)
as false cuts in a flow of images which could certainly exceed and migrate
outside of the fragile content of this book.
 _______________

Table of contents

Index

Prologue
7 - Migrant Thoughts. Images as a Gesture of Resistance (florencia
incarbone and sebastian wiedemann)

Interval
15 — Image, Fact, Action, and What Remains to Be Done (nicole brenez)

Intersection I: Memory and Archive
53 — Marta Rodríguez: Memory and Resistance (andrés bedoya ortiz)
69 — Glaring Absence: Viral Archives in Albertina Carri's Restos and
Cuatreros (jens andermann)

Intersection II: Literature and Philosophy
81 — Faces that Remain, Any Given Face. The Films of Pedro Costa and the
Fictions of Maurice Blanchot (carolina villada castro)
91 — The Clearing in the Woods. Carelia: internacional con monumento,by
Andrés Duque (cloe masotta)
111 — The Transformation of the Poetic Animal (carlos m. videla)

Intersection III: Decolonizing the Image
131 — Karrabing: An Essay in Keywords (tess lea and elizabeth a. povinelli)
153 — Dy(e)ing is Not-Dying. Nova Paul's Experimental Colour Film Polemic
(tessa laird)

Interval
163 — Improvisation. The Controlled Accident (yann beauvais)

190 — About the Authors

_______________

Florencia Incarbone & Sebastian Wiedemann
Editors

-- 
Sebastian Wiedemann
http://swiedemann.tumblr.com/
http://wavesproject.tumblr.com/
http://hambrecine.com/



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