[Frameworks] This Week in Avant Garde Cinema: November 6 - 14, 2021
This Week
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Sat Nov 6 00:38:56 CDT 2021
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*This Week [November 6 - 14, 2021] in Avant Garde Cinema*
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*DEADLINES APPROACHING*
Enter upcoming calls for entry here
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___________________________________________________________________________________
*sorted by submission deadline*
11.08.2021 Visions du Réel
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(Completed by October 2021)
11.09.2021 San Francisco International Film Festival
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11.26.2021 Alchemy Film and Moving Image Festival
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(Regular Deadline)
11.30.2021 Laterale Film Festival
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(Regular Deadline)
11.30.2021 Crossroads
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(Early Deadline)
11.30.2021 Interbay Cinema Society Lightpress Grants
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11.30.2021 Media Monsters: Series 2
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01.07.2022 Coney Island Film Festival
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(Early Deadline)
01.30.2022 Braziers International Film Festival
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(Early Deadline)
02.01.2022 International Short Film Festival Oberhausen
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*EVENTS*
Enter your event announcements here
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*complicated sorting but a true attempt, enjoy!*
This week's programs (summary):
- Fabric of Photography: Material Matters
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0391d3aeab&e=857b71a9cb>
[October
15-November 13, Oxford]
- Leslie Thornton: Begin Again, Again
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bd2dc87232&e=857b71a9cb>
[October
22-February 13, Cambridge, Massachusetts]
- Engauge Experimental Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1f80c7f25b&e=857b71a9cb>
[October
28-November 8, Seattle]
- Mark McElhatten— “To the Lighthouse” Screening Series
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8ac59f3b11&e=857b71a9cb>
[October
29-November 16, New York]
- aCinema: Exopoiesis
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fee3c1eb00&e=857b71a9cb>
[November
1-30, online]
- Xcèntric 20th Anniversary
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=71c5afdda8&e=857b71a9cb>
[November
4-7 + December 12, Barcelona]
- Mclaughlin + T. Johnson + Scott
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e66c7a50ea&e=857b71a9cb>
[November
6, San Francisco]
- New Films On the Re:Voir Online App
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=74d1558a3f&e=857b71a9cb>
[November
6, online]
- Mono No Aware Community Screening Program
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5c2511f0d8&e=857b71a9cb>
[November
7, New York]
- Memorial Tribute: Suzan Pitt, Program 1 + 2
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[November
7, New York]
- Underground Movies, Program 1: A Hollow Earth
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[November
7, online]
- Gearwax: Old vinyl, Repurposed
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[November
7, online]
- Ghosts of Lost Futures
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[November
8, Austin]
- 40 Years of Light Cone
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[November
9-12, Seville, Spain]
- Pink-U Punk-Y
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[November
11, Paris]
- Screen25 X Cinema Year Zero Presents: Srećan Put
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[November
12, London, UK]
- Canning's Motherload
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[November
13, San Francisco]
- New Films On the Re:Voir Online App
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[November
13, online]
- New Time: the Future Is Feminist, Girls Museum
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[November
14, Berkeley]
- Underground Movies, Program 2: Spaces of Extraction
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[November
14, online]
- The Long Conversation
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[ongoing, online]
- Ecstatic Static Screenings
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[ongoing,
online]
*STARTING BEFORE NOVEMBER 6, 2021*
*October 15 - November 13*
Venue type: *Live, physical event*
Old Fire Station, Oxford
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various times
40 George Street
*Fabric of Photography: Material Matters*
Twelve experimental photographic artists exhibit their work in Oxford as
part of Photo Oxford Festival opening in the Main Gallery, The Old Fire
Station, central Oxford, from the 15th of October until 13th of November.
Each artist focuses on materiality within their practice. They are inspired
by historical processes invented in the 19th Century, and work with the
fundamental elements of the photographic medium: Light, Time and Material.
The exhibition brings together artists from Australia, France, Holland,
Poland, Ukraine, the United States, and the United Kingdom. The artists
explore the materiality of the photograph through experimentation.
Neil Ayling | John A Blythe | Sylvie Bonnot | Ellen Carey | Alice Cazenave
| Karel Doing | Nettie Edwards | Hannah Fletcher | Anna Luk | Rita Rodner |
Megan Ringrose | Kateryna Snizhko
More details at: https://www.fabricofphotography.com/who
*___________________________________________________________________*
*October 22 - February 13*
Venue type: *Live, physical event*
MIT List Visual Arts Center
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times vary,
MIT List Visual Arts Center 20 Ames Street, Bldg E15, Atrium level
*LESLIE THORNTON: BEGIN AGAIN, AGAIN*
Thornton’s List Center exhibition marks the artist’s first US solo museum
exhibition and most comprehensive presentation to date. The exhibition will
premiere a new video work, *Hemlock *(2021), as well as a new installation
of Thornton’s influential cycle *Peggy and Fred in Hell* (1983–2015).
In a career spanning nearly five decades, Leslie Thornton has produced an
influential body of work in film and video. Her early encounters with
experimental, structuralist, and cinéma vérité traditions as a student in
the 1970s fueled her iconoclastic take on the moving image and gave shape
to her practice of weaving together her own footage and voice with archival
film and audio. In part through her forceful and dynamic use of sound,
Thornton exposes the limits of language and vision in her works, while
acknowledging the ways that language and vision nevertheless remain central
to scientific discourse and narrative in general. Engaging these themes
within a focused survey, Thornton’s List Center exhibition will mark the
artist’s first US solo museum exhibition and most comprehensive
presentation to date.
