[Frameworks] This Week in Avant Garde Cinema: November 20 - 28, 2021

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Sat Nov 20 13:08:31 CST 2021 

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*This Week [November 20 - 28, 2021] in Avant Garde Cinema*




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*DEADLINES APPROACHING*
Enter upcoming calls for entry here
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___________________________________________________________________________________
*sorted by submission deadline*
11.26.2021 Alchemy Film and Moving Image Festival
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(Regular Deadline)
11.30.2021 Laterale Film Festival
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(Regular Deadline)
11.30.2021 Crossroads
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(Early Deadline)
11.30.2021 Interbay Cinema Society Lightpress Grants
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11.30.2021 Media Monsters: Series 2
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12.07.2021 San Francisco International Film Festival
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(Youth Works/Mid-Length/Features Only)
12.17.2021 Visions du Réel
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01.07.2022 Coney Island Film Festival
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(Early Deadline)
01.30.2022 Braziers International Film Festival
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(Early Deadline)
01.31.2022 dresdner schmalfilmtage
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02.01.2022 International Short Film Festival Oberhausen
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03.01.2022 Fracto Experimental Film Encounter
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*EVENTS*
Enter your event announcements here
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___________________________________________________________________________________
*complicated sorting but a true attempt, enjoy!*

This week's programs (summary):

   - Leslie Thornton: Begin Again, Again
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d3d5a9ec26&e=857b71a9cb>
[October
   22-February 13, Cambridge, MA]
   - aCinema: Exopoiesis
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c4e48dc5a9&e=857b71a9cb>
[November
   1-30, online]
   - In Process: the Films of Jill Godmilow
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=eab9fb64d6&e=857b71a9cb>
[November
   17-23, New York]
   - Morrison + Minax + Ghosts
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9af3207b0a&e=857b71a9cb>
[November
   20, San Francisco]
   - The 50th Anniversary of Collectif Jeune Cinéma Second Part
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cb222d35be&e=857b71a9cb>
[November
   20 + 26, Saint Ouen near Paris]
   - Cats, Cut-Outs, and Crab Legs: 35mm Experimental Animation
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d17b4753b0&e=857b71a9cb>
[November
   20, Baltimore]
   - Underground Movies, Program 3: Journeys Within
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4e24632ed3&e=857b71a9cb>
[November
   21, online]
   - Gearwax: Old vinyl, Repurposed
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9ec527aba8&e=857b71a9cb>
[November
   21, online]
   - Karrabing Film Collective
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=763068b7d3&e=857b71a9cb>
[November
   22, Los Angeles + online]
   - LIAF Edge of Frame: Robert Breer: Two Programs
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2df9703a40&e=857b71a9cb>
[November
   26, London, UK]
   - New Films On the Re:Voir Online App
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d28a003c08&e=857b71a9cb>
[November
   26, online]
   - New Red Order
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=68667b288f&e=857b71a9cb>
[November
   27, San Francisco]
   - The Long Conversation
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1931a0b250&e=857b71a9cb>
   [ongoing, online]
   - Ecstatic Static Screenings
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a0fd3e0841&e=857b71a9cb>
[ongoing,
   online]


*STARTING BEFORE NOVEMBER 20, 2021*

*October 22 - February 13*
Venue type: *Live, physical event*
MIT List Visual Arts Center
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ee6f230c48&e=857b71a9cb>
times vary,
MIT List Visual Arts Center 20 Ames Street, Bldg E15, Atrium level,
Cambridge, MA
*LESLIE THORNTON: BEGIN AGAIN, AGAIN*
Thornton’s List Center exhibition marks the artist’s first US solo museum
exhibition and most comprehensive presentation to date. The exhibition will
premiere a new video work, *Hemlock *(2021), as well as a new installation
of Thornton’s influential cycle *Peggy and Fred in Hell* (1983–2015).

In a career spanning nearly five decades, Leslie Thornton has produced an
influential body of work in film and video. Her early encounters with
experimental, structuralist, and cinéma vérité traditions as a student in
the 1970s fueled her iconoclastic take on the moving image and gave shape
to her practice of weaving together her own footage and voice with archival
film and audio. In part through her forceful and dynamic use of sound,
Thornton exposes the limits of language and vision in her works, while
acknowledging the ways that language and vision nevertheless remain central
to scientific discourse and narrative in general. Engaging these themes
within a focused survey, Thornton’s List Center exhibition will mark the
artist’s first US solo museum exhibition and most comprehensive
presentation to date.

The relationship between technology, power, and violence is an enduring
concern for Thornton. In early works, such as *X-TRACTS* (1975), *All Right
You Guys* (1976) and *Jennifer, Where Are You?* (1981), Thornton contends
with the basic conditions of representation in film and how the camera
itself wields power. In *Let Me Count the Ways* (2004–ongoing) and *Cut
>From Liquid to Snake* (2018), Thornton takes up the United States’ history
of nuclear warfare—a subject fraught with personal resonance for her, as
both her father and grandfather were involved in the Manhattan Project, the
top-secret effort that produced the atomic bombs that the U.S. dropped on
Japan in the final days of World War II. A touchstone of experimental
film, *Peggy
and Fred in Hell *is a multi-chapter work that surfaces the Cold War-era
anxieties that shaped Thornton’s formative years and plumbs the
psychological impact of technology in postwar America. Thornton’s recent
film *Ground* (2020) embeds the voice of a physicist discussing particle
decay within elegant yet foreboding technological landscapes. The
exhibition’s title, *Begin Again, Again*—borrowed from a line in *Peggy and
Fred in Hell*—alludes to human-made cycles of destruction and renewal as
well the hallmarks of Thornton’s practice: an accumulation and repetition
of images and language and a radically open-ended approach to observing,
processing, and understanding.

Thornton’s exhibition is organized by Natalie Bell, Curator, MIT List
Visual Arts Center. In conjunction with the exhibition, the List Center is
co-publishing the artist’s first monograph with Sternberg Press.

*Exhibition Brochure with list of works exhibited*:
https://listart.mit.edu/sites/default/files/MIT_List-Thornton_Brochure_2021.pdf
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bbb1c43221&e=857b71a9cb>

*___________________________________________________________________*

*November 1 - 30*
Venue type: *Virtual, online event*
aCinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8bb6d64c50&e=857b71a9cb>
streaming 24/7
Event URL: https://www.acinema.space/current-program
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bdf176637b&e=857b71a9cb>
*aCinema: Exopoiesis*

*Atlas*, Camila Marchon, 5 min 40 sec
*Dark Matter*, Viktor Brim, 19 min 52 sec
*3x Shapes of Home*, Elisabeth Brun, 6 min 58 sec
*Sweeping Sweet*, Anya Leonova, 11 min 21 sec

aCinema is a monthly exhibition dedicated to the screening of works by
moving image artists from around the globe for audiences during the 9 month
period of September to May. aCinema also organizes a yearly festival
programmed from an open call for works titled, aDifferent festival. Through
the exhibition of artists -- historical and contemporary, emerging and
established -- in curated programs, aCinema creates a platform for artists
of all career statuses to share a common exhibition space.

Through the curatorial themes and independent thoughts expressed within the
works, aCinema hopes to inspire and expand audiences' views of the moving
image, fostering an arts educational space, where audiences are free to
engage in discussion with curators and artists (when present) following the
screenings.