The relationship between technology, power, and violence is an enduring
concern for Thornton. In early works, such as *X-TRACTS* (1975), *All Right
You Guys* (1976) and *Jennifer, Where Are You?* (1981), Thornton contends
with the basic conditions of representation in film and how the camera
itself wields power. In *Let Me Count the Ways* (2004–ongoing) and *Cut
>From Liquid to Snake* (2018), Thornton takes up the United States’ history
of nuclear warfare—a subject fraught with personal resonance for her, as
both her father and grandfather were involved in the Manhattan Project, the
top-secret effort that produced the atomic bombs that the U.S. dropped on
Japan in the final days of World War II. A touchstone of experimental
film, *Peggy
and Fred in Hell *is a multi-chapter work that surfaces the Cold War-era
anxieties that shaped Thornton’s formative years and plumbs the
psychological impact of technology in postwar America. Thornton’s recent
film *Ground* (2020) embeds the voice of a physicist discussing particle
decay within elegant yet foreboding technological landscapes. The
exhibition’s title, *Begin Again, Again*—borrowed from a line in *Peggy and
Fred in Hell*—alludes to human-made cycles of destruction and renewal as
well the hallmarks of Thornton’s practice: an accumulation and repetition
of images and language and a radically open-ended approach to observing,
processing, and understanding.
Thornton’s exhibition is organized by Natalie Bell, Curator, MIT List
Visual Arts Center. In conjunction with the exhibition, the List Center is
co-publishing the artist’s first monograph with Sternberg Press.
*Exhibition Brochure with list of works exhibited*:
https://listart.mit.edu/sites/default/files/MIT_List-Thornton_Brochure_2021.pdf
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*___________________________________________________________________*
*October 28 - November 8*
Venue type: *Both physical and online*
Interbay Cinema Society
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In person: 10/28 & 10/29: 7pm & 9pm; 10/30: 5pm, 7pm & 9pm; 10/31: 3pm, 5pm
& 7pm PT
Online: 10/28-11/08
1515 12th Avenue
Event URL:
https://nwfilmforum.org/festivals/engauge-experimental-film-festival-2021/
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*Engauge Experimental Film Festival*
The 4th Annual Engauge Experimental Film Festival Co-sponsored by the
Interbay Cinema Society and Northwest Film Forum
*In person October 28 - October 31 *including Special *Live Only* Expanded
Cinema Performance Avida Jackson + Devon Damonte
*Online October 28 - November 8th *Featuring films by
Cecilia Araneda | Dianna Barrie | Bibhusan Basnet + Pooja Gurung | Edén
Bastida Kullick | Anne-Marie Bouchard | Ursula Brookbank | Khalil Charif +
Christine Amiran | Isabela Costa | Melina Kiyomi Coumas | Josh Drake |
James Edmonds | Roshanak Elmendorf | Zachary Epcar | Linda Fenstermaker |
Gwendolyn Audrey Foster | Edgar Garcia Chavez | Dawn George | Mike Gibisser
| Brittany Gravely + Ken Linehan | Serge Gregory | Mike Hoolboom | Kourtney
Jackson | Foteini Tina Jacobson | Miglė Križinauskaitė-Bernotienė | Kate
Lain | Christine Lucy Latimer | Cherlyn Hsing-hsin Liu | Nelson MacDonald |
Florian Maricourt + Calypso Debrot | Mireya Martinez | Tetsuya Maruyama |
Carleen Maur | Penny McCann | Sandy McLennan | Rocio Mesa | Milan
Milosavljević | Ella Morton | Patrick Müller | Yuri Muraoka | Karl Nussbaum
| Vasilios Papaioannu | Laura Phillips| Emma Piper-Burket | Ben Popp |
Rrose Present | Charlotte Pryce | Camille Pueyo | Kathryn Ramey | Kristin
Reeves | Richard Reeves | Daniel Robin | Jason Robinson | Kathleen Rugh |
Adam Sekuler | Wenhua Shi | Caitlin “Sonny” Shieh | Anastasia Shubina +
Timofey Glinin | Luke Sieczek | Caleb Smith | Miles Sprietsma | Cindy
Stillwell | Mark Street | Mary Trunk | Richard Tuohy | Huw Wahl | Stephen
Wardell | Stefanie Weberhofer | Steven Woloshen | Tzuan Wu + Erica Sheu
*___________________________________________________________________*
*October 29 - November 16*
Venue type: *Live, physical event*
Museum of Modern Art
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various times
MoMA, 11 West 53 Street
*Mark McElhatten— “To The Lighthouse” Screening Series*
MoMA is honored to present a screening series selected by renowned curator
and film programmer Mark McElhatten. “I like to present programs that are
more than the sum of their parts,” he says, “an experience that can’t be
summarized made up of films that can’t be told.” A founding curator of the
New York Film Festival’s Views from the Avant-Garde, and Martin Scorsese’s
film archivist for 22 years, McElhatten has been curating film and video
programs at major museums and festivals around the world since 1976.
“Cinema exists before and after film as a modality of human consciousness,”
says McElhatten. “I’ve always resisted informational or thematic programs
as I work with intuition and with each film to compose an experience. The
films presented in this series touch on many ideas and issues: the human
subconscious, the daily, the sublime, race, colonialism, mortality, desire,
difference, and division. They are songs of experience holding surprises,
revealing their essence and versatility in context, not limited to carrying
a particular weight of explanation. Unexplained but not inexplicable. Films
that honor the viewer by acknowledging your freedom and intelligence.”