*___________________________________________________________________*

*November 17 - November 23*
Venue type: *Live, physical event*
Anthology Film Archives
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8985db31f0&e=857b71a9cb>
times vary,
32 Second Avenue, New York
*IN PROCESS: THE FILMS OF JILL GODMILOW*


*Filmmaker in person for selected screenings!*

The career of Jill Godmilow is one of restless investigation, constant
shape-shifting, and tireless engagement, both cultural and political.
Godmilow has produced a dizzyingly varied body of moving-image works,
encompassing beautifully crafted documentary portraits, invaluable
recordings of theater pieces, a fictional feature based on the lives of
Gertrude Stein and Alice B. Toklas, conceptually rich “remakes” of
agit-prop classics (WHAT FAROCKI TAUGHT and SCUM MANIFESTO), an animated
film about the domestication of sheep, and a pioneering documentary-fiction
hybrid (FAR FROM POLAND).

Godmilow is equally adept at constructing sensitive and perceptive
portraits of artists at work – from sculptors and musicians to writers and
theater artists – and at deconstructing the artistic process, including her
own. If there’s a single thread uniting her various films – aside from her
uncompromising political commitment – it’s her persistent focus on the
creative process: several of her films explicitly depict artists at work
(ANTONIA: A PORTRAIT OF THE WOMAN; NEVELSON IN PROCESS; THE ODYSSEY TAPES),
while others foreground the process or roots of their own creation (FAR
FROM POLAND; WHAT FAROCKI TAUGHT; SCUM MANIFESTO).

Godmilow has long been at the heart of the film cultural community in New
York and beyond, thanks to her work as a filmmaker and artistic
collaborator; her parallel career as a teacher, scholar, and writer; and
her founding in 1985 of the non-profit organization Laboratory for Icon &
Idiom, which was initially formed to produce her films, but has more
recently evolved into IndieCollect, which is dedicated to the rescue,
restoration and reactivation of independent cinema, with an emphasis on
films by women, people of color and makers who identify as LGBTQ+.

Although several of her films remain in circulation and are screened
regularly, this retrospective represents the first comprehensive survey of
her films and videos to take place in many years, and provides an
invaluable opportunity to appreciate the full breadth and depth of her
moving-image work.

*Upcoming Screenings* WAITING FOR THE MOON
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d1c7a36be8&e=857b71a9cb>
November 20 at 1:00 PM

FAR FROM POLAND
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6d3a7682c9&e=857b71a9cb>
November 20 at 6:00 PM
November 21 at 8:30 PM

FOR HIGH SCHOOL STUDENTS – NOTES AND IMAGES FROM THE VIETNAM WAR
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=06d66d95e3&e=857b71a9cb>
November 20 at 9:00 PM
November 22 at 6:45 PM

ANTONIA: A PORTRAIT OF THE WOMAN + THE ODYSSEY TAPES
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f9575bae1f&e=857b71a9cb>
November 21 at 4:00 PM

THE POPOVICH BROTHERS OF SOUTH CHICAGO
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9f54cac8f5&e=857b71a9cb>
November 21 at 6:30 PM

NEVELSON IN PROCESS + WITH JERZY GROTOWSKI, NIENADOWKA, 1980
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bf9292ab61&e=857b71a9cb>
November 22 at 8:45 PM

WHAT FAROCKI TAUGHT + SCUM MANIFESTO
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e7cec764a7&e=857b71a9cb>
November 23 at 7:00 PM

ROY COHN/JACK SMITH
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d9e9c7b602&e=857b71a9cb>
November 23 at 9:00 PM

*SATURDAY, NOVEMBER 20, 2021* Venue type: *Live, physical event*
Other Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=aa12f0944e&e=857b71a9cb>
8:00pm, 992 Valencia St, San Francisco, CA
*MORRISON + MINAX + GHOSTS*
This celebration of film artifacts—both in collections and “found”--focuses
on some half-dozen revered re-mix artistes and a quartet of
crucial archives. OC's beloved ally Bill (*Dawson City*) Morrison floats in
his sublime raft of cursed-sea-cruise newsreels that serve as sidebar to *The
Village Detective*, his tale of sunken cinema treasure now out in theaters
nationally! Editor extraordinaire Scott Calonico dares to deconstruct the
police-emergency anomaly *Sudden Birth*. And Angelo (*North by
Current*) Minax offers
up his *Stay with Me**,* wherein Dallas TV anchors from 50 years ago are
re-imagined as Proclaimers of Doom. That piece, and Michael Morris'
uncanny *Night
of a Thousand Branches**,* are part of the West Coast Premiere of the *Ghosts
of Lost Futures* project that radically re-edits Dallas TV holdings from
the year 1970! *ALSO* Mariam Ghani on the stillborn Afghan film
industry, Ian Saroka on the Slovenian cinema safe-house, and Sarah Woods on
the Palestinian motion picture legacy. $8