Highlights of the series will include world premieres of work by Nathaniel
Dorsky, David Gatten and Ashley West, Ernie Gehr, Vincent Grenier, Eve
Heller, Ken and Nisi Jacobs, Dani (Leventhal) ReStack and Sheliah (Wilson)
ReStack, and Leslie Thornton; US premieres from Michael Robinson; rare
screenings of films by Joseph Cornell and Jacques Rivette; and films by
Bruce Conner, Claire Denis, Mark LaPore, Buster Keaton, Gregory
Markopoulos, Talena Sanders, Phil Solomon, John Reinhardt, and more.
Organized by Mark McElhatten, guest curator; with Ron Magliozzi, Curator,
Brittany Shaw, Curatorial Assistant, and Olivia Priedite, Senior Program
Assistant, Department of Film.
Proof of vaccination required
*___________________________________________________________________*
*November 1 - 30*
Venue type: *Virtual, online event*
aCinema
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streaming 24/7
Event URL: https://www.acinema.space/current-program
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*aCinema: Exopoiesis*
*Atlas*, Camila Marchon, 5 min 40 sec
*Dark Matter*, Viktor Brim, 19 min 52 sec
*3x Shapes of Home*, Elisabeth Brun, 6 min 58 sec
*Sweeping Sweet*, Anya Leonova, 11 min 21 sec
aCinema is a monthly exhibition dedicated to the screening of works by
moving image artists from around the globe for audiences during the 9 month
period of September to May. aCinema also organizes a yearly festival
programmed from an open call for works titled, aDifferent festival. Through
the exhibition of artists -- historical and contemporary, emerging and
established -- in curated programs, aCinema creates a platform for artists
of all career statuses to share a common exhibition space.
Through the curatorial themes and independent thoughts expressed within the
works, aCinema hopes to inspire and expand audiences' views of the moving
image, fostering an arts educational space, where audiences are free to
engage in discussion with curators and artists (when present) following the
screenings.
*___________________________________________________________________*
*November 4 - 7 + December 12*
Venue type: *Live, physical event*
Xcèntric
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various times
Teatre CCCB, Plaça de Joan Coromines
*Xcèntric 20th Anniversary*
The 20th anniversary of Xcèntric will take place on 4, 5, 6 and 7 November
and 12 December at the CCCB’s cinema. We have prepared a special program
that includes screenings, a conference by Tom Gunning, happenings, and
several performances. We celebrate cinema as a collective experience, the
survival of photochemical film and the profession of projectionist, through
a reflection on the present and future of cinema in the digital age.
November 4 @ 19:00 (GMT +2)
*Le Film est déjà commencé?*, Maurice Lemaître, 1951, 35 mm, 62 min.
November 5 Program @ 19:00 (GMT +2)
*Scenes From Under Childhood: Section No.1*, Stan Brakhage, 1967, 16 mm, 25
min.
*Scenes From Under Childhood: Section No.2*, Stan Brakhage, 1969, 16 mm, 40
min.
*Scenes From Under Childhood: Section No.3*, Stan Brakhage, 1969, 16 mm, 28
min.
*Scenes From Under Childhood: Section No.4, *Stan Brakhage, 1970, 16 mm, 46
min.
November 5 & 6 @ 11.30 and 16.30 + November 7 @ 11:30 (GMT +2)
*Cinema Futures*, Michael Palm, 2016, digital, 126 min, Original language
with Spanish subtitles.
November 6 @ 19:00 (GMT +2)
*Cinema of Vision, *talk by Tom Gunning
*Kodak*, Tacita Dean, 2006, 16mm colour and black and white, optical sound,
44 minutes.
November 7 @ 18:30 (GMT +2)
*At the Academy*, Guy Sherwin, 1974, 16 mm, 5 min.
*Projection Instructions*, Morgan Fisher, 1985, 16 mm, 4 min.
*Luminous Zone*, Barry Gerson, 1973, 16 mm, 28 min.
*Transparency*, Ernie Gehr, 1969, 16 mm, 11 min.
*Railings*, Guy Sherwin, 1977, 16 mm, 10 min.
*Pasadena Freeway Stills*, Gary Beydler, 1974, 16 mm, 6 min.
*Bad Burns*, Paul Sharits, 1982, 16 mm, 5 min.
*zzz: Hamburg Special*, Hans Scheugl, 1968, 16 mm, no data.
*Echo Chamber*, a performance by Valentina Alvarado Matos and Carlos
Vásquez Méndez.
December 12 @ 18:30 (GMT +2)
*Album 1*, Boris Lehman, 1974, Super 8 to 16 mm, colour, silent, 60
min. Live musical accompaniment by Marina Herlop.
*SATURDAY, NOVEMBER 6, 2021* Venue type: *Live, physical event*
Other Cinema
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8:00pm PT
992 Valencia St
*MCLAUGHLIN + T. JOHNSON + SCOTT*
Our annual Media-Archeology Dig celebrates a robust range of distinct–even
peculiar–art practices, still thriving on the so-called “margins”.