*___________________________________________________________________*

*November 20 & 26*
Venue type: *Live, physical event*
Collectif Jeune Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7f7764da25&e=857b71a9cb>
programmes and times vary, see below
Saint Ouen near To Paris, France
*The 50th Anniversary of Collectif Jeune Cinéma second part*
We Started a Residency at Mains d'Œuvres (Saint-Ouen, near Paris) in order
to set up the Collectif Jeune Cinéma's Temporary Cinematheque. More than a
third of our catalog will be screened there, with one screening every
Friday, and one full Saturday per month. With the CJC's Temporary
Cinematheque, we want to set up a place where every week, at any cost,
different and experimental films will be screened, and thus create a
regular program, where the importance is given as much to the conviviality
of the place as to the quality of the programming. We want to make the
Temporary Film Library a place where filmmakers, cinephiles, curious
people, students and film professionals can meet. If everyone can leave a
screening with the desire to make a film, to be interested in marginal
forms of cinema, and thus contribute to alternative histories of cinema, we
would be very happy. Programming The CJC's Temporary Film Library will
offer nearly 80 screenings between now and May 2022. The programs are all
made from our distribution catalog and have been programmed in reverse
chronological order, according to the production date of each film. The
screenings, in continuity, invite you to go back in time through more than
a third of our distributed films, from 2020 to 1943. Thus, the programming
is taken care of by our catalog itself without going through a thematic or
historical proposal of a programmer. Films made by children, structural
films, abstract films, dance films, filmed diaries, amateur films,
experimental documentaries... The CJC's Temporary Film Library gives us the
opportunity to discover the richness and heterogeneity of our catalog,
which has been in existence for 50 years and is constantly being renewed,
and which will hopefully continue for the next 50 years!

There will be almost 80 screenings in all, with films from 2020 to 1943.
Films will be shown in reverse chronological order, according to their
production date. Members of the CJC, all filmmakers, will welcome you in
this space that we hope will be open to all: that's why the entrance fee is
pay-what-you-want. Members of the CJC, all filmmakers, will welcome you in
this space that we hope will be open to all : that's why the entrance fee
is pay-what-you-want. In November we present films between 2000 to 2005.

NOV 20 - 2PM PROGRAMME, 74'
►* Incarnation (Boy) Negative & Positive*, Tony Wu (16mm) ► *Cinematon 2082*
: Marcel Mazé, Gérard Courant ► *Fenêtres*, Michèle Bokanowski (16mm) ►
*Happiness*, Angelica Cuevas Portilla ► *Charlemagne 2: Piltzer*, Pip
Chodorov (16mm) ► *Memory Song*, Thierry Briard ► *Chrysalide en explosion*,
Dominik Lange

NOV 20 - 4PM PROGRAMME, 73'
► *I Wanna Be Your Rom*, Rodolphe Olcèse ► grau, Robert Seidel┊ ► *Loisada,
Avenue C*, Maeva Aubert 18

NOV 20 - 6PM PROGRAMME, 74'
► *PERFORMANCE*, Marguerite Harris (16mm) ► *Billy*, Jérôme Javelle┊ ► *Le
Cinéma comme passager clandestin*, Frédéric Lemaître ► *Foam Film*, David
Kidman (16mm) ► *Voda*, Alexis Constantin ► *Fin de siècle*, Emmanuelle
Sarrouy ► *La Femme Rouge*, Marie Sochor ► *Introspection*, Richard Beaune
► *Angel Beach*, Scott Stark (16mm)