Headlining is 35mm stereoscopic maestro *Pad McLaughlin*, with
dual-projector works both old and new, including the world premiere of
*Binocular
Disparities*! AND: Tree-of-knowledge *Tim Johnson *takes apart the
mythic *Amiga
Toaster *to reveal missing links between generations of electronic
graphics. Also surfing our wave of obsolescence, analog champ *Jake
Scott* drops
the needle on Flexidiscs, to sync the plastic sheets' soundtracks to S8
*Frankenstein *digests! PLUS bits and bytes of Variophones, Vocoders,
the Cox Optigan, and free 35mm filmstrips! $9.99
*___________________________________________________________________*
Venue type: *Virtual, online event*
Re:Voir
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12:00 GMT
Event URL: https://apps.apple.com/us/app/online-re-voir/id1545131544
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*New films on the Re:Voir Online app*
*Threshold* (2013, 14 min) by Robert Todd
*Fast Film* (2003, 12 min) by Virgil Widrich
*Le Lit de la Vierge* (1969, 114 min) by Philippe Garrel
*Buffalo Diaries* (2008, 31 min) by Holly Fisher
*Cinexpérimentaux #3: Vivian Ostrovsky* (2001, 13 min) by Frédérique Devaux
and Michel Amarger
Free download and 30-day free subscription. Every week two hours of new
films are added.
*SUNDAY, NOVEMBER 7, 2021*
Venue type: *Live, physical event*
Mono No Aware @ Anthology Film Archives
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1pm ET
32 Second Avenue
*MONO NO AWARE COMMUNITY SCREENING PROGRAM*
Featuring the world premiere of 60 films made locally with the support of
MONO NO AWARE.
This program will include films made through the educational initiatives of
MONO NO AWARE, a cinema-arts nonprofit organization and film positive
community working to promote connectivity through the cinematic experience.
Established in 2007 and based in downtown Brooklyn, MONO NO AWARE presents
monthly artist-in-person screenings, facilitates equipment rentals,
operates a film distribution initiative, maintains wet & dry lab
facilities, and hosts an annual exhibition for contemporary artists and
international filmmakers whose work incorporates Super-8mm, 16mm, 35mm, or
altered light projections as part of a live performance or installation.
For more info visit: www.mononoawarefilm.com
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*___________________________________________________________________*
Venue type: *Live, physical event*
Anthology Film Archives
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6pm + 8:15pm ET
32 Second Avenue
*MEMORIAL TRIBUTE: SUZAN PITT, PROGRAM 1 + 2*
One of the most inventive and inspired experimental animators of her
generation, Suzan Pitt passed away in the summer of 2019 at the age of 75.
To celebrate her achievements, we’ll be hosting two programs surveying her
career as a filmmaker.
Pitt initially trained as a painter and graphic artist, but driven by a
desire to set her visual ideas in motion, she quickly gravitated towards
animation. Her films conjure phantasmagorical worlds in which people,
objects, and identities are in constant flux. She explores urgent subjects
such as mortality and sexuality by means of dreamlike, profoundly ambiguous
and unsettling imagery – but always with a vibrancy and sheer delight in
creation that renders the films deeply liberating and wondrous.
These screenings will showcase the Academy Film Archive’s recent
restorations of the majority of Pitt’s films, including her masterpiece,
ASPARAGUS (1978), and will also include a short documentary about her life
and work (directed by Pitt’s son and daughter-in-law). With several of
Pitt’s family members and friends present, this evening will represent a
special opportunity to share thoughts and memories of an artist whose work
is profoundly alive.
Special thanks to Blue & Laura Kraning; Charlie Ahearn; Ken Brown; Lisa
Crafts; and Mark Toscano & Edda Manriquez (Academy Film Archive).
* PROGRAM 1 @ 6PM (TRT: 75') *
*BOWL, GARDEN, THEATRE, MARBLE GAME* 1970, 7 min, 16mm. Preserved by the
Academy Film Archive.
*CROCUS* 1971, 6.5 min, 16mm. Preserved by the Academy Film Archive.
*WHITNEY COMMERCIAL* 1973, 3 min, 16mm. Preserved by the Academy Film
Archive.
*JEFFERSON CIRCUS SONGS* 1973, 16 min, 16mm-to-digital. New digital file
from the Academy Film Archive.
*VISITATION* 2011, 9 min, 16mm-to-digital. New digital file from the
Academy Film Archive.
Plus:
*SUZAN PITT: PERSISTENCE OF VISION*, Blue Kraning & Laura Kraning, 2006, 28
min, digital
* PROGRAM 2 @ 8:15PM (TRT: 70') *
*CLAY WOMAN SMOKING* ca. 1970s, 21 sec, 16mm-to-digital. New digital file
from the Academy Film Archive.
*ASPARAGUS* 1978, 19 min, 35mm. Preserved by the Academy Film Archive.
*JOY STREET* 1995, 24 min, 35mm. Preserved by the Academy Film Archive.
*EL DOCTOR* 2006, 23 min, 35mm. New print from the Academy Film Archive.
*___________________________________________________________________*
Venue type: *Virtual, online event*
Filmforum
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4pm PT,
Event URL:
https://watch.eventive.org/undergroundmovies/play/6178d88197255500a82a4b77
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=770860b209&e=857b71a9cb>
*Underground Movies, program 1: A Hollow Earth*
Followed by a live Q&A with curators Jenny Perlin and Leo Goldsmith and
filmmakers. Please note that the show time starts at 4 pm, and the films
will play one time only. They will not be available after the screening.
Remember that clocks fall back one hour at 2am on the morning of November 7
"Caves, sewers, subways, mines, bunkers, crypts—the planet’s real and
mythic subterranean spaces have served a capacious array of functions, as
sources of fossil fuels and imaginative speculation alike. This series of
programs explores how moving-image artists have tackled these hidden
worlds—through documentary observation into their murky depths,
performative bodily engagement, abstraction, archival montage, and computer
graphics. Drawing together films from a historically and geographically
diverse field—from early cinema to contemporary artists’ moving image; from
the Americas, Asia, and Europe—“Underground Movies” charts a unique
aesthetic terrain through which to explore larger questions of human’s
material and psychological relation to the planet’s substructure—as a space
to be reshaped and exploited, but also as one in which to imagine ourselves
anew." —JP &LG
*Interior New York Subway, 14th Street to 42nd Street**,* Billy Bitzer,
USA, 1905, film to paper positive, screened as digital file, b&w, silent, 5
min.
*Nine Guided Tours**, *Michael Gitlin, USA, 2000, Video, color, sound, 19
min.
*Into All That Is Here**, *Laure Prouvost, UK, 2015, HD video, color,
sound, 10 min.
*Substrait (Underground Dailies)*, Gordon Matta-Clark, USA, 1976, 16mm,
color and b&w, sound, screened as a digital file, 30 min.
*sound of a million insects, light of a thousand stars*, Tomonari
Nishikawa, Japan, 2014, 35mm, sound, color, screened as digital file, 2 min.
*___________________________________________________________________*
Venue type: *Virtual, online event*
*GearWax*
https://www.gearwax.org/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ce01db4466&e=857b71a9cb>
6pm-8pm PT,
*GEARWAX: OLD VINYL, REPURPOSED*
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
records. Hosted by Kathleen and Scott from San Francisco. Every other
Sunday, 6-8pm PT!
*MONDAY, NOVEMBER 8, 2021* Venue type: *Live, physical event*
Experimental Response Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4b540ac25c&e=857b71a9cb>
7pm CT,
AFS Cinema 6406 N I-35 Suite 3100
*GHOSTS OF LOST FUTURES*
Austin Film Society and Experimental Response Cinema partner to present
Ghosts of Lost Futures, new video works by 10 artists commissioned by the
G. William Jones Film and Video Collection. Each artist was given access to
the same cache of footage from the WFAA Newsfilm Collection shot in
Dallas,Texas in the year 1970, the year of the archive’s founding.
The program was intended to celebrate the 50th Anniversary of the archive,
but due to the COVID-19 pandemic and the resulting lockdowns, the program
was not completed until the Spring of 2021. The artists were given complete
freedom in how they re-interpreted the footage and its historical context.
The resulting works are profound meditations on mourning, melancholy,
disaster, and various reinterpretations of the events of 2020 and 2021
through images of Dallas’ past.
Curt Heiner – *the stars of texas shine tonight* – 13m59
Lisa McCarty – *Undelivered Remarks* – 5m5s
Tramaine Townsend – *FRAMES.–DALLUS.* – 6m26s
Zak Loyd – *Deep River / Ocean of Storms* – 3m8s
Sean Miller – *Untrue Crime* – 8m17s
Angelo Madsen Minax – *Stay with me, the world is a devastating place* – 8m
29s
Zak Loyd – *Parkland* – 6m19s
Amber Bemak – *Dallas is a Fire* – 11m35s
Melanie Clemons – *Flats* – 8m4s
Liz Rodda – *Amid Flowers, Crowns, and Tears* – 11m19s
Marwa Benhalim – *The Void Remembers* – 6m34s
Program curated by Michael A. Morris
*TUESDAY, NOVEMBER 9, 2021* *November 9 - November 12*
Venue type: *Live, physical event*
Festival de Sevilla
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f500a4843d&e=857b71a9cb>
times vary, locations vary, see below
*40 YEARS OF LIGHT CONE*
Seminar: November 9 and 10. From 11: 00-14: 00 at the CAAC.
Screenings: From November 9 to 12. Afternoon. MK2 Cinesur Nervión Plaza.
2022 marks the 40th anniversary of the organisation responsible for
bringing experimental cinema, in its original formats, to every corner of
Europe: Light Cone, which houses 5,000 films from 1900 to the present day
from all over the world at its headquarters in Paris (a veritable crypt of
treasures). In this edition of the Festival, Yann Beauvais, who founded
Light Cone with Miles McKane in 1982 and is one of the world's leading
experts and exponents on the subject, brings us a selection from this
inexhaustible collection, which also outlines a new history of avant-garde
cinema. Under the title "Activating cinema", Beauvais rediscovers the
revolutionary, inspiring and exciting potential of this suggestive vein of
cinema through a vision that renews the canons based on a view that
includes both ecology and gender identity, whilst not neglecting themes
such as cinema in its materiality and its relationship with the fine arts.
The crème de la crème, in a series of unique sessions in which 16mm and
super 8 projectors will once again roar in the theatre.
* SEMINAR IN TWO PARTS *
The Beginnings November 9th. 11:00 h. - 14:00 h. at the CAAC
The Explosion of Diversity November 10th. 11:00 h. - 1 4:00 h. at the CAAC
* SESSION 1: LANDSCAPE/ECOLOGY * Tuesday 9 Nov, 17:00 - 18:33 (GMT +2)
http://festivalcinesevilla.eu/en/node/4120
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c1a503b7e7&e=857b71a9cb>
*Sans Titre* (Helmut Nickels, 1976-1977, 16mm, 5 Min.)
*Hus* (Inger Lise Hansen, 1998, 16mm, 8 Min.)