///

NOV 26 - 7PM PROGRAMME
► *L'Univers d’une mouche*, Camille Sabatier ► *Dream*, Xavier
Capitant ► *Heureuse
d’avoir trouvé...une belle maison*, Sébastien Tarot ► *Flammes Nues*,
Jean-Paul Noguès ► *Lunch Break on the Xerox Machine*, Marie Losier (16mm) ►*
Pur Fantôme*, Sébastien Durand ► *Autoportrait en 3’23*, Cécilia Rodriguez
► *The Galilean Satellites*, Courtney Hoskins (16mm) ► *Flamen’co*, Olivier
Fouchard (16mm) ► *Trauma Victim*, Robert Todd (16mm)

*___________________________________________________________________*

Venue type: *Live, physical event*
Sight Unseen
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d6e1a9ef71&e=857b71a9cb>
7pm ET,
SNF Parkway Theatre 5 West North Ave, Baltimore, MD
Tickets: https://parkway.eventive.org/schedule/6181deef55c07a0029145759
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e2d7eaff04&e=857b71a9cb>
*Cats, Cut-Outs, and Crab Legs: 35mm Experimental Animation from the
Academy Film Archive*
Curated and presented by Mark Toscano from the Academy Film Archive in Los
Angeles

PROGRAM
*Frank Film*, (1973) by Frank Mouris, 35mm (originally 16mm), color, sound,
9m
*Furies*, (1977) by Sara Petty, 35mm (originally 16mm), color, sound, 3m
*The Rug*, (1985) by Maureen Selwood, 35mm, color, sound, 10m
*Hair Piece: A Film for Nappy Headed People*, (1984) by Ayoka Chenzira,
35mm (originally 16mm), color, sound, 9.5m
*Asparagus*, (1979) by Suzan Pitt, 35mm, color, sound, 18m
*Moon Breath Beat*, (1980) by Lisze Bechtold, 35mm, color, sound, 5m
*Madame Mao’s Lost Love Letters*, (1983) by Tom Leeser & Diana Wilson,
35mm, color, sound, 3m
*Sonoma*, (1977) by Sky David (formerly Dennis Pies), 35mm, color, sound,
7m
*Babobilicons*, (1982) by Daina Krumins, 35mm (originally 16mm), color,
sound, 16m 81m total

All films restored by and courtesy of the Academy Film Archive.

The 1970s and ‘80s in the US saw a renaissance of independent, experimental
animation being produced by a wildly talented and diverse group of young
artists. Thanks to revitalized art and film school curricula, access to
equipment, and new opportunities for funding, numerous animators had the
chance to produce otherworldly personal visions which then had an extensive
outlet in festivals, museums, and nontheatrical markets. New access to
industry grade equipment even enabled artists to realize their animations
in 35mm, although 16mm remained a more affordable format for many.

Frank Mouris’s classic information-overload cut-out autobiography, Frank
Film, marks one of the few times a genuinely experimental film took home an
Oscar, signalling an unexpected level of attention these imaginative,
independent visions might achieve. Gorgeous, lyrical work by Sara Petty,
Maureen Selwood, Lisze Bechtold, and Sky David each combine different
approaches to figuration and abstraction, marked by a diversely complex and
affecting poetry. Ayoka Chenzira’s memorable Hair Piece: A Film for Nappy
Headed People, uses multiple techniques to explore Black history and
identity through hairstyles, resulting in a vivid work that is hilarious
and moving. Suzan Pitt’s masterpiece Asparagus is an iconic film of global
independent animation, and is a revelation to experience in its original
35mm format. And finally, rarely seen films by Tom Leeser & Diana Wilson
and Daina Krumins explore the outer boundaries of visual experimentation -
Krumins’ Babobilicons must truly be one of the most compellingly weird
short films ever made.

This eclectic program of American experimental animation spans this
exciting period, and will screen entirely in 35mm restorations supervised
and presented by Mark Toscano from the Academy Film Archive in Los Angeles.

*SUNDAY, NOVEMBER 21, 2021*

Venue type: *Virtual, online event*
Filmforum
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0e19154bff&e=857b71a9cb>
4:00 pm PST,
Event URL:
https://watch.eventive.org/undergroundmovies/play/617a2b38fdaf8720cbf27dcc
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1bc887d839&e=857b71a9cb>
*Underground Movies, program 3: Journeys Within*
Caves, sewers, subways, mines, bunkers, crypts—the planet’s real and mythic
subterranean spaces have served a capacious array of functions, as sources
of fossil fuels and imaginative speculation alike. This series of programs
explores how moving-image artists have tackled these hidden worlds—through
documentary observation into their murky depths, performative bodily
engagement, abstraction, archival montage, and computer graphics.


Program 3: Journeys Within
TRT 60 min
*Losing Ground*, Patty Chang, USA, 2000, HD, color and black and white,
sound, 6 min
*The Making and Unmaking of the Earth*, Jessica Bardsley, USA, 2020, HD,
color, sound, 17 min
*Silueta de Arena*, Ana Mendieta, 1978, Super-8mm film transferred to
high-definition digital media, color, silent, 1:33 min
*Look Then Below*, Ben Rivers, UK, 2019, HD, color, sound, 22 min
*Thunderbird*, Christine Rebet, 2018, animation, 5 min

followed by a live Q&A with curators Jenny Perlin and Leo Goldsmith and
filmmakers

*___________________________________________________________________*

Venue type: *Virtual, online event*
*GearWax*
https://www.gearwax.org/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=661dd76797&e=857b71a9cb>
6pm-8pm PT,
*GEARWAX: OLD VINYL, REPURPOSED*
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
records. Hosted by Kathleen and Scott from San Francisco. Every other
Sunday, 6-8pm PT!

*MONDAY, NOVEMBER 22, 2021*

Venue type: *Both physical and online*
REDCAT
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d16c293c58&e=857b71a9cb>
8:30pm PT,
631 WEST 2ND STREET, Los Angeles, CA
Event URL: https://www.redcat.org/event/karrabing-film-collective-1
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3e909d91f3&e=857b71a9cb>
*Karrabing Film Collective*
*“It is not only straightforwardly racist narratives that Karrabing exists
to rebut but also the liberal forms of Indigenous recognition that emerged
during the 1970s.”* —ArtReview

The Karrabing Film Collective, an Indigenous media group based in
Australia’s Northern Territories, uses the creation of film and art
installations as a form of Indigenous grassroots resistance and
self-organization. The collective opens a space beyond binaries of the
fictional and the documentary as well as the past and the present. Meaning
“low tide” in the Emmiyengal language, karrabing refers to a form of
collectivity outside of government-imposed strictures of clanship or land
ownership. Shot on handheld cameras and phones, most of Karrabing’s films
dramatize and satirize the daily scenarios and obstacles that collective
members face in their various interactions with corporate and state
entities. Composing webs of nonlinear narratives that touch on cultural
memory, place, and ancestry by freely jumping in time and place, the
Karrabing Film Collective exposes and intervenes into the longstanding
facets of colonial violence—such as environmental devastation, land
restrictions, and economic exploitation— that impact members directly.

REDCAT presents a comprehensive look at the Karrabing Film Collective’s
work, surveying its existing films to date throughout the Fall. Programs
scheduled for 09/22, 10/27, and 11/22

The virtual screening is available for 24 hours after the event begins.
Virtual screenings do not include access to pre or post event talks.

*When the Dogs Talked* (2014, 33:56)
This thoughtful yet humorous drama details the difficulties Indigenous
communities have living within the strictures of modern white culture while
maintaining a sense of their own traditions and relationship to the land.
*Windjarrameru, The Stealing C*nt$* (2015, 36:33)
Teenage boys fall into a trap—presumably set to get them jailed for a minor
offense—and are pranked by ancestral spirits when they hide out in a toxic
mangrove.
*Day in the Life* (2020, 31:42)
It’s ordinary day in a small rural Indigenous community in which nothing
quite works and the authoritative hand of the government is a constant
shadowy presence over the community.