*Put-Putt* (Werner Nekes, 1967, 16mm, 10 Min.)
*3/60 Bäume Im Herbst* (Kurt Kren, 16mm, 1960, 5 Min.)
*Colour Separation* (Chris Welsby, 1974-1976, 16mm, 3 Min.)
*Étude Cinégraphique Sur Une Arabesque* (Germaine Dulac, 1929, 16mm, 7 Min.)
*Festung Europa* (Louise Crawford, 1992, 16mm, 7 Min.)
*La Vache Qui Rumine* (Georges Rey, 1969, 16mm, 3 Min.)
*Rode Molen* (Esther Urlus, 2013, 16mm, 5 Min.)
*Juste Avant Midi* (Pascal Auger, 1986, 16mm, 7 Min.)
*Passagen* (Lisl Ponger, 1996, 16mm, 12 Min.)
*Vagues À Collioure* (Jean Michel Bouhours, 1991, 16mm, 6 Min.)
*Les Heures* (Martine Rousset, 1990, 16mm, 6 Min.)
*Bouquets 25-27* (Rose Lowder, 2002-2003, 16mm, 4 Min.)
* SESSION 2: GENDER/IDENTITY * Wednesday 10 Nov, 17:00 - 18:51 (GMT +2)
http://festivalcinesevilla.eu/en/node/4121
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8e78b5b646&e=857b71a9cb>
*Vulva* (Marcelle Thirache, 1993, Super 8, 7 Min.)
*Vers La Dame Jouanne* (Jennifer Burford, 1993, Super 8, 5 Min.)
*Dress Rehearsal / Karola 2* (Christine Noll Brinckmann, 1979-1980, 16mm,
14 Min.)
*Home Stories* (Matthias Muller, 1991, 6 Min.)
*Danke, Es Hat Mich Sehr Gefreut* (Mara Mattuschka, 1987, 2 Min.)
*Le Gant De L’autre* (Michel Nedjar, 1977, Super 8, 15 Min.)
*Flash Passion* (Maria Klonaris & Katherina Thomadaki, 1970, Super 8, 2
Min.)
*Passage Du Desir* (Jakobois, 1988, 16mm, 9 Min.)
*Mann & Frau & Animal* (Valie Export, 1970-1973, 16mm 10 Min.)
*Prince Of Peace *(Hans Scheugl, 1993, 16mm, 8 Min.)
*Backcomb* (Sarah Pucill, 1995, 16mm, 6 Min.)
*Allers Venues* (Vivian Ostrovsky, 1984, 16mm, 12 Min.)
* SESSION 3: CINEMA AS MATERIAL * Thursday 11 Nov, 17:00 - 18:39 (GMT +2)
http://festivalcinesevilla.eu/en/node/4122
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=40bdac6a49&e=857b71a9cb>
*Musical Stairs* (Guy Sherwin, 1977, 16mm, 10 min.)
*K (BERBÈRES) K (BERBERIANS) *(Frédérique Devaux, 2007, 6 min.)
*Del Tuffarsi E Dell’annegarsi* (Paolo Gioli, 1972, 16mm, 11 Min.)
*Lichtspiel Schwarz-Weiss-Grau* (Laszlo Moholy-Nagy, 1930, 16mm, 6 min.)
*Mothfight *(Vanda Carter, 1985, 8 min.)
*Black And Light* (Pierre Rovere, 1974, 16mm, 8 min.)
*Film Sans Caméra STST* (Giovanni Martedi, 1975, 6 min.)
*Chromaticité II *(Patrice Kirchoeffer, 1978, 16mm, 6 min.)
*Systema* (Françoise Thomas, 1984, 16mm, 6 min.)
*Cruises* (Cécile Fontaine, 1989, 16mm, 8 min.)
*Zillertal *(Jurgen Reble, 1991, 16mm, 11 min.)
* SESSION 4: THE LIGHT CONE YEARS: THE CINEMA OF YANN BEAUVAIS * Friday 12
Nov, 17:00 - 18:40 (GMT +2)
http://festivalcinesevilla.eu/en/node/4123
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d36cda5abc&e=857b71a9cb>
*Disjet *(Yann Beauvais, 1979-1982, 16mm, 40 min.)
*Enjeux* (Yann Beauvais, 1984, 16mm, 6 min.)
*Divers-Épars* (Yann Beauvais, 1987, 16mm, 12 min.)
*Quatre Un* (Yann Beauvais, 1975-1991, 16mm, 15 min.)
*Still Life* (Yann Beauvais, 1997, vídeo, 12 min.)
*THURSDAY, NOVEMBER 11, 2021* Venue type: *Live, physical event*
Lightcone / Luminor Hôtel de Ville
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fb31aaeece&e=857b71a9cb>
8:30PM (GMT+2),
Luminor Hôtel de Ville, 20 rue du Temple
*PINK-U PUNK-Y*
The term "pink-u" refers to Japanese films with nudity but not necessarily
with eroticism as their main subject. As for "punk-y", it designates
subversive, nihilistic, irreverent ideas or actions, often set to a rough
and rapid musical beat. Particular attention is given to the doyenne of the
program, Mary Ellen Bute, who, in 1940, rebelled against the status quo and
created what she named the "Absolute Film", an explosion of colors, forms,
movements – authentically 'Visual Music' avant la lettre.