*FRIDAY, NOVEMBER 26, 2021*

*November 26 - November 29*
Venue type: *Both physical and online*
London International Animation Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1b5e62948f&e=857b71a9cb>
times vary, see below,
Close-Up Cinema, London, UK, E1 6HR
Event URL: http://www.edgeofframe.co.uk/edge-of-frame-at-liaf-2021/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6bc67a9ff0&e=857b71a9cb>
*LIAF Edge of Frame: Robert Breer: Two Programs*
*“I’d really like to have my films go ‘Fvoom!’ just like that – one split
second… But somehow, that’s not the way perception works.” *– Robert Breer

It is 10 years since the artist, filmmaker and animator Robert Breer died,
and his impact on experimental animation practice is greater than ever.
During his lengthy artistic career Breer collaborated with the likes of
Jean Tinguely and Claes Oldenberg, created kinetic sculptures that moved at
an almost imperceptible rate, and produced more than 40 influential and
groundbreaking films. As part of London International Animation Festival
2021, Edge of Frame presents two programmes exploring Breer’s substantial
legacy. The first programme; Fvoom! The Animated Films of Robert Breer
brings together a selection of his seminal works of experimental animation,
which collide radical discontinuity with cartooning and found materials,
formally daring one moment, daftly humorous the next. The second; After
Images, presents a range of work by contemporary animation artists who have
built on his myriad formal and conceptual innovations, taking his lead into
unexpected new directions. This programme shows the acute relevance Breer’s
work continues to have for artists working with animation in an uncertain
and unpredictable world.

*FVOOM! THE ANIMATED FILMS OF ROBERT BREER *Online only.
Viewable for 48 hours from 3pm GMT *Fri Nov 26*, 2021
TICKETS: https://watch.eventive.org/liaf2021/play/617838b4bc40c50036d855c7
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f2c1003369&e=857b71a9cb>


*Form Phases IV* (Robert Breer, 1954, USA, 3’30)
*Recreation* (Robert Breer, 1957, USA, 2’00)
*A Man and His Dog Out For Air* (Robert Breer, 1957, USA, 3’00)
*Blazes* (Robert Breer, 1961, USA, 3’00)
*Horse Over Tea Kettle* (Robert Breer, 1962, USA, 8’00)
*Breathing* (Robert Breer, 1963, USA, 5’00)
*Fist Fight* (Robert Breer, 1964, USA, 11’00)
*66* (Robert Breer, 1966, USA, 5’30)
*Gulls and Buoys* (Robert Breer, 1972, USA, 6’00)
*Fuji* (Robert Breer, 1973, USA, 9’00)
*LMNO* (Robert Breer, 1978, USA, 10’00)

////

*AFTER IMAGES* In-person and online
In person:: Close Up, London *Sat Nov 27*, 2021 3PM GMT – TICKETS:
https://www.ticketsource.co.uk/close-up-cinema/t-rmjvae
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3e8c88a498&e=857b71a9cb>
Online screening: Viewable for 48 hours from *Sat Nov 27*, 2021 3PM GMT –
TICKETS: https://watch.eventive.org/liaf2021/play/617ba9183e526700ab90a679
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=836fe42f1d&e=857b71a9cb>