*DRESDEN DYNAMO*, by Lis RHODES, 1971 / 16mm / color / sound / 5' 00
*KITCHEN BEETS*, by Bea HAUT, 2019 / 16mm / b&w / sound / 1'00
*BUSH*, by Bea HAUT, 2011 / 16mm / b&w / silent / 2' 45
*SYSTEMA*, by Françoise THOMAS, 1984 / 16mm / color / sound / 4' 00
*REMOVED*, by Naomi UMAN, 1999 / 16mm / color / sound / 7' 00
*THERE'S A PERVERT IN OUR POOL!*, by Martha COLBURN, 1998 / 16mm / color /
sound / 2' 30
*PSSSHT!*, by Holly FISHER, 1968 / DCP / color / sound / 5' 00
*PARASYMPATHICA*, by Mara MATTUSCHKA, 1986 / DCP / b&w / sound / 5' 00
*CEROLAX II*, by Mara MATTUSCHKA, 1985 / DCP / b&w / sound / 1' 40
*TARANTELLA*, by Mary Ellen BUTE & Norman MCLAREN & Ted NEMETH, 1940 / DCP
/ color / sound / 4' 51
*ASTHMA*, by Martha COLBURN, 1995 / 16mm / color / sound / 2' 00
*DESERT MIRACLES*, by Miriam GOSSING & Lina SIECKMANN, 2015 / DCP / color /
sound / 11' 40
*GOUDE REVOLUTION*, by Andrea KIRSCH, 1997 / 16mm / color / sound / 9' 00
*FRIDAY, NOVEMBER 12, 2021* Venue type: *Live, physical event*
Screen 25
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e7926b33e9&e=857b71a9cb>
7:45 PM
Harris Academy South Norwood Cumberlow Ave, London SE25 6AE, United Kingdom
*Screen25 X Cinema Year Zero Presents: Srećan Put*
After moving from Heidelberg to Berlin, friends Martin (Martin Bremer) and
Max (Maximilien Luc Proctor) seek meaning and comfort through filmmaking,
pretend play and discussion. They meet Valentin, an aspiring actor, and
decide to bring him into the creative fold. Through a series of autofiction
vignettes, the film constructs a piecemeal microcosm of memory. Dir.
Maximilien Luc Proctor • 2021 • Germany/US • Avant-Garde/Documentary/Comedy
• 95 mins • Cert 18
Join us beforehand for a gallery installation of short films, alongside a
special Cinema Year Zero inspired cocktail!
*SATURDAY, NOVEMBER 13, 2021* Venue type: *Live, physical event*
Other Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5b7d283b5d&e=857b71a9cb>
8:00pm,
992 Valencia St
*CANNING'S MOTHERLOAD*
Long-time ATA staffer *Liz Canning* is back in person with an award-wining
feature doc! Always an avid cyclist, Liz had to search far and wide to
discover the best transportation solution.,.once she had twins!! She
stumbled upon a global movement to replace cars with long-frame bicycles
designed to carry heavy loads, and joyfully threw herself into the world
of cargo-bike inventors, advocates, and of course riders. The ultimate
social revolutionizer, the sturdy and eco-conscious family vehicle connects
with the earlier Suffragette cyclists, and women's seemingly endless fight
for bodily autonomy. $8
*___________________________________________________________________*
Venue type: *Virtual, online event*
Re:Voir
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cedbd58913&e=857b71a9cb>
12:00 GMT,
Event URL: https://apps.apple.com/us/app/online-re-voir/id1545131544
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6e5432a8ba&e=857b71a9cb>
*New films on the Re:Voir Online app*
*Watermen* (1968, 64 min) by Holly Fisher
*Clouds* (1969, 9 min)
*Focus* (1971, 7 min) and Epilogue (1978, 8 min) by Peter Gidal
*L'Automne* (1972, 75 min) by Marcel Hanoun.
Free download and 30-day free subscription. Every week two hours of new
films are added.
*SUNDAY, NOVEMBER 14, 2021* Venue type: *Live, physical event*
Pacific Film Archive
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6423645632&e=857b71a9cb>
4pm PST
UC Berkeley Art Museum and Pacific Film Archive, 2155 Center Street
*New Time: The Future is Feminist, Girls / Museum*
Young girls take us on a tour of an art museum, raising questions about the
depictions of women while revealing their generation’s concerns. With Eve
Fowler’s documentation of women working in their art studios, to a
voiceover reading of Gertrude Stein. Plus Emily Chao’s short tribute to
Gentileschi.
*with it which it as it if it is to be, Part II *by Eve Fowler, (United
States, 2019)
*Gentileschi’s Return *by Emily Chao, (United States, 2013)
*Girls / Museum* by Shelly Silver (Germany, 2020)
With Emily Chao in person!
*___________________________________________________________________*
Venue type: *Virtual, online event*
Filmforum
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fe82b30fb8&e=857b71a9cb>
4:00 pm PST
Event URL:
https://watch.eventive.org/undergroundmovies/play/617a20ddcd4b3c0078d559d7
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=079d16add6&e=857b71a9cb>
*Underground Movies, program 2: Spaces of Extraction*
followed by a live Q&A with curators Jenny Perlin and Leo Goldsmith and
filmmakers.
Please note that the show time starts at 4 pm, and the films will play one
time only. They will not be available after the screening.
Caves, sewers, subways, mines, bunkers, crypts—the planet’s real and mythic
subterranean spaces have served a capacious array of functions, as sources
of fossil fuels and imaginative speculation alike. This series of programs
explores how moving-image artists have tackled these hidden worlds—through
documentary observation into their murky depths, performative bodily
engagement, abstraction, archival montage, and computer graphics. Drawing
together films from a historically and geographically diverse field—from
early cinema to contemporary artists’ moving image; from the Americas,
Asia, and Europe— “Underground Movies” charts a unique aesthetic terrain
through which to explore larger questions of human’s material and
psychological relation to the planet’s substructure—as a space to be
reshaped and exploited, but also as one in which to imagine ourselves anew.
*Mineral deposits secreted in the Earth’s structural layers become the
object of a vast exploratory project, an act of violence against the
landscape and against those communities who inhabit it. *—JP &LG
*Alma Silueta en Fuego (Silueta de Cenizas)*, Ana Mendieta, 1975, Super-8mm
film transferred to high-definition digital media, color, silent, 3:07
*Mine*, William Kentridge, South Africa, 1991, 16mm film transferred to
video; 5 min. 50 sec.
*Olhe bem as montanhas / Look closely at the mountains*, Ana Vaz, Brazil,
2018, HD, color, sound, 30 min.
*Coal Face*, Alberto Cavalcanti, UK, 1935, 25mm, black and white, sound,
screened as a digital file, 11 min.
*The Blood of Stars*, Raqs Media Collective, India, 2017, HD, color, sound,
13 min.
*ONGOING*
Venue type: *Virtual, online event*
*Riverwest Radio*
https://www.riverwestradio.com/show/the-long-conversation/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=17a2cdbc31&e=857b71a9cb>
8pm ET,
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!
*___________________________________________________________________*
Venue type: *Virtual, online event*
*Ecstatic Static*
https://www.ecstaticstatic.com/screenings/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d7c0118dfd&e=857b71a9cb>
streaming 24/7
*ECSTATIC STATIC SCREENINGS*
We host regular online screenings of artists’ films and videos on the
landing page, as a way to share work both new and rare, that may otherwise
have a limited release. For more information on each artist and ways on how
to support their work, please see the links below.
*Screening No. 6: Horror of the Rented World*
Peggy Ahwesh, *The Scary Movie*. 1993, 8 min
Aïda Ruilova, *Goner*. 2010, 11 min, 35 sec
Peter Tscherkassky, *Outer Space*. 1999, 10 min
Sue de Beer, *The Dark Hearts*. 2003, 5 min
Oliver Laric, *Untitled*. 2014.15, 5 min, 55 sec
Ben Rivers, *Old Dark House*. 2003, 4 min
*Screening No. 5: Five Films by Andrés Baron*
Andrés Baron, *Red Logics*. 2020, 2 min, 45 sec.
Andrés Baron, *Portals*. 2019, 6 min.
Andrés Baron, *Mirror Travelling*. 2017, 3 min.
Andrés Baron, *Bettina and White Background*, 2017, 2 min, 45 sec.
Andrés Baron, *Printed Sunset*, 2017, 6 min, 20 sec.
*Sara Cwynar – Glass Life (Trailer)*
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
*Screening No. 4: I Remember*
Bani Abidi, *Funland (Karachi Series II)*. 2014, 12 min, 48 sec
Luis Arnías, *Punky Eye / Ojo Malcriado*. 2018, 15 min
Tinne Zenner, *Sleeping District*. 2014, 12 min
Miko Revereza, *Distancing*. 2019, 10 min
Catarina Vasconcelos, *Metaphor or Sadness Inside Out*. 2013, 31 min
Leonardo Mouramateus, *A Festa e os cães*. 2015, 25 min
*Screening No. 3: W,O,R,D,S*
Erica Sheu, *first draft*. 2017, 3 min
Anna Thew, *Lost for Words*. 1980, 25 min
Abigail Child, *Mutiny*. 1983, 11 min
Yann Beauvais, *SID A IDS*. 1992, 5 min, 30 sec
Rhea Storr, *Junkanoo Talk*. 2017, 11 min, 36 sec
John Smith, *Steve Hates Fis*h. 2015, 5 min
Jenny Brady, *Wow and Flutter*. 2013, 13 min, 3 sec
Eva Giolo, *A Tongue Called Mother*. 2019, 18 min
*Screening No. 2: Five Films by Jodie Mack*
Jodie Mack, *Wasteland #1: Ardent, Verdant*. 2017, 4min, 30 sec
Jodie Mack, *Something Between Us*. 2015, 9 min, 30 sec
Jodie Mack, *Razzle Dazzle*. 2014, 5 min
Jodie Mack, *Undertone Overture*. 2013, 10 min, 30 sec
Jodie Mack,* Blanket Statement #1: Home is Where the Heart is*. 2012, 3 min
*Screening No. 1: The Ecstatic Static*
Luca Werner, *Schöngeising*. 2020, 1 min, 10 sec
Kersti Jan Werdal, *Slow Shapes*. 2017, 12 min, 54 sec
Taiyo Onorato & Nico Krebs, *Wrestlers*. 2015, 7 min
Beatriz Santiago Muñoz, *Black Beach/Horse/Camp/The Dead/Forces*. 2016, 8
min
Simon Liu, *Signal 8*. 2019, 14 min
Anna Marziano, *La Veglia*. 2010, 2 min
Andrea Franco, *East Los Angeles Punk*. 2012, 7 min
Jeano Edwards, *Familiar Strangers*. 2020, 2 min, 22 sec.
Melanie Smith with Rafael Ortega, *Parres Trilogy*. 2004, 12 min, 56 sec
Gillian Garcia, *YDS*. 2021, 3 min, 49 sec
------------------------------
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