*Pink Shoes*, Robin Clifford Ellis, 2020, 1’30 min
*6 Weeks in June*, Stuart Hilton, 1998, 6 min
*Ñam*, Elena Duque, 2014, 2 min
*Aqua, *Ira Vicari, 2021, 11 min
*Summer Fashion*, Peter Mack, 2021, 1 min
*I’m OK*, Elizabeth Hobbs, 2018, 6 min
*Unsubscribe #1: Special Offer Inside*, Jodie Mack, 2010, 4’30 min
*La Mar Salada*, Elena Duque, 2014, 3 min
*Intermediate Landscapes*, Richard Negre, 2018, 9’30 min
*And*, Peter Mack, 2016, 1 min
*Blue*, Jack Greeley-Ward, 2021, 3 min
*Reservoir*, Micah Weber, 2021, 8 min
*Enough to Drive You Mad*, Karen Yasinsky, 2009, 2’30 min
*Palms*, Mary Helena Clark, 2015, 8’30 min

Elizabeth Hobbs, Stuart Hilton and Jack Greeley-Ward will be in attendance
for a Q&A session

*___________________________________________________________________*

Venue type: *Virtual, online event*
Re:Voir
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=72705e07b8&e=857b71a9cb>
12:00 GMT,
Event URL: https://apps.apple.com/us/app/online-re-voir/id1545131544
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3ec1f09119&e=857b71a9cb>
*New films on the Re:Voir Online app*
The new Re:Voir Video app is available on iOS for iPhone and iPad, and will
be available soon for Android. App is free to download and clips and
trailers are free to watch. Subscribe for 8 euros monthly to watch all
films unlimited. 30 day free promo for all subscriptions now through the
end of the year.

NEW FILMS AVAILABLE FRIDAY NOV 26:
*Frame Line* (1983-2014, 22 min) by Gunvor Nelson
*Travel Songs* (1967-1981, 22 min) by Jonas Mekas
*Un Navet* (1977, 30 min) by Maurice Lemaitre
*Réseaux* (1978, 10 min) by Christian Lebrat
*Portrait 12: Steve Dwoskin - DynAmo* (2007, 10 min) by Pip Chodorov

*SATURDAY, NOVEMBER 27, 2021*

Venue type: *Live, physical event*
Other Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8327516d50&e=857b71a9cb>
8:00pm,
992 Valencia St, San Francisco, CA
*New Red Order*
As is our custom this time of year, OC flips the traditional Turkey
Day celebration of white-settler survivalists back into an acknowledgement
of the original inhabitants of the land being colonized. This year's
program of Native American media-art is given over to a feisty collective
of young makers who've made quite an international splash (*Art
*Forum, NYTimes, London
Times) with their non-stop stream of critical works--shorts, features, and
installations--that take oppositional positions on a wide range
of aboriginal issues...and in ways both comic and apocalyptic.
Principals Adam Khalil, Zack Khalil (Ojibway) and Jackson Polys (Tlingit)
presented here in person to a sold-out crowd two years ago, but this time
will be sending in a quiver of indigenous essays from the shooting-set of
their in-production *Nosferasta*...including a sneak peek of that same
project! Amongst the many other titles are *Culture Capture*, *Violence of
a Civilization*, plus trailers for both *Empty Metal* and *INAATE/SE/*. $8

*ONGOING*

Venue type: *Virtual, online event*
*Riverwest Radio*
https://www.riverwestradio.com/show/the-long-conversation/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0c58e4d440&e=857b71a9cb>
8pm ET,
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!

*___________________________________________________________________*

Venue type: *Virtual, online event*
*Ecstatic Static*
https://www.ecstaticstatic.com/screenings/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8bcfd0278f&e=857b71a9cb>
streaming 24/7
*ECSTATIC STATIC SCREENINGS*
We host regular online screenings of artists’ films and videos on the
landing page, as a way to share work both new and rare, that may otherwise
have a limited release. For more information on each artist and ways on how
to support their work, please see the links below.

*Screening No. 7: Five Films by Simon Liu*
Simon Liu, *Happy Valley*. 2020, 13 min
Simon Liu, *Signal 8*. 2019, 14 min
Simon Liu, *E-Ticket*. 2019, 13 min
Simon Liu, *Star Ferry*. 2018, 8 min
Simon Liu, *Fallen Arches*. 2018, 10 min

------------------------------



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